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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 99 108 it is the complementary color RGB 116 156 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 99 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 139 99 108: RGB 144 99 103, RGB 161 117 122, RGB 178 135 141, RGB 195 153 160 and RGB 212 171 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 99 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 139 99 108: RGB 139 99 108, RGB 122 81 89, RGB 105 63 70, RGB 88 45 51 and RGB 71 27 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 22 / 45

HEX #8B636C

RGB 139 99 108

HSL 346.5, 0.17%, 0.47%

LAB 46.31, 17.59, 1.36

 

Complementary color

CMYK 26 / 0 / 6 / 39

HEX #749C93

RGB 116 156 147

HSL 166.5, 0.17%, 0.53%

LAB 61.3, -15.62, 0.27

 

CMYK 0 / 31 / 28 / 44

HEX #906367

RGB 144 99 103

HSL 354.67, 0.19%, 0.48%

LAB 46.75, 18.81, 5.09

 

CMYK 0 / 27 / 24 / 37

HEX #A1757A

RGB 161 117 122

HSL 353.18, 0.19%, 0.55%

LAB 53.71, 18.04, 4.08

 

CMYK 0 / 24 / 21 / 30

HEX #B2878D

RGB 178 135 141

HSL 351.63, 0.22%, 0.61%

LAB 60.53, 17.35, 3.17

 

CMYK 0 / 22 / 18 / 24

HEX #C399A0

RGB 195 153 160

HSL 350, 0.26%, 0.68%

LAB 67.22, 16.75, 2.34

 

CMYK 0 / 19 / 16 / 17

HEX #D4ABB3

RGB 212 171 179

HSL 348.29, 0.32%, 0.75%

LAB 73.79, 16.2, 1.57

 

CMYK 0 / 29 / 22 / 45

HEX #8B636C

RGB 139 99 108

HSL 346.5, 0.17%, 0.47%

LAB 46.31, 17.59, 1.36

 

CMYK 0 / 34 / 27 / 52

HEX #7A5159

RGB 122 81 89

HSL 348.29, 0.2%, 0.4%

LAB 39.15, 18.4, 2.35

 

CMYK 0 / 40 / 33 / 59

HEX #693F46

RGB 105 63 70

HSL 350, 0.25%, 0.33%

LAB 31.81, 19.34, 3.52

 

CMYK 0 / 49 / 42 / 65

HEX #582D33

RGB 88 45 51

HSL 351.63, 0.32%, 0.26%

LAB 24.29, 20.43, 4.99

 

CMYK 0 / 62 / 55 / 72

HEX #471B20

RGB 71 27 32

HSL 353.18, 0.45%, 0.19%

LAB 16.64, 21.62, 7.03

 

CMYK 0 / 29 / 22 / 45

HEX #8B636C

RGB 139 99 108

HSL 346.5, 0.17%, 0.47%

LAB 46.31, 17.59, 1.36

 

CMYK 0 / 29 / 27 / 45

HEX #8C6366

RGB 140 99 102

HSL 355.61, 0.17%, 0.47%

LAB 46.26, 17.05, 4.92

 

CMYK 0 / 26 / 29 / 45

HEX #8C6763

RGB 140 103 99

HSL 5.85, 0.17%, 0.47%

LAB 47.21, 14.26, 8.07

 

CMYK 0 / 21 / 29 / 45

HEX #8C6E63

RGB 140 110 99

HSL 16.1, 0.17%, 0.47%

LAB 49.04, 10.16, 10.66

 

CMYK 0 / 16 / 29 / 45

HEX #8C7563

RGB 140 117 99

HSL 26.34, 0.17%, 0.47%

LAB 50.92, 6.09, 13.28

 

CMYK 0 / 29 / 22 / 45

HEX #8B636C

RGB 139 99 108

HSL 346.5, 0.17%, 0.47%

LAB 46.31, 17.59, 1.36

 

CMYK 0 / 29 / 22 / 25

HEX #BE8794

RGB 190 135 148

HSL 345.82, 0.3%, 0.64%

LAB 62.01, 22.97, 1.49

 

CMYK 0 / 29 / 22 / 5

HEX #F1ACBB

RGB 241 172 187

HSL 346.96, 0.71%, 0.81%

LAB 77.16, 27.37, 2.45

 

CMYK 0 / 30 / 22 / 85

HEX #251A1D

RGB 37 26 29

HSL 343.64, 0.17%, 0.12%

LAB 10.71, 6.08, 0.03

 

CMYK 0 / 28 / 23 / 65

HEX #583F44

RGB 88 63 68

HSL 348, 0.17%, 0.3%

LAB 29.53, 11.77, 1.25

 

CMYK 0 / 29 / 22 / 45

HEX #8B636C

RGB 139 99 108

HSL 346.5, 0.17%, 0.47%

LAB 46.31, 17.59, 1.36

 

CMYK 0 / 1 / 29 / 45

HEX #8C8A63

RGB 140 138 99

HSL 57.07, 0.17%, 0.47%

LAB 56.74, -5.8, 21.21

 

CMYK 29 / 11 / 0 / 45

HEX #637D8C

RGB 99 125 140

HSL 201.95, 0.17%, 0.47%

LAB 50.94, -5.63, -11.19

 

CMYK 0 / 29 / 22 / 45

HEX #8B636C

RGB 139 99 108

HSL 346.5, 0.17%, 0.47%

LAB 46.31, 17.59, 1.36

 

CMYK 23 / 0 / 29 / 45

HEX #6C8C63

RGB 108 140 99

HSL 106.83, 0.17%, 0.47%

LAB 54.91, -19.51, 18.34

 

CMYK 29 / 23 / 0 / 45

HEX #636C8C

RGB 99 108 140

HSL 226.83, 0.17%, 0.47%

LAB 46, 4.39, -18.68

 

CMYK 0 / 29 / 22 / 45

HEX #8B636C

RGB 139 99 108

HSL 346.5, 0.17%, 0.47%

LAB 46.31, 17.59, 1.36

 

CMYK 0 / 1 / 29 / 45

HEX #8C8A63

RGB 140 138 99

HSL 57.07, 0.17%, 0.47%

LAB 56.74, -5.8, 21.21

 

CMYK 29 / 0 / 7 / 45

HEX #638C82

RGB 99 140 130

HSL 165.37, 0.17%, 0.47%

LAB 55.09, -16.4, 0.79

 

CMYK 29 / 29 / 0 / 45

HEX #63648C

RGB 99 100 140

HSL 238.54, 0.17%, 0.47%

LAB 43.74, 9.27, -22.16

 

CMYK 0 / 29 / 22 / 45

HEX #8B636C

RGB 139 99 108

HSL 346.5, 0.17%, 0.47%

LAB 46.31, 17.59, 1.36

 

CMYK 8 / 0 / 29 / 45

HEX #818C63

RGB 129 140 99

HSL 76.1, 0.17%, 0.47%

LAB 56.41, -11.37, 20.62

 

CMYK 29 / 0 / 7 / 45

HEX #638C82

RGB 99 140 130

HSL 165.37, 0.17%, 0.47%

LAB 55.09, -16.4, 0.79

 

CMYK 21 / 29 / 0 / 45

HEX #6E638C

RGB 110 99 140

HSL 256.1, 0.17%, 0.47%

LAB 44.42, 13.47, -21.03

 

Description

Color code: RGB 139 99 108 | qconv.com Color code: RGB 139 99 108 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us. It is also known as pink4.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 99 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 99 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 22 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 22% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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