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Color name
RGB 139 103 199

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 103 199 it is the complementary color RGB 116 152 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 103 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139 103 199 shade: RGB 144 103 194, RGB 161 121 213, RGB 178 139 232, RGB 195 157 251 and RGB 212 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 103 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139 103 199 shade: RGB 139 103 199, RGB 122 85 180, RGB 105 67 161, RGB 88 49 142 and RGB 71 31 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139 103 199 shade: RGB 138 102 199, RGB 164 102 199, RGB 190 102 199, RGB 199 102 181 and RGB 199 102 155

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139 103 199 shade: RGB 138 102 199, RGB 112 102 199 and RGB 102 102 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139 103 199 shade matches the following richer shades: RGB 138 102 199, RGB 134 85 215, RGB 130 69 232 and RGB 126 52 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139 103 199 shade: RGB 138 102 199, RGB 143 119 182, RGB 147 136 165, RGB 151 153 148 and RGB 155 170 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139 103 199 shade: RGB 102 118 199, RGB 112 102 199, RGB 138 102 199, RGB 163 102 199 and RGB 189 102 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139 103 199 shade: RGB 97 59 159, RGB 115 72 187, RGB 138 102 199, RGB 161 132 210 and RGB 184 163 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139 103 199 shade: RGB 139 103 199, RGB 199 102 144 and RGB 106 199 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139 103 199 shade: RGB 139 103 199, RGB 199 138 102 and RGB 102 199 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139 103 199 shade: RGB 139 103 199, RGB 199 102 144, RGB 163 199 102 and RGB 102 199 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139 103 199 shade: RGB 139 103 199, RGB 199 102 115, RGB 163 199 102 and RGB 102 199 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 48 / 0 / 22

HEX #8B67C7

RGB 139 103 199

HSL 262.5, 0.46%, 0.59%

LAB 51.05, 34.75, -45.02

 

Complementary color

CMYK 24 / 0 / 63 / 40

HEX #749838

RGB 116 152 56

HSL 82.5, 0.46%, 0.41%

LAB 58.47, -27.88, 45.19

 

CMYK 26 / 47 / 0 / 24

HEX #9067C2

RGB 144 103 194

HSL 267.03, 0.43%, 0.58%

LAB 51.3, 34.88, -41.73

 

CMYK 24 / 43 / 0 / 16

HEX #A179D5

RGB 161 121 213

HSL 266.09, 0.52%, 0.65%

LAB 58.09, 33.99, -41.7

 

CMYK 23 / 40 / 0 / 9

HEX #B28BE8

RGB 178 139 232

HSL 265.16, 0.67%, 0.73%

LAB 64.77, 33.17, -41.69

 

CMYK 22 / 37 / 0 / 2

HEX #C39DFB

RGB 195 157 251

HSL 264.26, 0.92%, 0.8%

LAB 71.34, 32.42, -41.7

 

CMYK 17 / 31 / 0 / 0

HEX #D4AFFF

RGB 212 175 255

HSL 267.75, 1%, 0.84%

LAB 77.21, 28.43, -34.63

 

CMYK 30 / 48 / 0 / 22

HEX #8B67C7

RGB 139 103 199

HSL 262.5, 0.46%, 0.59%

LAB 51.05, 34.75, -45.02

 

CMYK 32 / 53 / 0 / 29

HEX #7A55B4

RGB 122 85 180

HSL 263.37, 0.39%, 0.52%

LAB 44.13, 35.77, -45.12

 

CMYK 35 / 58 / 0 / 37

HEX #6943A1

RGB 105 67 161

HSL 264.26, 0.41%, 0.45%

LAB 37.1, 36.85, -45.22

 

CMYK 38 / 65 / 0 / 44

HEX #58318E

RGB 88 49 142

HSL 265.16, 0.49%, 0.37%

LAB 29.97, 37.93, -45.24

 

CMYK 42 / 75 / 0 / 52

HEX #471F7B

RGB 71 31 123

HSL 266.09, 0.6%, 0.3%

LAB 22.83, 38.82, -45.04

 

CMYK 31 / 49 / 0 / 22

HEX #8A66C7

RGB 138 102 199

HSL 262.27, 0.46%, 0.59%

LAB 50.72, 35.06, -45.55

 

CMYK 18 / 49 / 0 / 22

HEX #A466C7

RGB 164 102 199

HSL 278.35, 0.46%, 0.59%

LAB 53.51, 42.2, -40.95

 

CMYK 5 / 49 / 0 / 22

HEX #BE66C7

RGB 190 102 199

HSL 294.43, 0.46%, 0.59%

LAB 56.66, 49.57, -35.79

 

CMYK 0 / 49 / 9 / 22

HEX #C766B5

RGB 199 102 181

HSL 311.13, 0.46%, 0.59%

LAB 57.06, 49.01, -24.77

 

CMYK 0 / 49 / 22 / 22

HEX #C7669B

RGB 199 102 155

HSL 327.22, 0.46%, 0.59%

LAB 56.1, 44.93, -11.17

 

CMYK 31 / 49 / 0 / 22

HEX #8A66C7

RGB 138 102 199

HSL 262.27, 0.46%, 0.59%

LAB 50.72, 35.06, -45.55

 

CMYK 44 / 49 / 0 / 22

HEX #7066C7

RGB 112 102 199

HSL 246.19, 0.46%, 0.59%

LAB 48.35, 28.42, -49.47

 

CMYK 49 / 49 / 0 / 22

HEX #6666C7

RGB 102 102 199

HSL 240, 0.46%, 0.59%

LAB 47.56, 26.08, -50.77

 

CMYK 31 / 49 / 0 / 22

HEX #8A66C7

RGB 138 102 199

HSL 262.27, 0.46%, 0.59%

LAB 50.72, 35.06, -45.55

 

CMYK 38 / 60 / 0 / 16

HEX #8655D7

RGB 134 85 215

HSL 262.62, 0.62%, 0.59%

LAB 47.59, 47.75, -59.74

 

CMYK 44 / 70 / 0 / 9

HEX #8245E8

RGB 130 69 232

HSL 262.45, 0.78%, 0.59%

LAB 45.4, 59.51, -72.97

 

CMYK 49 / 79 / 0 / 2

HEX #7E34F9

RGB 126 52 249

HSL 262.54, 0.94%, 0.59%

LAB 43.84, 70.45, -85.11

 

CMYK 31 / 49 / 0 / 22

HEX #8A66C7

RGB 138 102 199

HSL 262.27, 0.46%, 0.59%

LAB 50.72, 35.06, -45.55

 

CMYK 21 / 35 / 0 / 29

HEX #8F77B6

RGB 143 119 182

HSL 262.86, 0.3%, 0.59%

LAB 54.46, 22.39, -29.87

 

CMYK 11 / 18 / 0 / 35

HEX #9388A5

RGB 147 136 165

HSL 262.76, 0.14%, 0.59%

LAB 58.53, 9.94, -13.84

 

CMYK 1 / 0 / 3 / 40

HEX #979994

RGB 151 153 148

HSL 84, 0.02%, 0.59%

LAB 62.93, -1.68, 2.36

 

CMYK 9 / 0 / 23 / 33

HEX #9BAA83

RGB 155 170 131

HSL 83.08, 0.19%, 0.59%

LAB 67.54, -12.31, 18.39

RGB 155 170 131

CMYK 49 / 41 / 0 / 22

HEX #6676C7

RGB 102 118 199

HSL 230.1, 0.46%, 0.59%

LAB 51.73, 16.29, -44.13

 

CMYK 44 / 49 / 0 / 22

HEX #7066C7

RGB 112 102 199

HSL 246.19, 0.46%, 0.59%

LAB 48.35, 28.42, -49.47

 

CMYK 31 / 49 / 0 / 22

HEX #8A66C7

RGB 138 102 199

HSL 262.27, 0.46%, 0.59%

LAB 50.72, 35.06, -45.55

 

CMYK 18 / 49 / 0 / 22

HEX #A366C7

RGB 163 102 199

HSL 277.73, 0.46%, 0.59%

LAB 53.4, 41.92, -41.14

 

CMYK 5 / 49 / 0 / 22

HEX #BD66C7

RGB 189 102 199

HSL 293.81, 0.46%, 0.59%

LAB 56.53, 49.29, -36

 

CMYK 39 / 63 / 0 / 38

HEX #613B9F

RGB 97 59 159

HSL 262.8, 0.46%, 0.43%

LAB 34.34, 38.98, -48.5

 

CMYK 39 / 61 / 0 / 27

HEX #7348BB

RGB 115 72 187

HSL 262.43, 0.46%, 0.51%

LAB 41, 43.31, -54.29

 

CMYK 31 / 49 / 0 / 22

HEX #8A66C7

RGB 138 102 199

HSL 262.27, 0.46%, 0.59%

LAB 50.72, 35.06, -45.55

 

CMYK 23 / 37 / 0 / 18

HEX #A184D2

RGB 161 132 210

HSL 262.31, 0.46%, 0.67%

LAB 60.55, 27.01, -36.17

 

CMYK 17 / 26 / 0 / 13

HEX #B8A3DD

RGB 184 163 221

HSL 261.72, 0.46%, 0.75%

LAB 70.6, 19.06, -26.55

 

CMYK 30 / 48 / 0 / 22

HEX #8B67C7

RGB 139 103 199

HSL 262.5, 0.46%, 0.59%

LAB 51.05, 34.75, -45.02

 

CMYK 0 / 49 / 28 / 22

HEX #C76690

RGB 199 102 144

HSL 334.02, 0.46%, 0.59%

LAB 55.74, 43.38, -5.27

 

CMYK 47 / 0 / 49 / 22

HEX #6AC766

RGB 106 199 102

HSL 117.53, 0.46%, 0.59%

LAB 72.81, -47.09, 39.97

 

CMYK 30 / 48 / 0 / 22

HEX #8B67C7

RGB 139 103 199

HSL 262.5, 0.46%, 0.59%

LAB 51.05, 34.75, -45.02

 

CMYK 0 / 31 / 49 / 22

HEX #C78A66

RGB 199 138 102

HSL 22.27, 0.46%, 0.59%

LAB 62.74, 19.11, 28.57

 

CMYK 49 / 0 / 31 / 22

HEX #66C78A

RGB 102 199 138

HSL 142.27, 0.46%, 0.59%

LAB 73.22, -42.31, 21.95

 

CMYK 30 / 48 / 0 / 22

HEX #8B67C7

RGB 139 103 199

HSL 262.5, 0.46%, 0.59%

LAB 51.05, 34.75, -45.02

 

CMYK 0 / 49 / 28 / 22

HEX #C76690

RGB 199 102 144

HSL 334.02, 0.46%, 0.59%

LAB 55.74, 43.38, -5.27

 

CMYK 18 / 0 / 49 / 22

HEX #A3C766

RGB 163 199 102

HSL 82.27, 0.46%, 0.59%

LAB 75.82, -27.67, 44.35

 

CMYK 49 / 0 / 21 / 22

HEX #66C79D

RGB 102 199 157

HSL 154.02, 0.46%, 0.59%

LAB 73.61, -38.47, 12.34

 

CMYK 30 / 48 / 0 / 22

HEX #8B67C7

RGB 139 103 199

HSL 262.5, 0.46%, 0.59%

LAB 51.05, 34.75, -45.02

 

CMYK 0 / 49 / 42 / 22

HEX #C76673

RGB 199 102 115

HSL 351.96, 0.46%, 0.59%

LAB 54.95, 39.82, 10.6

 

CMYK 18 / 0 / 49 / 22

HEX #A3C766

RGB 163 199 102

HSL 82.27, 0.46%, 0.59%

LAB 75.82, -27.67, 44.35

 

CMYK 49 / 0 / 7 / 22

HEX #66C7BA

RGB 102 199 186

HSL 171.96, 0.46%, 0.59%

LAB 74.33, -31.76, -2.31

 

Description

Color code: RGB 139 103 199 | qconv.com Color code: RGB 139 103 199 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 103 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 103 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 48 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 48% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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