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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139.9 128.2 224 it is the complementary color RGB 115.1 126.8 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139.9 128.2 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139.9 128.2 224 shade: RGB 144.9 128.2 219, RGB 161.9 146.2 238, RGB 178.9 164.2 255, RGB 195.9 182.2 255 and RGB 212.9 200.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139.9 128.2 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139.9 128.2 224 shade: RGB 139.9 128.2 224, RGB 122.9 110.2 205, RGB 105.9 92.2 186, RGB 88.9 74.2 167 and RGB 71.9 56.2 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139.9 128.2 224 shade: RGB 140 128 224, RGB 166 128 224, RGB 192 128 224, RGB 218 128 224 and RGB 224 128 205

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139.9 128.2 224 shade: RGB 140 128 224 and RGB 128 128 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139.9 128.2 224 shade matches the following richer shades: RGB 140 128 224, RGB 130 115 237 and RGB 120 102 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139.9 128.2 224 shade: RGB 140 128 224, RGB 149 141 211, RGB 159 153 199, RGB 169 166 186 and RGB 178 179 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139.9 128.2 224 shade: RGB 128 168 224, RGB 128 142 224, RGB 139 128 224, RGB 165 128 224 and RGB 190 128 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139.9 128.2 224 shade: RGB 79 61 208, RGB 109 95 216, RGB 140 128 224, RGB 170 161 232 and RGB 200 194 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139.9 128.2 224 shade: RGB 139.9 128.2 224, RGB 224 128 194 and RGB 155 224 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139.9 128.2 224 shade: RGB 139.9 128.2 224, RGB 224 139 128 and RGB 128 224 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139.9 128.2 224 shade: RGB 139.9 128.2 224, RGB 224 128 194, RGB 213 224 128 and RGB 128 224 158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139.9 128.2 224 shade: RGB 139.9 128.2 224, RGB 224 128 165, RGB 213 224 128 and RGB 128 224 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 43 / 0 / 12

HEX #8B80E0

RGB 139.9 128.2 224

HSL 247.33, 0.61%, 0.69%

LAB 58.45, 26.92, -47.43

 

Complementary color

CMYK 9 / 0 / 76 / 50

HEX #737E1F

RGB 115.1 126.8 31

HSL 67.33, 0.61%, 0.31%

LAB 50.54, -17.26, 47.4

 

CMYK 34 / 41 / 0 / 14

HEX #9080DB

RGB 144.9 128.2 219

HSL 251.04, 0.56%, 0.68%

LAB 58.62, 26.9, -44.34

 

CMYK 32 / 39 / 0 / 7

HEX #A192EE

RGB 161.9 146.2 238

HSL 250.26, 0.73%, 0.75%

LAB 65.33, 26.07, -44.22

 

CMYK 30 / 36 / 0 / 0

HEX #B2A4FF

RGB 178.9 164.2 255

HSL 249.71, 1%, 0.82%

LAB 71.84, 24.83, -43.2

 

CMYK 23 / 29 / 0 / 0

HEX #C3B6FF

RGB 195.9 182.2 255

HSL 251.29, 1%, 0.86%

LAB 77.57, 19.71, -34.18

 

CMYK 17 / 21 / 0 / 0

HEX #D4C8FF

RGB 212.9 200.2 255

HSL 253.91, 1%, 0.89%

LAB 83.31, 15.06, -25.25

 

CMYK 38 / 43 / 0 / 12

HEX #8B80E0

RGB 139.9 128.2 224

HSL 247.33, 0.61%, 0.69%

LAB 58.45, 26.92, -47.43

 

CMYK 40 / 46 / 0 / 20

HEX #7A6ECD

RGB 122.9 110.2 205

HSL 248.04, 0.49%, 0.62%

LAB 51.62, 27.92, -47.64

 

CMYK 43 / 50 / 0 / 27

HEX #695CBA

RGB 105.9 92.2 186

HSL 248.76, 0.4%, 0.55%

LAB 44.65, 29.07, -47.89

 

CMYK 47 / 56 / 0 / 35

HEX #584AA7

RGB 88.9 74.2 167

HSL 249.5, 0.38%, 0.47%

LAB 37.54, 30.4, -48.18

 

CMYK 51 / 62 / 0 / 42

HEX #473894

RGB 71.9 56.2 148

HSL 250.26, 0.45%, 0.4%

LAB 30.3, 31.92, -48.47

 

CMYK 38 / 43 / 0 / 12

HEX #8C80E0

RGB 140 128 224

HSL 247.5, 0.61%, 0.69%

LAB 58.41, 27.06, -47.49

 

CMYK 26 / 43 / 0 / 12

HEX #A680E0

RGB 166 128 224

HSL 263.75, 0.61%, 0.69%

LAB 60.72, 34.07, -43.7

 

CMYK 14 / 43 / 0 / 12

HEX #C080E0

RGB 192 128 224

HSL 280, 0.61%, 0.69%

LAB 63.36, 41.48, -39.35

 

CMYK 3 / 43 / 0 / 12

HEX #DA80E0

RGB 218 128 224

HSL 296.25, 0.61%, 0.69%

LAB 66.31, 49.08, -34.54

 

CMYK 0 / 43 / 8 / 12

HEX #E080CD

RGB 224 128 205

HSL 311.88, 0.61%, 0.69%

LAB 66.29, 47.54, -23.93

 

CMYK 38 / 43 / 0 / 12

HEX #8C80E0

RGB 140 128 224

HSL 247.5, 0.61%, 0.69%

LAB 58.41, 27.06, -47.49

 

CMYK 43 / 43 / 0 / 12

HEX #8080E0

RGB 128 128 224

HSL 240, 0.61%, 0.69%

LAB 57.47, 24.03, -49.04

 

CMYK 38 / 43 / 0 / 12

HEX #8C80E0

RGB 140 128 224

HSL 247.5, 0.61%, 0.69%

LAB 58.41, 27.06, -47.49

 

CMYK 45 / 51 / 0 / 7

HEX #8273ED

RGB 130 115 237

HSL 247.38, 0.77%, 0.69%

LAB 55.2, 35.89, -59.92

 

CMYK 52 / 59 / 0 / 2

HEX #7866FA

RGB 120 102 250

HSL 247.3, 0.94%, 0.69%

LAB 52.28, 45.17, -71.9

 

CMYK 38 / 43 / 0 / 12

HEX #8C80E0

RGB 140 128 224

HSL 247.5, 0.61%, 0.69%

LAB 58.41, 27.06, -47.49

 

CMYK 29 / 33 / 0 / 17

HEX #958DD3

RGB 149 141 211

HSL 246.86, 0.44%, 0.69%

LAB 61.78, 18.56, -34.88

 

CMYK 20 / 23 / 0 / 22

HEX #9F99C7

RGB 159 153 199

HSL 247.83, 0.29%, 0.69%

LAB 65.18, 11.84, -22.85

 

CMYK 9 / 11 / 0 / 27

HEX #A9A6BA

RGB 169 166 186

HSL 249, 0.13%, 0.69%

LAB 68.93, 5.01, -9.88

 

CMYK 1 / 0 / 3 / 30

HEX #B2B3AD

RGB 178 179 173

HSL 70, 0.04%, 0.69%

LAB 72.71, -1.46, 2.93

 

CMYK 43 / 25 / 0 / 12

HEX #80A8E0

RGB 128 168 224

HSL 215, 0.61%, 0.69%

LAB 68, 0.88, -32.53

 

CMYK 43 / 37 / 0 / 12

HEX #808EE0

RGB 128 142 224

HSL 231.25, 0.61%, 0.69%

LAB 61.06, 15.79, -43.37

 

CMYK 38 / 43 / 0 / 12

HEX #8B80E0

RGB 139 128 224

HSL 246.88, 0.61%, 0.69%

LAB 58.33, 26.8, -47.63

 

CMYK 26 / 43 / 0 / 12

HEX #A580E0

RGB 165 128 224

HSL 263.13, 0.61%, 0.69%

LAB 60.62, 33.8, -43.85

 

CMYK 15 / 43 / 0 / 12

HEX #BE80E0

RGB 190 128 224

HSL 278.75, 0.61%, 0.69%

LAB 63.15, 40.91, -39.71

 

CMYK 62 / 71 / 0 / 18

HEX #4F3DD0

RGB 79 61 208

HSL 247.35, 0.61%, 0.53%

LAB 37.03, 49.09, -73.14

 

CMYK 50 / 56 / 0 / 15

HEX #6D5FD8

RGB 109 95 216

HSL 246.94, 0.61%, 0.61%

LAB 47.49, 36.99, -60.59

 

CMYK 38 / 43 / 0 / 12

HEX #8C80E0

RGB 140 128 224

HSL 247.5, 0.61%, 0.69%

LAB 58.41, 27.06, -47.49

 

CMYK 27 / 31 / 0 / 9

HEX #AAA1E8

RGB 170 161 232

HSL 247.61, 0.61%, 0.77%

LAB 69.37, 18.48, -34.57

 

CMYK 17 / 19 / 0 / 6

HEX #C8C2F0

RGB 200 194 240

HSL 247.83, 0.61%, 0.85%

LAB 80.27, 11.19, -21.98

 

CMYK 38 / 43 / 0 / 12

HEX #8B80E0

RGB 139.9 128.2 224

HSL 247.33, 0.61%, 0.69%

LAB 58.45, 26.92, -47.43

 

CMYK 0 / 43 / 13 / 12

HEX #E080C2

RGB 224 128 194

HSL 318.75, 0.61%, 0.69%

LAB 65.89, 45.75, -18.37

 

CMYK 31 / 0 / 43 / 12

HEX #9BE080

RGB 155 224 128

HSL 103.13, 0.61%, 0.69%

LAB 82.83, -38.99, 40.2

 

CMYK 38 / 43 / 0 / 12

HEX #8B80E0

RGB 139.9 128.2 224

HSL 247.33, 0.61%, 0.69%

LAB 58.45, 26.92, -47.43

 

CMYK 0 / 38 / 43 / 12

HEX #E08B80

RGB 224 139 128

HSL 6.87, 0.61%, 0.69%

LAB 66.42, 31.14, 19.58

 

CMYK 43 / 0 / 38 / 12

HEX #80E08B

RGB 128 224 139

HSL 126.88, 0.61%, 0.69%

LAB 81.71, -45.79, 32.99

 

CMYK 38 / 43 / 0 / 12

HEX #8B80E0

RGB 139.9 128.2 224

HSL 247.33, 0.61%, 0.69%

LAB 58.45, 26.92, -47.43

 

CMYK 0 / 43 / 13 / 12

HEX #E080C2

RGB 224 128 194

HSL 318.75, 0.61%, 0.69%

LAB 65.89, 45.75, -18.37

 

CMYK 5 / 0 / 43 / 12

HEX #D5E080

RGB 213 224 128

HSL 66.88, 0.61%, 0.69%

LAB 86.51, -17.78, 45.62

 

CMYK 43 / 0 / 29 / 12

HEX #80E09E

RGB 128 224 158

HSL 138.75, 0.61%, 0.69%

LAB 82.04, -42.56, 23.67

 

CMYK 38 / 43 / 0 / 12

HEX #8B80E0

RGB 139.9 128.2 224

HSL 247.33, 0.61%, 0.69%

LAB 58.45, 26.92, -47.43

 

CMYK 0 / 43 / 26 / 12

HEX #E080A5

RGB 224 128 165

HSL 336.88, 0.61%, 0.69%

LAB 64.96, 41.44, -3.38

 

CMYK 5 / 0 / 43 / 12

HEX #D5E080

RGB 213 224 128

HSL 66.88, 0.61%, 0.69%

LAB 86.51, -17.78, 45.62

 

CMYK 43 / 0 / 17 / 12

HEX #80E0BB

RGB 128 224 187

HSL 156.88, 0.61%, 0.69%

LAB 82.64, -36.85, 9.32

 

Description

Color code: RGB 139.9 128.2 224 | qconv.com Color code: RGB 139.9 128.2 224 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139.9 red, 128.2 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139.9 128.2 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 43 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 43% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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