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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139.7 74.6 153 it is the complementary color RGB 115.3 180.4 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139.7 74.6 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139.7 74.6 153 shade: RGB 144.7 74.6 148, RGB 161.7 92.6 167, RGB 178.7 110.6 186, RGB 195.7 128.6 205 and RGB 212.7 146.6 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139.7 74.6 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139.7 74.6 153 shade: RGB 139.7 74.6 153, RGB 122.7 56.6 134, RGB 105.7 38.6 115, RGB 88.7 20.6 96 and RGB 71.7 2.6 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139.7 74.6 153 shade: RGB 141 76 154, RGB 154 76 146, RGB 154 76 125, RGB 154 76 104 and RGB 154 76 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139.7 74.6 153 shade: RGB 141 76 154, RGB 119 76 154, RGB 98 76 154, RGB 77 76 154 and RGB 76 76 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139.7 74.6 153 shade matches the following richer shades: RGB 141 76 154, RGB 153 57 172, RGB 165 39 191, RGB 177 20 209 and RGB 190 1 228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139.7 74.6 153 shade: RGB 141 76 154, RGB 128 94 135, RGB 116 113 117, RGB 104 131 98 and RGB 91 150 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139.7 74.6 153 shade: RGB 98 76 154, RGB 119 76 154, RGB 139 76 154, RGB 154 76 147 and RGB 154 76 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139.7 74.6 153 shade: RGB 90 49 98, RGB 115 62 126, RGB 141 76 154, RGB 162 95 176 and RGB 178 122 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139.7 74.6 153 shade: RGB 139.7 74.6 153, RGB 154 77 76 and RGB 76 154 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139.7 74.6 153 shade: RGB 139.7 74.6 153, RGB 154 139 76 and RGB 76 154 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139.7 74.6 153 shade: RGB 139.7 74.6 153, RGB 154 77 76, RGB 90 154 76 and RGB 76 152 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139.7 74.6 153 shade: RGB 139.7 74.6 153, RGB 154 100 76, RGB 90 154 76 and RGB 76 129 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 51 / 0 / 40

HEX #8B4A99

RGB 139.7 74.6 153

HSL 289.82, 0.34%, 0.45%

LAB 42.5, 40.21, -31.57

 

Complementary color

CMYK 36 / 0 / 43 / 29

HEX #73B466

RGB 115.3 180.4 102

HSL 109.82, 0.34%, 0.55%

LAB 67.6, -36.13, 33.5

 

CMYK 2 / 50 / 0 / 42

HEX #904A94

RGB 144.7 74.6 148

HSL 297.3, 0.33%, 0.44%

LAB 42.93, 40.69, -27.85

 

CMYK 3 / 45 / 0 / 35

HEX #A15CA7

RGB 161.7 92.6 167

HSL 295.73, 0.3%, 0.51%

LAB 49.74, 39.95, -28.35

 

CMYK 4 / 41 / 0 / 27

HEX #B26EBA

RGB 178.7 110.6 186

HSL 294.19, 0.35%, 0.58%

LAB 56.46, 39.18, -28.77

 

CMYK 5 / 37 / 0 / 20

HEX #C380CD

RGB 195.7 128.6 205

HSL 292.7, 0.43%, 0.65%

LAB 63.09, 38.41, -29.13

 

CMYK 5 / 35 / 0 / 12

HEX #D492E0

RGB 212.7 146.6 224

HSL 291.24, 0.56%, 0.73%

LAB 69.63, 37.68, -29.45

 

CMYK 9 / 51 / 0 / 40

HEX #8B4A99

RGB 139.7 74.6 153

HSL 289.82, 0.34%, 0.45%

LAB 42.5, 40.21, -31.57

 

CMYK 8 / 58 / 0 / 47

HEX #7A3886

RGB 122.7 56.6 134

HSL 291.24, 0.41%, 0.37%

LAB 35.59, 40.88, -31.06

 

CMYK 8 / 66 / 0 / 55

HEX #692673

RGB 105.7 38.6 115

HSL 292.7, 0.5%, 0.3%

LAB 28.66, 41.26, -30.28

 

CMYK 8 / 79 / 0 / 62

HEX #581460

RGB 88.7 20.6 96

HSL 294.19, 0.65%, 0.23%

LAB 21.85, 40.92, -28.99

 

CMYK 7 / 97 / 0 / 70

HEX #47024D

RGB 71.7 2.6 77

HSL 295.73, 0.93%, 0.16%

LAB 15.27, 39.4, -26.92

 

CMYK 8 / 51 / 0 / 40

HEX #8D4C9A

RGB 141 76 154

HSL 290, 0.34%, 0.45%

LAB 43.01, 40.04, -31.35

 

CMYK 0 / 51 / 5 / 40

HEX #9A4C92

RGB 154 76 146

HSL 306.15, 0.34%, 0.45%

LAB 44.4, 42.42, -24.26

 

CMYK 0 / 51 / 19 / 40

HEX #9A4C7D

RGB 154 76 125

HSL 322.31, 0.34%, 0.45%

LAB 43.54, 38.84, -12.86

 

CMYK 0 / 51 / 32 / 40

HEX #9A4C68

RGB 154 76 104

HSL 338.46, 0.34%, 0.45%

LAB 42.82, 35.75, -1.05

 

CMYK 0 / 51 / 46 / 40

HEX #9A4C53

RGB 154 76 83

HSL 354.62, 0.34%, 0.45%

LAB 42.25, 33.21, 11.09

 

CMYK 8 / 51 / 0 / 40

HEX #8D4C9A

RGB 141 76 154

HSL 290, 0.34%, 0.45%

LAB 43.01, 40.04, -31.35

 

CMYK 23 / 51 / 0 / 40

HEX #774C9A

RGB 119 76 154

HSL 273.08, 0.34%, 0.45%

LAB 40.29, 33.61, -35.83

 

CMYK 36 / 51 / 0 / 40

HEX #624C9A

RGB 98 76 154

HSL 256.92, 0.34%, 0.45%

LAB 38.02, 27.74, -39.57

 

CMYK 50 / 51 / 0 / 40

HEX #4D4C9A

RGB 77 76 154

HSL 240.77, 0.34%, 0.45%

LAB 36.14, 22.41, -42.69

 

CMYK 51 / 51 / 0 / 40

HEX #4C4C9A

RGB 76 76 154

HSL 240, 0.34%, 0.45%

LAB 36.06, 22.17, -42.82

 

CMYK 8 / 51 / 0 / 40

HEX #8D4C9A

RGB 141 76 154

HSL 290, 0.34%, 0.45%

LAB 43.01, 40.04, -31.35

 

CMYK 11 / 67 / 0 / 33

HEX #9939AC

RGB 153 57 172

HSL 290.09, 0.5%, 0.45%

LAB 42.27, 56.04, -43.14

 

CMYK 14 / 80 / 0 / 25

HEX #A527BF

RGB 165 39 191

HSL 289.74, 0.66%, 0.45%

LAB 43.08, 68.44, -52.94

 

CMYK 15 / 90 / 0 / 18

HEX #B114D1

RGB 177 20 209

HSL 289.84, 0.83%, 0.45%

LAB 44.87, 77.63, -60.4

 

CMYK 17 / 100 / 0 / 11

HEX #BE01E4

RGB 190 1 228

HSL 289.96, 0.99%, 0.45%

LAB 47.71, 84.6, -66.57

 

CMYK 8 / 51 / 0 / 40

HEX #8D4C9A

RGB 141 76 154

HSL 290, 0.34%, 0.45%

LAB 43.01, 40.04, -31.35

 

CMYK 5 / 30 / 0 / 47

HEX #805E87

RGB 128 94 135

HSL 289.76, 0.18%, 0.45%

LAB 44.72, 21.51, -17.41

 

CMYK 1 / 3 / 0 / 54

HEX #747175

RGB 116 113 117

HSL 285, 0.02%, 0.45%

LAB 48.02, 1.96, -1.81

 

CMYK 21 / 0 / 25 / 49

HEX #688362

RGB 104 131 98

HSL 109.09, 0.14%, 0.45%

LAB 51.9, -16.43, 14.75

 

CMYK 39 / 0 / 47 / 41

HEX #5B964F

RGB 91 150 79

HSL 109.86, 0.31%, 0.45%

LAB 56.68, -33.63, 31.42

 

CMYK 36 / 51 / 0 / 40

HEX #624C9A

RGB 98 76 154

HSL 256.92, 0.34%, 0.45%

LAB 38.02, 27.74, -39.57

 

CMYK 23 / 51 / 0 / 40

HEX #774C9A

RGB 119 76 154

HSL 273.08, 0.34%, 0.45%

LAB 40.29, 33.61, -35.83

 

CMYK 10 / 51 / 0 / 40

HEX #8B4C9A

RGB 139 76 154

HSL 288.46, 0.34%, 0.45%

LAB 42.75, 39.45, -31.78

 

CMYK 0 / 51 / 5 / 40

HEX #9A4C93

RGB 154 76 147

HSL 305.38, 0.34%, 0.45%

LAB 44.44, 42.6, -24.79

 

CMYK 0 / 51 / 18 / 40

HEX #9A4C7E

RGB 154 76 126

HSL 321.54, 0.34%, 0.45%

LAB 43.57, 39, -13.42

 

CMYK 8 / 50 / 0 / 62

HEX #5A3162

RGB 90 49 98

HSL 290.2, 0.33%, 0.29%

LAB 27.44, 27.4, -21.45

 

CMYK 9 / 51 / 0 / 51

HEX #733E7E

RGB 115 62 126

HSL 289.69, 0.34%, 0.37%

LAB 35.2, 34, -26.8

 

CMYK 8 / 51 / 0 / 40

HEX #8D4C9A

RGB 141 76 154

HSL 290, 0.34%, 0.45%

LAB 43.01, 40.04, -31.35

 

CMYK 8 / 46 / 0 / 31

HEX #A25FB0

RGB 162 95 176

HSL 289.63, 0.34%, 0.53%

LAB 50.69, 40.54, -32.13

 

CMYK 6 / 36 / 0 / 25

HEX #B27ABE

RGB 178 122 190

HSL 289.41, 0.34%, 0.61%

LAB 59.07, 33.49, -27.02

 

CMYK 9 / 51 / 0 / 40

HEX #8B4A99

RGB 139.7 74.6 153

HSL 289.82, 0.34%, 0.45%

LAB 42.5, 40.21, -31.57

 

CMYK 0 / 50 / 51 / 40

HEX #9A4D4C

RGB 154 77 76

HSL 0.77, 0.34%, 0.45%

LAB 42.31, 31.95, 15.46

 

CMYK 51 / 0 / 30 / 40

HEX #4C9A6C

RGB 76 154 108

HSL 144.62, 0.34%, 0.45%

LAB 57.78, -34.97, 16.95

 

CMYK 9 / 51 / 0 / 40

HEX #8B4A99

RGB 139.7 74.6 153

HSL 289.82, 0.34%, 0.45%

LAB 42.5, 40.21, -31.57

 

CMYK 0 / 10 / 51 / 40

HEX #9A8B4C

RGB 154 139 76

HSL 48.46, 0.34%, 0.45%

LAB 57.9, -3.11, 35.5

 

CMYK 51 / 0 / 10 / 40

HEX #4C9A8B

RGB 76 154 139

HSL 168.46, 0.34%, 0.45%

LAB 58.52, -27.85, 0.5

 

CMYK 9 / 51 / 0 / 40

HEX #8B4A99

RGB 139.7 74.6 153

HSL 289.82, 0.34%, 0.45%

LAB 42.5, 40.21, -31.57

 

CMYK 0 / 50 / 51 / 40

HEX #9A4D4C

RGB 154 77 76

HSL 0.77, 0.34%, 0.45%

LAB 42.31, 31.95, 15.46

 

CMYK 42 / 0 / 51 / 40

HEX #5A9A4C

RGB 90 154 76

HSL 109.23, 0.34%, 0.45%

LAB 57.85, -36.2, 34.41

 

CMYK 51 / 1 / 0 / 40

HEX #4C989A

RGB 76 152 154

HSL 181.54, 0.34%, 0.45%

LAB 58.35, -22.85, -8.29

 

CMYK 9 / 51 / 0 / 40

HEX #8B4A99

RGB 139.7 74.6 153

HSL 289.82, 0.34%, 0.45%

LAB 42.5, 40.21, -31.57

 

CMYK 0 / 35 / 51 / 40

HEX #9A644C

RGB 154 100 76

HSL 18.46, 0.34%, 0.45%

LAB 47.63, 19.04, 22.55

 

CMYK 42 / 0 / 51 / 40

HEX #5A9A4C

RGB 90 154 76

HSL 109.23, 0.34%, 0.45%

LAB 57.85, -36.2, 34.41

 

CMYK 51 / 16 / 0 / 40

HEX #4C819A

RGB 76 129 154

HSL 199.23, 0.34%, 0.45%

LAB 51.35, -10.45, -18.86

 

Description

Color code: RGB 139.7 74.6 153 | qconv.com Color code: RGB 139.7 74.6 153 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139.7 red, 74.6 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139.7 74.6 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 51 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 51% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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