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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139.1 219 135 it is the complementary color RGB 115.9 36 120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139.1 219 135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139.1 219 135 shade: RGB 144.1 219 130, RGB 161.1 237 149, RGB 178.1 255 168, RGB 195.1 255 187 and RGB 212.1 255 206

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139.1 219 135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139.1 219 135 shade: RGB 139.1 219 135, RGB 122.1 201 116, RGB 105.1 183 97, RGB 88.1 165 78 and RGB 71.1 147 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139.1 219 135 shade: RGB 137 219 133, RGB 160 219 133, RGB 183 219 133, RGB 206 219 133 and RGB 219 208 133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139.1 219 135 shade: RGB 137 219 133, RGB 133 219 152, RGB 133 219 175, RGB 133 219 198 and RGB 133 216 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139.1 219 135 shade matches the following richer shades: RGB 137 219 133, RGB 126 231 120 and RGB 114 244 108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139.1 219 135 shade: RGB 137 219 133, RGB 149 206 146, RGB 161 193 159, RGB 172 180 172 and RGB 184 167 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139.1 219 135 shade: RGB 183 219 133, RGB 160 219 133, RGB 138 219 133, RGB 133 219 152 and RGB 133 219 175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139.1 219 135 shade: RGB 76 200 70, RGB 107 209 101, RGB 137 219 133, RGB 168 228 165 and RGB 199 238 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139.1 219 135 shade: RGB 139.1 219 135, RGB 133 206 219 and RGB 219 133 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139.1 219 135 shade: RGB 139.1 219 135, RGB 133 138 219 and RGB 219 133 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139.1 219 135 shade: RGB 139.1 219 135, RGB 133 206 219, RGB 214 133 219 and RGB 219 146 133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139.1 219 135 shade: RGB 139.1 219 135, RGB 133 180 219, RGB 214 133 219 and RGB 219 172 133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 38 / 14

HEX #8BDB87

RGB 139.1 219 135

HSL 117.07, 0.54%, 0.69%

LAB 80.69, -40.92, 33.77

 

Complementary color

CMYK 3 / 70 / 0 / 53

HEX #732478

RGB 115.9 36 120

HSL 297.07, 0.54%, 0.31%

LAB 30.22, 46, -30.89

 

CMYK 34 / 0 / 41 / 14

HEX #90DB82

RGB 144.1 219 130

HSL 110.49, 0.55%, 0.68%

LAB 80.86, -40.07, 36.56

 

CMYK 32 / 0 / 37 / 7

HEX #A1ED95

RGB 161.1 237 149

HSL 111.75, 0.71%, 0.76%

LAB 87.16, -39.87, 35.4

 

CMYK 30 / 0 / 34 / 0

HEX #B2FFA8

RGB 178.1 255 168

HSL 113.03, 1%, 0.83%

LAB 93.37, -39.66, 34.28

 

CMYK 23 / 0 / 27 / 0

HEX #C3FFBB

RGB 195.1 255 187

HSL 112.85, 1%, 0.87%

LAB 94.62, -31.25, 26.57

 

CMYK 17 / 0 / 19 / 0

HEX #D4FFCE

RGB 212.1 255 206

HSL 112.53, 1%, 0.9%

LAB 95.99, -22.58, 18.96

 

CMYK 36 / 0 / 38 / 14

HEX #8BDB87

RGB 139.1 219 135

HSL 117.07, 0.54%, 0.69%

LAB 80.69, -40.92, 33.77

 

CMYK 39 / 0 / 42 / 21

HEX #7AC974

RGB 122.1 201 116

HSL 115.69, 0.44%, 0.62%

LAB 74.3, -41.12, 34.99

 

CMYK 43 / 0 / 47 / 28

HEX #69B761

RGB 105.1 183 97

HSL 114.35, 0.37%, 0.55%

LAB 67.83, -41.27, 36.25

 

CMYK 47 / 0 / 53 / 35

HEX #58A54E

RGB 88.1 165 78

HSL 113.03, 0.36%, 0.48%

LAB 61.26, -41.34, 37.54

 

CMYK 52 / 0 / 60 / 42

HEX #47933B

RGB 71.1 147 59

HSL 111.75, 0.43%, 0.4%

LAB 54.58, -41.25, 38.78

 

CMYK 37 / 0 / 39 / 14

HEX #89DB85

RGB 137 219 133

HSL 117.21, 0.54%, 0.69%

LAB 80.56, -41.87, 34.6

 

CMYK 27 / 0 / 39 / 14

HEX #A0DB85

RGB 160 219 133

HSL 101.16, 0.54%, 0.69%

LAB 81.75, -34.35, 36.37

 

CMYK 16 / 0 / 39 / 14

HEX #B7DB85

RGB 183 219 133

HSL 85.12, 0.54%, 0.69%

LAB 83.14, -26.15, 38.44

 

CMYK 6 / 0 / 39 / 14

HEX #CEDB85

RGB 206 219 133

HSL 69.07, 0.54%, 0.69%

LAB 84.73, -17.48, 40.8

 

CMYK 0 / 5 / 39 / 14

HEX #DBD085

RGB 219 208 133

HSL 52.33, 0.54%, 0.69%

LAB 82.84, -6.87, 38.59

 

CMYK 37 / 0 / 39 / 14

HEX #89DB85

RGB 137 219 133

HSL 117.21, 0.54%, 0.69%

LAB 80.56, -41.87, 34.6

 

CMYK 39 / 0 / 31 / 14

HEX #85DB98

RGB 133 219 152

HSL 133.26, 0.54%, 0.69%

LAB 80.69, -40, 24.99

 

CMYK 39 / 0 / 20 / 14

HEX #85DBAF

RGB 133 219 175

HSL 149.3, 0.54%, 0.69%

LAB 81.15, -35.69, 13.57

 

CMYK 39 / 0 / 10 / 14

HEX #85DBC6

RGB 133 219 198

HSL 165.35, 0.54%, 0.69%

LAB 81.69, -30.81, 2.15

 

CMYK 39 / 1 / 0 / 14

HEX #85D8DB

RGB 133 216 219

HSL 182.09, 0.54%, 0.69%

LAB 81.41, -24.43, -9.44

 

CMYK 37 / 0 / 39 / 14

HEX #89DB85

RGB 137 219 133

HSL 117.21, 0.54%, 0.69%

LAB 80.56, -41.87, 34.6

 

CMYK 45 / 0 / 48 / 9

HEX #7EE778

RGB 126 231 120

HSL 116.76, 0.7%, 0.69%

LAB 83.41, -52.04, 44.55

 

CMYK 53 / 0 / 56 / 4

HEX #72F46C

RGB 114 244 108

HSL 117.35, 0.86%, 0.69%

LAB 86.68, -61.77, 53.98

 

CMYK 37 / 0 / 39 / 14

HEX #89DB85

RGB 137 219 133

HSL 117.21, 0.54%, 0.69%

LAB 80.56, -41.87, 34.6

 

CMYK 28 / 0 / 29 / 19

HEX #95CE92

RGB 149 206 146

HSL 117, 0.38%, 0.69%

LAB 77.64, -30.02, 24.11

 

CMYK 17 / 0 / 18 / 24

HEX #A1C19F

RGB 161 193 159

HSL 116.47, 0.22%, 0.69%

LAB 74.96, -17.31, 13.6

 

CMYK 4 / 0 / 4 / 29

HEX #ACB4AC

RGB 172 180 172

HSL 120, 0.05%, 0.69%

LAB 72.49, -4.3, 3.1

 

CMYK 0 / 9 / 0 / 28

HEX #B8A7B8

RGB 184 167 184

HSL 300, 0.11%, 0.69%

LAB 70.38, 9.24, -6.49

 

CMYK 16 / 0 / 39 / 14

HEX #B7DB85

RGB 183 219 133

HSL 85.12, 0.54%, 0.69%

LAB 83.14, -26.15, 38.44

 

CMYK 27 / 0 / 39 / 14

HEX #A0DB85

RGB 160 219 133

HSL 101.16, 0.54%, 0.69%

LAB 81.75, -34.35, 36.37

 

CMYK 37 / 0 / 39 / 14

HEX #8ADB85

RGB 138 219 133

HSL 116.51, 0.54%, 0.69%

LAB 80.61, -41.56, 34.67

 

CMYK 39 / 0 / 31 / 14

HEX #85DB98

RGB 133 219 152

HSL 133.26, 0.54%, 0.69%

LAB 80.69, -40, 24.99

 

CMYK 39 / 0 / 20 / 14

HEX #85DBAF

RGB 133 219 175

HSL 149.3, 0.54%, 0.69%

LAB 81.15, -35.69, 13.57

 

CMYK 62 / 0 / 65 / 22

HEX #4CC846

RGB 76 200 70

HSL 117.23, 0.54%, 0.53%

LAB 71.75, -58.98, 53.2

 

CMYK 49 / 0 / 52 / 18

HEX #6BD165

RGB 107 209 101

HSL 116.67, 0.54%, 0.61%

LAB 75.86, -51.01, 44.22

 

CMYK 37 / 0 / 39 / 14

HEX #89DB85

RGB 137 219 133

HSL 117.21, 0.54%, 0.69%

LAB 80.56, -41.87, 34.6

 

CMYK 26 / 0 / 28 / 11

HEX #A8E4A5

RGB 168 228 165

HSL 117.14, 0.54%, 0.77%

LAB 85.27, -31.03, 24.78

 

CMYK 16 / 0 / 17 / 7

HEX #C7EEC5

RGB 199 238 197

HSL 117.07, 0.55%, 0.85%

LAB 90.47, -20.21, 15.72

 

CMYK 36 / 0 / 38 / 14

HEX #8BDB87

RGB 139.1 219 135

HSL 117.07, 0.54%, 0.69%

LAB 80.69, -40.92, 33.77

 

CMYK 39 / 6 / 0 / 14

HEX #85CEDB

RGB 133 206 219

HSL 189.07, 0.54%, 0.69%

LAB 78.6, -19.44, -13.63

 

CMYK 0 / 39 / 21 / 14

HEX #DB85AC

RGB 219 133 172

HSL 332.79, 0.54%, 0.69%

LAB 65.6, 38.1, -6.46

 

CMYK 36 / 0 / 38 / 14

HEX #8BDB87

RGB 139.1 219 135

HSL 117.07, 0.54%, 0.69%

LAB 80.69, -40.92, 33.77

 

CMYK 39 / 37 / 0 / 14

HEX #858ADB

RGB 133 138 219

HSL 236.51, 0.54%, 0.69%

LAB 60.14, 18, -42.01

 

CMYK 0 / 39 / 37 / 14

HEX #DB858A

RGB 219 133 138

HSL 356.51, 0.54%, 0.69%

LAB 64.7, 33.56, 11.47

 

CMYK 36 / 0 / 38 / 14

HEX #8BDB87

RGB 139.1 219 135

HSL 117.07, 0.54%, 0.69%

LAB 80.69, -40.92, 33.77

 

CMYK 39 / 6 / 0 / 14

HEX #85CEDB

RGB 133 206 219

HSL 189.07, 0.54%, 0.69%

LAB 78.6, -19.44, -13.63

 

CMYK 2 / 39 / 0 / 14

HEX #D685DB

RGB 214 133 219

HSL 296.51, 0.54%, 0.69%

LAB 66.66, 44.36, -31.26

 

CMYK 0 / 33 / 39 / 14

HEX #DB9285

RGB 219 146 133

HSL 9.07, 0.54%, 0.69%

LAB 67.51, 26.03, 18.2

 

CMYK 36 / 0 / 38 / 14

HEX #8BDB87

RGB 139.1 219 135

HSL 117.07, 0.54%, 0.69%

LAB 80.69, -40.92, 33.77

 

CMYK 39 / 18 / 0 / 14

HEX #85B4DB

RGB 133 180 219

HSL 207.21, 0.54%, 0.69%

LAB 71.38, -5.79, -24.57

 

CMYK 2 / 39 / 0 / 14

HEX #D685DB

RGB 214 133 219

HSL 296.51, 0.54%, 0.69%

LAB 66.66, 44.36, -31.26

 

CMYK 0 / 21 / 39 / 14

HEX #DBAC85

RGB 219 172 133

HSL 27.21, 0.54%, 0.69%

LAB 73.71, 12.03, 26.62

 

Description

Color code: RGB 139.1 219 135 | qconv.com Color code: RGB 139.1 219 135 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139.1 red, 219 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139.1 219 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 38 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 38% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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