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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 72.8 201.4 it is the complementary color RGB 117 182.2 53.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 72.8 201.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 72.8 201.4 shade: RGB 143 72.8 196.4, RGB 160 90.8 215.4, RGB 177 108.8 234.4, RGB 194 126.8 253.4 and RGB 211 144.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 72.8 201.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 72.8 201.4 shade: RGB 138 72.8 201.4, RGB 121 54.8 182.4, RGB 104 36.8 163.4, RGB 87 18.8 144.4 and RGB 70 0.8 125.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 72.8 201.4 shade: RGB 139 73 202, RGB 173 73 202, RGB 202 73 196, RGB 202 73 161 and RGB 202 73 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 72.8 201.4 shade: RGB 139 73 202, RGB 104 73 202 and RGB 73 73 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 72.8 201.4 shade matches the following richer shades: RGB 139 73 202, RGB 139 54 221 and RGB 139 35 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 72.8 201.4 shade: RGB 139 73 202, RGB 138 92 183, RGB 138 111 164, RGB 138 130 145 and RGB 138 149 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 72.8 201.4 shade: RGB 73 77 202, RGB 103 73 202, RGB 138 73 202, RGB 172 73 202 and RGB 202 73 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 72.8 201.4 shade: RGB 97 43 149, RGB 118 53 181, RGB 139 73 202, RGB 159 105 211 and RGB 180 137 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 72.8 201.4 shade: RGB 138 72.8 201.4, RGB 202 73 112 and RGB 73 202 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 72.8 201.4 shade: RGB 138 72.8 201.4, RGB 202 138 73 and RGB 73 202 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 72.8 201.4 shade: RGB 138 72.8 201.4, RGB 202 73 112, RGB 138 202 73 and RGB 73 202 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 72.8 201.4 shade: RGB 138 72.8 201.4, RGB 202 73 73, RGB 138 202 73 and RGB 73 202 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 64 / 0 / 21

HEX #8A48C9

RGB 138 72.8 201.4

HSL 270.42, 0.55%, 0.54%

LAB 44.77, 51.61, -56.46

 

Complementary color

CMYK 36 / 0 / 71 / 29

HEX #75B635

RGB 117 182.2 53.6

HSL 90.42, 0.55%, 0.46%

LAB 67.71, -41.49, 55.97

 

CMYK 27 / 63 / 0 / 23

HEX #8F48C4

RGB 143 72.8 196.4

HSL 274.08, 0.51%, 0.53%

LAB 45.06, 51.56, -53.07

 

CMYK 26 / 58 / 0 / 16

HEX #A05AD7

RGB 160 90.8 215.4

HSL 273.32, 0.61%, 0.6%

LAB 51.67, 50.8, -53.26

 

CMYK 24 / 54 / 0 / 8

HEX #B16CEA

RGB 177 108.8 234.4

HSL 272.58, 0.75%, 0.67%

LAB 58.23, 49.95, -53.36

 

CMYK 23 / 50 / 0 / 1

HEX #C27EFD

RGB 194 126.8 253.4

HSL 271.85, 0.98%, 0.75%

LAB 64.73, 49.08, -53.42

 

CMYK 17 / 43 / 0 / 0

HEX #D390FF

RGB 211 144.8 255

HSL 276.04, 1%, 0.78%

LAB 70.36, 44.45, -45.3

 

CMYK 31 / 64 / 0 / 21

HEX #8A48C9

RGB 138 72.8 201.4

HSL 270.42, 0.55%, 0.54%

LAB 44.77, 51.61, -56.46

 

CMYK 34 / 70 / 0 / 28

HEX #7936B6

RGB 121 54.8 182.4

HSL 271.13, 0.54%, 0.47%

LAB 38.15, 52.27, -56.17

 

CMYK 36 / 77 / 0 / 36

HEX #6824A3

RGB 104 36.8 163.4

HSL 271.85, 0.63%, 0.39%

LAB 31.61, 52.49, -55.56

 

CMYK 40 / 87 / 0 / 43

HEX #571290

RGB 87 18.8 144.4

HSL 272.58, 0.77%, 0.32%

LAB 25.29, 51.79, -54.35

 

CMYK 44 / 99 / 0 / 51

HEX #46007D

RGB 70 0.8 125.4

HSL 273.32, 0.99%, 0.25%

LAB 19.27, 49.92, -52.4

 

CMYK 31 / 64 / 0 / 21

HEX #8B49CA

RGB 139 73 202

HSL 270.7, 0.55%, 0.54%

LAB 44.97, 51.88, -56.48

 

CMYK 14 / 64 / 0 / 21

HEX #AD49CA

RGB 173 73 202

HSL 286.51, 0.55%, 0.54%

LAB 49.39, 59.62, -49.14

 

CMYK 0 / 64 / 3 / 21

HEX #CA49C4

RGB 202 73 196

HSL 302.79, 0.55%, 0.54%

LAB 53.28, 65.47, -39.25

 

CMYK 0 / 64 / 20 / 21

HEX #CA49A1

RGB 202 73 161

HSL 319.07, 0.55%, 0.54%

LAB 51.72, 60.15, -21.3

 

CMYK 0 / 64 / 37 / 21

HEX #CA497F

RGB 202 73 127

HSL 334.88, 0.55%, 0.54%

LAB 50.52, 55.87, -2.87

 

CMYK 31 / 64 / 0 / 21

HEX #8B49CA

RGB 139 73 202

HSL 270.7, 0.55%, 0.54%

LAB 44.97, 51.88, -56.48

 

CMYK 49 / 64 / 0 / 21

HEX #6849CA

RGB 104 73 202

HSL 254.42, 0.55%, 0.54%

LAB 41.17, 44.64, -62.8

 

CMYK 64 / 64 / 0 / 21

HEX #4949CA

RGB 73 73 202

HSL 240, 0.55%, 0.54%

LAB 38.63, 39.39, -67.06

 

CMYK 31 / 64 / 0 / 21

HEX #8B49CA

RGB 139 73 202

HSL 270.7, 0.55%, 0.54%

LAB 44.97, 51.88, -56.48

 

CMYK 37 / 76 / 0 / 13

HEX #8B36DD

RGB 139 54 221

HSL 270.54, 0.71%, 0.54%

LAB 43.28, 64.91, -70.13

 

CMYK 42 / 85 / 0 / 6

HEX #8B23F0

RGB 139 35 240

HSL 270.44, 0.87%, 0.54%

LAB 42.74, 75.41, -81.81

 

CMYK 31 / 64 / 0 / 21

HEX #8B49CA

RGB 139 73 202

HSL 270.7, 0.55%, 0.54%

LAB 44.97, 51.88, -56.48

 

CMYK 25 / 50 / 0 / 28

HEX #8A5CB7

RGB 138 92 183

HSL 270.33, 0.39%, 0.54%

LAB 47.59, 36.81, -41.27

 

CMYK 16 / 32 / 0 / 36

HEX #8A6FA4

RGB 138 111 164

HSL 270.57, 0.23%, 0.54%

LAB 51.21, 21.27, -24.52

 

CMYK 5 / 10 / 0 / 43

HEX #8A8291

RGB 138 130 145

HSL 272, 0.06%, 0.54%

LAB 55.5, 5.98, -6.97

 

CMYK 7 / 0 / 15 / 42

HEX #8A957E

RGB 138 149 126

HSL 88.7, 0.1%, 0.54%

LAB 60.25, -8.34, 10.82

 

CMYK 64 / 62 / 0 / 21

HEX #494DCA

RGB 73 77 202

HSL 238.14, 0.55%, 0.54%

LAB 39.56, 36.95, -65.54

 

CMYK 49 / 64 / 0 / 21

HEX #6749CA

RGB 103 73 202

HSL 253.95, 0.55%, 0.54%

LAB 41.08, 44.46, -62.96

 

CMYK 32 / 64 / 0 / 21

HEX #8A49CA

RGB 138 73 202

HSL 270.23, 0.55%, 0.54%

LAB 44.85, 51.66, -56.68

 

CMYK 15 / 64 / 0 / 21

HEX #AC49CA

RGB 172 73 202

HSL 286.05, 0.55%, 0.54%

LAB 49.25, 59.38, -49.37

 

CMYK 0 / 64 / 2 / 21

HEX #CA49C6

RGB 202 73 198

HSL 301.86, 0.55%, 0.54%

LAB 53.38, 65.8, -40.24

 

CMYK 35 / 71 / 0 / 42

HEX #612B95

RGB 97 43 149

HSL 270.57, 0.55%, 0.38%

LAB 30.49, 44.86, -48.64

 

CMYK 35 / 71 / 0 / 29

HEX #7635B5

RGB 118 53 181

HSL 270.47, 0.55%, 0.46%

LAB 37.36, 52.18, -56.64

 

CMYK 31 / 64 / 0 / 21

HEX #8B49CA

RGB 139 73 202

HSL 270.7, 0.55%, 0.54%

LAB 44.97, 51.88, -56.48

 

CMYK 25 / 50 / 0 / 17

HEX #9F69D3

RGB 159 105 211

HSL 270.57, 0.55%, 0.62%

LAB 54.21, 41.92, -46.71

 

CMYK 19 / 38 / 0 / 13

HEX #B489DD

RGB 180 137 221

HSL 270.71, 0.55%, 0.7%

LAB 64.01, 32.36, -36.77

 

CMYK 31 / 64 / 0 / 21

HEX #8A48C9

RGB 138 72.8 201.4

HSL 270.42, 0.55%, 0.54%

LAB 44.77, 51.61, -56.46

 

CMYK 0 / 64 / 45 / 21

HEX #CA4970

RGB 202 73 112

HSL 341.86, 0.55%, 0.54%

LAB 50.09, 54.3, 5.55

 

CMYK 64 / 0 / 57 / 21

HEX #49CA56

RGB 73 202 86

HSL 126.05, 0.55%, 0.54%

LAB 72.45, -58.56, 46.93

 

CMYK 31 / 64 / 0 / 21

HEX #8A48C9

RGB 138 72.8 201.4

HSL 270.42, 0.55%, 0.54%

LAB 44.77, 51.61, -56.46

 

CMYK 0 / 32 / 64 / 21

HEX #CA8A49

RGB 202 138 73

HSL 30.23, 0.55%, 0.54%

LAB 62.69, 18, 43.95

 

CMYK 64 / 0 / 32 / 21

HEX #49CA8A

RGB 73 202 138

HSL 150.23, 0.55%, 0.54%

LAB 73.22, -50.06, 21.79

 

CMYK 31 / 64 / 0 / 21

HEX #8A48C9

RGB 138 72.8 201.4

HSL 270.42, 0.55%, 0.54%

LAB 44.77, 51.61, -56.46

 

CMYK 0 / 64 / 45 / 21

HEX #CA4970

RGB 202 73 112

HSL 341.86, 0.55%, 0.54%

LAB 50.09, 54.3, 5.55

 

CMYK 32 / 0 / 64 / 21

HEX #8ACA49

RGB 138 202 73

HSL 89.77, 0.55%, 0.54%

LAB 74.9, -41.1, 56.11

 

CMYK 64 / 0 / 19 / 21

HEX #49CAA4

RGB 73 202 164

HSL 162.33, 0.55%, 0.54%

LAB 73.76, -44.34, 8.65

 

CMYK 31 / 64 / 0 / 21

HEX #8A48C9

RGB 138 72.8 201.4

HSL 270.42, 0.55%, 0.54%

LAB 44.77, 51.61, -56.46

 

CMYK 0 / 64 / 64 / 21

HEX #CA4949

RGB 202 73 73

HSL 0, 0.55%, 0.54%

LAB 49.26, 51.19, 27.82

 

CMYK 32 / 0 / 64 / 21

HEX #8ACA49

RGB 138 202 73

HSL 89.77, 0.55%, 0.54%

LAB 74.9, -41.1, 56.11

 

CMYK 64 / 0 / 0 / 21

HEX #49CACA

RGB 73 202 202

HSL 180, 0.55%, 0.54%

LAB 74.78, -34.51, -10.42

 

Description

Color code: RGB 138 72.8 201.4 | qconv.com Color code: RGB 138 72.8 201.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 72.8 green and 201.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 72.8 201.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 64 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 64% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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