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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 28 159 it is the complementary color RGB 117 227 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 28 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 138 28 159: RGB 143 28 154, RGB 160 46 173, RGB 177 64 192, RGB 194 82 211 and RGB 211 100 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 28 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 138 28 159: RGB 138 28 159, RGB 121 10 140, RGB 104 0 121, RGB 87 0 102 and RGB 70 0 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 82 / 0 / 38

HEX #8A1C9F

RGB 138 28 159

HSL 290.38, 0.7%, 0.37%

LAB 35.47, 60.7, -46.38

 

Complementary color

CMYK 48 / 0 / 58 / 11

HEX #75E360

RGB 117 227 96

HSL 110.38, 0.7%, 0.63%

LAB 81.6, -55.89, 53.43

 

CMYK 7 / 82 / 0 / 40

HEX #8F1C9A

RGB 143 28 154

HSL 294.76, 0.69%, 0.36%

LAB 35.99, 60.76, -42.47

 

CMYK 8 / 73 / 0 / 32

HEX #A02EAD

RGB 160 46 173

HSL 293.86, 0.58%, 0.43%

LAB 41.91, 62.02, -44.25

 

CMYK 8 / 67 / 0 / 25

HEX #B140C0

RGB 177 64 192

HSL 292.97, 0.5%, 0.5%

LAB 48.03, 62.45, -45.49

 

CMYK 8 / 61 / 0 / 17

HEX #C252D3

RGB 194 82 211

HSL 292.09, 0.59%, 0.57%

LAB 54.25, 62.37, -46.39

 

CMYK 8 / 57 / 0 / 10

HEX #D364E6

RGB 211 100 230

HSL 291.23, 0.72%, 0.65%

LAB 60.49, 62, -47.06

 

CMYK 13 / 82 / 0 / 38

HEX #8A1C9F

RGB 138 28 159

HSL 290.38, 0.7%, 0.37%

LAB 35.47, 60.7, -46.38

 

CMYK 14 / 93 / 0 / 45

HEX #790A8C

RGB 121 10 140

HSL 291.23, 0.87%, 0.29%

LAB 29.85, 58.17, -43.95

 

CMYK 14 / 100 / 0 / 53

HEX #680079

RGB 104 0 121

HSL 291.57, 1%, 0.24%

LAB 24.71, 53.75, -40.46

 

CMYK 15 / 100 / 0 / 60

HEX #570066

RGB 87 0 102

HSL 291.18, 1%, 0.2%

LAB 19.99, 47.55, -35.96

 

CMYK 16 / 100 / 0 / 67

HEX #460053

RGB 70 0 83

HSL 290.6, 1%, 0.16%

LAB 15.1, 41.13, -31.32

 

CMYK 13 / 82 / 0 / 38

HEX #8A1C9F

RGB 138 28 159

HSL 290.38, 0.7%, 0.37%

LAB 35.47, 60.7, -46.38

 

CMYK 0 / 83 / 0 / 37

HEX #A01CA0

RGB 160 28 160

HSL 300, 0.7%, 0.37%

LAB 39.31, 65.08, -40.62

 

CMYK 0 / 83 / 14 / 37

HEX #A01C8A

RGB 160 28 138

HSL 310, 0.7%, 0.37%

LAB 38.09, 61.75, -29.17

 

CMYK 0 / 83 / 28 / 37

HEX #A01C74

RGB 160 28 116

HSL 320, 0.7%, 0.37%

LAB 37.05, 58.81, -17.1

 

CMYK 0 / 83 / 41 / 37

HEX #A01C5E

RGB 160 28 94

HSL 330, 0.7%, 0.37%

LAB 36.2, 56.34, -4.42

 

CMYK 13 / 82 / 0 / 38

HEX #8A1C9F

RGB 138 28 159

HSL 290.38, 0.7%, 0.37%

LAB 35.47, 60.7, -46.38

 

CMYK 13 / 82 / 0 / 18

HEX #B625D2

RGB 182 37 210

HSL 290.29, 0.7%, 0.48%

LAB 46.87, 75.33, -57.71

 

CMYK 17 / 83 / 0 / 98

HEX #050106

RGB 5 1 6

HSL 288, 0.71%, 0.01%

LAB 0.61, 1.74, -1.52

 

CMYK 14 / 82 / 0 / 78

HEX #310A39

RGB 49 10 57

HSL 289.79, 0.7%, 0.13%

LAB 10.3, 27.24, -21.05

 

CMYK 13 / 82 / 0 / 58

HEX #5E136C

RGB 94 19 108

HSL 290.56, 0.7%, 0.25%

LAB 23.43, 45.02, -34.26

 

CMYK 13 / 82 / 0 / 38

HEX #8A1C9F

RGB 138 28 159

HSL 290.38, 0.7%, 0.37%

LAB 35.47, 60.7, -46.38

 

CMYK 0 / 80 / 83 / 37

HEX #A0201C

RGB 160 32 28

HSL 1.82, 0.7%, 0.37%

LAB 35.18, 50.92, 35.88

 

CMYK 83 / 0 / 47 / 37

HEX #1CA055

RGB 28 160 85

HSL 145.91, 0.7%, 0.37%

LAB 58.08, -50.98, 29.63

 

CMYK 13 / 82 / 0 / 38

HEX #8A1C9F

RGB 138 28 159

HSL 290.38, 0.7%, 0.37%

LAB 35.47, 60.7, -46.38

 

CMYK 0 / 14 / 83 / 37

HEX #A08A1C

RGB 160 138 28

HSL 50, 0.7%, 0.37%

LAB 57.78, -2.91, 56.5

 

CMYK 83 / 0 / 14 / 37

HEX #1CA08A

RGB 28 160 138

HSL 170, 0.7%, 0.37%

LAB 59.18, -38.86, 1.88

 

CMYK 13 / 82 / 0 / 38

HEX #8A1C9F

RGB 138 28 159

HSL 290.38, 0.7%, 0.37%

LAB 35.47, 60.7, -46.38

 

CMYK 0 / 80 / 83 / 37

HEX #A0201C

RGB 160 32 28

HSL 1.82, 0.7%, 0.37%

LAB 35.18, 50.92, 35.88

 

CMYK 69 / 0 / 83 / 37

HEX #32A01C

RGB 50 160 28

HSL 110, 0.7%, 0.37%

LAB 57.95, -54.07, 54.21

 

CMYK 83 / 3 / 0 / 37

HEX #1C9BA0

RGB 28 155 160

HSL 182.27, 0.7%, 0.37%

LAB 58.25, -30.05, -11.97

 

CMYK 13 / 82 / 0 / 38

HEX #8A1C9F

RGB 138 28 159

HSL 290.38, 0.7%, 0.37%

LAB 35.47, 60.7, -46.38

 

CMYK 0 / 55 / 83 / 37

HEX #A0481C

RGB 160 72 28

HSL 20, 0.7%, 0.37%

LAB 41.52, 33.92, 41.92

 

CMYK 69 / 0 / 83 / 37

HEX #32A01C

RGB 50 160 28

HSL 110, 0.7%, 0.37%

LAB 57.95, -54.07, 54.21

 

CMYK 83 / 28 / 0 / 37

HEX #1C74A0

RGB 28 116 160

HSL 200, 0.7%, 0.37%

LAB 46.01, -9.21, -30.76

 

Description

Color code: RGB 138 28 159 | qconv.com Color code: RGB 138 28 159 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 28 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 28 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 82 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 82% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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