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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 25 198 it is the complementary color RGB 117 230 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 25 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 25 198 shade: RGB 143 25 193, RGB 160 43 212, RGB 177 61 231, RGB 194 79 250 and RGB 211 97 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 25 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 25 198 shade: RGB 138 25 198, RGB 121 7 179, RGB 104 0 160, RGB 87 0 141 and RGB 70 0 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 25 198 shade: RGB 139 24 199, RGB 186 24 199, RGB 199 24 166, RGB 199 24 118 and RGB 199 24 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 25 198 shade: RGB 139 24 199, RGB 91 24 199, RGB 44 24 199 and RGB 24 24 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 25 198 shade matches the following richer shades: RGB 139 24 199 and RGB 144 6 217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 25 198 shade: RGB 139 24 199, RGB 133 42 181, RGB 127 60 163, RGB 122 79 145 and RGB 116 97 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 25 198 shade: RGB 45 24 199, RGB 91 24 199, RGB 138 24 199, RGB 185 24 199 and RGB 199 24 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 25 198 shade: RGB 87 15 126, RGB 113 20 162, RGB 139 24 199, RGB 162 37 228 and RGB 177 74 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 25 198 shade: RGB 138 25 198, RGB 199 24 50 and RGB 24 199 68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 25 198 shade: RGB 138 25 198, RGB 199 138 24 and RGB 24 199 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 25 198 shade: RGB 138 25 198, RGB 199 24 50, RGB 85 199 24 and RGB 24 199 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 25 198 shade: RGB 138 25 198, RGB 199 50 24, RGB 85 199 24 and RGB 24 173 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 87 / 0 / 22

HEX #8A19C6

RGB 138 25 198

HSL 279.19, 0.78%, 0.44%

LAB 38.16, 68.95, -65.21

 

Complementary color

CMYK 49 / 0 / 75 / 10

HEX #75E639

RGB 117 230 57

HSL 99.19, 0.78%, 0.56%

LAB 82.2, -60.28, 69.18

 

CMYK 26 / 87 / 0 / 24

HEX #8F19C1

RGB 143 25 193

HSL 282.14, 0.77%, 0.43%

LAB 38.53, 68.69, -61.65

 

CMYK 25 / 80 / 0 / 17

HEX #A02BD4

RGB 160 43 212

HSL 281.54, 0.66%, 0.5%

LAB 44.17, 70.33, -63.4

 

CMYK 23 / 74 / 0 / 9

HEX #B13DE7

RGB 177 61 231

HSL 280.94, 0.78%, 0.57%

LAB 50.04, 71.05, -64.6

 

CMYK 22 / 68 / 0 / 2

HEX #C24FFA

RGB 194 79 250

HSL 280.35, 0.94%, 0.65%

LAB 56.05, 71.18, -65.42

 

CMYK 17 / 62 / 0 / 0

HEX #D361FF

RGB 211 97 255

HSL 283.29, 1%, 0.69%

LAB 61.32, 68.14, -59.61

 

CMYK 30 / 87 / 0 / 22

HEX #8A19C6

RGB 138 25 198

HSL 279.19, 0.78%, 0.44%

LAB 38.16, 68.95, -65.21

 

CMYK 32 / 96 / 0 / 30

HEX #7907B3

RGB 121 7 179

HSL 279.77, 0.92%, 0.36%

LAB 32.86, 66.05, -62.77

 

CMYK 35 / 100 / 0 / 37

HEX #6800A0

RGB 104 0 160

HSL 279, 1%, 0.31%

LAB 28.06, 61.28, -59.29

 

CMYK 38 / 100 / 0 / 45

HEX #57008D

RGB 87 0 141

HSL 277.02, 1%, 0.28%

LAB 23.5, 55.39, -55.17

 

CMYK 43 / 100 / 0 / 52

HEX #46007A

RGB 70 0 122

HSL 274.43, 1%, 0.24%

LAB 18.83, 49.38, -50.95

 

CMYK 30 / 88 / 0 / 22

HEX #8B18C7

RGB 139 24 199

HSL 279.43, 0.78%, 0.44%

LAB 38.32, 69.51, -65.53

 

CMYK 7 / 88 / 0 / 22

HEX #BA18C7

RGB 186 24 199

HSL 295.54, 0.78%, 0.44%

LAB 45.93, 76.82, -52.84

 

CMYK 0 / 88 / 17 / 22

HEX #C718A6

RGB 199 24 166

HSL 311.31, 0.78%, 0.44%

LAB 46.38, 74.43, -32.59

 

CMYK 0 / 88 / 41 / 22

HEX #C71876

RGB 199 24 118

HSL 327.77, 0.78%, 0.44%

LAB 44.38, 69.03, -6.53

 

CMYK 0 / 88 / 64 / 22

HEX #C71847

RGB 199 24 71

HSL 343.89, 0.78%, 0.44%

LAB 43.14, 65.53, 21.08

 

CMYK 30 / 88 / 0 / 22

HEX #8B18C7

RGB 139 24 199

HSL 279.43, 0.78%, 0.44%

LAB 38.32, 69.51, -65.53

 

CMYK 54 / 88 / 0 / 22

HEX #5B18C7

RGB 91 24 199

HSL 262.97, 0.78%, 0.44%

LAB 31.81, 63.83, -76.46

 

CMYK 78 / 88 / 0 / 22

HEX #2C18C7

RGB 44 24 199

HSL 246.86, 0.78%, 0.44%

LAB 27.61, 60.58, -83.56

 

CMYK 88 / 88 / 0 / 22

HEX #1818C7

RGB 24 24 199

HSL 240, 0.78%, 0.44%

LAB 26.65, 59.91, -85.17

 

CMYK 30 / 88 / 0 / 22

HEX #8B18C7

RGB 139 24 199

HSL 279.43, 0.78%, 0.44%

LAB 38.32, 69.51, -65.53

 

CMYK 34 / 97 / 0 / 15

HEX #9006D9

RGB 144 6 217

HSL 279.24, 0.95%, 0.44%

LAB 39.7, 76.36, -73.67

 

CMYK 30 / 88 / 0 / 22

HEX #8B18C7

RGB 139 24 199

HSL 279.43, 0.78%, 0.44%

LAB 38.32, 69.51, -65.53

 

CMYK 27 / 77 / 0 / 29

HEX #852AB5

RGB 133 42 181

HSL 279.28, 0.62%, 0.44%

LAB 37.8, 59.62, -55.82

 

CMYK 22 / 63 / 0 / 36

HEX #7F3CA3

RGB 127 60 163

HSL 279.03, 0.46%, 0.44%

LAB 38.53, 46.55, -43.97

 

CMYK 16 / 46 / 0 / 43

HEX #7A4F91

RGB 122 79 145

HSL 279.09, 0.29%, 0.44%

LAB 40.85, 30.63, -29.49

 

CMYK 9 / 24 / 0 / 50

HEX #74617F

RGB 116 97 127

HSL 278, 0.13%, 0.44%

LAB 43.94, 13.69, -13.9

 

CMYK 77 / 88 / 0 / 22

HEX #2D18C7

RGB 45 24 199

HSL 247.2, 0.78%, 0.44%

LAB 27.67, 60.63, -83.45

 

CMYK 54 / 88 / 0 / 22

HEX #5B18C7

RGB 91 24 199

HSL 262.97, 0.78%, 0.44%

LAB 31.81, 63.83, -76.46

 

CMYK 31 / 88 / 0 / 22

HEX #8A18C7

RGB 138 24 199

HSL 279.09, 0.78%, 0.44%

LAB 38.16, 69.37, -65.78

 

CMYK 7 / 88 / 0 / 22

HEX #B918C7

RGB 185 24 199

HSL 295.2, 0.78%, 0.44%

LAB 45.76, 76.65, -53.12

 

CMYK 0 / 88 / 16 / 22

HEX #C718A7

RGB 199 24 167

HSL 310.97, 0.78%, 0.44%

LAB 46.43, 74.56, -33.11

 

CMYK 31 / 88 / 0 / 51

HEX #570F7E

RGB 87 15 126

HSL 278.92, 0.79%, 0.28%

LAB 23.25, 48.72, -46.15

 

CMYK 30 / 88 / 0 / 36

HEX #7114A2

RGB 113 20 162

HSL 279.3, 0.78%, 0.36%

LAB 30.92, 59.14, -55.76

 

CMYK 30 / 88 / 0 / 22

HEX #8B18C7

RGB 139 24 199

HSL 279.43, 0.78%, 0.44%

LAB 38.32, 69.51, -65.53

 

CMYK 29 / 84 / 0 / 11

HEX #A225E4

RGB 162 37 228

HSL 279.27, 0.78%, 0.52%

LAB 45.09, 75.46, -71.04

 

CMYK 24 / 68 / 0 / 9

HEX #B14AE8

RGB 177 74 232

HSL 279.11, 0.77%, 0.6%

LAB 51.92, 66.13, -62.13

 

CMYK 30 / 87 / 0 / 22

HEX #8A19C6

RGB 138 25 198

HSL 279.19, 0.78%, 0.44%

LAB 38.16, 68.95, -65.21

 

CMYK 0 / 88 / 75 / 22

HEX #C71832

RGB 199 24 50

HSL 351.09, 0.78%, 0.44%

LAB 42.8, 64.56, 33.58

 

CMYK 88 / 0 / 66 / 22

HEX #18C744

RGB 24 199 68

HSL 135.09, 0.78%, 0.44%

LAB 70.5, -66.56, 52.4

 

CMYK 30 / 87 / 0 / 22

HEX #8A19C6

RGB 138 25 198

HSL 279.19, 0.78%, 0.44%

LAB 38.16, 68.95, -65.21

 

CMYK 0 / 31 / 88 / 22

HEX #C78A18

RGB 199 138 24

HSL 39.09, 0.78%, 0.44%

LAB 61.99, 14.59, 62.84

 

CMYK 88 / 0 / 31 / 22

HEX #18C78A

RGB 24 199 138

HSL 159.09, 0.78%, 0.44%

LAB 71.47, -55.02, 19.26

 

CMYK 30 / 87 / 0 / 22

HEX #8A19C6

RGB 138 25 198

HSL 279.19, 0.78%, 0.44%

LAB 38.16, 68.95, -65.21

 

CMYK 0 / 88 / 75 / 22

HEX #C71832

RGB 199 24 50

HSL 351.09, 0.78%, 0.44%

LAB 42.8, 64.56, 33.58

 

CMYK 57 / 0 / 88 / 22

HEX #55C718

RGB 85 199 24

HSL 99.09, 0.78%, 0.44%

LAB 71.45, -59.44, 67.53

 

CMYK 88 / 0 / 13 / 22

HEX #18C7AD

RGB 24 199 173

HSL 171.09, 0.78%, 0.44%

LAB 72.27, -46.42, 1.52

 

CMYK 30 / 87 / 0 / 22

HEX #8A19C6

RGB 138 25 198

HSL 279.19, 0.78%, 0.44%

LAB 38.16, 68.95, -65.21

 

CMYK 0 / 75 / 88 / 22

HEX #C73218

RGB 199 50 24

HSL 8.91, 0.78%, 0.44%

LAB 44.93, 57.14, 49.36

 

CMYK 57 / 0 / 88 / 22

HEX #55C718

RGB 85 199 24

HSL 99.09, 0.78%, 0.44%

LAB 71.45, -59.44, 67.53

 

CMYK 88 / 13 / 0 / 22

HEX #18ADC7

RGB 24 173 199

HSL 188.91, 0.78%, 0.44%

LAB 65.12, -26.65, -23.44

 

Description

Color code: RGB 138 25 198 | qconv.com Color code: RGB 138 25 198 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 25 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 25 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 87 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 87% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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