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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 160 163 it is the complementary color RGB 117 95 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 160 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 160 163 shade: RGB 143 160 158, RGB 160 178 177, RGB 177 196 196, RGB 194 214 215 and RGB 211 232 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 160 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 160 163 shade: RGB 138 160 163, RGB 121 142 144, RGB 104 124 125, RGB 87 106 106 and RGB 70 88 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 160 163 shade: RGB 138 160 163, RGB 138 153 163, RGB 138 146 163, RGB 138 140 163 and RGB 143 138 163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 160 163 shade: RGB 138 160 163, RGB 138 153 163, RGB 138 146 163, RGB 138 140 163 and RGB 138 138 163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 160 163 shade matches the following richer shades: RGB 138 160 163, RGB 121 173 180, RGB 104 186 197, RGB 87 199 214 and RGB 70 211 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 160 163 shade: RGB 138 160 163, RGB 155 147 146, RGB 172 134 129, RGB 189 121 112 and RGB 206 109 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 160 163 shade: RGB 138 163 153, RGB 138 163 159, RGB 138 160 163, RGB 138 153 163 and RGB 138 147 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 160 163 shade: RGB 96 119 122, RGB 115 141 145, RGB 138 160 163, RGB 161 179 181 and RGB 184 197 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 160 163 shade: RGB 138 160 163, RGB 146 138 163 and RGB 163 156 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 160 163 shade: RGB 138 160 163, RGB 163 138 160 and RGB 160 163 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 160 163 shade: RGB 138 160 163, RGB 146 138 163, RGB 163 141 138 and RGB 155 163 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 160 163 shade: RGB 138 160 163, RGB 153 138 163, RGB 163 141 138 and RGB 148 163 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 2 / 0 / 36

HEX #8AA0A3

RGB 138 160 163

HSL 187.2, 0.12%, 0.59%

LAB 64.31, -7.03, -4.16

 

Complementary color

CMYK 0 / 19 / 21 / 54

HEX #755F5C

RGB 117 95 92

HSL 7.2, 0.12%, 0.41%

LAB 42.37, 8.39, 5.06

 

CMYK 11 / 0 / 1 / 37

HEX #8FA09E

RGB 143 160 158

HSL 172.94, 0.08%, 0.59%

LAB 64.52, -6.39, -1.01

 

CMYK 10 / 0 / 1 / 30

HEX #A0B2B1

RGB 160 178 177

HSL 176.67, 0.1%, 0.66%

LAB 71.21, -6.41, -1.62

 

CMYK 10 / 0 / 0 / 23

HEX #B1C4C4

RGB 177 196 196

HSL 180, 0.14%, 0.73%

LAB 77.76, -6.44, -2.21

 

CMYK 10 / 0 / 0 / 16

HEX #C2D6D7

RGB 194 214 215

HSL 182.86, 0.21%, 0.8%

LAB 84.21, -6.48, -2.79

 

CMYK 10 / 1 / 0 / 8

HEX #D3E8EA

RGB 211 232 234

HSL 185.22, 0.35%, 0.87%

LAB 90.55, -6.52, -3.35

 

CMYK 15 / 2 / 0 / 36

HEX #8AA0A3

RGB 138 160 163

HSL 187.2, 0.12%, 0.59%

LAB 64.31, -7.03, -4.16

 

CMYK 16 / 1 / 0 / 44

HEX #798E90

RGB 121 142 144

HSL 185.22, 0.09%, 0.52%

LAB 57.49, -7.03, -3.59

 

CMYK 17 / 1 / 0 / 51

HEX #687C7D

RGB 104 124 125

HSL 182.86, 0.09%, 0.45%

LAB 50.5, -7.04, -3

 

CMYK 18 / 0 / 0 / 58

HEX #576A6A

RGB 87 106 106

HSL 180, 0.1%, 0.38%

LAB 43.32, -7.08, -2.38

 

CMYK 20 / 0 / 1 / 65

HEX #465857

RGB 70 88 87

HSL 176.67, 0.11%, 0.31%

LAB 35.93, -7.13, -1.72

 

CMYK 15 / 2 / 0 / 36

HEX #8AA0A3

RGB 138 160 163

HSL 187.2, 0.12%, 0.59%

LAB 64.31, -7.03, -4.16

 

CMYK 15 / 6 / 0 / 36

HEX #8A99A3

RGB 138 153 163

HSL 204, 0.12%, 0.59%

LAB 62.36, -3.18, -7.05

 

CMYK 15 / 10 / 0 / 36

HEX #8A92A3

RGB 138 146 163

HSL 220.8, 0.12%, 0.59%

LAB 60.43, 0.74, -9.93

 

CMYK 15 / 14 / 0 / 36

HEX #8A8CA3

RGB 138 140 163

HSL 235.2, 0.12%, 0.59%

LAB 58.79, 4.14, -12.39

 

CMYK 12 / 15 / 0 / 36

HEX #8F8AA3

RGB 143 138 163

HSL 252, 0.12%, 0.59%

LAB 58.66, 6.99, -12.55

 

CMYK 15 / 2 / 0 / 36

HEX #8AA0A3

RGB 138 160 163

HSL 187.2, 0.12%, 0.59%

LAB 64.31, -7.03, -4.16

 

CMYK 15 / 6 / 0 / 36

HEX #8A99A3

RGB 138 153 163

HSL 204, 0.12%, 0.59%

LAB 62.36, -3.18, -7.05

 

CMYK 15 / 10 / 0 / 36

HEX #8A92A3

RGB 138 146 163

HSL 220.8, 0.12%, 0.59%

LAB 60.43, 0.74, -9.93

 

CMYK 15 / 14 / 0 / 36

HEX #8A8CA3

RGB 138 140 163

HSL 235.2, 0.12%, 0.59%

LAB 58.79, 4.14, -12.39

 

CMYK 15 / 15 / 0 / 36

HEX #8A8AA3

RGB 138 138 163

HSL 240, 0.12%, 0.59%

LAB 58.25, 5.28, -13.2

 

CMYK 15 / 2 / 0 / 36

HEX #8AA0A3

RGB 138 160 163

HSL 187.2, 0.12%, 0.59%

LAB 64.31, -7.03, -4.16

 

CMYK 33 / 4 / 0 / 29

HEX #79ADB4

RGB 121 173 180

HSL 187.12, 0.28%, 0.59%

LAB 67.46, -15.33, -9.08

 

CMYK 47 / 6 / 0 / 23

HEX #68BAC5

RGB 104 186 197

HSL 187.1, 0.44%, 0.59%

LAB 70.93, -22.07, -13.34

 

CMYK 59 / 7 / 0 / 16

HEX #57C7D6

RGB 87 199 214

HSL 187.09, 0.61%, 0.59%

LAB 74.65, -27.34, -17.06

 

CMYK 70 / 9 / 0 / 9

HEX #46D3E7

RGB 70 211 231

HSL 187.45, 0.77%, 0.59%

LAB 78.26, -30.85, -20.79

 

CMYK 15 / 2 / 0 / 36

HEX #8AA0A3

RGB 138 160 163

HSL 187.2, 0.12%, 0.59%

LAB 64.31, -7.03, -4.16

 

CMYK 0 / 5 / 6 / 39

HEX #9B9392

RGB 155 147 146

HSL 6.67, 0.04%, 0.59%

LAB 61.58, 2.76, 1.57

 

CMYK 0 / 22 / 25 / 33

HEX #AC8681

RGB 172 134 129

HSL 6.98, 0.21%, 0.59%

LAB 59.35, 13.76, 8.26

 

CMYK 0 / 36 / 41 / 26

HEX #BD7970

RGB 189 121 112

HSL 7.01, 0.37%, 0.59%

LAB 57.72, 25.5, 16

 

CMYK 0 / 47 / 54 / 19

HEX #CE6D5F

RGB 206 109 95

HSL 7.57, 0.53%, 0.59%

LAB 56.96, 36.88, 25.12

 

CMYK 15 / 0 / 6 / 36

HEX #8AA399

RGB 138 163 153

HSL 156, 0.12%, 0.59%

LAB 64.88, -10.75, 2.27

 

CMYK 15 / 0 / 2 / 36

HEX #8AA39F

RGB 138 163 159

HSL 170.4, 0.12%, 0.59%

LAB 65.04, -9.51, -0.85

 

CMYK 15 / 2 / 0 / 36

HEX #8AA0A3

RGB 138 160 163

HSL 187.2, 0.12%, 0.59%

LAB 64.31, -7.03, -4.16

 

CMYK 15 / 6 / 0 / 36

HEX #8A99A3

RGB 138 153 163

HSL 204, 0.12%, 0.59%

LAB 62.36, -3.18, -7.05

 

CMYK 15 / 10 / 0 / 36

HEX #8A93A3

RGB 138 147 163

HSL 218.4, 0.12%, 0.59%

LAB 60.71, 0.17, -9.52

 

CMYK 21 / 2 / 0 / 52

HEX #60777A

RGB 96 119 122

HSL 186.92, 0.12%, 0.43%

LAB 48.37, -7.65, -4.43

 

CMYK 21 / 3 / 0 / 43

HEX #738D91

RGB 115 141 145

HSL 188, 0.12%, 0.51%

LAB 56.82, -8.26, -5.19

 

CMYK 15 / 2 / 0 / 36

HEX #8AA0A3

RGB 138 160 163

HSL 187.2, 0.12%, 0.59%

LAB 64.31, -7.03, -4.16

 

CMYK 11 / 1 / 0 / 29

HEX #A1B3B5

RGB 161 179 181

HSL 186, 0.12%, 0.67%

LAB 71.66, -5.79, -3.15

 

CMYK 8 / 1 / 0 / 22

HEX #B8C5C7

RGB 184 197 199

HSL 188, 0.12%, 0.75%

LAB 78.61, -4.04, -2.54

 

CMYK 15 / 2 / 0 / 36

HEX #8AA0A3

RGB 138 160 163

HSL 187.2, 0.12%, 0.59%

LAB 64.31, -7.03, -4.16

 

CMYK 10 / 15 / 0 / 36

HEX #928AA3

RGB 146 138 163

HSL 259.2, 0.12%, 0.59%

LAB 58.91, 8.02, -12.14

 

CMYK 0 / 4 / 15 / 36

HEX #A39C8A

RGB 163 156 138

HSL 43.2, 0.12%, 0.59%

LAB 64.48, -0.6, 10.34

 

CMYK 15 / 2 / 0 / 36

HEX #8AA0A3

RGB 138 160 163

HSL 187.2, 0.12%, 0.59%

LAB 64.31, -7.03, -4.16

 

CMYK 0 / 15 / 2 / 36

HEX #A38AA0

RGB 163 138 160

HSL 307.2, 0.12%, 0.59%

LAB 60.34, 13.41, -8.13

 

CMYK 2 / 0 / 15 / 36

HEX #A0A38A

RGB 160 163 138

HSL 67.2, 0.12%, 0.59%

LAB 66.14, -5.55, 12.64

 

CMYK 15 / 2 / 0 / 36

HEX #8AA0A3

RGB 138 160 163

HSL 187.2, 0.12%, 0.59%

LAB 64.31, -7.03, -4.16

 

CMYK 10 / 15 / 0 / 36

HEX #928AA3

RGB 146 138 163

HSL 259.2, 0.12%, 0.59%

LAB 58.91, 8.02, -12.14

 

CMYK 0 / 13 / 15 / 36

HEX #A38D8A

RGB 163 141 138

HSL 7.2, 0.12%, 0.59%

LAB 60.49, 7.74, 4.64

 

CMYK 5 / 0 / 15 / 36

HEX #9BA38A

RGB 155 163 138

HSL 79.2, 0.12%, 0.59%

LAB 65.75, -7.44, 12.03

 

CMYK 15 / 2 / 0 / 36

HEX #8AA0A3

RGB 138 160 163

HSL 187.2, 0.12%, 0.59%

LAB 64.31, -7.03, -4.16

 

CMYK 6 / 15 / 0 / 36

HEX #998AA3

RGB 153 138 163

HSL 276, 0.12%, 0.59%

LAB 59.52, 10.46, -11.17

 

CMYK 0 / 13 / 15 / 36

HEX #A38D8A

RGB 163 141 138

HSL 7.2, 0.12%, 0.59%

LAB 60.49, 7.74, 4.64

 

CMYK 9 / 0 / 15 / 36

HEX #94A38A

RGB 148 163 138

HSL 96, 0.12%, 0.59%

LAB 65.22, -10.04, 11.22

 

Description

Color code: RGB 138 160 163 | qconv.com Color code: RGB 138 160 163 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 160 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 160 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 2 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 2% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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