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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 152 75 it is the complementary color RGB 117 103 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 152 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 152 75 shade: RGB 143 152 70, RGB 160 170 89, RGB 177 188 108, RGB 194 206 127 and RGB 211 224 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 152 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 152 75 shade: RGB 138 152 75, RGB 121 134 56, RGB 104 116 37, RGB 87 98 18 and RGB 70 80 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 152 75 shade: RGB 140 154 76, RGB 154 147 76, RGB 154 126 76, RGB 154 105 76 and RGB 154 84 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 152 75 shade: RGB 140 154 76, RGB 119 154 76, RGB 97 154 76, RGB 76 154 76 and RGB 76 154 96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 152 75 shade matches the following richer shades: RGB 140 154 76, RGB 151 172 57, RGB 163 191 39, RGB 175 209 20 and RGB 187 228 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 152 75 shade: RGB 140 154 76, RGB 128 135 94, RGB 116 117 113, RGB 104 98 131 and RGB 92 79 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 152 75 shade: RGB 154 125 76, RGB 154 146 76, RGB 141 154 76, RGB 120 154 76 and RGB 99 154 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 152 75 shade: RGB 89 98 49, RGB 114 126 62, RGB 140 154 76, RGB 161 176 95 and RGB 177 190 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 152 75 shade: RGB 138 152 75, RGB 76 154 104 and RGB 136 76 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 152 75 shade: RGB 138 152 75, RGB 76 141 154 and RGB 154 76 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 152 75 shade: RGB 138 152 75, RGB 76 154 104, RGB 89 76 154 and RGB 154 76 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 152 75 shade: RGB 138 152 75, RGB 76 154 128, RGB 89 76 154 and RGB 154 76 102

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 51 / 40

HEX #8A984B

RGB 138 152 75

HSL 70.91, 0.34%, 0.45%

LAB 60.22, -17.05, 38.49

 

Complementary color

CMYK 35 / 43 / 0 / 29

HEX #7567B4

RGB 117 103 180

HSL 250.91, 0.34%, 0.55%

LAB 47.98, 23.71, -39.04

 

CMYK 6 / 0 / 54 / 40

HEX #8F9846

RGB 143 152 70

HSL 66.59, 0.37%, 0.44%

LAB 60.55, -15.42, 41.46

 

CMYK 6 / 0 / 48 / 33

HEX #A0AA59

RGB 160 170 89

HSL 67.41, 0.32%, 0.51%

LAB 67.24, -15.81, 40.29

 

CMYK 6 / 0 / 43 / 26

HEX #B1BC6C

RGB 177 188 108

HSL 68.25, 0.37%, 0.58%

LAB 73.8, -16.1, 39.1

 

CMYK 6 / 0 / 38 / 19

HEX #C2CE7F

RGB 194 206 127

HSL 69.11, 0.45%, 0.65%

LAB 80.26, -16.33, 37.93

 

CMYK 6 / 0 / 35 / 12

HEX #D3E092

RGB 211 224 146

HSL 70, 0.56%, 0.73%

LAB 86.62, -16.51, 36.79

 

CMYK 9 / 0 / 51 / 40

HEX #8A984B

RGB 138 152 75

HSL 70.91, 0.34%, 0.45%

LAB 60.22, -17.05, 38.49

 

CMYK 10 / 0 / 58 / 47

HEX #798638

RGB 121 134 56

HSL 70, 0.41%, 0.37%

LAB 53.39, -16.68, 39.63

 

CMYK 10 / 0 / 68 / 55

HEX #687425

RGB 104 116 37

HSL 69.11, 0.52%, 0.3%

LAB 46.4, -16.15, 40.51

 

CMYK 11 / 0 / 82 / 62

HEX #576212

RGB 87 98 18

HSL 68.25, 0.69%, 0.23%

LAB 39.25, -15.37, 40.66

 

CMYK 13 / 0 / 100 / 69

HEX #465000

RGB 70 80 0

HSL 67.5, 1%, 0.16%

LAB 31.9, -14.3, 39.68

 

CMYK 9 / 0 / 51 / 40

HEX #8C9A4C

RGB 140 154 76

HSL 70.77, 0.34%, 0.45%

LAB 60.97, -17.15, 38.91

 

CMYK 0 / 5 / 51 / 40

HEX #9A934C

RGB 154 147 76

HSL 54.62, 0.34%, 0.45%

LAB 60.12, -7.48, 38.18

 

CMYK 0 / 18 / 51 / 40

HEX #9A7E4C

RGB 154 126 76

HSL 38.46, 0.34%, 0.45%

LAB 54.36, 4.15, 31.13

 

CMYK 0 / 32 / 51 / 40

HEX #9A694C

RGB 154 105 76

HSL 22.31, 0.34%, 0.45%

LAB 48.88, 16.17, 24.17

 

CMYK 0 / 45 / 51 / 40

HEX #9A544C

RGB 154 84 76

HSL 6.15, 0.34%, 0.45%

LAB 43.85, 28.11, 17.54

 

CMYK 9 / 0 / 51 / 40

HEX #8C9A4C

RGB 140 154 76

HSL 70.77, 0.34%, 0.45%

LAB 60.97, -17.15, 38.91

 

CMYK 23 / 0 / 51 / 40

HEX #779A4C

RGB 119 154 76

HSL 86.92, 0.34%, 0.45%

LAB 59.48, -25.67, 36.78

 

CMYK 37 / 0 / 51 / 40

HEX #619A4C

RGB 97 154 76

HSL 103.85, 0.34%, 0.45%

LAB 58.2, -33.83, 34.92

 

CMYK 51 / 0 / 51 / 40

HEX #4C9A4C

RGB 76 154 76

HSL 120, 0.34%, 0.45%

LAB 57.24, -40.53, 33.52

 

CMYK 51 / 0 / 38 / 40

HEX #4C9A60

RGB 76 154 96

HSL 135.38, 0.34%, 0.45%

LAB 57.55, -37.28, 23.27

 

CMYK 9 / 0 / 51 / 40

HEX #8C9A4C

RGB 140 154 76

HSL 70.77, 0.34%, 0.45%

LAB 60.97, -17.15, 38.91

 

CMYK 12 / 0 / 67 / 33

HEX #97AC39

RGB 151 172 57

HSL 70.96, 0.5%, 0.45%

LAB 66.81, -23.24, 54.37

 

CMYK 15 / 0 / 80 / 25

HEX #A3BF27

RGB 163 191 39

HSL 71.05, 0.66%, 0.45%

LAB 73.02, -28.42, 66.86

 

CMYK 16 / 0 / 90 / 18

HEX #AFD114

RGB 175 209 20

HSL 70.79, 0.83%, 0.45%

LAB 78.91, -32.5, 76.21

 

CMYK 18 / 0 / 100 / 11

HEX #BBE401

RGB 187 228 1

HSL 70.84, 0.99%, 0.45%

LAB 85.02, -36.61, 83.24

 

CMYK 9 / 0 / 51 / 40

HEX #8C9A4C

RGB 140 154 76

HSL 70.77, 0.34%, 0.45%

LAB 60.97, -17.15, 38.91

 

CMYK 5 / 0 / 30 / 47

HEX #80875E

RGB 128 135 94

HSL 70.24, 0.18%, 0.45%

LAB 54.79, -9.79, 21.24

 

CMYK 1 / 0 / 3 / 54

HEX #747571

RGB 116 117 113

HSL 75, 0.02%, 0.45%

LAB 49.04, -1.18, 2.06

 

CMYK 21 / 25 / 0 / 49

HEX #686283

RGB 104 98 131

HSL 250.91, 0.14%, 0.45%

LAB 43.24, 9.81, -17.49

 

CMYK 39 / 47 / 0 / 41

HEX #5C4F96

RGB 92 79 150

HSL 250.99, 0.31%, 0.45%

LAB 37.97, 23.1, -37.28

 

CMYK 0 / 19 / 51 / 40

HEX #9A7D4C

RGB 154 125 76

HSL 37.69, 0.34%, 0.45%

LAB 54.09, 4.72, 30.8

 

CMYK 0 / 5 / 51 / 40

HEX #9A924C

RGB 154 146 76

HSL 53.85, 0.34%, 0.45%

LAB 59.84, -6.94, 37.84

 

CMYK 8 / 0 / 51 / 40

HEX #8D9A4C

RGB 141 154 76

HSL 70, 0.34%, 0.45%

LAB 61.04, -16.73, 39.02

 

CMYK 22 / 0 / 51 / 40

HEX #789A4C

RGB 120 154 76

HSL 86.15, 0.34%, 0.45%

LAB 59.55, -25.28, 36.87

 

CMYK 36 / 0 / 51 / 40

HEX #639A4C

RGB 99 154 76

HSL 102.31, 0.34%, 0.45%

LAB 58.31, -33.13, 35.07

 

CMYK 9 / 0 / 50 / 62

HEX #596231

RGB 89 98 49

HSL 71.02, 0.33%, 0.29%

LAB 39.72, -11.91, 26.57

 

CMYK 10 / 0 / 51 / 51

HEX #727E3E

RGB 114 126 62

HSL 71.25, 0.34%, 0.37%

LAB 50.51, -14.86, 33.09

 

CMYK 9 / 0 / 51 / 40

HEX #8C9A4C

RGB 140 154 76

HSL 70.77, 0.34%, 0.45%

LAB 60.97, -17.15, 38.91

 

CMYK 9 / 0 / 46 / 31

HEX #A1B05F

RGB 161 176 95

HSL 71.11, 0.34%, 0.53%

LAB 69.08, -17.84, 39.55

 

CMYK 7 / 0 / 36 / 25

HEX #B1BE7A

RGB 177 190 122

HSL 71.47, 0.34%, 0.61%

LAB 74.56, -15.46, 32.88

 

CMYK 9 / 0 / 51 / 40

HEX #8A984B

RGB 138 152 75

HSL 70.91, 0.34%, 0.45%

LAB 60.22, -17.05, 38.49

 

CMYK 51 / 0 / 32 / 40

HEX #4C9A68

RGB 76 154 104

HSL 141.54, 0.34%, 0.45%

LAB 57.7, -35.77, 19.06

 

CMYK 12 / 51 / 0 / 40

HEX #884C9A

RGB 136 76 154

HSL 286.15, 0.34%, 0.45%

LAB 42.36, 38.57, -32.42

 

CMYK 9 / 0 / 51 / 40

HEX #8A984B

RGB 138 152 75

HSL 70.91, 0.34%, 0.45%

LAB 60.22, -17.05, 38.49

 

CMYK 51 / 8 / 0 / 40

HEX #4C8D9A

RGB 76 141 154

HSL 190, 0.34%, 0.45%

LAB 54.99, -17.07, -13.33

 

CMYK 0 / 51 / 8 / 40

HEX #9A4C8D

RGB 154 76 141

HSL 310, 0.34%, 0.45%

LAB 44.18, 41.53, -21.59

 

CMYK 9 / 0 / 51 / 40

HEX #8A984B

RGB 138 152 75

HSL 70.91, 0.34%, 0.45%

LAB 60.22, -17.05, 38.49

 

CMYK 51 / 0 / 32 / 40

HEX #4C9A68

RGB 76 154 104

HSL 141.54, 0.34%, 0.45%

LAB 57.7, -35.77, 19.06

 

CMYK 42 / 51 / 0 / 40

HEX #594C9A

RGB 89 76 154

HSL 250, 0.34%, 0.45%

LAB 37.16, 25.37, -40.99

 

CMYK 0 / 51 / 19 / 40

HEX #9A4C7D

RGB 154 76 125

HSL 322.31, 0.34%, 0.45%

LAB 43.54, 38.84, -12.86

 

CMYK 9 / 0 / 51 / 40

HEX #8A984B

RGB 138 152 75

HSL 70.91, 0.34%, 0.45%

LAB 60.22, -17.05, 38.49

 

CMYK 51 / 0 / 17 / 40

HEX #4C9A80

RGB 76 154 128

HSL 160, 0.34%, 0.45%

LAB 58.23, -30.55, 6.33

 

CMYK 42 / 51 / 0 / 40

HEX #594C9A

RGB 89 76 154

HSL 250, 0.34%, 0.45%

LAB 37.16, 25.37, -40.99

 

CMYK 0 / 51 / 34 / 40

HEX #9A4C66

RGB 154 76 102

HSL 340, 0.34%, 0.45%

LAB 42.76, 35.49, 0.09

 

Description

Color code: RGB 138 152 75 | qconv.com Color code: RGB 138 152 75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 152 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 152 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 51 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 51% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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