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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 129 50 it is the complementary color RGB 117 126 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 129 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 129 50 shade: RGB 143 129 45, RGB 160 147 64, RGB 177 165 83, RGB 194 183 102 and RGB 211 201 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 129 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 129 50 shade: RGB 138 129 50, RGB 121 111 31, RGB 104 93 12, RGB 87 75 0 and RGB 70 57 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 129 50 shade: RGB 138 129 50, RGB 138 105 50, RGB 138 81 50, RGB 138 57 50 and RGB 138 50 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 129 50 shade: RGB 138 129 50, RGB 123 138 50, RGB 99 138 50, RGB 76 138 50 and RGB 52 138 50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 129 50 shade matches the following richer shades: RGB 138 129 50, RGB 153 141 34, RGB 169 153 19 and RGB 184 166 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 129 50 shade: RGB 138 129 50, RGB 123 117 65, RGB 108 105 80, RGB 92 93 95 and RGB 77 81 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 129 50 shade: RGB 138 81 50, RGB 138 104 50, RGB 138 128 50, RGB 125 138 50 and RGB 101 138 50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 129 50 shade: RGB 78 72 28, RGB 108 101 39, RGB 138 129 50, RGB 169 157 60 and RGB 191 180 79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 129 50 shade: RGB 138 129 50, RGB 50 138 57 and RGB 92 50 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 129 50 shade: RGB 138 129 50, RGB 50 138 128 and RGB 128 50 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 129 50 shade: RGB 138 129 50, RGB 50 138 57, RGB 50 60 138 and RGB 138 50 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 129 50 shade: RGB 138 129 50, RGB 50 138 84, RGB 50 60 138 and RGB 138 50 104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 64 / 46

HEX #8A8132

RGB 138 129 50

HSL 53.86, 0.47%, 0.37%

LAB 53.31, -6.89, 42.81

 

Complementary color

CMYK 43 / 39 / 0 / 20

HEX #757ECD

RGB 117 126 205

HSL 233.86, 0.47%, 0.63%

LAB 55.19, 16.97, -42.01

 

CMYK 0 / 10 / 69 / 44

HEX #8F812D

RGB 143 129 45

HSL 51.43, 0.52%, 0.37%

LAB 53.74, -4.94, 45.68

 

CMYK 0 / 8 / 60 / 37

HEX #A09340

RGB 160 147 64

HSL 51.88, 0.43%, 0.44%

LAB 60.53, -5.88, 44.72

 

CMYK 0 / 7 / 53 / 31

HEX #B1A553

RGB 177 165 83

HSL 52.34, 0.38%, 0.51%

LAB 67.19, -6.62, 43.56

 

CMYK 0 / 6 / 47 / 24

HEX #C2B766

RGB 194 183 102

HSL 52.83, 0.43%, 0.58%

LAB 73.74, -7.23, 42.34

 

CMYK 0 / 5 / 43 / 17

HEX #D3C979

RGB 211 201 121

HSL 53.33, 0.51%, 0.65%

LAB 80.18, -7.74, 41.13

 

CMYK 0 / 7 / 64 / 46

HEX #8A8132

RGB 138 129 50

HSL 53.86, 0.47%, 0.37%

LAB 53.31, -6.89, 42.81

 

CMYK 0 / 8 / 74 / 53

HEX #796F1F

RGB 121 111 31

HSL 53.33, 0.59%, 0.3%

LAB 46.36, -5.87, 43.52

 

CMYK 0 / 11 / 88 / 59

HEX #685D0C

RGB 104 93 12

HSL 52.83, 0.79%, 0.23%

LAB 39.24, -4.52, 43.17

 

CMYK 0 / 14 / 100 / 66

HEX #574B00

RGB 87 75 0

HSL 51.72, 1%, 0.17%

LAB 31.94, -2.73, 40.46

 

CMYK 0 / 19 / 100 / 73

HEX #463900

RGB 70 57 0

HSL 48.86, 1%, 0.14%

LAB 24.41, -0.43, 33.42

 

CMYK 0 / 7 / 64 / 46

HEX #8A8132

RGB 138 129 50

HSL 53.86, 0.47%, 0.37%

LAB 53.31, -6.89, 42.81

 

CMYK 0 / 24 / 64 / 46

HEX #8A6932

RGB 138 105 50

HSL 37.5, 0.47%, 0.37%

LAB 46.63, 6.76, 35.39

 

CMYK 0 / 41 / 64 / 46

HEX #8A5132

RGB 138 81 50

HSL 21.14, 0.47%, 0.37%

LAB 40.44, 20.78, 28.15

 

CMYK 0 / 59 / 64 / 46

HEX #8A3932

RGB 138 57 50

HSL 4.77, 0.47%, 0.37%

LAB 35.12, 34.05, 21.6

 

CMYK 0 / 64 / 64 / 46

HEX #8A3232

RGB 138 50 50

HSL 0, 0.47%, 0.37%

LAB 33.8, 37.53, 19.93

 

CMYK 0 / 7 / 64 / 46

HEX #8A8132

RGB 138 129 50

HSL 53.86, 0.47%, 0.37%

LAB 53.31, -6.89, 42.81

 

CMYK 11 / 0 / 64 / 46

HEX #7B8A32

RGB 123 138 50

HSL 70.23, 0.47%, 0.37%

LAB 54.68, -18.4, 43.92

 

CMYK 28 / 0 / 64 / 46

HEX #638A32

RGB 99 138 50

HSL 86.59, 0.47%, 0.37%

LAB 53.01, -28.42, 41.63

 

CMYK 45 / 0 / 64 / 46

HEX #4C8A32

RGB 76 138 50

HSL 102.27, 0.47%, 0.37%

LAB 51.77, -36.88, 39.9

 

CMYK 62 / 0 / 64 / 46

HEX #348A32

RGB 52 138 50

HSL 118.64, 0.47%, 0.37%

LAB 50.85, -43.88, 38.61

 

CMYK 0 / 7 / 64 / 46

HEX #8A8132

RGB 138 129 50

HSL 53.86, 0.47%, 0.37%

LAB 53.31, -6.89, 42.81

 

CMYK 0 / 8 / 78 / 40

HEX #998D22

RGB 153 141 34

HSL 53.95, 0.64%, 0.37%

LAB 57.98, -7.52, 54.48

 

CMYK 0 / 9 / 89 / 34

HEX #A99913

RGB 169 153 19

HSL 53.6, 0.8%, 0.37%

LAB 62.73, -7.17, 63.26

 

CMYK 0 / 10 / 98 / 28

HEX #B8A604

RGB 184 166 4

HSL 54, 0.96%, 0.37%

LAB 67.63, -7.55, 69.87

 

CMYK 0 / 7 / 64 / 46

HEX #8A8132

RGB 138 129 50

HSL 53.86, 0.47%, 0.37%

LAB 53.31, -6.89, 42.81

 

CMYK 0 / 5 / 47 / 52

HEX #7B7541

RGB 123 117 65

HSL 53.79, 0.31%, 0.37%

LAB 48.65, -5.61, 29.39

 

CMYK 0 / 3 / 26 / 58

HEX #6C6950

RGB 108 105 80

HSL 53.57, 0.15%, 0.37%

LAB 44.05, -3.31, 14.52

 

CMYK 3 / 2 / 0 / 63

HEX #5C5D5F

RGB 92 93 95

HSL 220, 0.02%, 0.37%

LAB 39.46, 0.04, -1.29

 

CMYK 31 / 27 / 0 / 56

HEX #4D516F

RGB 77 81 111

HSL 232.94, 0.18%, 0.37%

LAB 35.22, 6.02, -17.73

 

CMYK 0 / 41 / 64 / 46

HEX #8A5132

RGB 138 81 50

HSL 21.14, 0.47%, 0.37%

LAB 40.44, 20.78, 28.15

 

CMYK 0 / 25 / 64 / 46

HEX #8A6832

RGB 138 104 50

HSL 36.82, 0.47%, 0.37%

LAB 46.36, 7.34, 35.08

 

CMYK 0 / 7 / 64 / 46

HEX #8A8032

RGB 138 128 50

HSL 53.18, 0.47%, 0.37%

LAB 53.03, -6.33, 42.51

 

CMYK 9 / 0 / 64 / 46

HEX #7D8A32

RGB 125 138 50

HSL 68.86, 0.47%, 0.37%

LAB 54.83, -17.53, 44.13

 

CMYK 27 / 0 / 64 / 46

HEX #658A32

RGB 101 138 50

HSL 85.23, 0.47%, 0.37%

LAB 53.14, -27.63, 41.8

 

CMYK 0 / 8 / 64 / 69

HEX #4E481C

RGB 78 72 28

HSL 52.8, 0.47%, 0.21%

LAB 30.25, -4, 26.77

 

CMYK 0 / 6 / 64 / 58

HEX #6C6527

RGB 108 101 39

HSL 53.91, 0.47%, 0.29%

LAB 42.22, -5.78, 35.2

 

CMYK 0 / 7 / 64 / 46

HEX #8A8132

RGB 138 129 50

HSL 53.86, 0.47%, 0.37%

LAB 53.31, -6.89, 42.81

 

CMYK 0 / 7 / 64 / 34

HEX #A99D3C

RGB 169 157 60

HSL 53.39, 0.48%, 0.45%

LAB 64.06, -7.57, 50.66

 

CMYK 0 / 6 / 59 / 25

HEX #BFB44F

RGB 191 180 79

HSL 54.11, 0.47%, 0.53%

LAB 72.42, -8.87, 51.79

 

CMYK 0 / 7 / 64 / 46

HEX #8A8132

RGB 138 129 50

HSL 53.86, 0.47%, 0.37%

LAB 53.31, -6.89, 42.81

 

CMYK 64 / 0 / 59 / 46

HEX #328A39

RGB 50 138 57

HSL 124.77, 0.47%, 0.37%

LAB 50.86, -43.49, 35.24

 

CMYK 33 / 64 / 0 / 46

HEX #5C328A

RGB 92 50 138

HSL 268.64, 0.47%, 0.37%

LAB 30.38, 37.24, -42.08

 

CMYK 0 / 7 / 64 / 46

HEX #8A8132

RGB 138 129 50

HSL 53.86, 0.47%, 0.37%

LAB 53.31, -6.89, 42.81

 

CMYK 64 / 0 / 7 / 46

HEX #328A80

RGB 50 138 128

HSL 173.18, 0.47%, 0.37%

LAB 52.3, -28.47, -2.39

 

CMYK 7 / 64 / 0 / 46

HEX #80328A

RGB 128 50 138

HSL 293.18, 0.47%, 0.37%

LAB 35.41, 46.36, -33.75

 

CMYK 0 / 7 / 64 / 46

HEX #8A8132

RGB 138 129 50

HSL 53.86, 0.47%, 0.37%

LAB 53.31, -6.89, 42.81

 

CMYK 64 / 0 / 59 / 46

HEX #328A39

RGB 50 138 57

HSL 124.77, 0.47%, 0.37%

LAB 50.86, -43.49, 35.24

 

CMYK 64 / 57 / 0 / 46

HEX #323C8A

RGB 50 60 138

HSL 233.18, 0.47%, 0.37%

LAB 28.76, 21.71, -44.9

 

CMYK 0 / 64 / 5 / 46

HEX #8A3283

RGB 138 50 131

HSL 304.77, 0.47%, 0.37%

LAB 36.6, 47.73, -27.45

 

CMYK 0 / 7 / 64 / 46

HEX #8A8132

RGB 138 129 50

HSL 53.86, 0.47%, 0.37%

LAB 53.31, -6.89, 42.81

 

CMYK 64 / 0 / 39 / 46

HEX #328A54

RGB 50 138 84

HSL 143.18, 0.47%, 0.37%

LAB 51.26, -39.06, 21.38

 

CMYK 64 / 57 / 0 / 46

HEX #323C8A

RGB 50 60 138

HSL 233.18, 0.47%, 0.37%

LAB 28.76, 21.71, -44.9

 

CMYK 0 / 64 / 25 / 46

HEX #8A3268

RGB 138 50 104

HSL 323.18, 0.47%, 0.37%

LAB 35.37, 43.4, -12.45

 

Description

Color code: RGB 138 129 50 | qconv.com Color code: RGB 138 129 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 129 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 129 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 64 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 64% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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