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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138.7 110.6 28 it is the complementary color RGB 116.3 144.4 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138.7 110.6 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138.7 110.6 28 shade: RGB 143.7 110.6 23, RGB 160.7 128.6 42, RGB 177.7 146.6 61, RGB 194.7 164.6 80 and RGB 211.7 182.6 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138.7 110.6 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138.7 110.6 28 shade: RGB 138.7 110.6 28, RGB 121.7 92.6 9, RGB 104.7 74.6 0, RGB 87.7 56.6 0 and RGB 70.7 38.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138.7 110.6 28 shade: RGB 140 111 29, RGB 140 82 29, RGB 140 52 29 and RGB 140 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138.7 110.6 28 shade: RGB 140 111 29, RGB 138 140 29, RGB 108 140 29, RGB 78 140 29 and RGB 48 140 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138.7 110.6 28 shade matches the following richer shades: RGB 140 111 29, RGB 153 118 15 and RGB 167 125 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138.7 110.6 28 shade: RGB 140 111 29, RGB 126 105 42, RGB 112 98 56, RGB 99 91 69 and RGB 85 85 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138.7 110.6 28 shade: RGB 140 51 29, RGB 140 80 29, RGB 140 110 29, RGB 140 140 29 and RGB 110 140 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138.7 110.6 28 shade: RGB 71 57 15, RGB 105 84 22, RGB 140 111 29, RGB 174 139 36 and RGB 208 166 43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138.7 110.6 28 shade: RGB 138.7 110.6 28, RGB 36 140 29 and RGB 66 29 140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138.7 110.6 28 shade: RGB 138.7 110.6 28, RGB 29 140 110 and RGB 110 29 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138.7 110.6 28 shade: RGB 138.7 110.6 28, RGB 36 140 29, RGB 29 58 140 and RGB 132 29 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138.7 110.6 28 shade: RGB 138.7 110.6 28, RGB 29 140 55, RGB 29 58 140 and RGB 140 29 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 80 / 46

HEX #8A6E1C

RGB 138.7 110.6 28

HSL 44.77, 0.66%, 0.33%

LAB 48.04, 2.58, 46.95

 

Complementary color

CMYK 49 / 36 / 0 / 11

HEX #7490E3

RGB 116.3 144.4 227

HSL 224.77, 0.66%, 0.67%

LAB 61.09, 12.42, -45.04

 

CMYK 0 / 23 / 84 / 44

HEX #8F6E17

RGB 143.7 110.6 23

HSL 43.55, 0.72%, 0.33%

LAB 48.57, 4.75, 49.41

 

CMYK 0 / 20 / 74 / 37

HEX #A0802A

RGB 160.7 128.6 42

HSL 43.77, 0.59%, 0.4%

LAB 55.39, 3.2, 49.22

 

CMYK 0 / 18 / 66 / 30

HEX #B1923D

RGB 177.7 146.6 61

HSL 44.01, 0.49%, 0.47%

LAB 62.09, 1.95, 48.34

 

CMYK 0 / 15 / 59 / 24

HEX #C2A450

RGB 194.7 164.6 80

HSL 44.25, 0.49%, 0.54%

LAB 68.68, 0.92, 47.18

 

CMYK 0 / 14 / 53 / 17

HEX #D3B663

RGB 211.7 182.6 99

HSL 44.51, 0.57%, 0.61%

LAB 75.17, 0.05, 45.94

 

CMYK 0 / 20 / 80 / 46

HEX #8A6E1C

RGB 138.7 110.6 28

HSL 44.77, 0.66%, 0.33%

LAB 48.04, 2.58, 46.95

 

CMYK 0 / 24 / 93 / 52

HEX #795C09

RGB 121.7 92.6 9

HSL 44.51, 0.86%, 0.26%

LAB 41.05, 4.33, 46.24

 

CMYK 0 / 29 / 100 / 59

HEX #684A00

RGB 104.7 74.6 0

HSL 42.75, 1%, 0.21%

LAB 33.91, 6.53, 42.8

 

CMYK 0 / 35 / 100 / 66

HEX #573800

RGB 87.7 56.6 0

HSL 38.72, 1%, 0.17%

LAB 26.58, 9.14, 36.28

 

CMYK 0 / 45 / 100 / 72

HEX #462600

RGB 70.7 38.6 0

HSL 32.76, 1%, 0.14%

LAB 19.03, 11.96, 27.68

 

CMYK 0 / 21 / 79 / 45

HEX #8C6F1D

RGB 140 111 29

HSL 44.32, 0.66%, 0.33%

LAB 48.3, 3, 46.86

 

CMYK 0 / 41 / 79 / 45

HEX #8C521D

RGB 140 82 29

HSL 28.65, 0.66%, 0.33%

LAB 40.73, 19.86, 39.64

 

CMYK 0 / 63 / 79 / 45

HEX #8C341D

RGB 140 52 29

HSL 12.43, 0.66%, 0.33%

LAB 34.23, 36.15, 33.11

 

CMYK 0 / 79 / 79 / 45

HEX #8C1D1D

RGB 140 29 29

HSL 0, 0.66%, 0.33%

LAB 30.74, 45.65, 29.45

 

CMYK 0 / 21 / 79 / 45

HEX #8C6F1D

RGB 140 111 29

HSL 44.32, 0.66%, 0.33%

LAB 48.3, 3, 46.86

 

CMYK 1 / 0 / 79 / 45

HEX #8A8C1D

RGB 138 140 29

HSL 61.08, 0.66%, 0.33%

LAB 56.34, -13.99, 54.14

 

CMYK 23 / 0 / 79 / 45

HEX #6C8C1D

RGB 108 140 29

HSL 77.3, 0.66%, 0.33%

LAB 54.06, -27.16, 51.22

 

CMYK 44 / 0 / 79 / 45

HEX #4E8C1D

RGB 78 140 29

HSL 93.51, 0.66%, 0.33%

LAB 52.36, -38.75, 49.02

 

CMYK 66 / 0 / 79 / 45

HEX #308C1D

RGB 48 140 29

HSL 109.73, 0.66%, 0.33%

LAB 51.24, -47.5, 47.55

 

CMYK 0 / 21 / 79 / 45

HEX #8C6F1D

RGB 140 111 29

HSL 44.32, 0.66%, 0.33%

LAB 48.3, 3, 46.86

 

CMYK 0 / 23 / 90 / 40

HEX #99760F

RGB 153 118 15

HSL 44.78, 0.82%, 0.33%

LAB 51.57, 4.66, 54.6

 

CMYK 0 / 25 / 99 / 35

HEX #A77D01

RGB 167 125 1

HSL 44.82, 0.99%, 0.33%

LAB 54.95, 6.98, 60.49

 

CMYK 0 / 21 / 79 / 45

HEX #8C6F1D

RGB 140 111 29

HSL 44.32, 0.66%, 0.33%

LAB 48.3, 3, 46.86

 

CMYK 0 / 17 / 67 / 51

HEX #7E692A

RGB 126 105 42

HSL 45, 0.5%, 0.33%

LAB 45.23, 0.6, 37.53

 

CMYK 0 / 13 / 50 / 56

HEX #706238

RGB 112 98 56

HSL 45, 0.33%, 0.33%

LAB 41.95, -0.6, 25.85

 

CMYK 0 / 8 / 30 / 61

HEX #635B45

RGB 99 91 69

HSL 44, 0.18%, 0.33%

LAB 38.84, -0.63, 13.88

 

CMYK 0 / 0 / 2 / 67

HEX #555553

RGB 85 85 83

HSL 60, 0.01%, 0.33%

LAB 36.09, -0.42, 1.16

 

CMYK 0 / 64 / 79 / 45

HEX #8C331D

RGB 140 51 29

HSL 11.89, 0.66%, 0.33%

LAB 34.05, 36.63, 32.93

 

CMYK 0 / 43 / 79 / 45

HEX #8C501D

RGB 140 80 29

HSL 27.57, 0.66%, 0.33%

LAB 40.25, 21.01, 39.17

 

CMYK 0 / 21 / 79 / 45

HEX #8C6E1D

RGB 140 110 29

HSL 43.78, 0.66%, 0.33%

LAB 48.03, 3.58, 46.6

 

CMYK 0 / 0 / 79 / 45

HEX #8C8C1D

RGB 140 140 29

HSL 60, 0.66%, 0.33%

LAB 56.51, -13.09, 54.36

 

CMYK 21 / 0 / 79 / 45

HEX #6E8C1D

RGB 110 140 29

HSL 76.22, 0.66%, 0.33%

LAB 54.2, -26.32, 51.4

 

CMYK 0 / 20 / 79 / 72

HEX #47390F

RGB 71 57 15

HSL 45, 0.65%, 0.17%

LAB 24.64, 0.86, 27.32

 

CMYK 0 / 20 / 79 / 59

HEX #695416

RGB 105 84 22

HSL 44.82, 0.65%, 0.25%

LAB 36.75, 1.72, 37.38

 

CMYK 0 / 21 / 79 / 45

HEX #8C6F1D

RGB 140 111 29

HSL 44.32, 0.66%, 0.33%

LAB 48.3, 3, 46.86

 

CMYK 0 / 20 / 79 / 32

HEX #AE8B24

RGB 174 139 36

HSL 44.78, 0.66%, 0.41%

LAB 59.52, 3.2, 55.95

 

CMYK 0 / 20 / 79 / 18

HEX #D0A62B

RGB 208 166 43

HSL 44.73, 0.66%, 0.49%

LAB 70.08, 3.94, 64.43

 

CMYK 0 / 20 / 80 / 46

HEX #8A6E1C

RGB 138.7 110.6 28

HSL 44.77, 0.66%, 0.33%

LAB 48.04, 2.58, 46.95

 

CMYK 74 / 0 / 79 / 45

HEX #248C1D

RGB 36 140 29

HSL 116.22, 0.66%, 0.33%

LAB 50.94, -49.96, 47.16

 

CMYK 53 / 79 / 0 / 45

HEX #421D8C

RGB 66 29 140

HSL 260, 0.66%, 0.33%

LAB 23.44, 43.69, -54.76

 

CMYK 0 / 20 / 80 / 46

HEX #8A6E1C

RGB 138.7 110.6 28

HSL 44.77, 0.66%, 0.33%

LAB 48.04, 2.58, 46.95

 

CMYK 79 / 0 / 21 / 45

HEX #1D8C6E

RGB 29 140 110

HSL 163.78, 0.66%, 0.33%

LAB 52, -37.48, 7.53

 

CMYK 21 / 79 / 0 / 45

HEX #6E1D8C

RGB 110 29 140

HSL 283.78, 0.66%, 0.33%

LAB 29.63, 51.35, -44.4

 

CMYK 0 / 20 / 80 / 46

HEX #8A6E1C

RGB 138.7 110.6 28

HSL 44.77, 0.66%, 0.33%

LAB 48.04, 2.58, 46.95

 

CMYK 74 / 0 / 79 / 45

HEX #248C1D

RGB 36 140 29

HSL 116.22, 0.66%, 0.33%

LAB 50.94, -49.96, 47.16

 

CMYK 79 / 59 / 0 / 45

HEX #1D3A8C

RGB 29 58 140

HSL 224.32, 0.66%, 0.33%

LAB 27.24, 20.7, -48.65

 

CMYK 6 / 79 / 0 / 45

HEX #841D8C

RGB 132 29 140

HSL 295.68, 0.66%, 0.33%

LAB 33.3, 55.81, -38.31

 

CMYK 0 / 20 / 80 / 46

HEX #8A6E1C

RGB 138.7 110.6 28

HSL 44.77, 0.66%, 0.33%

LAB 48.04, 2.58, 46.95

 

CMYK 79 / 0 / 61 / 45

HEX #1D8C37

RGB 29 140 55

HSL 134.05, 0.66%, 0.33%

LAB 51.03, -48.44, 36.29

 

CMYK 79 / 59 / 0 / 45

HEX #1D3A8C

RGB 29 58 140

HSL 224.32, 0.66%, 0.33%

LAB 27.24, 20.7, -48.65

 

CMYK 0 / 79 / 19 / 45

HEX #8C1D72

RGB 140 29 114

HSL 314.05, 0.66%, 0.33%

LAB 33.28, 53.45, -21.97

 

Description

Color code: RGB 138.7 110.6 28 | qconv.com Color code: RGB 138.7 110.6 28 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138.7 red, 110.6 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138.7 110.6 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 80 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 80% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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