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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138.3 72.4 15 it is the complementary color RGB 116.7 182.6 240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138.3 72.4 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138.3 72.4 15 shade: RGB 143.3 72.4 10, RGB 160.3 90.4 29, RGB 177.3 108.4 48, RGB 194.3 126.4 67 and RGB 211.3 144.4 86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138.3 72.4 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138.3 72.4 15 shade: RGB 138.3 72.4 15, RGB 121.3 54.4 0, RGB 104.3 36.4 0, RGB 87.3 18.4 0 and RGB 70.3 0.40000000000001 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138.3 72.4 15 shade: RGB 138 72 15, RGB 138 39 15 and RGB 138 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138.3 72.4 15 shade: RGB 138 72 15, RGB 138 105 15, RGB 137 138 15, RGB 104 138 15 and RGB 71 138 15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138.3 72.4 15 shade matches the following richer shades: RGB 138 72 15 and RGB 150 71 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138.3 72.4 15 shade: RGB 138 72 15, RGB 125 73 28, RGB 113 74 40, RGB 101 75 52 and RGB 88 76 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138.3 72.4 15 shade: RGB 138 15 26, RGB 138 38 15, RGB 138 70 15, RGB 138 103 15 and RGB 138 136 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138.3 72.4 15 shade: RGB 63 33 7, RGB 101 53 11, RGB 138 72 15, RGB 175 92 19 and RGB 212 111 24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138.3 72.4 15 shade: RGB 138.3 72.4 15, RGB 58 138 15 and RGB 21 15 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138.3 72.4 15 shade: RGB 138.3 72.4 15, RGB 15 138 70 and RGB 70 15 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138.3 72.4 15 shade: RGB 138.3 72.4 15, RGB 58 138 15, RGB 15 83 138 and RGB 95 15 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138.3 72.4 15 shade: RGB 138.3 72.4 15, RGB 21 138 15, RGB 15 83 138 and RGB 132 15 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 89 / 46

HEX #8A480F

RGB 138.3 72.4 15

HSL 27.93, 0.8%, 0.3%

LAB 38.11, 24.12, 43.03

 

Complementary color

CMYK 51 / 24 / 0 / 6

HEX #74B6F0

RGB 116.7 182.6 240

HSL 207.93, 0.8%, 0.7%

LAB 72.06, -5.28, -35.01

 

CMYK 0 / 49 / 93 / 44

HEX #8F480A

RGB 143.3 72.4 10

HSL 28.09, 0.87%, 0.3%

LAB 38.86, 26.21, 45.57

 

CMYK 0 / 44 / 82 / 37

HEX #A05A1D

RGB 160.3 90.4 29

HSL 28.06, 0.69%, 0.37%

LAB 45.6, 24.1, 45.27

 

CMYK 0 / 39 / 73 / 30

HEX #B16C30

RGB 177.3 108.4 48

HSL 28.03, 0.57%, 0.44%

LAB 52.29, 22.27, 43.98

 

CMYK 0 / 35 / 66 / 24

HEX #C27E43

RGB 194.3 126.4 67

HSL 28, 0.51%, 0.51%

LAB 58.92, 20.7, 42.42

 

CMYK 0 / 32 / 59 / 17

HEX #D39056

RGB 211.3 144.4 86

HSL 27.96, 0.59%, 0.58%

LAB 65.46, 19.35, 40.84

 

CMYK 0 / 48 / 89 / 46

HEX #8A480F

RGB 138.3 72.4 15

HSL 27.93, 0.8%, 0.3%

LAB 38.11, 24.12, 43.03

 

CMYK 0 / 55 / 100 / 52

HEX #793600

RGB 121.3 54.4 0

HSL 26.91, 1%, 0.24%

LAB 31.26, 26.41, 42.21

 

CMYK 0 / 65 / 100 / 59

HEX #682400

RGB 104.3 36.4 0

HSL 20.94, 1%, 0.2%

LAB 24.47, 28.83, 35.28

 

CMYK 0 / 79 / 100 / 66

HEX #571200

RGB 87.3 18.4 0

HSL 12.65, 1%, 0.17%

LAB 17.86, 30.57, 27.08

 

CMYK 0 / 99 / 100 / 72

HEX #460000

RGB 70.3 0.40000000000001 0

HSL 0.34, 1%, 0.14%

LAB 11.43, 31.49, 17.98

 

CMYK 0 / 48 / 89 / 46

HEX #8A480F

RGB 138 72 15

HSL 27.8, 0.8%, 0.3%

LAB 37.97, 24.21, 42.9

 

CMYK 0 / 72 / 89 / 46

HEX #8A270F

RGB 138 39 15

HSL 11.71, 0.8%, 0.3%

LAB 31.55, 40.84, 37.65

 

CMYK 0 / 89 / 89 / 46

HEX #8A0F0F

RGB 138 15 15

HSL 0, 0.8%, 0.3%

LAB 28.85, 48.4, 35.42

 

CMYK 0 / 48 / 89 / 46

HEX #8A480F

RGB 138 72 15

HSL 27.8, 0.8%, 0.3%

LAB 37.97, 24.21, 42.9

 

CMYK 0 / 24 / 89 / 46

HEX #8A690F

RGB 138 105 15

HSL 43.9, 0.8%, 0.3%

LAB 46.37, 5.05, 49.73

 

CMYK 1 / 0 / 89 / 46

HEX #898A0F

RGB 137 138 15

HSL 60.49, 0.8%, 0.3%

LAB 55.61, -13.83, 57.17

 

CMYK 25 / 0 / 89 / 46

HEX #688A0F

RGB 104 138 15

HSL 76.59, 0.8%, 0.3%

LAB 53.12, -28.42, 54.09

 

CMYK 49 / 0 / 89 / 46

HEX #478A0F

RGB 71 138 15

HSL 92.68, 0.8%, 0.3%

LAB 51.33, -40.95, 51.86

 

CMYK 0 / 48 / 89 / 46

HEX #8A480F

RGB 138 72 15

HSL 27.8, 0.8%, 0.3%

LAB 37.97, 24.21, 42.9

 

CMYK 0 / 53 / 98 / 41

HEX #964703

RGB 150 71 3

HSL 27.76, 0.96%, 0.3%

LAB 39.58, 29.73, 48.67

 

CMYK 0 / 48 / 89 / 46

HEX #8A480F

RGB 138 72 15

HSL 27.8, 0.8%, 0.3%

LAB 37.97, 24.21, 42.9

 

CMYK 0 / 42 / 78 / 51

HEX #7D491C

RGB 125 73 28

HSL 27.84, 0.63%, 0.3%

LAB 36.38, 18.24, 35.08

 

CMYK 0 / 35 / 65 / 56

HEX #714A28

RGB 113 74 40

HSL 27.95, 0.48%, 0.3%

LAB 35.13, 12.82, 26.74

 

CMYK 0 / 26 / 49 / 60

HEX #654B34

RGB 101 75 52

HSL 28.16, 0.32%, 0.3%

LAB 34.08, 7.76, 17.95

 

CMYK 0 / 14 / 26 / 65

HEX #584C41

RGB 88 76 65

HSL 28.7, 0.15%, 0.3%

LAB 33.19, 3.03, 8.39

 

CMYK 0 / 89 / 81 / 46

HEX #8A0F1A

RGB 138 15 26

HSL 354.63, 0.8%, 0.3%

LAB 28.95, 48.7, 29.25

 

CMYK 0 / 72 / 89 / 46

HEX #8A260F

RGB 138 38 15

HSL 11.22, 0.8%, 0.3%

LAB 31.4, 41.25, 37.52

 

CMYK 0 / 49 / 89 / 46

HEX #8A460F

RGB 138 70 15

HSL 26.83, 0.8%, 0.3%

LAB 37.51, 25.34, 42.53

 

CMYK 0 / 25 / 89 / 46

HEX #8A670F

RGB 138 103 15

HSL 42.93, 0.8%, 0.3%

LAB 45.82, 6.21, 49.29

 

CMYK 0 / 1 / 89 / 46

HEX #8A880F

RGB 138 136 15

HSL 59.02, 0.8%, 0.3%

LAB 55.12, -12.3, 56.81

 

CMYK 0 / 48 / 89 / 75

HEX #3F2107

RGB 63 33 7

HSL 27.86, 0.8%, 0.14%

LAB 16.3, 12.03, 21.26

 

CMYK 0 / 48 / 89 / 60

HEX #65350B

RGB 101 53 11

HSL 28, 0.8%, 0.22%

LAB 27.67, 18.3, 33.51

 

CMYK 0 / 48 / 89 / 46

HEX #8A480F

RGB 138 72 15

HSL 27.8, 0.8%, 0.3%

LAB 37.97, 24.21, 42.9

 

CMYK 0 / 47 / 89 / 31

HEX #AF5C13

RGB 175 92 19

HSL 28.08, 0.8%, 0.38%

LAB 48.03, 29.26, 51.91

 

CMYK 0 / 48 / 89 / 17

HEX #D46F18

RGB 212 111 24

HSL 27.77, 0.8%, 0.46%

LAB 57.49, 34.64, 60.04

 

CMYK 0 / 48 / 89 / 46

HEX #8A480F

RGB 138.3 72.4 15

HSL 27.93, 0.8%, 0.3%

LAB 38.11, 24.12, 43.03

 

CMYK 58 / 0 / 89 / 46

HEX #3A8A0F

RGB 58 138 15

HSL 99.02, 0.8%, 0.3%

LAB 50.82, -44.94, 51.22

 

CMYK 85 / 89 / 0 / 46

HEX #150F8A

RGB 21 15 138

HSL 242.93, 0.8%, 0.3%

LAB 17.16, 45.25, -64.02

 

CMYK 0 / 48 / 89 / 46

HEX #8A480F

RGB 138.3 72.4 15

HSL 27.93, 0.8%, 0.3%

LAB 38.11, 24.12, 43.03

 

CMYK 89 / 0 / 49 / 46

HEX #0F8A46

RGB 15 138 70

HSL 146.83, 0.8%, 0.3%

LAB 50.36, -46.95, 27.74

 

CMYK 49 / 89 / 0 / 46

HEX #460F8A

RGB 70 15 138

HSL 266.83, 0.8%, 0.3%

LAB 21.87, 49.16, -56.08

 

CMYK 0 / 48 / 89 / 46

HEX #8A480F

RGB 138.3 72.4 15

HSL 27.93, 0.8%, 0.3%

LAB 38.11, 24.12, 43.03

 

CMYK 58 / 0 / 89 / 46

HEX #3A8A0F

RGB 58 138 15

HSL 99.02, 0.8%, 0.3%

LAB 50.82, -44.94, 51.22

 

CMYK 89 / 40 / 0 / 46

HEX #0F538A

RGB 15 83 138

HSL 206.83, 0.8%, 0.3%

LAB 34.24, 1.46, -36.17

 

CMYK 31 / 89 / 0 / 46

HEX #5F0F8A

RGB 95 15 138

HSL 279.02, 0.8%, 0.3%

LAB 25.59, 52.58, -49.83

 

CMYK 0 / 48 / 89 / 46

HEX #8A480F

RGB 138.3 72.4 15

HSL 27.93, 0.8%, 0.3%

LAB 38.11, 24.12, 43.03

 

CMYK 85 / 0 / 89 / 46

HEX #158A0F

RGB 21 138 15

HSL 117.07, 0.8%, 0.3%

LAB 49.94, -52.33, 50.12

 

CMYK 89 / 40 / 0 / 46

HEX #0F538A

RGB 15 83 138

HSL 206.83, 0.8%, 0.3%

LAB 34.24, 1.46, -36.17

 

CMYK 4 / 89 / 0 / 46

HEX #840F8A

RGB 132 15 138

HSL 297.07, 0.8%, 0.3%

LAB 31.99, 58.9, -39.16

 

Description

Color code: RGB 138.3 72.4 15 | qconv.com Color code: RGB 138.3 72.4 15 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138.3 red, 72.4 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138.3 72.4 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 89 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 89% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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