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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138.1 198.8 186 it is the complementary color RGB 116.9 56.2 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138.1 198.8 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138.1 198.8 186 shade: RGB 143.1 198.8 181, RGB 160.1 216.8 200, RGB 177.1 234.8 219, RGB 194.1 252.8 238 and RGB 211.1 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138.1 198.8 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138.1 198.8 186 shade: RGB 138.1 198.8 186, RGB 121.1 180.8 167, RGB 104.1 162.8 148, RGB 87.1 144.8 129 and RGB 70.1 126.8 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138.1 198.8 186 shade: RGB 137 198 185, RGB 137 198 169, RGB 137 198 153, RGB 139 198 137 and RGB 155 198 137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138.1 198.8 186 shade: RGB 137 198 185, RGB 137 195 198, RGB 137 178 198, RGB 137 162 198 and RGB 137 145 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138.1 198.8 186 shade matches the following richer shades: RGB 137 198 185, RGB 123 212 193, RGB 109 226 202, RGB 95 240 210 and RGB 81 254 218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138.1 198.8 186 shade: RGB 137 198 185, RGB 151 184 177, RGB 166 170 169, RGB 180 156 161 and RGB 194 142 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138.1 198.8 186 shade: RGB 137 198 153, RGB 137 198 169, RGB 137 198 185, RGB 137 195 198 and RGB 137 179 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138.1 198.8 186 shade: RGB 82 171 152, RGB 110 185 169, RGB 137 198 185, RGB 165 212 202 and RGB 193 225 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138.1 198.8 186 shade: RGB 138.1 198.8 186, RGB 137 138 198 and RGB 198 161 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138.1 198.8 186 shade: RGB 138.1 198.8 186, RGB 185 137 198 and RGB 198 185 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138.1 198.8 186 shade: RGB 138.1 198.8 186, RGB 137 138 198, RGB 198 137 151 and RGB 198 197 137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138.1 198.8 186 shade: RGB 138.1 198.8 186, RGB 155 137 198, RGB 198 137 151 and RGB 181 198 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 6 / 22

HEX #8AC6BA

RGB 138.1 198.8 186

HSL 167.35, 0.35%, 0.66%

LAB 75.89, -22.21, 0.17

 

Complementary color

CMYK 0 / 52 / 41 / 54

HEX #743845

RGB 116.9 56.2 69

HSL 347.35, 0.35%, 0.34%

LAB 31.93, 28.05, 4.57

 

CMYK 28 / 0 / 9 / 22

HEX #8FC6B5

RGB 143.1 198.8 181

HSL 160.83, 0.33%, 0.67%

LAB 76.03, -21.8, 3.11

 

CMYK 26 / 0 / 8 / 15

HEX #A0D8C8

RGB 160.1 216.8 200

HSL 162.22, 0.43%, 0.74%

LAB 82.47, -21.63, 2.39

 

CMYK 25 / 0 / 7 / 8

HEX #B1EADB

RGB 177.1 234.8 219

HSL 163.57, 0.59%, 0.81%

LAB 88.82, -21.47, 1.71

 

CMYK 23 / 0 / 6 / 1

HEX #C2FCEE

RGB 194.1 252.8 238

HSL 164.87, 0.93%, 0.88%

LAB 95.07, -21.33, 1.06

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211.1 255 255

HSL 180, 1%, 0.91%

LAB 97.07, -13.89, -4.66

 

CMYK 31 / 0 / 6 / 22

HEX #8AC6BA

RGB 138.1 198.8 186

HSL 167.35, 0.35%, 0.66%

LAB 75.89, -22.21, 0.17

 

CMYK 33 / 0 / 8 / 29

HEX #79B4A7

RGB 121.1 180.8 167

HSL 166.13, 0.29%, 0.59%

LAB 69.35, -22.38, 0.88

 

CMYK 36 / 0 / 9 / 36

HEX #68A294

RGB 104.1 162.8 148

HSL 164.87, 0.24%, 0.52%

LAB 62.68, -22.57, 1.63

 

CMYK 40 / 0 / 11 / 43

HEX #579081

RGB 87.1 144.8 129

HSL 163.57, 0.25%, 0.45%

LAB 55.89, -22.77, 2.45

 

CMYK 45 / 0 / 13 / 50

HEX #467E6E

RGB 70.1 126.8 110

HSL 162.22, 0.29%, 0.39%

LAB 48.96, -22.96, 3.34

 

CMYK 31 / 0 / 7 / 22

HEX #89C6B9

RGB 137 198 185

HSL 167.21, 0.35%, 0.66%

LAB 75.58, -22.35, 0.25

 

CMYK 31 / 0 / 15 / 22

HEX #89C6A9

RGB 137 198 169

HSL 151.48, 0.35%, 0.66%

LAB 75.18, -25.75, 8.32

 

CMYK 31 / 0 / 23 / 22

HEX #89C699

RGB 137 198 153

HSL 135.74, 0.35%, 0.66%

LAB 74.83, -28.87, 16.42

 

CMYK 30 / 0 / 31 / 22

HEX #8BC689

RGB 139 198 137

HSL 118.03, 0.35%, 0.66%

LAB 74.62, -31.03, 24.67

 

CMYK 22 / 0 / 31 / 22

HEX #9BC689

RGB 155 198 137

HSL 102.3, 0.35%, 0.66%

LAB 75.55, -25.55, 26.08

 

CMYK 31 / 0 / 7 / 22

HEX #89C6B9

RGB 137 198 185

HSL 167.21, 0.35%, 0.66%

LAB 75.58, -22.35, 0.25

 

CMYK 31 / 2 / 0 / 22

HEX #89C3C6

RGB 137 195 198

HSL 182.95, 0.35%, 0.66%

LAB 75.09, -17.87, -7.51

 

CMYK 31 / 10 / 0 / 22

HEX #89B2C6

RGB 137 178 198

HSL 199.67, 0.35%, 0.66%

LAB 70.34, -8.96, -14.62

 

CMYK 31 / 18 / 0 / 22

HEX #89A2C6

RGB 137 162 198

HSL 215.41, 0.35%, 0.66%

LAB 65.93, -0.21, -21.3

 

CMYK 31 / 27 / 0 / 22

HEX #8991C6

RGB 137 145 198

HSL 232.13, 0.35%, 0.66%

LAB 61.35, 9.42, -28.33

 

CMYK 31 / 0 / 7 / 22

HEX #89C6B9

RGB 137 198 185

HSL 167.21, 0.35%, 0.66%

LAB 75.58, -22.35, 0.25

 

CMYK 42 / 0 / 9 / 17

HEX #7BD4C1

RGB 123 212 193

HSL 167.19, 0.51%, 0.66%

LAB 79.13, -31.2, 1.03

 

CMYK 52 / 0 / 11 / 11

HEX #6DE2CA

RGB 109 226 202

HSL 167.69, 0.67%, 0.66%

LAB 82.86, -38.87, 1.62

 

CMYK 60 / 0 / 13 / 6

HEX #5FF0D2

RGB 95 240 210

HSL 167.59, 0.83%, 0.66%

LAB 86.7, -45.87, 2.94

 

CMYK 68 / 0 / 14 / 0

HEX #51FEDA

RGB 81 254 218

HSL 167.51, 0.99%, 0.66%

LAB 90.64, -52.06, 4.44

 

CMYK 31 / 0 / 7 / 22

HEX #89C6B9

RGB 137 198 185

HSL 167.21, 0.35%, 0.66%

LAB 75.58, -22.35, 0.25

 

CMYK 18 / 0 / 4 / 28

HEX #97B8B1

RGB 151 184 177

HSL 167.27, 0.19%, 0.66%

LAB 72.25, -12.57, -0.16

 

CMYK 2 / 0 / 1 / 33

HEX #A6AAA9

RGB 166 170 169

HSL 165, 0.02%, 0.66%

LAB 69.27, -1.6, 0.01

 

CMYK 0 / 13 / 11 / 29

HEX #B49CA1

RGB 180 156 161

HSL 347.5, 0.14%, 0.66%

LAB 66.56, 9.69, 0.65

 

CMYK 0 / 27 / 21 / 24

HEX #C28E99

RGB 194 142 153

HSL 347.31, 0.3%, 0.66%

LAB 64.25, 21.35, 1.96

 

CMYK 31 / 0 / 23 / 22

HEX #89C699

RGB 137 198 153

HSL 135.74, 0.35%, 0.66%

LAB 74.83, -28.87, 16.42

 

CMYK 31 / 0 / 15 / 22

HEX #89C6A9

RGB 137 198 169

HSL 151.48, 0.35%, 0.66%

LAB 75.18, -25.75, 8.32

 

CMYK 31 / 0 / 7 / 22

HEX #89C6B9

RGB 137 198 185

HSL 167.21, 0.35%, 0.66%

LAB 75.58, -22.35, 0.25

 

CMYK 31 / 2 / 0 / 22

HEX #89C3C6

RGB 137 195 198

HSL 182.95, 0.35%, 0.66%

LAB 75.09, -17.87, -7.51

 

CMYK 31 / 10 / 0 / 22

HEX #89B3C6

RGB 137 179 198

HSL 198.69, 0.35%, 0.66%

LAB 70.62, -9.5, -14.2

 

CMYK 52 / 0 / 11 / 33

HEX #52AB98

RGB 82 171 152

HSL 167.19, 0.35%, 0.5%

LAB 64.31, -31.42, 1.65

 

CMYK 41 / 0 / 9 / 27

HEX #6EB9A9

RGB 110 185 169

HSL 167.2, 0.35%, 0.58%

LAB 70.09, -27.12, 0.8

 

CMYK 31 / 0 / 7 / 22

HEX #89C6B9

RGB 137 198 185

HSL 167.21, 0.35%, 0.66%

LAB 75.58, -22.35, 0.25

 

CMYK 22 / 0 / 5 / 17

HEX #A5D4CA

RGB 165 212 202

HSL 167.23, 0.35%, 0.74%

LAB 81.48, -17.31, -0.08

 

CMYK 14 / 0 / 3 / 12

HEX #C1E1DA

RGB 193 225 218

HSL 166.88, 0.35%, 0.82%

LAB 87.12, -11.85, -0.12

 

CMYK 31 / 0 / 6 / 22

HEX #8AC6BA

RGB 138.1 198.8 186

HSL 167.35, 0.35%, 0.66%

LAB 75.89, -22.21, 0.17

 

CMYK 31 / 30 / 0 / 22

HEX #898AC6

RGB 137 138 198

HSL 239.02, 0.35%, 0.66%

LAB 59.5, 13.47, -31.19

 

CMYK 0 / 19 / 31 / 22

HEX #C6A189

RGB 198 161 137

HSL 23.61, 0.35%, 0.66%

LAB 68.97, 10.15, 17.65

 

CMYK 31 / 0 / 6 / 22

HEX #8AC6BA

RGB 138.1 198.8 186

HSL 167.35, 0.35%, 0.66%

LAB 75.89, -22.21, 0.17

 

CMYK 7 / 31 / 0 / 22

HEX #B989C6

RGB 185 137 198

HSL 287.21, 0.35%, 0.66%

LAB 63.58, 29.01, -24.55

 

CMYK 0 / 7 / 31 / 22

HEX #C6B989

RGB 198 185 137

HSL 47.21, 0.35%, 0.66%

LAB 75.15, -2.73, 26.07

 

CMYK 31 / 0 / 6 / 22

HEX #8AC6BA

RGB 138.1 198.8 186

HSL 167.35, 0.35%, 0.66%

LAB 75.89, -22.21, 0.17

 

CMYK 31 / 30 / 0 / 22

HEX #898AC6

RGB 137 138 198

HSL 239.02, 0.35%, 0.66%

LAB 59.5, 13.47, -31.19

 

CMYK 0 / 31 / 24 / 22

HEX #C68997

RGB 198 137 151

HSL 346.23, 0.35%, 0.66%

LAB 63.45, 25.3, 1.98

 

CMYK 0 / 1 / 31 / 22

HEX #C6C589

RGB 198 197 137

HSL 59.02, 0.35%, 0.66%

LAB 78.31, -8.98, 30.3

 

CMYK 31 / 0 / 6 / 22

HEX #8AC6BA

RGB 138.1 198.8 186

HSL 167.35, 0.35%, 0.66%

LAB 75.89, -22.21, 0.17

 

CMYK 22 / 31 / 0 / 22

HEX #9B89C6

RGB 155 137 198

HSL 257.7, 0.35%, 0.66%

LAB 60.73, 19.48, -29.18

 

CMYK 0 / 31 / 24 / 22

HEX #C68997

RGB 198 137 151

HSL 346.23, 0.35%, 0.66%

LAB 63.45, 25.3, 1.98

 

CMYK 9 / 0 / 31 / 22

HEX #B5C689

RGB 181 198 137

HSL 76.72, 0.35%, 0.66%

LAB 77.29, -16.02, 28.71

 

Description

Color code: RGB 138.1 198.8 186 | qconv.com Color code: RGB 138.1 198.8 186 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138.1 red, 198.8 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138.1 198.8 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 6 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 6% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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