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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 189 33 it is the complementary color RGB 118 66 222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 189 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 137 189 33 shade: RGB 142 189 28, RGB 159 207 47, RGB 176 225 66, RGB 193 243 85 and RGB 210 255 104

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 189 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 137 189 33 shade: RGB 137 189 33, RGB 120 171 14, RGB 103 153 0, RGB 86 135 0 and RGB 69 117 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 137 189 33 shade: RGB 138 190 33, RGB 180 190 33, RGB 190 158 33, RGB 190 116 33 and RGB 190 73 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 137 189 33 shade: RGB 138 190 33, RGB 96 190 33, RGB 53 190 33, RGB 33 190 56 and RGB 33 190 98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 137 189 33 shade matches the following richer shades: RGB 138 190 33 and RGB 144 208 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 137 189 33 shade: RGB 138 190 33, RGB 132 172 51, RGB 126 154 69, RGB 120 136 88 and RGB 114 118 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 137 189 33 shade: RGB 190 159 33, RGB 180 190 33, RGB 138 190 33, RGB 96 190 33 and RGB 54 190 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 137 189 33 shade: RGB 87 120 21, RGB 112 155 27, RGB 138 190 33, RGB 161 218 47 and RGB 177 224 82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 137 189 33 shade: RGB 137 189 33, RGB 33 190 117 and RGB 180 33 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 137 189 33 shade: RGB 137 189 33, RGB 33 138 190 and RGB 190 33 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 137 189 33 shade: RGB 137 189 33, RGB 33 190 117, RGB 86 33 190 and RGB 190 33 106

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 137 189 33 shade: RGB 137 189 33, RGB 33 190 164, RGB 86 33 190 and RGB 190 33 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 83 / 26

HEX #89BD21

RGB 137 189 33

HSL 80, 0.7%, 0.44%

LAB 70.75, -38.13, 65.82

 

Complementary color

CMYK 47 / 70 / 0 / 13

HEX #7642DE

RGB 118 66 222

HSL 260, 0.7%, 0.56%

LAB 42.8, 56.35, -71.59

 

CMYK 25 / 0 / 85 / 26

HEX #8EBD1C

RGB 142 189 28

HSL 77.52, 0.74%, 0.43%

LAB 71.03, -36.36, 67.37

 

CMYK 23 / 0 / 77 / 19

HEX #9FCF2F

RGB 159 207 47

HSL 78, 0.63%, 0.5%

LAB 77.4, -37.1, 68.43

 

CMYK 22 / 0 / 71 / 12

HEX #B0E142

RGB 176 225 66

HSL 78.49, 0.73%, 0.57%

LAB 83.69, -37.67, 68.61

 

CMYK 21 / 0 / 65 / 5

HEX #C1F355

RGB 193 243 85

HSL 78.99, 0.87%, 0.64%

LAB 89.9, -38.11, 68.25

 

CMYK 18 / 0 / 59 / 0

HEX #D2FF68

RGB 210 255 104

HSL 77.88, 1%, 0.7%

LAB 94.41, -35.74, 65.77

 

CMYK 28 / 0 / 83 / 26

HEX #89BD21

RGB 137 189 33

HSL 80, 0.7%, 0.44%

LAB 70.75, -38.13, 65.82

 

CMYK 30 / 0 / 92 / 33

HEX #78AB0E

RGB 120 171 14

HSL 79.49, 0.85%, 0.36%

LAB 64.28, -37.26, 63.89

 

CMYK 33 / 0 / 100 / 40

HEX #679900

RGB 103 153 0

HSL 79.61, 1%, 0.3%

LAB 57.72, -36.12, 60.29

 

CMYK 36 / 0 / 100 / 47

HEX #568700

RGB 86 135 0

HSL 81.78, 1%, 0.26%

LAB 51.04, -34.7, 54.74

 

CMYK 41 / 0 / 100 / 54

HEX #457500

RGB 69 117 0

HSL 84.62, 1%, 0.23%

LAB 44.22, -33.22, 49.06

 

CMYK 27 / 0 / 83 / 25

HEX #8ABE21

RGB 138 190 33

HSL 79.87, 0.7%, 0.44%

LAB 71.1, -38.19, 66.16

 

CMYK 5 / 0 / 83 / 25

HEX #B4BE21

RGB 180 190 33

HSL 63.82, 0.7%, 0.44%

LAB 73.96, -21, 69.74

 

CMYK 0 / 17 / 83 / 25

HEX #BE9E21

RGB 190 158 33

HSL 47.77, 0.7%, 0.44%

LAB 66.14, -0.05, 63.4

 

CMYK 0 / 39 / 83 / 25

HEX #BE7421

RGB 190 116 33

HSL 31.72, 0.7%, 0.44%

LAB 55.63, 22.96, 54.25

 

CMYK 0 / 62 / 83 / 25

HEX #BE4921

RGB 190 73 33

HSL 15.29, 0.7%, 0.44%

LAB 46.74, 45.12, 46.24

 

CMYK 27 / 0 / 83 / 25

HEX #8ABE21

RGB 138 190 33

HSL 79.87, 0.7%, 0.44%

LAB 71.1, -38.19, 66.16

 

CMYK 49 / 0 / 83 / 25

HEX #60BE21

RGB 96 190 33

HSL 95.92, 0.7%, 0.44%

LAB 69.06, -52.75, 63.55

 

CMYK 72 / 0 / 83 / 25

HEX #35BE21

RGB 53 190 33

HSL 112.36, 0.7%, 0.44%

LAB 67.79, -63.01, 61.94

 

CMYK 83 / 0 / 71 / 25

HEX #21BE38

RGB 33 190 56

HSL 128.79, 0.7%, 0.44%

LAB 67.6, -64.18, 54.13

 

CMYK 83 / 0 / 48 / 25

HEX #21BE62

RGB 33 190 98

HSL 144.84, 0.7%, 0.44%

LAB 68.04, -58.82, 35.59

 

CMYK 27 / 0 / 83 / 25

HEX #8ABE21

RGB 138 190 33

HSL 79.87, 0.7%, 0.44%

LAB 71.1, -38.19, 66.16

 

CMYK 31 / 0 / 93 / 18

HEX #90D00F

RGB 144 208 15

HSL 79.9, 0.87%, 0.44%

LAB 76.72, -44.24, 74.36

 

CMYK 27 / 0 / 83 / 25

HEX #8ABE21

RGB 138 190 33

HSL 79.87, 0.7%, 0.44%

LAB 71.1, -38.19, 66.16

 

CMYK 23 / 0 / 70 / 33

HEX #84AC33

RGB 132 172 51

HSL 79.83, 0.54%, 0.44%

LAB 65.47, -31.4, 54.97

 

CMYK 18 / 0 / 55 / 40

HEX #7E9A45

RGB 126 154 69

HSL 79.76, 0.38%, 0.44%

LAB 59.87, -23.63, 40.84

 

CMYK 12 / 0 / 35 / 47

HEX #788858

RGB 120 136 88

HSL 80, 0.21%, 0.44%

LAB 54.35, -14.46, 23.9

 

CMYK 3 / 0 / 10 / 54

HEX #72766A

RGB 114 118 106

HSL 80, 0.05%, 0.44%

LAB 48.98, -3.88, 6.09

 

CMYK 0 / 16 / 83 / 25

HEX #BE9F21

RGB 190 159 33

HSL 48.15, 0.7%, 0.44%

LAB 66.41, -0.59, 63.63

 

CMYK 5 / 0 / 83 / 25

HEX #B4BE21

RGB 180 190 33

HSL 63.82, 0.7%, 0.44%

LAB 73.96, -21, 69.74

 

CMYK 27 / 0 / 83 / 25

HEX #8ABE21

RGB 138 190 33

HSL 79.87, 0.7%, 0.44%

LAB 71.1, -38.19, 66.16

 

CMYK 49 / 0 / 83 / 25

HEX #60BE21

RGB 96 190 33

HSL 95.92, 0.7%, 0.44%

LAB 69.06, -52.75, 63.55

 

CMYK 72 / 0 / 83 / 25

HEX #36BE21

RGB 54 190 33

HSL 111.97, 0.7%, 0.44%

LAB 67.81, -62.84, 61.96

 

CMYK 28 / 0 / 83 / 53

HEX #577815

RGB 87 120 21

HSL 80, 0.7%, 0.28%

LAB 46.33, -26.62, 46.16

 

CMYK 28 / 0 / 83 / 39

HEX #709B1B

RGB 112 155 27

HSL 80.16, 0.7%, 0.36%

LAB 58.94, -32.74, 56.37

 

CMYK 27 / 0 / 83 / 25

HEX #8ABE21

RGB 138 190 33

HSL 79.87, 0.7%, 0.44%

LAB 71.1, -38.19, 66.16

 

CMYK 26 / 0 / 78 / 15

HEX #A1DA2F

RGB 161 218 47

HSL 80, 0.7%, 0.52%

LAB 80.7, -41.22, 71.51

 

CMYK 21 / 0 / 63 / 12

HEX #B1E052

RGB 177 224 82

HSL 79.86, 0.7%, 0.6%

LAB 83.58, -35.79, 62.43

 

CMYK 28 / 0 / 83 / 26

HEX #89BD21

RGB 137 189 33

HSL 80, 0.7%, 0.44%

LAB 70.75, -38.13, 65.82

 

CMYK 83 / 0 / 38 / 25

HEX #21BE75

RGB 33 190 117

HSL 152.1, 0.7%, 0.44%

LAB 68.34, -55.37, 26.17

 

CMYK 5 / 83 / 0 / 25

HEX #B421BE

RGB 180 33 190

HSL 296.18, 0.7%, 0.44%

LAB 44.95, 72.56, -49.21

 

CMYK 28 / 0 / 83 / 26

HEX #89BD21

RGB 137 189 33

HSL 80, 0.7%, 0.44%

LAB 70.75, -38.13, 65.82

 

CMYK 83 / 27 / 0 / 25

HEX #218ABE

RGB 33 138 190

HSL 199.87, 0.7%, 0.44%

LAB 54.26, -10.43, -35.2

 

CMYK 0 / 83 / 27 / 25

HEX #BE218A

RGB 190 33 138

HSL 319.87, 0.7%, 0.44%

LAB 44.05, 67.28, -19.48

 

CMYK 28 / 0 / 83 / 26

HEX #89BD21

RGB 137 189 33

HSL 80, 0.7%, 0.44%

LAB 70.75, -38.13, 65.82

 

CMYK 83 / 0 / 38 / 25

HEX #21BE75

RGB 33 190 117

HSL 152.1, 0.7%, 0.44%

LAB 68.34, -55.37, 26.17

 

CMYK 55 / 83 / 0 / 25

HEX #5621BE

RGB 86 33 190

HSL 260.25, 0.7%, 0.44%

LAB 31.31, 58.08, -72.01

 

CMYK 0 / 83 / 44 / 25

HEX #BE216A

RGB 190 33 106

HSL 332.1, 0.7%, 0.44%

LAB 42.88, 63.91, -1.49

 

CMYK 28 / 0 / 83 / 26

HEX #89BD21

RGB 137 189 33

HSL 80, 0.7%, 0.44%

LAB 70.75, -38.13, 65.82

 

CMYK 83 / 0 / 14 / 25

HEX #21BEA4

RGB 33 190 164

HSL 170.06, 0.7%, 0.44%

LAB 69.35, -44.39, 2.2

 

CMYK 55 / 83 / 0 / 25

HEX #5621BE

RGB 86 33 190

HSL 260.25, 0.7%, 0.44%

LAB 31.31, 58.08, -72.01

 

CMYK 0 / 83 / 69 / 25

HEX #BE213B

RGB 190 33 59

HSL 350.06, 0.7%, 0.44%

LAB 41.77, 60.62, 26.43

 

Description

Color code: RGB 137 189 33 | qconv.com Color code: RGB 137 189 33 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 189 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 189 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 83 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 83% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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