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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 169 148 it is the complementary color RGB 118 86 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 169 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 137 169 148 shade: RGB 142 169 143, RGB 159 187 162, RGB 176 205 181, RGB 193 223 200 and RGB 210 241 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 169 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 137 169 148 shade: RGB 137 169 148, RGB 120 151 129, RGB 103 133 110, RGB 86 115 91 and RGB 69 97 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 137 169 148 shade: RGB 137 169 148, RGB 137 169 139, RGB 143 169 137, RGB 152 169 137 and RGB 161 169 137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 137 169 148 shade: RGB 137 169 148, RGB 137 169 157, RGB 137 169 166, RGB 137 164 169 and RGB 137 156 169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 137 169 148 shade matches the following richer shades: RGB 137 169 148, RGB 120 186 143, RGB 104 202 138, RGB 87 219 132 and RGB 71 235 127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 137 169 148 shade: RGB 137 169 148, RGB 153 153 153, RGB 170 136 158, RGB 186 120 163 and RGB 203 103 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 137 169 148 shade: RGB 143 169 137, RGB 137 169 139, RGB 137 169 148, RGB 137 169 156 and RGB 137 169 165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 137 169 148 shade: RGB 94 130 106, RGB 113 152 126, RGB 137 169 148, RGB 161 187 170 and RGB 185 204 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 137 169 148 shade: RGB 137 169 148, RGB 137 152 169 and RGB 169 137 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 137 169 148 shade: RGB 137 169 148, RGB 148 137 169 and RGB 169 148 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 137 169 148 shade: RGB 137 169 148, RGB 137 152 169, RGB 169 137 158 and RGB 169 154 137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 137 169 148 shade: RGB 137 169 148, RGB 137 142 169, RGB 169 137 158 and RGB 169 164 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 12 / 34

HEX #89A994

RGB 137 169 148

HSL 140.63, 0.16%, 0.6%

LAB 66.39, -15.27, 7.22

 

Complementary color

CMYK 0 / 27 / 9 / 54

HEX #76566B

RGB 118 86 107

HSL 320.63, 0.16%, 0.4%

LAB 40.52, 16.94, -6.83

 

CMYK 16 / 0 / 15 / 34

HEX #8EA98F

RGB 142 169 143

HSL 122.22, 0.14%, 0.61%

LAB 66.6, -14.48, 10.34

 

CMYK 15 / 0 / 13 / 27

HEX #9FBBA2

RGB 159 187 162

HSL 126.43, 0.17%, 0.68%

LAB 73.23, -14.39, 9.5

 

CMYK 14 / 0 / 12 / 20

HEX #B0CDB5

RGB 176 205 181

HSL 130.34, 0.22%, 0.75%

LAB 79.74, -14.31, 8.71

 

CMYK 13 / 0 / 10 / 13

HEX #C1DFC8

RGB 193 223 200

HSL 134, 0.32%, 0.82%

LAB 86.15, -14.24, 7.95

 

CMYK 13 / 0 / 9 / 5

HEX #D2F1DB

RGB 210 241 219

HSL 137.42, 0.53%, 0.88%

LAB 92.45, -14.19, 7.23

 

CMYK 19 / 0 / 12 / 34

HEX #89A994

RGB 137 169 148

HSL 140.63, 0.16%, 0.6%

LAB 66.39, -15.27, 7.22

 

CMYK 21 / 0 / 15 / 41

HEX #789781

RGB 120 151 129

HSL 137.42, 0.13%, 0.53%

LAB 59.63, -15.42, 8.06

 

CMYK 23 / 0 / 17 / 48

HEX #67856E

RGB 103 133 110

HSL 134, 0.13%, 0.46%

LAB 52.71, -15.6, 8.95

 

CMYK 25 / 0 / 21 / 55

HEX #56735B

RGB 86 115 91

HSL 130.34, 0.14%, 0.39%

LAB 45.63, -15.81, 9.92

 

CMYK 29 / 0 / 26 / 62

HEX #456148

RGB 69 97 72

HSL 126.43, 0.17%, 0.33%

LAB 38.34, -16.05, 10.99

 

CMYK 19 / 0 / 12 / 34

HEX #89A994

RGB 137 169 148

HSL 140.63, 0.16%, 0.6%

LAB 66.39, -15.27, 7.22

 

CMYK 19 / 0 / 18 / 34

HEX #89A98B

RGB 137 169 139

HSL 123.75, 0.16%, 0.6%

LAB 66.18, -16.99, 11.91

 

CMYK 15 / 0 / 19 / 34

HEX #8FA989

RGB 143 169 137

HSL 108.75, 0.16%, 0.6%

LAB 66.54, -15.21, 13.57

 

CMYK 10 / 0 / 19 / 34

HEX #98A989

RGB 152 169 137

HSL 91.88, 0.16%, 0.6%

LAB 67.17, -11.92, 14.55

 

CMYK 5 / 0 / 19 / 34

HEX #A1A989

RGB 161 169 137

HSL 75, 0.16%, 0.6%

LAB 67.84, -8.55, 15.59

 

CMYK 19 / 0 / 12 / 34

HEX #89A994

RGB 137 169 148

HSL 140.63, 0.16%, 0.6%

LAB 66.39, -15.27, 7.22

 

CMYK 19 / 0 / 7 / 34

HEX #89A99D

RGB 137 169 157

HSL 157.5, 0.16%, 0.6%

LAB 66.62, -13.46, 2.55

 

CMYK 19 / 0 / 2 / 34

HEX #89A9A6

RGB 137 169 166

HSL 174.38, 0.16%, 0.6%

LAB 66.86, -11.56, -2.1

 

CMYK 19 / 3 / 0 / 34

HEX #89A4A9

RGB 137 164 169

HSL 189.38, 0.16%, 0.6%

LAB 65.54, -8.21, -5.71

 

CMYK 19 / 8 / 0 / 34

HEX #899CA9

RGB 137 156 169

HSL 204.38, 0.16%, 0.6%

LAB 63.31, -3.83, -9.03

 

CMYK 19 / 0 / 12 / 34

HEX #89A994

RGB 137 169 148

HSL 140.63, 0.16%, 0.6%

LAB 66.39, -15.27, 7.22

 

CMYK 35 / 0 / 23 / 27

HEX #78BA8F

RGB 120 186 143

HSL 140.91, 0.32%, 0.6%

LAB 70.24, -30.31, 15.27

 

CMYK 49 / 0 / 32 / 21

HEX #68CA8A

RGB 104 202 138

HSL 140.82, 0.48%, 0.6%

LAB 74.2, -43.09, 23.29

 

CMYK 60 / 0 / 40 / 14

HEX #57DB84

RGB 87 219 132

HSL 140.45, 0.65%, 0.6%

LAB 78.67, -55.12, 32.28

 

CMYK 70 / 0 / 46 / 8

HEX #47EB7F

RGB 71 235 127

HSL 140.49, 0.8%, 0.6%

LAB 83.07, -64.79, 40.38

 

CMYK 19 / 0 / 12 / 34

HEX #89A994

RGB 137 169 148

HSL 140.63, 0.16%, 0.6%

LAB 66.39, -15.27, 7.22

 

CMYK 0 / 0 / 0 / 40

HEX #999999

RGB 153 153 153

HSL 0, 0%, 0.6%

LAB 63.22, 0, -0.01

 

CMYK 0 / 20 / 7 / 33

HEX #AA889E

RGB 170 136 158

HSL 321.18, 0.17%, 0.6%

LAB 60.45, 16.69, -6.76

 

CMYK 0 / 35 / 12 / 27

HEX #BA78A3

RGB 186 120 163

HSL 320.91, 0.32%, 0.6%

LAB 58.52, 32.23, -12.32

 

CMYK 0 / 49 / 17 / 20

HEX #CB67A9

RGB 203 103 169

HSL 320.4, 0.49%, 0.6%

LAB 57.33, 47.82, -17.38

 

CMYK 15 / 0 / 19 / 34

HEX #8FA989

RGB 143 169 137

HSL 108.75, 0.16%, 0.6%

LAB 66.54, -15.21, 13.57

 

CMYK 19 / 0 / 18 / 34

HEX #89A98B

RGB 137 169 139

HSL 123.75, 0.16%, 0.6%

LAB 66.18, -16.99, 11.91

 

CMYK 19 / 0 / 12 / 34

HEX #89A994

RGB 137 169 148

HSL 140.63, 0.16%, 0.6%

LAB 66.39, -15.27, 7.22

 

CMYK 19 / 0 / 8 / 34

HEX #89A99C

RGB 137 169 156

HSL 155.63, 0.16%, 0.6%

LAB 66.59, -13.67, 3.07

 

CMYK 19 / 0 / 2 / 34

HEX #89A9A5

RGB 137 169 165

HSL 172.5, 0.16%, 0.6%

LAB 66.83, -11.77, -1.58

 

CMYK 28 / 0 / 18 / 49

HEX #5E826A

RGB 94 130 106

HSL 140, 0.16%, 0.44%

LAB 51.14, -17.98, 8.96

 

CMYK 26 / 0 / 17 / 40

HEX #71987E

RGB 113 152 126

HSL 140, 0.16%, 0.52%

LAB 59.41, -18.96, 9.39

 

CMYK 19 / 0 / 12 / 34

HEX #89A994

RGB 137 169 148

HSL 140.63, 0.16%, 0.6%

LAB 66.39, -15.27, 7.22

 

CMYK 14 / 0 / 9 / 27

HEX #A1BBAA

RGB 161 187 170

HSL 140.77, 0.16%, 0.68%

LAB 73.56, -12.2, 5.64

 

CMYK 9 / 0 / 6 / 20

HEX #B9CCBF

RGB 185 204 191

HSL 138.95, 0.16%, 0.76%

LAB 80.33, -8.89, 4.28

 

CMYK 19 / 0 / 12 / 34

HEX #89A994

RGB 137 169 148

HSL 140.63, 0.16%, 0.6%

LAB 66.39, -15.27, 7.22

 

CMYK 19 / 10 / 0 / 34

HEX #8998A9

RGB 137 152 169

HSL 211.88, 0.16%, 0.6%

LAB 62.2, -1.61, -10.68

 

CMYK 0 / 19 / 18 / 34

HEX #A9898B

RGB 169 137 139

HSL 356.25, 0.16%, 0.6%

LAB 60.06, 12.47, 3.52

 

CMYK 19 / 0 / 12 / 34

HEX #89A994

RGB 137 169 148

HSL 140.63, 0.16%, 0.6%

LAB 66.39, -15.27, 7.22

 

CMYK 12 / 19 / 0 / 34

HEX #9489A9

RGB 148 137 169

HSL 260.63, 0.16%, 0.6%

LAB 59.02, 10.58, -15.39

 

CMYK 0 / 12 / 19 / 34

HEX #A99489

RGB 169 148 137

HSL 20.63, 0.16%, 0.6%

LAB 62.86, 5.98, 8.67

 

CMYK 19 / 0 / 12 / 34

HEX #89A994

RGB 137 169 148

HSL 140.63, 0.16%, 0.6%

LAB 66.39, -15.27, 7.22

 

CMYK 19 / 10 / 0 / 34

HEX #8998A9

RGB 137 152 169

HSL 211.88, 0.16%, 0.6%

LAB 62.2, -1.61, -10.68

 

CMYK 0 / 19 / 7 / 34

HEX #A9899E

RGB 169 137 158

HSL 320.63, 0.16%, 0.6%

LAB 60.6, 15.77, -6.54

 

CMYK 0 / 9 / 19 / 34

HEX #A99A89

RGB 169 154 137

HSL 31.88, 0.16%, 0.6%

LAB 64.45, 2.65, 10.92

 

CMYK 19 / 0 / 12 / 34

HEX #89A994

RGB 137 169 148

HSL 140.63, 0.16%, 0.6%

LAB 66.39, -15.27, 7.22

 

CMYK 19 / 16 / 0 / 34

HEX #898EA9

RGB 137 142 169

HSL 230.63, 0.16%, 0.6%

LAB 59.46, 4.03, -14.81

 

CMYK 0 / 19 / 7 / 34

HEX #A9899E

RGB 169 137 158

HSL 320.63, 0.16%, 0.6%

LAB 60.6, 15.77, -6.54

 

CMYK 0 / 3 / 19 / 34

HEX #A9A489

RGB 169 164 137

HSL 50.63, 0.16%, 0.6%

LAB 67.12, -2.81, 14.68

 

Description

Color code: RGB 137 169 148 | qconv.com Color code: RGB 137 169 148 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 169 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 169 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 12 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 12% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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