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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 151 218 it is the complementary color RGB 118 104 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 151 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 137 151 218 shade: RGB 142 151 213, RGB 159 169 232, RGB 176 187 251, RGB 193 205 255 and RGB 210 223 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 151 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 137 151 218 shade: RGB 137 151 218, RGB 120 133 199, RGB 103 115 180, RGB 86 97 161 and RGB 69 79 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 137 151 218 shade: RGB 138 152 218, RGB 146 138 218, RGB 167 138 218, RGB 189 138 218 and RGB 210 138 218

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 137 151 218 shade: RGB 138 152 218 and RGB 138 138 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 137 151 218 shade matches the following richer shades: RGB 138 152 218, RGB 126 144 230 and RGB 113 136 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 137 151 218 shade: RGB 138 152 218, RGB 151 160 205, RGB 163 168 193, RGB 175 176 181 and RGB 188 184 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 137 151 218 shade: RGB 138 195 218, RGB 138 174 218, RGB 138 153 218, RGB 145 138 218 and RGB 166 138 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 137 151 218 shade: RGB 76 97 198, RGB 107 124 208, RGB 138 152 218, RGB 170 180 228 and RGB 201 207 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 137 151 218 shade: RGB 137 151 218, RGB 218 138 216 and RGB 185 218 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 137 151 218 shade: RGB 137 151 218, RGB 218 138 153 and RGB 153 218 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 137 151 218 shade: RGB 137 151 218, RGB 218 138 216, RGB 218 203 138 and RGB 138 218 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 137 151 218 shade: RGB 137 151 218, RGB 218 138 193, RGB 218 203 138 and RGB 138 218 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 31 / 0 / 15

HEX #8997DA

RGB 137 151 218

HSL 229.63, 0.52%, 0.7%

LAB 63.77, 11.25, -35.75

 

Complementary color

CMYK 0 / 12 / 69 / 54

HEX #766825

RGB 118 104 37

HSL 49.63, 0.52%, 0.3%

LAB 44.07, -2.93, 38.45

 

CMYK 33 / 29 / 0 / 16

HEX #8E97D5

RGB 142 151 213

HSL 232.39, 0.46%, 0.7%

LAB 63.91, 11.31, -32.73

 

CMYK 31 / 27 / 0 / 9

HEX #9FA9E8

RGB 159 169 232

HSL 231.78, 0.61%, 0.77%

LAB 70.58, 10.82, -32.77

 

CMYK 30 / 25 / 0 / 2

HEX #B0BBFB

RGB 176 187 251

HSL 231.2, 0.9%, 0.84%

LAB 77.12, 10.38, -32.84

 

CMYK 24 / 20 / 0 / 0

HEX #C1CDFF

RGB 193 205 255

HSL 228.39, 1%, 0.88%

LAB 83.03, 6.48, -25.82

 

CMYK 18 / 13 / 0 / 0

HEX #D2DFFF

RGB 210 223 255

HSL 222.67, 1%, 0.91%

LAB 88.78, 2.07, -17

 

CMYK 37 / 31 / 0 / 15

HEX #8997DA

RGB 137 151 218

HSL 229.63, 0.52%, 0.7%

LAB 63.77, 11.25, -35.75

 

CMYK 40 / 33 / 0 / 22

HEX #7885C7

RGB 120 133 199

HSL 230.13, 0.41%, 0.63%

LAB 56.97, 11.88, -35.8

 

CMYK 43 / 36 / 0 / 29

HEX #6773B4

RGB 103 115 180

HSL 230.65, 0.34%, 0.55%

LAB 50.03, 12.61, -35.89

 

CMYK 47 / 40 / 0 / 37

HEX #5661A1

RGB 86 97 161

HSL 231.2, 0.3%, 0.48%

LAB 42.92, 13.5, -36.05

 

CMYK 51 / 44 / 0 / 44

HEX #454F8E

RGB 69 79 142

HSL 231.78, 0.35%, 0.41%

LAB 35.62, 14.6, -36.28

 

CMYK 37 / 30 / 0 / 15

HEX #8A98DA

RGB 138 152 218

HSL 229.5, 0.52%, 0.7%

LAB 64.1, 10.95, -35.23

 

CMYK 33 / 37 / 0 / 15

HEX #928ADA

RGB 146 138 218

HSL 246, 0.52%, 0.7%

LAB 61.09, 21.25, -39.89

 

CMYK 23 / 37 / 0 / 15

HEX #A78ADA

RGB 167 138 218

HSL 261.75, 0.52%, 0.7%

LAB 62.89, 27.26, -36.94

 

CMYK 13 / 37 / 0 / 15

HEX #BD8ADA

RGB 189 138 218

HSL 278.25, 0.52%, 0.7%

LAB 65.01, 33.86, -33.48

 

CMYK 4 / 37 / 0 / 15

HEX #D28ADA

RGB 210 138 218

HSL 294, 0.52%, 0.7%

LAB 67.23, 40.3, -29.86

 

CMYK 37 / 30 / 0 / 15

HEX #8A98DA

RGB 138 152 218

HSL 229.5, 0.52%, 0.7%

LAB 64.1, 10.95, -35.23

 

CMYK 37 / 37 / 0 / 15

HEX #8A8ADA

RGB 138 138 218

HSL 240, 0.52%, 0.7%

LAB 60.46, 19.06, -40.91

 

CMYK 37 / 30 / 0 / 15

HEX #8A98DA

RGB 138 152 218

HSL 229.5, 0.52%, 0.7%

LAB 64.1, 10.95, -35.23

 

CMYK 45 / 37 / 0 / 10

HEX #7E90E6

RGB 126 144 230

HSL 229.62, 0.68%, 0.7%

LAB 61.74, 15.85, -45.64

 

CMYK 53 / 44 / 0 / 5

HEX #7188F3

RGB 113 136 243

HSL 229.38, 0.84%, 0.7%

LAB 59.52, 21.58, -56.41

 

CMYK 37 / 30 / 0 / 15

HEX #8A98DA

RGB 138 152 218

HSL 229.5, 0.52%, 0.7%

LAB 64.1, 10.95, -35.23

 

CMYK 26 / 22 / 0 / 20

HEX #97A0CD

RGB 151 160 205

HSL 230, 0.35%, 0.7%

LAB 66.62, 6.83, -24.05

 

CMYK 16 / 13 / 0 / 24

HEX #A3A8C1

RGB 163 168 193

HSL 230, 0.19%, 0.7%

LAB 69.21, 3.39, -13.38

 

CMYK 3 / 3 / 0 / 29

HEX #AFB0B5

RGB 175 176 181

HSL 230, 0.04%, 0.7%

LAB 71.89, 0.61, -2.68

 

CMYK 0 / 2 / 11 / 26

HEX #BCB8A8

RGB 188 184 168

HSL 48, 0.13%, 0.7%

LAB 74.7, -1.39, 8.62

 

CMYK 37 / 11 / 0 / 15

HEX #8AC3DA

RGB 138 195 218

HSL 197.25, 0.52%, 0.7%

LAB 75.76, -12.71, -17.35

 

CMYK 37 / 20 / 0 / 15

HEX #8AAEDA

RGB 138 174 218

HSL 213, 0.52%, 0.7%

LAB 69.99, -1.43, -26.12

 

CMYK 37 / 30 / 0 / 15

HEX #8A99DA

RGB 138 153 218

HSL 228.75, 0.52%, 0.7%

LAB 64.36, 10.38, -34.82

 

CMYK 33 / 37 / 0 / 15

HEX #918ADA

RGB 145 138 218

HSL 245.25, 0.52%, 0.7%

LAB 61.01, 20.97, -40.02

 

CMYK 24 / 37 / 0 / 15

HEX #A68ADA

RGB 166 138 218

HSL 261, 0.52%, 0.7%

LAB 62.8, 26.97, -37.09

 

CMYK 62 / 51 / 0 / 22

HEX #4C61C6

RGB 76 97 198

HSL 229.67, 0.52%, 0.54%

LAB 44.47, 23.54, -55.26

 

CMYK 49 / 40 / 0 / 18

HEX #6B7CD0

RGB 107 124 208

HSL 229.9, 0.52%, 0.62%

LAB 54.13, 16.61, -45.43

 

CMYK 37 / 30 / 0 / 15

HEX #8A98DA

RGB 138 152 218

HSL 229.5, 0.52%, 0.7%

LAB 64.1, 10.95, -35.23

 

CMYK 25 / 21 / 0 / 11

HEX #AAB4E4

RGB 170 180 228

HSL 229.66, 0.52%, 0.78%

LAB 74.06, 6.94, -25.17

 

CMYK 16 / 13 / 0 / 7

HEX #C9CFEE

RGB 201 207 238

HSL 230.27, 0.52%, 0.86%

LAB 83.56, 4.12, -15.93

 

CMYK 37 / 31 / 0 / 15

HEX #8997DA

RGB 137 151 218

HSL 229.63, 0.52%, 0.7%

LAB 63.77, 11.25, -35.75

 

CMYK 0 / 37 / 1 / 15

HEX #DA8AD8

RGB 218 138 216

HSL 301.5, 0.52%, 0.7%

LAB 68.05, 42.41, -27.41

 

CMYK 15 / 0 / 37 / 15

HEX #B9DA8A

RGB 185 218 138

HSL 84.75, 0.52%, 0.7%

LAB 83.07, -24.29, 35.86

 

CMYK 37 / 31 / 0 / 15

HEX #8997DA

RGB 137 151 218

HSL 229.63, 0.52%, 0.7%

LAB 63.77, 11.25, -35.75

 

CMYK 0 / 37 / 30 / 15

HEX #DA8A99

RGB 218 138 153

HSL 348.75, 0.52%, 0.7%

LAB 66.05, 32.42, 4.9

 

CMYK 30 / 0 / 37 / 15

HEX #99DA8A

RGB 153 218 138

HSL 108.75, 0.52%, 0.7%

LAB 81.15, -35.54, 32.99

 

CMYK 37 / 31 / 0 / 15

HEX #8997DA

RGB 137 151 218

HSL 229.63, 0.52%, 0.7%

LAB 63.77, 11.25, -35.75

 

CMYK 0 / 37 / 1 / 15

HEX #DA8AD8

RGB 218 138 216

HSL 301.5, 0.52%, 0.7%

LAB 68.05, 42.41, -27.41

 

CMYK 0 / 7 / 37 / 15

HEX #DACB8A

RGB 218 203 138

HSL 48.75, 0.52%, 0.7%

LAB 81.54, -4.13, 34.33

 

CMYK 37 / 0 / 36 / 15

HEX #8ADA8C

RGB 138 218 140

HSL 121.5, 0.52%, 0.7%

LAB 80.43, -40.04, 30.87

 

CMYK 37 / 31 / 0 / 15

HEX #8997DA

RGB 137 151 218

HSL 229.63, 0.52%, 0.7%

LAB 63.77, 11.25, -35.75

 

CMYK 0 / 37 / 11 / 15

HEX #DA8AC1

RGB 218 138 193

HSL 318.75, 0.52%, 0.7%

LAB 67.23, 38.4, -15.86

 

CMYK 0 / 7 / 37 / 15

HEX #DACB8A

RGB 218 203 138

HSL 48.75, 0.52%, 0.7%

LAB 81.54, -4.13, 34.33

 

CMYK 37 / 0 / 25 / 15

HEX #8ADAA3

RGB 138 218 163

HSL 138.75, 0.52%, 0.7%

LAB 80.84, -36.1, 19.49

 

Description

Color code: RGB 137 151 218 | qconv.com Color code: RGB 137 151 218 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 151 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 151 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 31 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 31% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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