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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 98 103 it is the complementary color RGB 119 157 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 98 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 136 98 103: RGB 141 98 98, RGB 158 116 117, RGB 175 134 136, RGB 192 152 155 and RGB 209 170 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 98 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 136 98 103: RGB 136 98 103, RGB 119 80 84, RGB 102 62 65, RGB 85 44 46 and RGB 68 26 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 24 / 47

HEX #886267

RGB 136 98 103

HSL 352.11, 0.16%, 0.46%

LAB 45.56, 16.18, 3.26

 

Complementary color

CMYK 24 / 0 / 3 / 38

HEX #779D98

RGB 119 157 152

HSL 172.11, 0.16%, 0.54%

LAB 61.91, -14.07, -1.64

 

CMYK 0 / 30 / 30 / 45

HEX #8D6262

RGB 141 98 98

HSL 0, 0.18%, 0.47%

LAB 46.02, 17.45, 7

 

CMYK 0 / 27 / 26 / 38

HEX #9E7475

RGB 158 116 117

HSL 358.57, 0.18%, 0.54%

LAB 53, 16.67, 5.94

 

CMYK 0 / 23 / 22 / 31

HEX #AF8688

RGB 175 134 136

HSL 357.07, 0.2%, 0.61%

LAB 59.84, 15.99, 4.99

 

CMYK 0 / 21 / 19 / 25

HEX #C0989B

RGB 192 152 155

HSL 355.5, 0.24%, 0.67%

LAB 66.54, 15.39, 4.13

 

CMYK 0 / 19 / 17 / 18

HEX #D1AAAE

RGB 209 170 174

HSL 353.85, 0.3%, 0.74%

LAB 73.13, 14.85, 3.32

 

CMYK 0 / 28 / 24 / 47

HEX #886267

RGB 136 98 103

HSL 352.11, 0.16%, 0.46%

LAB 45.56, 16.18, 3.26

 

CMYK 0 / 33 / 29 / 53

HEX #775054

RGB 119 80 84

HSL 353.85, 0.2%, 0.39%

LAB 38.37, 16.99, 4.31

 

CMYK 0 / 39 / 36 / 60

HEX #663E41

RGB 102 62 65

HSL 355.5, 0.24%, 0.32%

LAB 31, 17.95, 5.55

 

CMYK 0 / 48 / 46 / 67

HEX #552C2E

RGB 85 44 46

HSL 357.07, 0.32%, 0.25%

LAB 23.44, 19.09, 7.11

 

CMYK 0 / 62 / 60 / 73

HEX #441A1B

RGB 68 26 27

HSL 358.57, 0.45%, 0.18%

LAB 15.73, 20.38, 9.28

 

CMYK 0 / 28 / 24 / 47

HEX #886267

RGB 136 98 103

HSL 352.11, 0.16%, 0.46%

LAB 45.56, 16.18, 3.26

 

CMYK 0 / 27 / 28 / 47

HEX #886362

RGB 136 99 98

HSL 1.58, 0.16%, 0.46%

LAB 45.69, 14.81, 6.45

 

CMYK 0 / 22 / 28 / 47

HEX #886A62

RGB 136 106 98

HSL 12.63, 0.16%, 0.46%

LAB 47.53, 10.69, 9.06

 

CMYK 0 / 18 / 28 / 47

HEX #887062

RGB 136 112 98

HSL 22.11, 0.16%, 0.46%

LAB 49.14, 7.18, 11.32

 

CMYK 0 / 13 / 28 / 47

HEX #887662

RGB 136 118 98

HSL 31.58, 0.16%, 0.46%

LAB 50.77, 3.7, 13.6

 

CMYK 0 / 28 / 24 / 47

HEX #886267

RGB 136 98 103

HSL 352.11, 0.16%, 0.46%

LAB 45.56, 16.18, 3.26

 

CMYK 0 / 28 / 24 / 27

HEX #BB878E

RGB 187 135 142

HSL 351.92, 0.28%, 0.63%

LAB 61.52, 20.93, 4.16

 

CMYK 0 / 28 / 24 / 7

HEX #EEACB4

RGB 238 172 180

HSL 352.73, 0.66%, 0.8%

LAB 76.67, 25.29, 5.52

 

CMYK 0 / 26 / 24 / 87

HEX #22191A

RGB 34 25 26

HSL 353.33, 0.15%, 0.12%

LAB 9.88, 4.69, 1.01

 

CMYK 0 / 28 / 25 / 67

HEX #553D40

RGB 85 61 64

HSL 352.5, 0.16%, 0.29%

LAB 28.48, 11.05, 2.3

 

CMYK 0 / 28 / 24 / 47

HEX #886267

RGB 136 98 103

HSL 352.11, 0.16%, 0.46%

LAB 45.56, 16.18, 3.26

 

CMYK 2 / 0 / 28 / 47

HEX #858862

RGB 133 136 98

HSL 64.74, 0.16%, 0.46%

LAB 55.56, -7.71, 20.09

 

CMYK 28 / 13 / 0 / 47

HEX #627688

RGB 98 118 136

HSL 208.42, 0.16%, 0.46%

LAB 48.67, -2.93, -12.25

 

CMYK 0 / 28 / 24 / 47

HEX #886267

RGB 136 98 103

HSL 352.11, 0.16%, 0.46%

LAB 45.56, 16.18, 3.26

 

CMYK 24 / 0 / 28 / 47

HEX #678862

RGB 103 136 98

HSL 112.11, 0.16%, 0.46%

LAB 53.36, -19.45, 16.73

 

CMYK 28 / 24 / 0 / 47

HEX #626788

RGB 98 103 136

HSL 232.11, 0.16%, 0.46%

LAB 44.34, 6.04, -18.85

 

CMYK 0 / 28 / 24 / 47

HEX #886267

RGB 136 98 103

HSL 352.11, 0.16%, 0.46%

LAB 45.56, 16.18, 3.26

 

CMYK 2 / 0 / 28 / 47

HEX #858862

RGB 133 136 98

HSL 64.74, 0.16%, 0.46%

LAB 55.56, -7.71, 20.09

 

CMYK 28 / 0 / 4 / 47

HEX #628883

RGB 98 136 131

HSL 172.11, 0.16%, 0.46%

LAB 53.86, -14.32, -1.6

 

CMYK 26 / 28 / 0 / 47

HEX #656288

RGB 101 98 136

HSL 244.74, 0.16%, 0.46%

LAB 43.18, 10.08, -20.61

 

CMYK 0 / 28 / 24 / 47

HEX #886267

RGB 136 98 103

HSL 352.11, 0.16%, 0.46%

LAB 45.56, 16.18, 3.26

 

CMYK 10 / 0 / 28 / 47

HEX #7A8862

RGB 122 136 98

HSL 82.11, 0.16%, 0.46%

LAB 54.69, -12.15, 18.76

 

CMYK 28 / 0 / 4 / 47

HEX #628883

RGB 98 136 131

HSL 172.11, 0.16%, 0.46%

LAB 53.86, -14.32, -1.6

 

CMYK 18 / 28 / 0 / 47

HEX #706288

RGB 112 98 136

HSL 262.11, 0.16%, 0.46%

LAB 44.17, 13.77, -19

 

Description

Color code: RGB 136 98 103 | qconv.com Color code: RGB 136 98 103 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 98 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 98 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 24 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 24% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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