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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 97 173 it is the complementary color RGB 119 158 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 97 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 97 173 shade: RGB 141 97 168, RGB 158 115 187, RGB 175 133 206, RGB 192 151 225 and RGB 209 169 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 97 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 97 173 shade: RGB 136 97 173, RGB 119 79 154, RGB 102 61 135, RGB 85 43 116 and RGB 68 25 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 97 173 shade: RGB 136 96 173, RGB 156 96 173, RGB 173 96 169, RGB 173 96 148 and RGB 173 96 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 97 173 shade: RGB 136 96 173, RGB 115 96 173 and RGB 96 96 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 97 173 shade matches the following richer shades: RGB 136 96 173, RGB 136 77 192, RGB 137 58 212, RGB 137 38 231 and RGB 138 19 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 97 173 shade: RGB 136 96 173, RGB 135 116 154, RGB 135 135 134, RGB 134 154 115 and RGB 134 174 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 97 173 shade: RGB 96 99 173, RGB 114 96 173, RGB 135 96 173, RGB 155 96 173 and RGB 173 96 170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 97 173 shade: RGB 94 63 123, RGB 115 77 151, RGB 136 96 173, RGB 156 124 187 and RGB 177 151 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 97 173 shade: RGB 136 97 173, RGB 173 96 119 and RGB 96 173 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 97 173 shade: RGB 136 97 173, RGB 173 135 96 and RGB 96 173 135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 97 173 shade: RGB 136 97 173, RGB 173 96 119, RGB 135 173 96 and RGB 96 173 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 97 173 shade: RGB 136 97 173, RGB 173 96 96, RGB 135 173 96 and RGB 96 173 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 44 / 0 / 32

HEX #8861AD

RGB 136 97 173

HSL 270.79, 0.32%, 0.53%

LAB 48.01, 30.96, -34.79

 

Complementary color

CMYK 25 / 0 / 48 / 38

HEX #779E52

RGB 119 158 82

HSL 90.79, 0.32%, 0.47%

LAB 60.77, -26.92, 35.28

 

CMYK 16 / 42 / 0 / 34

HEX #8D61A8

RGB 141 97 168

HSL 277.18, 0.29%, 0.52%

LAB 48.31, 31.31, -31.35

 

CMYK 16 / 39 / 0 / 27

HEX #9E73BB

RGB 158 115 187

HSL 275.83, 0.35%, 0.59%

LAB 55.19, 30.51, -31.49

 

CMYK 15 / 35 / 0 / 19

HEX #AF85CE

RGB 175 133 206

HSL 274.52, 0.43%, 0.66%

LAB 61.95, 29.77, -31.63

 

CMYK 15 / 33 / 0 / 12

HEX #C097E1

RGB 192 151 225

HSL 273.24, 0.55%, 0.74%

LAB 68.59, 29.08, -31.78

 

CMYK 14 / 31 / 0 / 4

HEX #D1A9F4

RGB 209 169 244

HSL 272, 0.77%, 0.81%

LAB 75.12, 28.44, -31.95

 

CMYK 21 / 44 / 0 / 32

HEX #8861AD

RGB 136 97 173

HSL 270.79, 0.32%, 0.53%

LAB 48.01, 30.96, -34.79

 

CMYK 23 / 49 / 0 / 40

HEX #774F9A

RGB 119 79 154

HSL 272, 0.32%, 0.46%

LAB 40.97, 31.86, -34.75

 

CMYK 24 / 55 / 0 / 47

HEX #663D87

RGB 102 61 135

HSL 273.24, 0.38%, 0.38%

LAB 33.8, 32.81, -34.69

 

CMYK 27 / 63 / 0 / 55

HEX #552B74

RGB 85 43 116

HSL 274.52, 0.46%, 0.31%

LAB 26.51, 33.72, -34.54

 

CMYK 30 / 74 / 0 / 62

HEX #441961

RGB 68 25 97

HSL 275.83, 0.59%, 0.24%

LAB 19.17, 34.35, -34.14

 

CMYK 21 / 45 / 0 / 32

HEX #8860AD

RGB 136 96 173

HSL 271.17, 0.32%, 0.53%

LAB 47.77, 31.54, -35.16

 

CMYK 10 / 45 / 0 / 32

HEX #9C60AD

RGB 156 96 173

HSL 286.75, 0.32%, 0.53%

LAB 50.04, 37.56, -31.45

 

CMYK 0 / 45 / 2 / 32

HEX #AD60A9

RGB 173 96 169

HSL 303.12, 0.32%, 0.53%

LAB 51.97, 42.01, -25.95

 

CMYK 0 / 45 / 14 / 32

HEX #AD6094

RGB 173 96 148

HSL 319.48, 0.32%, 0.53%

LAB 51.14, 38.33, -14.89

 

CMYK 0 / 45 / 26 / 32

HEX #AD6080

RGB 173 96 128

HSL 335.06, 0.32%, 0.53%

LAB 50.46, 35.21, -4.03

 

CMYK 21 / 45 / 0 / 32

HEX #8860AD

RGB 136 96 173

HSL 271.17, 0.32%, 0.53%

LAB 47.77, 31.54, -35.16

 

CMYK 34 / 45 / 0 / 32

HEX #7360AD

RGB 115 96 173

HSL 254.81, 0.32%, 0.53%

LAB 45.67, 25.47, -38.61

 

CMYK 45 / 45 / 0 / 32

HEX #6060AD

RGB 96 96 173

HSL 240, 0.32%, 0.53%

LAB 44.05, 20.39, -41.3

 

CMYK 21 / 45 / 0 / 32

HEX #8860AD

RGB 136 96 173

HSL 271.17, 0.32%, 0.53%

LAB 47.77, 31.54, -35.16

 

CMYK 29 / 60 / 0 / 25

HEX #884DC0

RGB 136 77 192

HSL 270.78, 0.48%, 0.53%

LAB 44.73, 46.73, -51.09

 

CMYK 35 / 73 / 0 / 17

HEX #893AD4

RGB 137 58 212

HSL 270.78, 0.64%, 0.53%

LAB 42.91, 60.84, -65.58

 

CMYK 41 / 84 / 0 / 9

HEX #8926E7

RGB 137 38 231

HSL 270.78, 0.8%, 0.53%

LAB 41.96, 72.37, -78

 

CMYK 45 / 92 / 0 / 2

HEX #8A13FB

RGB 138 19 251

HSL 270.78, 0.97%, 0.53%

LAB 42.51, 80.99, -88.37

 

CMYK 21 / 45 / 0 / 32

HEX #8860AD

RGB 136 96 173

HSL 271.17, 0.32%, 0.53%

LAB 47.77, 31.54, -35.16

 

CMYK 12 / 25 / 0 / 40

HEX #87749A

RGB 135 116 154

HSL 270, 0.16%, 0.53%

LAB 51.81, 15.04, -17.79

 

CMYK 0 / 0 / 1 / 47

HEX #878786

RGB 135 135 134

HSL 60, 0%, 0.53%

LAB 56.29, -0.19, 0.53

 

CMYK 13 / 0 / 25 / 40

HEX #869A73

RGB 134 154 115

HSL 90.77, 0.16%, 0.53%

LAB 61.15, -14.41, 18.19

 

CMYK 23 / 0 / 45 / 32

HEX #86AE5F

RGB 134 174 95

HSL 90.38, 0.33%, 0.53%

LAB 66.65, -27.42, 36.12

 

CMYK 45 / 43 / 0 / 32

HEX #6063AD

RGB 96 99 173

HSL 237.66, 0.32%, 0.53%

LAB 44.84, 18.52, -40.03

 

CMYK 34 / 45 / 0 / 32

HEX #7260AD

RGB 114 96 173

HSL 254.03, 0.32%, 0.53%

LAB 45.58, 25.2, -38.77

 

CMYK 22 / 45 / 0 / 32

HEX #8760AD

RGB 135 96 173

HSL 270.39, 0.32%, 0.53%

LAB 47.67, 31.25, -35.33

 

CMYK 10 / 45 / 0 / 32

HEX #9B60AD

RGB 155 96 173

HSL 285.97, 0.32%, 0.53%

LAB 49.92, 37.26, -31.64

 

CMYK 0 / 45 / 2 / 32

HEX #AD60AA

RGB 173 96 170

HSL 302.34, 0.32%, 0.53%

LAB 52.01, 42.19, -26.47

 

CMYK 24 / 49 / 0 / 52

HEX #5E3F7B

RGB 94 63 123

HSL 271, 0.32%, 0.36%

LAB 32.62, 26.21, -29.16

 

CMYK 24 / 49 / 0 / 41

HEX #734D97

RGB 115 77 151

HSL 270.81, 0.32%, 0.45%

LAB 39.89, 31.13, -34.68

 

CMYK 21 / 45 / 0 / 32

HEX #8860AD

RGB 136 96 173

HSL 271.17, 0.32%, 0.53%

LAB 47.77, 31.54, -35.16

 

CMYK 17 / 34 / 0 / 27

HEX #9C7CBB

RGB 156 124 187

HSL 270.48, 0.32%, 0.61%

LAB 57.14, 24.73, -28.47

 

CMYK 12 / 25 / 0 / 21

HEX #B197C9

RGB 177 151 201

HSL 271.2, 0.32%, 0.69%

LAB 66.29, 19.19, -22.14

 

CMYK 21 / 44 / 0 / 32

HEX #8861AD

RGB 136 97 173

HSL 270.79, 0.32%, 0.53%

LAB 48.01, 30.96, -34.79

 

CMYK 0 / 45 / 31 / 32

HEX #AD6077

RGB 173 96 119

HSL 342.08, 0.32%, 0.53%

LAB 50.19, 33.95, 0.94

 

CMYK 45 / 0 / 40 / 32

HEX #60AD68

RGB 96 173 104

HSL 126.23, 0.32%, 0.53%

LAB 64.46, -38.59, 28.23

 

CMYK 21 / 44 / 0 / 32

HEX #8861AD

RGB 136 97 173

HSL 270.79, 0.32%, 0.53%

LAB 48.01, 30.96, -34.79

 

CMYK 0 / 22 / 45 / 32

HEX #AD8760

RGB 173 135 96

HSL 30.39, 0.32%, 0.53%

LAB 59.03, 9.34, 26.49

 

CMYK 45 / 0 / 22 / 32

HEX #60AD87

RGB 96 173 135

HSL 150.39, 0.32%, 0.53%

LAB 65.06, -32.75, 12.22

 

CMYK 21 / 44 / 0 / 32

HEX #8861AD

RGB 136 97 173

HSL 270.79, 0.32%, 0.53%

LAB 48.01, 30.96, -34.79

 

CMYK 0 / 45 / 31 / 32

HEX #AD6077

RGB 173 96 119

HSL 342.08, 0.32%, 0.53%

LAB 50.19, 33.95, 0.94

 

CMYK 22 / 0 / 45 / 32

HEX #87AD60

RGB 135 173 96

HSL 89.61, 0.32%, 0.53%

LAB 66.43, -26.43, 35.35

 

CMYK 45 / 0 / 13 / 32

HEX #60AD96

RGB 96 173 150

HSL 162.08, 0.32%, 0.53%

LAB 65.42, -29.42, 4.43

 

CMYK 21 / 44 / 0 / 32

HEX #8861AD

RGB 136 97 173

HSL 270.79, 0.32%, 0.53%

LAB 48.01, 30.96, -34.79

 

CMYK 0 / 45 / 45 / 32

HEX #AD6060

RGB 173 96 96

HSL 0, 0.32%, 0.53%

LAB 49.61, 31.14, 13.84

 

CMYK 22 / 0 / 45 / 32

HEX #87AD60

RGB 135 173 96

HSL 89.61, 0.32%, 0.53%

LAB 66.43, -26.43, 35.35

 

CMYK 45 / 0 / 0 / 32

HEX #60ADAD

RGB 96 173 173

HSL 180, 0.32%, 0.53%

LAB 66.05, -23.73, -7.43

 

Description

Color code: RGB 136 97 173 | qconv.com Color code: RGB 136 97 173 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 97 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 97 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 44 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 44% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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