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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 7 114 it is the complementary color RGB 119 248 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 7 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 7 114 shade: RGB 141 7 109, RGB 158 25 128, RGB 175 43 147, RGB 192 61 166 and RGB 209 79 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 7 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 7 114 shade: RGB 136 7 114, RGB 119 0 95, RGB 102 0 76, RGB 85 0 57 and RGB 68 0 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 7 114 shade: RGB 136 7 114, RGB 136 7 79, RGB 136 7 44, RGB 136 7 10 and RGB 136 7 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 7 114 shade: RGB 136 7 114, RGB 123 7 136, RGB 88 7 136, RGB 54 7 136 and RGB 19 7 136

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 7 114 shade matches the following richer shades: RGB 136 7 114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 7 114 shade: RGB 136 7 114, RGB 124 19 106, RGB 113 30 99, RGB 101 42 91 and RGB 89 53 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 7 114 shade: RGB 89 7 136, RGB 123 7 136, RGB 136 7 114, RGB 136 7 80 and RGB 136 7 46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 7 114 shade: RGB 57 3 48, RGB 96 5 81, RGB 136 7 114, RGB 175 9 147 and RGB 214 11 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 7 114 shade: RGB 136 7 114, RGB 136 54 7 and RGB 7 136 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 7 114 shade: RGB 136 7 114, RGB 114 136 7 and RGB 7 114 136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 7 114 shade: RGB 136 7 114, RGB 136 54 7, RGB 7 136 29 and RGB 7 89 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 7 114 shade: RGB 136 7 114, RGB 136 93 7, RGB 7 136 29 and RGB 7 50 136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 16 / 47

HEX #880772

RGB 136 7 114

HSL 310.23, 0.9%, 0.28%

LAB 30.88, 57.29, -25.79

 

Complementary color

CMYK 52 / 0 / 43 / 3

HEX #77F88D

RGB 119 248 141

HSL 130.23, 0.9%, 0.72%

LAB 88.44, -57.65, 40.67

 

CMYK 0 / 95 / 23 / 45

HEX #8D076D

RGB 141 7 109

HSL 314.33, 0.91%, 0.29%

LAB 31.62, 57.66, -21.36

 

CMYK 0 / 84 / 19 / 38

HEX #9E1980

RGB 158 25 128

HSL 313.53, 0.73%, 0.36%

LAB 36.97, 60.62, -24.76

 

CMYK 0 / 75 / 16 / 31

HEX #AF2B93

RGB 175 43 147

HSL 312.73, 0.61%, 0.43%

LAB 42.69, 62.24, -27.27

 

CMYK 0 / 68 / 14 / 25

HEX #C03DA6

RGB 192 61 166

HSL 311.91, 0.52%, 0.5%

LAB 48.63, 62.94, -29.15

 

CMYK 0 / 62 / 11 / 18

HEX #D14FB9

RGB 209 79 185

HSL 311.08, 0.59%, 0.56%

LAB 54.71, 63.06, -30.59

 

CMYK 0 / 95 / 16 / 47

HEX #880772

RGB 136 7 114

HSL 310.23, 0.9%, 0.28%

LAB 30.88, 57.29, -25.79

 

CMYK 0 / 100 / 20 / 53

HEX #77005F

RGB 119 0 95

HSL 312.1, 1%, 0.23%

LAB 26, 52.39, -21.38

 

CMYK 0 / 100 / 25 / 60

HEX #66004C

RGB 102 0 76

HSL 315.29, 1%, 0.2%

LAB 21.38, 46.28, -16.15

 

CMYK 0 / 100 / 33 / 67

HEX #550039

RGB 85 0 57

HSL 319.76, 1%, 0.17%

LAB 16.63, 40.01, -10.57

 

CMYK 0 / 100 / 44 / 73

HEX #440026

RGB 68 0 38

HSL 326.47, 1%, 0.13%

LAB 11.75, 33.59, -4.52

 

CMYK 0 / 95 / 16 / 47

HEX #880772

RGB 136 7 114

HSL 310.23, 0.9%, 0.28%

LAB 30.88, 57.29, -25.79

 

CMYK 0 / 95 / 42 / 47

HEX #88074F

RGB 136 7 79

HSL 326.51, 0.9%, 0.28%

LAB 29.29, 53.1, -5.45

 

CMYK 0 / 95 / 68 / 47

HEX #88072C

RGB 136 7 44

HSL 342.79, 0.9%, 0.28%

LAB 28.3, 50.38, 16.68

 

CMYK 0 / 95 / 93 / 47

HEX #88070A

RGB 136 7 10

HSL 358.6, 0.9%, 0.28%

LAB 27.87, 49.17, 36.76

 

CMYK 0 / 95 / 95 / 47

HEX #880707

RGB 136 7 7

HSL 0, 0.9%, 0.28%

LAB 27.85, 49.12, 37.97

 

CMYK 0 / 95 / 16 / 47

HEX #880772

RGB 136 7 114

HSL 310.23, 0.9%, 0.28%

LAB 30.88, 57.29, -25.79

 

CMYK 10 / 95 / 0 / 47

HEX #7B0788

RGB 123 7 136

HSL 293.95, 0.9%, 0.28%

LAB 29.76, 58.28, -41.59

 

CMYK 35 / 95 / 0 / 47

HEX #580788

RGB 88 7 136

HSL 277.67, 0.9%, 0.28%

LAB 23.69, 52.93, -51.74

 

CMYK 60 / 95 / 0 / 47

HEX #360788

RGB 54 7 136

HSL 261.86, 0.9%, 0.28%

LAB 18.86, 49.29, -59.86

 

CMYK 86 / 95 / 0 / 47

HEX #130788

RGB 19 7 136

HSL 245.58, 0.9%, 0.28%

LAB 15.84, 47.43, -64.97

 

CMYK 0 / 95 / 16 / 47

HEX #880772

RGB 136 7 114

HSL 310.23, 0.9%, 0.28%

LAB 30.88, 57.29, -25.79

 

CMYK 0 / 95 / 16 / 47

HEX #880772

RGB 136 7 114

HSL 310.23, 0.9%, 0.28%

LAB 30.88, 57.29, -25.79

 

CMYK 0 / 85 / 15 / 51

HEX #7C136A

RGB 124 19 106

HSL 310.29, 0.73%, 0.28%

LAB 28.88, 51.29, -23.96

 

CMYK 0 / 73 / 12 / 56

HEX #711E63

RGB 113 30 99

HSL 310.12, 0.58%, 0.28%

LAB 27.68, 43.97, -21.45

 

CMYK 0 / 58 / 10 / 60

HEX #652A5B

RGB 101 42 91

HSL 310.17, 0.41%, 0.28%

LAB 27.24, 33.52, -17.09

 

CMYK 0 / 40 / 7 / 65

HEX #593553

RGB 89 53 83

HSL 310, 0.25%, 0.28%

LAB 27.56, 21.38, -11.5

 

CMYK 35 / 95 / 0 / 47

HEX #590788

RGB 89 7 136

HSL 278.14, 0.9%, 0.28%

LAB 23.85, 53.06, -51.47

 

CMYK 10 / 95 / 0 / 47

HEX #7B0788

RGB 123 7 136

HSL 293.95, 0.9%, 0.28%

LAB 29.76, 58.28, -41.59

 

CMYK 0 / 95 / 16 / 47

HEX #880772

RGB 136 7 114

HSL 310.23, 0.9%, 0.28%

LAB 30.88, 57.29, -25.79

 

CMYK 0 / 95 / 41 / 47

HEX #880750

RGB 136 7 80

HSL 326.05, 0.9%, 0.28%

LAB 29.32, 53.2, -6.06

 

CMYK 0 / 95 / 66 / 47

HEX #88072E

RGB 136 7 46

HSL 341.86, 0.9%, 0.28%

LAB 28.34, 50.49, 15.39

 

CMYK 0 / 95 / 16 / 78

HEX #390330

RGB 57 3 48

HSL 310, 0.9%, 0.12%

LAB 10.17, 30.83, -14.6

 

CMYK 0 / 95 / 16 / 62

HEX #600551

RGB 96 5 81

HSL 309.89, 0.9%, 0.2%

LAB 20.79, 44.46, -20.57

 

CMYK 0 / 95 / 16 / 47

HEX #880772

RGB 136 7 114

HSL 310.23, 0.9%, 0.28%

LAB 30.88, 57.29, -25.79

 

CMYK 0 / 95 / 16 / 31

HEX #AF0993

RGB 175 9 147

HSL 310.12, 0.9%, 0.36%

LAB 40.27, 69.22, -31.05

 

CMYK 0 / 95 / 16 / 16

HEX #D60BB3

RGB 214 11 179

HSL 310.34, 0.9%, 0.44%

LAB 49.24, 80.51, -35.59

 

CMYK 0 / 95 / 16 / 47

HEX #880772

RGB 136 7 114

HSL 310.23, 0.9%, 0.28%

LAB 30.88, 57.29, -25.79

 

CMYK 0 / 60 / 95 / 47

HEX #883607

RGB 136 54 7

HSL 21.86, 0.9%, 0.28%

LAB 33.75, 32.94, 42.32

 

CMYK 95 / 0 / 22 / 47

HEX #07886A

RGB 7 136 106

HSL 166.05, 0.9%, 0.28%

LAB 50.33, -38.64, 7.43

 

CMYK 0 / 95 / 16 / 47

HEX #880772

RGB 136 7 114

HSL 310.23, 0.9%, 0.28%

LAB 30.88, 57.29, -25.79

 

CMYK 16 / 0 / 95 / 47

HEX #728807

RGB 114 136 7

HSL 70.23, 0.9%, 0.28%

LAB 53.17, -23.32, 55.9

 

CMYK 95 / 16 / 0 / 47

HEX #077288

RGB 7 114 136

HSL 190.23, 0.9%, 0.28%

LAB 44.03, -18.46, -19.64

 

CMYK 0 / 95 / 16 / 47

HEX #880772

RGB 136 7 114

HSL 310.23, 0.9%, 0.28%

LAB 30.88, 57.29, -25.79

 

CMYK 0 / 60 / 95 / 47

HEX #883607

RGB 136 54 7

HSL 21.86, 0.9%, 0.28%

LAB 33.75, 32.94, 42.32

 

CMYK 95 / 0 / 79 / 47

HEX #07881D

RGB 7 136 29

HSL 130.23, 0.9%, 0.28%

LAB 49.18, -52.11, 45.31

 

CMYK 95 / 35 / 0 / 47

HEX #075988

RGB 7 89 136

HSL 201.86, 0.9%, 0.28%

LAB 35.92, -3.73, -32.29

 

CMYK 0 / 95 / 16 / 47

HEX #880772

RGB 136 7 114

HSL 310.23, 0.9%, 0.28%

LAB 30.88, 57.29, -25.79

 

CMYK 0 / 32 / 95 / 47

HEX #885D07

RGB 136 93 7

HSL 40, 0.9%, 0.28%

LAB 42.88, 10.93, 48.91

 

CMYK 95 / 0 / 79 / 47

HEX #07881D

RGB 7 136 29

HSL 130.23, 0.9%, 0.28%

LAB 49.18, -52.11, 45.31

 

CMYK 95 / 63 / 0 / 47

HEX #073288

RGB 7 50 136

HSL 220, 0.9%, 0.28%

LAB 24.01, 22.93, -51.47

 

Description

Color code: RGB 136 7 114 | qconv.com Color code: RGB 136 7 114 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 7 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 7 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 16 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 16% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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