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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 54 24 it is the complementary color RGB 119 201 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 54 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 54 24 shade: RGB 141 54 19, RGB 158 72 38, RGB 175 90 57, RGB 192 108 76 and RGB 209 126 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 54 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 54 24 shade: RGB 136 54 24, RGB 119 36 5, RGB 102 18 0, RGB 85 0 0 and RGB 68 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 54 24 shade: RGB 134 53 24 and RGB 134 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 54 24 shade: RGB 134 53 24, RGB 134 83 24, RGB 134 113 24, RGB 126 134 24 and RGB 96 134 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 54 24 shade matches the following richer shades: RGB 134 53 24 and RGB 147 47 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 54 24 shade: RGB 134 53 24, RGB 122 59 37, RGB 109 65 49, RGB 96 71 62 and RGB 83 77 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 54 24 shade: RGB 134 24 53, RGB 134 24 24, RGB 134 53 24, RGB 134 83 24 and RGB 134 112 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 54 24 shade: RGB 64 26 11, RGB 99 39 18, RGB 134 53 24, RGB 169 67 30 and RGB 205 81 36

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 54 24 shade: RGB 136 54 24, RGB 83 134 24 and RGB 24 38 134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 54 24 shade: RGB 136 54 24, RGB 24 134 53 and RGB 53 24 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 54 24 shade: RGB 136 54 24, RGB 83 134 24, RGB 24 105 134 and RGB 75 24 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 54 24 shade: RGB 136 54 24, RGB 50 134 24, RGB 24 105 134 and RGB 109 24 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 82 / 47

HEX #883618

RGB 136 54 24

HSL 16.07, 0.7%, 0.31%

LAB 33.85, 33.39, 35.17

 

Complementary color

CMYK 48 / 13 / 0 / 9

HEX #77C9E7

RGB 119 201 231

HSL 196.07, 0.7%, 0.69%

LAB 76.96, -17.09, -22.62

 

CMYK 0 / 62 / 87 / 45

HEX #8D3613

RGB 141 54 19

HSL 17.21, 0.76%, 0.31%

LAB 34.7, 35.21, 38.7

 

CMYK 0 / 54 / 76 / 38

HEX #9E4826

RGB 158 72 38

HSL 17, 0.61%, 0.38%

LAB 41.29, 33.5, 36.57

 

CMYK 0 / 49 / 67 / 31

HEX #AF5A39

RGB 175 90 57

HSL 16.78, 0.51%, 0.45%

LAB 47.91, 31.88, 34.35

 

CMYK 0 / 44 / 60 / 25

HEX #C06C4C

RGB 192 108 76

HSL 16.55, 0.48%, 0.53%

LAB 54.5, 30.39, 32.32

 

CMYK 0 / 40 / 55 / 18

HEX #D17E5F

RGB 209 126 95

HSL 16.32, 0.55%, 0.6%

LAB 61.05, 29.06, 30.49

 

CMYK 0 / 60 / 82 / 47

HEX #883618

RGB 136 54 24

HSL 16.07, 0.7%, 0.31%

LAB 33.85, 33.39, 35.17

 

CMYK 0 / 70 / 96 / 53

HEX #772405

RGB 119 36 5

HSL 16.32, 0.92%, 0.24%

LAB 27.28, 34.96, 36.87

 

CMYK 0 / 82 / 100 / 60

HEX #661200

RGB 102 18 0

HSL 10.59, 1%, 0.2%

LAB 21.05, 35.98, 31.59

 

CMYK 0 / 100 / 100 / 67

HEX #550000

RGB 85 0 0

HSL 0, 1%, 0.17%

LAB 15.12, 36.01, 23.57

 

CMYK 0 / 100 / 100 / 73

HEX #440000

RGB 68 0 0

HSL 0, 1%, 0.13%

LAB 10.77, 30.97, 16.97

 

CMYK 0 / 60 / 82 / 47

HEX #863518

RGB 134 53 24

HSL 15.82, 0.7%, 0.31%

LAB 33.31, 33.1, 34.52

 

CMYK 0 / 82 / 82 / 47

HEX #861818

RGB 134 24 24

HSL 0, 0.7%, 0.31%

LAB 28.87, 45.15, 30.1

 

CMYK 0 / 60 / 82 / 47

HEX #863518

RGB 134 53 24

HSL 15.82, 0.7%, 0.31%

LAB 33.31, 33.1, 34.52

 

CMYK 0 / 38 / 82 / 47

HEX #865318

RGB 134 83 24

HSL 32.18, 0.7%, 0.31%

LAB 40.12, 16.33, 40.99

 

CMYK 0 / 16 / 82 / 47

HEX #867118

RGB 134 113 24

HSL 48.55, 0.7%, 0.31%

LAB 48.19, -1.17, 48.34

 

CMYK 6 / 0 / 82 / 47

HEX #7E8618

RGB 126 134 24

HSL 64.36, 0.7%, 0.31%

LAB 53.55, -16.45, 52.81

 

CMYK 28 / 0 / 82 / 47

HEX #608618

RGB 96 134 24

HSL 80.73, 0.7%, 0.31%

LAB 51.39, -29.49, 50.05

 

CMYK 0 / 60 / 82 / 47

HEX #863518

RGB 134 53 24

HSL 15.82, 0.7%, 0.31%

LAB 33.31, 33.1, 34.52

 

CMYK 0 / 68 / 93 / 42

HEX #932F0B

RGB 147 47 11

HSL 15.88, 0.86%, 0.31%

LAB 34.52, 40.58, 42.35

 

CMYK 0 / 60 / 82 / 47

HEX #863518

RGB 134 53 24

HSL 15.82, 0.7%, 0.31%

LAB 33.31, 33.1, 34.52

 

CMYK 0 / 52 / 70 / 52

HEX #7A3B25

RGB 122 59 37

HSL 15.53, 0.53%, 0.31%

LAB 32.7, 25.53, 25.96

 

CMYK 0 / 40 / 55 / 57

HEX #6D4131

RGB 109 65 49

HSL 16, 0.38%, 0.31%

LAB 32.38, 17.26, 17.8

 

CMYK 0 / 26 / 35 / 62

HEX #60473E

RGB 96 71 62

HSL 15.88, 0.22%, 0.31%

LAB 32.57, 9.28, 9.56

 

CMYK 0 / 7 / 10 / 67

HEX #534D4B

RGB 83 77 75

HSL 15, 0.05%, 0.31%

LAB 33.25, 2.08, 2.07

 

CMYK 0 / 82 / 60 / 47

HEX #861835

RGB 134 24 53

HSL 344.18, 0.7%, 0.31%

LAB 29.36, 46.67, 11.98

 

CMYK 0 / 82 / 82 / 47

HEX #861818

RGB 134 24 24

HSL 0, 0.7%, 0.31%

LAB 28.87, 45.15, 30.1

 

CMYK 0 / 60 / 82 / 47

HEX #863518

RGB 134 53 24

HSL 15.82, 0.7%, 0.31%

LAB 33.31, 33.1, 34.52

 

CMYK 0 / 38 / 82 / 47

HEX #865318

RGB 134 83 24

HSL 32.18, 0.7%, 0.31%

LAB 40.12, 16.33, 40.99

 

CMYK 0 / 16 / 82 / 47

HEX #867018

RGB 134 112 24

HSL 48, 0.7%, 0.31%

LAB 47.91, -0.6, 48.09

 

CMYK 0 / 59 / 83 / 75

HEX #401A0B

RGB 64 26 11

HSL 16.98, 0.71%, 0.15%

LAB 14.7, 17.26, 17.61

 

CMYK 0 / 61 / 82 / 61

HEX #632712

RGB 99 39 18

HSL 15.56, 0.69%, 0.23%

LAB 24.15, 25.8, 26.56

 

CMYK 0 / 60 / 82 / 47

HEX #863518

RGB 134 53 24

HSL 15.82, 0.7%, 0.31%

LAB 33.31, 33.1, 34.52

 

CMYK 0 / 60 / 82 / 34

HEX #A9431E

RGB 169 67 30

HSL 15.97, 0.7%, 0.39%

LAB 42.07, 40.02, 42.02

RGB 169 67 30

CMYK 0 / 60 / 82 / 20

HEX #CD5124

RGB 205 81 36

HSL 15.98, 0.7%, 0.47%

LAB 50.68, 47.02, 49.4

RGB 205 81 36

CMYK 0 / 60 / 82 / 47

HEX #883618

RGB 136 54 24

HSL 16.07, 0.7%, 0.31%

LAB 33.85, 33.39, 35.17

 

CMYK 38 / 0 / 82 / 47

HEX #538618

RGB 83 134 24

HSL 87.82, 0.7%, 0.31%

LAB 50.63, -34.61, 49.09

 

CMYK 82 / 72 / 0 / 47

HEX #182686

RGB 24 38 134

HSL 232.36, 0.7%, 0.31%

LAB 21.21, 31.49, -54.79

 

CMYK 0 / 60 / 82 / 47

HEX #883618

RGB 136 54 24

HSL 16.07, 0.7%, 0.31%

LAB 33.85, 33.39, 35.17

 

CMYK 82 / 0 / 60 / 47

HEX #188635

RGB 24 134 53

HSL 135.82, 0.7%, 0.31%

LAB 48.89, -47.28, 34.75

 

CMYK 60 / 82 / 0 / 47

HEX #351886

RGB 53 24 134

HSL 255.82, 0.7%, 0.31%

LAB 20.56, 42.57, -55.79

 

CMYK 0 / 60 / 82 / 47

HEX #883618

RGB 136 54 24

HSL 16.07, 0.7%, 0.31%

LAB 33.85, 33.39, 35.17

 

CMYK 38 / 0 / 82 / 47

HEX #538618

RGB 83 134 24

HSL 87.82, 0.7%, 0.31%

LAB 50.63, -34.61, 49.09

 

CMYK 82 / 22 / 0 / 47

HEX #186986

RGB 24 105 134

HSL 195.82, 0.7%, 0.31%

LAB 41.25, -12.84, -22.72

 

CMYK 44 / 82 / 0 / 47

HEX #4B1886

RGB 75 24 134

HSL 267.82, 0.7%, 0.31%

LAB 23.24, 45.63, -51.29

 

CMYK 0 / 60 / 82 / 47

HEX #883618

RGB 136 54 24

HSL 16.07, 0.7%, 0.31%

LAB 33.85, 33.39, 35.17

 

CMYK 63 / 0 / 82 / 47

HEX #328618

RGB 50 134 24

HSL 105.82, 0.7%, 0.31%

LAB 49.25, -45.15, 47.3

 

CMYK 82 / 22 / 0 / 47

HEX #186986

RGB 24 105 134

HSL 195.82, 0.7%, 0.31%

LAB 41.25, -12.84, -22.72

 

CMYK 19 / 82 / 0 / 47

HEX #6D1886

RGB 109 24 134

HSL 286.36, 0.7%, 0.31%

LAB 28.45, 51.61, -42.59

 

Description

Color code: RGB 136 54 24 | qconv.com Color code: RGB 136 54 24 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 54 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 54 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 82 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 82% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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