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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 51 201 it is the complementary color RGB 119 204 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 51 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 136 51 201: RGB 141 51 196, RGB 158 69 215, RGB 175 87 234, RGB 192 105 253 and RGB 209 123 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 51 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 136 51 201: RGB 136 51 201, RGB 119 33 182, RGB 102 15 163, RGB 85 0 144 and RGB 68 0 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 75 / 0 / 21

HEX #8833C9

RGB 136 51 201

HSL 274, 0.6%, 0.49%

LAB 40.93, 61.06, -62.46

 

Complementary color

CMYK 42 / 0 / 74 / 20

HEX #77CC36

RGB 119 204 54

HSL 94, 0.6%, 0.51%

LAB 74.43, -49.85, 62.59

 

CMYK 28 / 74 / 0 / 23

HEX #8D33C4

RGB 141 51 196

HSL 277.24, 0.59%, 0.48%

LAB 41.24, 60.88, -59.01

 

CMYK 27 / 68 / 0 / 16

HEX #9E45D7

RGB 158 69 215

HSL 276.58, 0.65%, 0.56%

LAB 47.54, 60.78, -59.68

 

CMYK 25 / 63 / 0 / 8

HEX #AF57EA

RGB 175 87 234

HSL 275.92, 0.78%, 0.63%

LAB 53.89, 60.31, -60.1

 

CMYK 24 / 58 / 0 / 1

HEX #C069FD

RGB 192 105 253

HSL 275.27, 0.97%, 0.7%

LAB 60.25, 59.64, -60.36

 

CMYK 18 / 52 / 0 / 0

HEX #D17BFF

RGB 209 123 255

HSL 279.09, 1%, 0.74%

LAB 65.7, 55.26, -52.65

 

CMYK 32 / 75 / 0 / 21

HEX #8833C9

RGB 136 51 201

HSL 274, 0.6%, 0.49%

LAB 40.93, 61.06, -62.46

 

CMYK 35 / 82 / 0 / 29

HEX #7721B6

RGB 119 33 182

HSL 274.63, 0.69%, 0.42%

LAB 34.78, 60.6, -61.43

 

CMYK 37 / 91 / 0 / 36

HEX #660FA3

RGB 102 15 163

HSL 275.27, 0.83%, 0.35%

LAB 28.93, 58.98, -59.7

 

CMYK 41 / 100 / 0 / 44

HEX #550090

RGB 85 0 144

HSL 275.42, 1%, 0.28%

LAB 23.49, 55.82, -57.08

 

CMYK 46 / 100 / 0 / 51

HEX #44007D

RGB 68 0 125

HSL 272.64, 1%, 0.25%

LAB 18.84, 49.85, -52.86

 

CMYK 32 / 75 / 0 / 21

HEX #8833C9

RGB 136 51 201

HSL 274, 0.6%, 0.49%

LAB 40.93, 61.06, -62.46

 

CMYK 20 / 75 / 0 / 22

HEX #9F31C7

RGB 159 49 199

HSL 284, 0.6%, 0.49%

LAB 43.79, 65.64, -56.51

 

CMYK 8 / 75 / 0 / 22

HEX #B831C7

RGB 184 49 199

HSL 294, 0.6%, 0.49%

LAB 47.64, 70.52, -50.12

 

CMYK 0 / 75 / 5 / 22

HEX #C731BD

RGB 199 49 189

HSL 304, 0.6%, 0.49%

LAB 49.51, 71.99, -41.18

 

CMYK 0 / 75 / 18 / 22

HEX #C731A4

RGB 199 49 164

HSL 314, 0.6%, 0.49%

LAB 48.28, 68.39, -28.42

 

CMYK 32 / 75 / 0 / 21

HEX #8833C9

RGB 136 51 201

HSL 274, 0.6%, 0.49%

LAB 40.93, 61.06, -62.46

 

CMYK 32 / 75 / 0 / 1

HEX #AB40FC

RGB 171 64 252

HSL 274.15, 0.97%, 0.62%

LAB 51.1, 73.21, -74.7

 

CMYK 33 / 75 / 0 / 81

HEX #200C30

RGB 32 12 48

HSL 273.33, 0.6%, 0.12%

LAB 7.08, 18.89, -19.81

 

CMYK 32 / 75 / 0 / 61

HEX #431963

RGB 67 25 99

HSL 274.05, 0.6%, 0.24%

LAB 19.18, 34.64, -35.46

 

CMYK 33 / 75 / 0 / 41

HEX #652696

RGB 101 38 150

HSL 273.75, 0.6%, 0.37%

LAB 30.29, 48.23, -49.56

 

CMYK 32 / 75 / 0 / 21

HEX #8833C9

RGB 136 51 201

HSL 274, 0.6%, 0.49%

LAB 40.93, 61.06, -62.46

 

CMYK 0 / 75 / 58 / 22

HEX #C73154

RGB 199 49 84

HSL 346, 0.6%, 0.49%

LAB 45.61, 60.08, 16.3

 

CMYK 75 / 0 / 63 / 22

HEX #31C74A

RGB 49 199 74

HSL 130, 0.6%, 0.49%

LAB 70.87, -63.18, 50.35

 

CMYK 32 / 75 / 0 / 21

HEX #8833C9

RGB 136 51 201

HSL 274, 0.6%, 0.49%

LAB 40.93, 61.06, -62.46

 

CMYK 0 / 33 / 75 / 22

HEX #C78631

RGB 199 134 49

HSL 34, 0.6%, 0.49%

LAB 61.15, 17.59, 53.41

 

CMYK 75 / 0 / 33 / 22

HEX #31C786

RGB 49 199 134

HSL 154, 0.6%, 0.49%

LAB 71.7, -53.49, 21.76

 

CMYK 32 / 75 / 0 / 21

HEX #8833C9

RGB 136 51 201

HSL 274, 0.6%, 0.49%

LAB 40.93, 61.06, -62.46

 

CMYK 0 / 75 / 58 / 22

HEX #C73154

RGB 199 49 84

HSL 346, 0.6%, 0.49%

LAB 45.61, 60.08, 16.3

 

CMYK 43 / 0 / 75 / 22

HEX #72C731

RGB 114 199 49

HSL 94, 0.6%, 0.49%

LAB 72.66, -49.78, 62.47

 

CMYK 75 / 0 / 18 / 22

HEX #31C7A4

RGB 49 199 164

HSL 166, 0.6%, 0.49%

LAB 72.35, -46.58, 6.56

 

CMYK 32 / 75 / 0 / 21

HEX #8833C9

RGB 136 51 201

HSL 274, 0.6%, 0.49%

LAB 40.93, 61.06, -62.46

 

CMYK 0 / 70 / 75 / 22

HEX #C73B31

RGB 199 59 49

HSL 4, 0.6%, 0.49%

LAB 46.3, 54.67, 38.05

 

CMYK 43 / 0 / 75 / 22

HEX #72C731

RGB 114 199 49

HSL 94, 0.6%, 0.49%

LAB 72.66, -49.78, 62.47

 

CMYK 75 / 5 / 0 / 22

HEX #31BDC7

RGB 49 189 199

HSL 184, 0.6%, 0.49%

LAB 70.3, -32.39, -15.56

 

Description

Color code: RGB 136 51 201 | qconv.com Color code: RGB 136 51 201 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 51 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 51 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 75 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 75% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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