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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 243 155 it is the complementary color RGB 119 12 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 243 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 243 155 shade: RGB 141 243 150, RGB 158 255 169, RGB 175 255 188, RGB 192 255 207 and RGB 209 255 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 243 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 243 155 shade: RGB 136 243 155, RGB 119 225 136, RGB 102 207 117, RGB 85 189 98 and RGB 68 171 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 243 155 shade: RGB 134 243 154, RGB 144 243 134, RGB 174 243 134, RGB 203 243 134 and RGB 232 243 134

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 243 155 shade: RGB 134 243 154, RGB 134 243 183, RGB 134 243 212, RGB 134 243 242 and RGB 134 215 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 243 155 shade matches the following richer shades: RGB 134 243 154 and RGB 124 254 147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 243 155 shade: RGB 134 243 154, RGB 145 232 161, RGB 156 222 167, RGB 167 211 174 and RGB 177 200 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 243 155 shade: RGB 174 243 134, RGB 145 243 134, RGB 134 243 152, RGB 134 243 181 and RGB 134 243 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 243 155 shade: RGB 59 236 91, RGB 97 239 122, RGB 134 243 154, RGB 172 247 185 and RGB 209 250 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 243 155 shade: RGB 136 243 155, RGB 134 203 243 and RGB 243 134 160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 243 155 shade: RGB 136 243 155, RGB 152 134 243 and RGB 243 152 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 243 155 shade: RGB 136 243 155, RGB 134 203 243, RGB 243 134 225 and RGB 243 174 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 243 155 shade: RGB 136 243 155, RGB 134 171 243, RGB 243 134 225 and RGB 243 207 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 36 / 5

HEX #88F39B

RGB 136 243 155

HSL 130.65, 0.82%, 0.74%

LAB 87.82, -49.02, 33.06

 

Complementary color

CMYK 0 / 90 / 16 / 53

HEX #770C64

RGB 119 12 100

HSL 310.65, 0.82%, 0.26%

LAB 27.03, 50.87, -23.04

 

CMYK 42 / 0 / 38 / 5

HEX #8DF396

RGB 141 243 150

HSL 125.29, 0.81%, 0.75%

LAB 87.95, -48.41, 35.77

 

CMYK 38 / 0 / 34 / 0

HEX #9EFFA9

RGB 158 255 169

HSL 126.8, 1%, 0.81%

LAB 92.42, -45.63, 32.33

 

CMYK 31 / 0 / 26 / 0

HEX #AFFFBC

RGB 175 255 188

HSL 129.75, 1%, 0.84%

LAB 93.57, -37.43, 24.44

 

CMYK 25 / 0 / 19 / 0

HEX #C0FFCF

RGB 192 255 207

HSL 134.29, 1%, 0.88%

LAB 94.84, -28.89, 16.66

 

CMYK 18 / 0 / 11 / 0

HEX #D1FFE2

RGB 209 255 226

HSL 142.17, 1%, 0.91%

LAB 96.23, -20.12, 9.03

 

CMYK 44 / 0 / 36 / 5

HEX #88F39B

RGB 136 243 155

HSL 130.65, 0.82%, 0.74%

LAB 87.82, -49.02, 33.06

 

CMYK 47 / 0 / 40 / 12

HEX #77E188

RGB 119 225 136

HSL 129.62, 0.64%, 0.67%

LAB 81.59, -49.19, 34.28

 

CMYK 51 / 0 / 43 / 19

HEX #66CF75

RGB 102 207 117

HSL 128.57, 0.52%, 0.61%

LAB 75.29, -49.29, 35.57

 

CMYK 55 / 0 / 48 / 26

HEX #55BD62

RGB 85 189 98

HSL 127.5, 0.44%, 0.54%

LAB 68.9, -49.28, 36.92

 

CMYK 60 / 0 / 54 / 33

HEX #44AB4F

RGB 68 171 79

HSL 126.41, 0.43%, 0.47%

LAB 62.44, -49.08, 38.3

 

CMYK 45 / 0 / 37 / 5

HEX #86F39A

RGB 134 243 154

HSL 131.01, 0.82%, 0.74%

LAB 87.73, -49.72, 33.42

 

CMYK 41 / 0 / 45 / 5

HEX #90F386

RGB 144 243 134

HSL 114.5, 0.82%, 0.74%

LAB 87.85, -49.85, 43.52

 

CMYK 28 / 0 / 45 / 5

HEX #AEF386

RGB 174 243 134

HSL 97.98, 0.82%, 0.74%

LAB 89.31, -40.29, 45.67

 

CMYK 16 / 0 / 45 / 5

HEX #CBF386

RGB 203 243 134

HSL 82.02, 0.82%, 0.74%

LAB 91.02, -30.03, 48.17

 

CMYK 5 / 0 / 45 / 5

HEX #E8F386

RGB 232 243 134

HSL 66.06, 0.82%, 0.74%

LAB 93, -19.11, 51.07

 

CMYK 45 / 0 / 37 / 5

HEX #86F39A

RGB 134 243 154

HSL 131.01, 0.82%, 0.74%

LAB 87.73, -49.72, 33.42

 

CMYK 45 / 0 / 25 / 5

HEX #86F3B7

RGB 134 243 183

HSL 146.97, 0.82%, 0.74%

LAB 88.25, -44.58, 19.36

 

CMYK 45 / 0 / 13 / 5

HEX #86F3D4

RGB 134 243 212

HSL 162.94, 0.82%, 0.74%

LAB 88.89, -38.58, 5.22

 

CMYK 45 / 0 / 0 / 5

HEX #86F3F2

RGB 134 243 242

HSL 179.45, 0.82%, 0.74%

LAB 89.66, -31.57, -9.29

 

CMYK 45 / 12 / 0 / 5

HEX #86D7F3

RGB 134 215 243

HSL 195.41, 0.82%, 0.74%

LAB 81.91, -17.59, -21.45

 

CMYK 45 / 0 / 37 / 5

HEX #86F39A

RGB 134 243 154

HSL 131.01, 0.82%, 0.74%

LAB 87.73, -49.72, 33.42

 

CMYK 51 / 0 / 42 / 0

HEX #7CFE93

RGB 124 254 147

HSL 130.62, 0.98%, 0.74%

LAB 90.45, -57.85, 40.37

 

CMYK 45 / 0 / 37 / 5

HEX #86F39A

RGB 134 243 154

HSL 131.01, 0.82%, 0.74%

LAB 87.73, -49.72, 33.42

 

CMYK 38 / 0 / 31 / 9

HEX #91E8A1

RGB 145 232 161

HSL 131.03, 0.65%, 0.74%

LAB 85.15, -40.71, 26.49

 

CMYK 30 / 0 / 25 / 13

HEX #9CDEA7

RGB 156 222 167

HSL 130, 0.5%, 0.74%

LAB 82.97, -31.74, 20.48

 

CMYK 21 / 0 / 18 / 17

HEX #A7D3AE

RGB 167 211 174

HSL 129.55, 0.33%, 0.74%

LAB 80.66, -21.62, 13.66

 

CMYK 12 / 0 / 10 / 22

HEX #B1C8B5

RGB 177 200 181

HSL 130.43, 0.17%, 0.74%

LAB 78.46, -11.4, 6.87

 

CMYK 28 / 0 / 45 / 5

HEX #AEF386

RGB 174 243 134

HSL 97.98, 0.82%, 0.74%

LAB 89.31, -40.29, 45.67

 

CMYK 40 / 0 / 45 / 5

HEX #91F386

RGB 145 243 134

HSL 113.94, 0.82%, 0.74%

LAB 87.89, -49.56, 43.59

 

CMYK 45 / 0 / 37 / 5

HEX #86F398

RGB 134 243 152

HSL 129.91, 0.82%, 0.74%

LAB 87.7, -50.05, 34.38

 

CMYK 45 / 0 / 26 / 5

HEX #86F3B5

RGB 134 243 181

HSL 145.87, 0.82%, 0.74%

LAB 88.21, -44.96, 20.33

 

CMYK 45 / 0 / 14 / 5

HEX #86F3D2

RGB 134 243 210

HSL 161.83, 0.82%, 0.74%

LAB 88.84, -39.02, 6.19

 

CMYK 75 / 0 / 61 / 7

HEX #3BEC5B

RGB 59 236 91

HSL 130.85, 0.82%, 0.58%

LAB 82.74, -71.76, 56.5

 

CMYK 59 / 0 / 49 / 6

HEX #61EF7A

RGB 97 239 122

HSL 130.56, 0.82%, 0.66%

LAB 84.83, -62.1, 45.14

 

CMYK 45 / 0 / 37 / 5

HEX #86F39A

RGB 134 243 154

HSL 131.01, 0.82%, 0.74%

LAB 87.73, -49.72, 33.42

 

CMYK 30 / 0 / 25 / 3

HEX #ACF7B9

RGB 172 247 185

HSL 130.4, 0.82%, 0.82%

LAB 91.14, -35.22, 22.6

 

CMYK 16 / 0 / 13 / 2

HEX #D1FAD9

RGB 209 250 217

HSL 131.71, 0.8%, 0.9%

LAB 94.71, -19.3, 11.49

 

CMYK 44 / 0 / 36 / 5

HEX #88F39B

RGB 136 243 155

HSL 130.65, 0.82%, 0.74%

LAB 87.82, -49.02, 33.06

 

CMYK 45 / 16 / 0 / 5

HEX #86CBF3

RGB 134 203 243

HSL 202.02, 0.82%, 0.74%

LAB 78.61, -11.38, -26.49

 

CMYK 0 / 45 / 34 / 5

HEX #F386A0

RGB 243 134 160

HSL 345.69, 0.82%, 0.74%

LAB 68.49, 44.31, 4.88

 

CMYK 44 / 0 / 36 / 5

HEX #88F39B

RGB 136 243 155

HSL 130.65, 0.82%, 0.74%

LAB 87.82, -49.02, 33.06

 

CMYK 37 / 45 / 0 / 5

HEX #9886F3

RGB 152 134 243

HSL 249.91, 0.82%, 0.74%

LAB 61.82, 31.77, -52.57

 

CMYK 0 / 37 / 45 / 5

HEX #F39886

RGB 243 152 134

HSL 9.91, 0.82%, 0.74%

LAB 71.71, 32.16, 23.85

 

CMYK 44 / 0 / 36 / 5

HEX #88F39B

RGB 136 243 155

HSL 130.65, 0.82%, 0.74%

LAB 87.82, -49.02, 33.06

 

CMYK 45 / 16 / 0 / 5

HEX #86CBF3

RGB 134 203 243

HSL 202.02, 0.82%, 0.74%

LAB 78.61, -11.38, -26.49

 

CMYK 0 / 45 / 7 / 5

HEX #F386E1

RGB 243 134 225

HSL 309.91, 0.82%, 0.74%

LAB 70.55, 53.63, -28.29

 

CMYK 0 / 28 / 45 / 5

HEX #F3AE86

RGB 243 174 134

HSL 22.02, 0.82%, 0.74%

LAB 76.71, 20.56, 30.52

 

CMYK 44 / 0 / 36 / 5

HEX #88F39B

RGB 136 243 155

HSL 130.65, 0.82%, 0.74%

LAB 87.82, -49.02, 33.06

 

CMYK 45 / 30 / 0 / 5

HEX #86ABF3

RGB 134 171 243

HSL 219.63, 0.82%, 0.74%

LAB 69.94, 6.04, -39.87

 

CMYK 0 / 45 / 7 / 5

HEX #F386E1

RGB 243 134 225

HSL 309.91, 0.82%, 0.74%

LAB 70.55, 53.63, -28.29

 

CMYK 0 / 15 / 45 / 5

HEX #F3CF86

RGB 243 207 134

HSL 40.18, 0.82%, 0.74%

LAB 84.69, 3.27, 40.87

 

Description

Color code: RGB 136 243 155 | qconv.com Color code: RGB 136 243 155 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 243 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 243 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 36 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 36% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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