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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 243 0 it is the complementary color RGB 119 12 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 243 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 243 0 shade: RGB 141 243 0, RGB 158 255 14, RGB 175 255 33, RGB 192 255 52 and RGB 209 255 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 243 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 243 0 shade: RGB 136 243 0, RGB 119 225 0, RGB 102 207 0, RGB 85 189 0 and RGB 68 171 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 243 0 shade: RGB 137 244 0, RGB 203 244 0, RGB 244 220 0, RGB 244 154 0 and RGB 244 88 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 243 0 shade: RGB 137 244 0, RGB 70 244 0, RGB 4 244 0, RGB 0 244 61 and RGB 0 244 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 243 0 shade matches the following richer shades: RGB 137 244 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 243 0 shade: RGB 137 244 0, RGB 134 224 19, RGB 132 205 39, RGB 129 185 59 and RGB 127 165 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 243 0 shade: RGB 244 220 0, RGB 203 244 0, RGB 138 244 0, RGB 73 244 0 and RGB 8 244 0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 243 0 shade: RGB 90 162 0, RGB 113 203 0, RGB 137 244 0, RGB 156 255 31 and RGB 174 255 72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 243 0 shade: RGB 136 243 0, RGB 0 244 155 and RGB 244 0 236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 243 0 shade: RGB 136 243 0, RGB 0 138 244 and RGB 244 0 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 243 0 shade: RGB 136 243 0, RGB 0 244 155, RGB 106 0 244 and RGB 244 0 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 243 0 shade: RGB 136 243 0, RGB 0 244 228, RGB 106 0 244 and RGB 244 0 16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 100 / 5

HEX #88F300

RGB 136 243 0

HSL 86.42, 1%, 0.48%

LAB 86.67, -61.09, 83.42

 

Complementary color

CMYK 53 / 95 / 0 / 0

HEX #770CFF

RGB 119 12 255

HSL 266.42, 1%, 0.52%

LAB 40.25, 81.22, -94.42

 

CMYK 42 / 0 / 100 / 5

HEX #8DF300

RGB 141 243 0

HSL 85.19, 1%, 0.48%

LAB 86.88, -59.51, 83.68

 

CMYK 38 / 0 / 95 / 0

HEX #9EFF0E

RGB 158 255 14

HSL 84.15, 1%, 0.53%

LAB 91.15, -58.4, 86.27

 

CMYK 31 / 0 / 87 / 0

HEX #AFFF21

RGB 175 255 33

HSL 81.62, 1%, 0.56%

LAB 92.02, -52.21, 84.83

 

CMYK 25 / 0 / 80 / 0

HEX #C0FF34

RGB 192 255 52

HSL 78.62, 1%, 0.6%

LAB 93, -45.46, 81.96

 

CMYK 18 / 0 / 72 / 0

HEX #D1FF47

RGB 209 255 71

HSL 75, 1%, 0.64%

LAB 94.11, -38.22, 77.81

 

CMYK 44 / 0 / 100 / 5

HEX #88F300

RGB 136 243 0

HSL 86.42, 1%, 0.48%

LAB 86.67, -61.09, 83.42

 

CMYK 47 / 0 / 100 / 12

HEX #77E100

RGB 119 225 0

HSL 88.27, 1%, 0.44%

LAB 80.61, -59.65, 78.4

 

CMYK 51 / 0 / 100 / 19

HEX #66CF00

RGB 102 207 0

HSL 90.43, 1%, 0.41%

LAB 74.48, -58.12, 73.31

 

CMYK 55 / 0 / 100 / 26

HEX #55BD00

RGB 85 189 0

HSL 93.02, 1%, 0.37%

LAB 68.26, -56.46, 68.16

 

CMYK 60 / 0 / 100 / 33

HEX #44AB00

RGB 68 171 0

HSL 96.14, 1%, 0.34%

LAB 61.96, -54.61, 62.96

 

CMYK 44 / 0 / 100 / 4

HEX #89F400

RGB 137 244 0

HSL 86.31, 1%, 0.48%

LAB 87.01, -61.15, 83.7

 

CMYK 17 / 0 / 100 / 4

HEX #CBF400

RGB 203 244 0

HSL 70.08, 1%, 0.48%

LAB 90.5, -37.48, 87.91

 

CMYK 0 / 10 / 100 / 4

HEX #F4DC00

RGB 244 220 0

HSL 54.1, 1%, 0.48%

LAB 87.2, -9.11, 86.87

 

CMYK 0 / 37 / 100 / 4

HEX #F49A00

RGB 244 154 0

HSL 37.87, 1%, 0.48%

LAB 71.11, 25.08, 75.82

 

CMYK 0 / 64 / 100 / 4

HEX #F45800

RGB 244 88 0

HSL 21.64, 1%, 0.48%

LAB 58.24, 57.18, 68.21

 

CMYK 44 / 0 / 100 / 4

HEX #89F400

RGB 137 244 0

HSL 86.31, 1%, 0.48%

LAB 87.01, -61.15, 83.7

 

CMYK 71 / 0 / 100 / 4

HEX #46F400

RGB 70 244 0

HSL 102.79, 1%, 0.48%

LAB 85, -77.38, 81.26

 

CMYK 98 / 0 / 100 / 4

HEX #04F400

RGB 4 244 0

HSL 119.02, 1%, 0.48%

LAB 84.34, -83.23, 80.47

 

CMYK 100 / 0 / 75 / 4

HEX #00F43D

RGB 0 244 61

HSL 135, 1%, 0.48%

LAB 84.5, -81.1, 69.49

 

CMYK 100 / 0 / 48 / 4

HEX #00F47F

RGB 0 244 127

HSL 151.23, 1%, 0.48%

LAB 85.12, -73.47, 42.83

 

CMYK 44 / 0 / 100 / 4

HEX #89F400

RGB 137 244 0

HSL 86.31, 1%, 0.48%

LAB 87.01, -61.15, 83.7

 

CMYK 44 / 0 / 100 / 4

HEX #89F400

RGB 137 244 0

HSL 86.31, 1%, 0.48%

LAB 87.01, -61.15, 83.7

 

CMYK 40 / 0 / 92 / 12

HEX #86E013

RGB 134 224 19

HSL 86.34, 0.84%, 0.48%

LAB 80.98, -54.22, 77.07

 

CMYK 36 / 0 / 81 / 20

HEX #84CD27

RGB 132 205 39

HSL 86.39, 0.68%, 0.48%

LAB 75.27, -46.63, 68.2

 

CMYK 30 / 0 / 68 / 27

HEX #81B93B

RGB 129 185 59

HSL 86.67, 0.52%, 0.48%

LAB 69.24, -37.96, 55.65

 

CMYK 23 / 0 / 52 / 35

HEX #7FA54F

RGB 127 165 79

HSL 86.51, 0.35%, 0.48%

LAB 63.33, -27.6, 40.03

 

CMYK 0 / 10 / 100 / 4

HEX #F4DC00

RGB 244 220 0

HSL 54.1, 1%, 0.48%

LAB 87.2, -9.11, 86.87

 

CMYK 17 / 0 / 100 / 4

HEX #CBF400

RGB 203 244 0

HSL 70.08, 1%, 0.48%

LAB 90.5, -37.48, 87.91

 

CMYK 43 / 0 / 100 / 4

HEX #8AF400

RGB 138 244 0

HSL 86.07, 1%, 0.48%

LAB 87.05, -60.84, 83.75

 

CMYK 70 / 0 / 100 / 4

HEX #49F400

RGB 73 244 0

HSL 102.05, 1%, 0.48%

LAB 85.06, -76.87, 81.34

 

CMYK 97 / 0 / 100 / 4

HEX #08F400

RGB 8 244 0

HSL 118.03, 1%, 0.48%

LAB 84.36, -83.11, 80.48

 

CMYK 44 / 0 / 100 / 36

HEX #5AA200

RGB 90 162 0

HSL 86.67, 1%, 0.32%

LAB 59.9, -44.7, 61.7

 

CMYK 44 / 0 / 100 / 20

HEX #71CB00

RGB 113 203 0

HSL 86.6, 1%, 0.4%

LAB 73.69, -53.24, 72.88

 

CMYK 44 / 0 / 100 / 4

HEX #89F400

RGB 137 244 0

HSL 86.31, 1%, 0.48%

LAB 87.01, -61.15, 83.7

 

CMYK 39 / 0 / 88 / 0

HEX #9CFF1F

RGB 156 255 31

HSL 86.52, 1%, 0.56%

LAB 91.09, -58.74, 84.02

 

CMYK 32 / 0 / 72 / 0

HEX #AEFF48

RGB 174 255 72

HSL 86.56, 1%, 0.64%

LAB 92.13, -50.96, 74.86

 

CMYK 44 / 0 / 100 / 5

HEX #88F300

RGB 136 243 0

HSL 86.42, 1%, 0.48%

LAB 86.67, -61.09, 83.42

 

CMYK 100 / 0 / 36 / 4

HEX #00F49B

RGB 0 244 155

HSL 158.11, 1%, 0.48%

LAB 85.54, -68.46, 29.55

 

CMYK 0 / 100 / 3 / 4

HEX #F400EC

RGB 244 0 236

HSL 301.97, 1%, 0.48%

LAB 57.36, 93.92, -55.1

 

CMYK 44 / 0 / 100 / 5

HEX #88F300

RGB 136 243 0

HSL 86.42, 1%, 0.48%

LAB 86.67, -61.09, 83.42

 

CMYK 100 / 43 / 0 / 4

HEX #008AF4

RGB 0 138 244

HSL 206.07, 1%, 0.48%

LAB 56.79, 8.38, -61.51

 

CMYK 0 / 100 / 43 / 4

HEX #F4008A

RGB 244 0 138

HSL 326.07, 1%, 0.48%

LAB 53.02, 83.01, -4.92

 

CMYK 44 / 0 / 100 / 5

HEX #88F300

RGB 136 243 0

HSL 86.42, 1%, 0.48%

LAB 86.67, -61.09, 83.42

 

CMYK 100 / 0 / 36 / 4

HEX #00F49B

RGB 0 244 155

HSL 158.11, 1%, 0.48%

LAB 85.54, -68.46, 29.55

 

CMYK 57 / 100 / 0 / 4

HEX #6A00F4

RGB 106 0 244

HSL 266.07, 1%, 0.48%

LAB 37.11, 79.35, -93.5

 

CMYK 0 / 100 / 64 / 4

HEX #F40059

RGB 244 0 89

HSL 338.11, 1%, 0.48%

LAB 51.79, 79.72, 23.05

 

CMYK 44 / 0 / 100 / 5

HEX #88F300

RGB 136 243 0

HSL 86.42, 1%, 0.48%

LAB 86.67, -61.09, 83.42

 

CMYK 100 / 0 / 7 / 4

HEX #00F4E4

RGB 0 244 228

HSL 176.07, 1%, 0.48%

LAB 87.15, -51.02, -5.97

 

CMYK 57 / 100 / 0 / 4

HEX #6A00F4

RGB 106 0 244

HSL 266.07, 1%, 0.48%

LAB 37.11, 79.35, -93.5

 

CMYK 0 / 100 / 93 / 4

HEX #F40010

RGB 244 0 16

HSL 356.07, 1%, 0.48%

LAB 51, 77.6, 60.73

 

Description

Color code: RGB 136 243 0 | qconv.com Color code: RGB 136 243 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 243 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 243 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 100 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 100% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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