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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 232 98 it is the complementary color RGB 119 23 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 232 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 232 98 shade: RGB 141 232 93, RGB 158 250 112, RGB 175 255 131, RGB 192 255 150 and RGB 209 255 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 232 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 232 98 shade: RGB 136 232 98, RGB 119 214 79, RGB 102 196 60, RGB 85 178 41 and RGB 68 160 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 232 98 shade: RGB 137 231 99, RGB 172 231 99, RGB 208 231 99, RGB 231 219 99 and RGB 231 183 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 232 98 shade: RGB 137 231 99, RGB 101 231 99, RGB 99 231 133, RGB 99 231 169 and RGB 99 231 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 232 98 shade matches the following richer shades: RGB 137 231 99 and RGB 130 246 85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 232 98 shade: RGB 137 231 99, RGB 143 217 114, RGB 149 202 128, RGB 155 188 143 and RGB 162 174 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 232 98 shade: RGB 209 231 99, RGB 174 231 99, RGB 139 231 99, RGB 104 231 99 and RGB 99 231 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 232 98 shade: RGB 84 216 32, RGB 109 226 63, RGB 137 231 99, RGB 164 237 135 and RGB 191 242 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 232 98 shade: RGB 136 232 98, RGB 99 231 218 and RGB 231 99 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 232 98 shade: RGB 136 232 98, RGB 99 139 231 and RGB 231 99 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 232 98 shade: RGB 136 232 98, RGB 99 231 218, RGB 192 99 231 and RGB 231 99 112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 232 98 shade: RGB 136 232 98, RGB 99 205 231, RGB 192 99 231 and RGB 231 126 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 58 / 9

HEX #88E862

RGB 136 232 98

HSL 102.99, 0.74%, 0.65%

LAB 83.88, -52.05, 55.37

 

Complementary color

CMYK 24 / 85 / 0 / 38

HEX #77179D

RGB 119 23 157

HSL 282.99, 0.74%, 0.35%

LAB 31.74, 58.3, -51.36

 

CMYK 39 / 0 / 60 / 9

HEX #8DE85D

RGB 141 232 93

HSL 99.28, 0.75%, 0.64%

LAB 84.05, -50.98, 57.81

 

CMYK 37 / 0 / 55 / 2

HEX #9EFA70

RGB 158 250 112

HSL 100, 0.93%, 0.71%

LAB 90.23, -51.05, 56.81

 

CMYK 31 / 0 / 49 / 0

HEX #AFFF83

RGB 175 255 131

HSL 98.71, 1%, 0.76%

LAB 92.7, -45.55, 51.29

 

CMYK 25 / 0 / 41 / 0

HEX #C0FF96

RGB 192 255 150

HSL 96, 1%, 0.79%

LAB 93.85, -37.54, 43.9

 

CMYK 18 / 0 / 34 / 0

HEX #D1FFA9

RGB 209 255 169

HSL 92.09, 1%, 0.83%

LAB 95.14, -29.19, 36.43

 

CMYK 41 / 0 / 58 / 9

HEX #88E862

RGB 136 232 98

HSL 102.99, 0.74%, 0.65%

LAB 83.88, -52.05, 55.37

 

CMYK 44 / 0 / 63 / 16

HEX #77D64F

RGB 119 214 79

HSL 102.22, 0.62%, 0.57%

LAB 77.63, -51.91, 56.32

 

CMYK 48 / 0 / 69 / 23

HEX #66C43C

RGB 102 196 60

HSL 101.47, 0.54%, 0.5%

LAB 71.3, -51.59, 57.01

 

CMYK 52 / 0 / 77 / 30

HEX #55B229

RGB 85 178 41

HSL 100.73, 0.63%, 0.43%

LAB 64.91, -51.02, 57.19

 

CMYK 58 / 0 / 86 / 37

HEX #44A016

RGB 68 160 22

HSL 100, 0.76%, 0.36%

LAB 58.44, -50.07, 56.42

 

CMYK 41 / 0 / 57 / 9

HEX #89E763

RGB 137 231 99

HSL 102.73, 0.73%, 0.65%

LAB 83.64, -51.24, 54.66

 

CMYK 26 / 0 / 57 / 9

HEX #ACE763

RGB 172 231 99

HSL 86.82, 0.73%, 0.65%

LAB 85.41, -39.4, 57.17

 

CMYK 10 / 0 / 57 / 9

HEX #D0E763

RGB 208 231 99

HSL 70.45, 0.73%, 0.65%

LAB 87.71, -25.77, 60.39

 

CMYK 0 / 5 / 57 / 9

HEX #E7DB63

RGB 231 219 99

HSL 54.55, 0.73%, 0.65%

LAB 86.28, -10.67, 59.26

 

CMYK 0 / 21 / 57 / 9

HEX #E7B763

RGB 231 183 99

HSL 38.18, 0.73%, 0.65%

LAB 77.14, 7.86, 48.73

 

CMYK 41 / 0 / 57 / 9

HEX #89E763

RGB 137 231 99

HSL 102.73, 0.73%, 0.65%

LAB 83.64, -51.24, 54.66

 

CMYK 56 / 0 / 57 / 9

HEX #65E763

RGB 101 231 99

HSL 119.09, 0.73%, 0.65%

LAB 82.28, -61.21, 52.74

 

CMYK 57 / 0 / 42 / 9

HEX #63E785

RGB 99 231 133

HSL 135.45, 0.73%, 0.65%

LAB 82.65, -57, 37.02

 

CMYK 57 / 0 / 27 / 9

HEX #63E7A9

RGB 99 231 169

HSL 151.82, 0.73%, 0.65%

LAB 83.27, -50.45, 19.49

 

CMYK 57 / 0 / 12 / 9

HEX #63E7CC

RGB 99 231 204

HSL 167.73, 0.73%, 0.65%

LAB 84.05, -42.66, 2.25

 

CMYK 41 / 0 / 57 / 9

HEX #89E763

RGB 137 231 99

HSL 102.73, 0.73%, 0.65%

LAB 83.64, -51.24, 54.66

 

CMYK 47 / 0 / 65 / 4

HEX #82F655

RGB 130 246 85

HSL 103.23, 0.9%, 0.65%

LAB 87.64, -60.5, 64.9

 

CMYK 41 / 0 / 57 / 9

HEX #89E763

RGB 137 231 99

HSL 102.73, 0.73%, 0.65%

LAB 83.64, -51.24, 54.66

 

CMYK 34 / 0 / 47 / 15

HEX #8FD972

RGB 143 217 114

HSL 103.11, 0.58%, 0.65%

LAB 80, -41.68, 43.38

 

CMYK 26 / 0 / 37 / 21

HEX #95CA80

RGB 149 202 128

HSL 102.97, 0.41%, 0.65%

LAB 76.19, -30.92, 31.55

 

CMYK 18 / 0 / 24 / 26

HEX #9BBC8F

RGB 155 188 143

HSL 104, 0.25%, 0.65%

LAB 72.84, -19.63, 19.19

 

CMYK 7 / 0 / 10 / 32

HEX #A2AE9D

RGB 162 174 157

HSL 102.35, 0.09%, 0.65%

LAB 69.74, -7.42, 7.28

 

CMYK 10 / 0 / 57 / 9

HEX #D1E763

RGB 209 231 99

HSL 70, 0.73%, 0.65%

LAB 87.78, -25.38, 60.49

 

CMYK 25 / 0 / 57 / 9

HEX #AEE763

RGB 174 231 99

HSL 85.91, 0.73%, 0.65%

LAB 85.53, -38.67, 57.33

 

CMYK 40 / 0 / 57 / 9

HEX #8BE763

RGB 139 231 99

HSL 101.82, 0.73%, 0.65%

LAB 83.73, -50.61, 54.79

 

CMYK 55 / 0 / 57 / 9

HEX #68E763

RGB 104 231 99

HSL 117.73, 0.73%, 0.65%

LAB 82.38, -60.48, 52.88

 

CMYK 57 / 0 / 44 / 9

HEX #63E782

RGB 99 231 130

HSL 134.09, 0.73%, 0.65%

LAB 82.6, -57.47, 38.45

 

CMYK 61 / 0 / 85 / 15

HEX #54D820

RGB 84 216 32

HSL 103.04, 0.74%, 0.49%

LAB 76.74, -65.19, 70.48

 

CMYK 52 / 0 / 72 / 11

HEX #6DE23F

RGB 109 226 63

HSL 103.07, 0.74%, 0.57%

LAB 80.74, -60.66, 65.64

 

CMYK 41 / 0 / 57 / 9

HEX #89E763

RGB 137 231 99

HSL 102.73, 0.73%, 0.65%

LAB 83.64, -51.24, 54.66

 

CMYK 31 / 0 / 43 / 7

HEX #A4ED87

RGB 164 237 135

HSL 102.94, 0.74%, 0.73%

LAB 87.1, -40.86, 42.29

 

CMYK 21 / 0 / 29 / 5

HEX #BFF2AB

RGB 191 242 171

HSL 103.1, 0.73%, 0.81%

LAB 90.56, -29, 29.12

 

CMYK 41 / 0 / 58 / 9

HEX #88E862

RGB 136 232 98

HSL 102.99, 0.74%, 0.65%

LAB 83.88, -52.05, 55.37

 

CMYK 57 / 0 / 6 / 9

HEX #63E7DA

RGB 99 231 218

HSL 174.09, 0.73%, 0.65%

LAB 84.41, -39.19, -4.6

 

CMYK 0 / 57 / 17 / 9

HEX #E763C0

RGB 231 99 192

HSL 317.73, 0.73%, 0.65%

LAB 61.41, 61.53, -23.99

 

CMYK 41 / 0 / 58 / 9

HEX #88E862

RGB 136 232 98

HSL 102.99, 0.74%, 0.65%

LAB 83.88, -52.05, 55.37

 

CMYK 57 / 40 / 0 / 9

HEX #638BE7

RGB 99 139 231

HSL 221.82, 0.73%, 0.65%

LAB 58.87, 13.12, -50.84

 

CMYK 0 / 57 / 40 / 9

HEX #E7638B

RGB 231 99 139

HSL 341.82, 0.73%, 0.65%

LAB 59.69, 54.84, 3.97

 

CMYK 41 / 0 / 58 / 9

HEX #88E862

RGB 136 232 98

HSL 102.99, 0.74%, 0.65%

LAB 83.88, -52.05, 55.37

 

CMYK 57 / 0 / 6 / 9

HEX #63E7DA

RGB 99 231 218

HSL 174.09, 0.73%, 0.65%

LAB 84.41, -39.19, -4.6

 

CMYK 17 / 57 / 0 / 9

HEX #C063E7

RGB 192 99 231

HSL 282.27, 0.73%, 0.65%

LAB 57.94, 57.92, -51.82

 

CMYK 0 / 57 / 52 / 9

HEX #E76370

RGB 231 99 112

HSL 354.09, 0.73%, 0.65%

LAB 59.05, 52.26, 18.76

 

CMYK 41 / 0 / 58 / 9

HEX #88E862

RGB 136 232 98

HSL 102.99, 0.74%, 0.65%

LAB 83.88, -52.05, 55.37

 

CMYK 57 / 11 / 0 / 9

HEX #63CDE7

RGB 99 205 231

HSL 191.82, 0.73%, 0.65%

LAB 77.33, -23.27, -22.13

 

CMYK 17 / 57 / 0 / 9

HEX #C063E7

RGB 192 99 231

HSL 282.27, 0.73%, 0.65%

LAB 57.94, 57.92, -51.82

 

CMYK 0 / 45 / 57 / 9

HEX #E77E63

RGB 231 126 99

HSL 12.27, 0.73%, 0.65%

LAB 64.01, 37.98, 32.65

 

Description

Color code: RGB 136 232 98 | qconv.com Color code: RGB 136 232 98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 232 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 232 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 58 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 58% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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