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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 218 72 it is the complementary color RGB 119 37 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 218 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 218 72 shade: RGB 141 218 67, RGB 158 236 86, RGB 175 254 105, RGB 192 255 124 and RGB 209 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 218 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 218 72 shade: RGB 136 218 72, RGB 119 200 53, RGB 102 182 34, RGB 85 164 15 and RGB 68 146 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 218 72 shade: RGB 136 218 73, RGB 175 218 73, RGB 214 218 73, RGB 218 182 73 and RGB 218 143 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 218 72 shade: RGB 136 218 73, RGB 97 218 73, RGB 73 218 88, RGB 73 218 127 and RGB 73 218 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 218 72 shade matches the following richer shades: RGB 136 218 73, RGB 134 235 55 and RGB 132 253 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 218 72 shade: RGB 136 218 73, RGB 139 200 91, RGB 141 182 108, RGB 143 164 126 and RGB 145 147 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 218 72 shade: RGB 215 218 73, RGB 177 218 73, RGB 138 218 73, RGB 100 218 73 and RGB 73 218 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 218 72 shade: RGB 96 173 35, RGB 115 207 42, RGB 136 218 73, RGB 159 225 107 and RGB 181 232 141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 218 72 shade: RGB 136 218 72, RGB 73 218 182 and RGB 218 73 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 218 72 shade: RGB 136 218 72, RGB 73 138 218 and RGB 218 73 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 218 72 shade: RGB 136 218 72, RGB 73 218 182, RGB 153 73 218 and RGB 218 73 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 218 72 shade: RGB 136 218 72, RGB 73 210 218, RGB 153 73 218 and RGB 218 80 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 67 / 15

HEX #88DA48

RGB 136 218 72

HSL 93.7, 0.66%, 0.57%

LAB 79.53, -48.67, 61.42

 

Complementary color

CMYK 35 / 80 / 0 / 28

HEX #7725B7

RGB 119 37 183

HSL 273.7, 0.66%, 0.43%

LAB 35.33, 59.45, -61.12

 

CMYK 35 / 0 / 69 / 15

HEX #8DDA43

RGB 141 218 67

HSL 90.6, 0.67%, 0.56%

LAB 79.73, -47.34, 63.62

 

CMYK 33 / 0 / 64 / 7

HEX #9EEC56

RGB 158 236 86

HSL 91.2, 0.8%, 0.63%

LAB 85.97, -47.61, 63.07

 

CMYK 31 / 0 / 59 / 0

HEX #AFFE69

RGB 175 254 105

HSL 91.81, 0.99%, 0.7%

LAB 92.14, -47.77, 62.26

 

CMYK 25 / 0 / 51 / 0

HEX #C0FF7C

RGB 192 255 124

HSL 88.85, 1%, 0.74%

LAB 93.53, -40.5, 55.74

 

CMYK 18 / 0 / 44 / 0

HEX #D1FF8F

RGB 209 255 143

HSL 84.64, 1%, 0.78%

LAB 94.76, -32.41, 48.62

 

CMYK 38 / 0 / 67 / 15

HEX #88DA48

RGB 136 218 72

HSL 93.7, 0.66%, 0.57%

LAB 79.53, -48.67, 61.42

 

CMYK 41 / 0 / 74 / 22

HEX #77C835

RGB 119 200 53

HSL 93.06, 0.58%, 0.5%

LAB 73.21, -48.3, 61.74

 

CMYK 44 / 0 / 81 / 29

HEX #66B622

RGB 102 182 34

HSL 92.43, 0.69%, 0.42%

LAB 66.82, -47.7, 61.35

 

CMYK 48 / 0 / 91 / 36

HEX #55A40F

RGB 85 164 15

HSL 91.81, 0.83%, 0.35%

LAB 60.35, -46.8, 59.76

 

CMYK 53 / 0 / 100 / 43

HEX #449200

RGB 68 146 0

HSL 92.05, 1%, 0.29%

LAB 53.8, -45.49, 56.52

 

CMYK 38 / 0 / 67 / 15

HEX #88DA49

RGB 136 218 73

HSL 93.93, 0.66%, 0.57%

LAB 79.53, -48.59, 61.04

 

CMYK 20 / 0 / 67 / 15

HEX #AFDA49

RGB 175 218 73

HSL 77.79, 0.66%, 0.57%

LAB 81.7, -34.45, 63.97

 

CMYK 2 / 0 / 67 / 15

HEX #D6DA49

RGB 214 218 73

HSL 61.66, 0.66%, 0.57%

LAB 84.44, -18.81, 67.66

 

CMYK 0 / 17 / 67 / 15

HEX #DAB649

RGB 218 182 73

HSL 45.1, 0.66%, 0.57%

LAB 75.35, 1.19, 58.37

 

CMYK 0 / 34 / 67 / 15

HEX #DA8F49

RGB 218 143 73

HSL 28.97, 0.66%, 0.57%

LAB 65.77, 22.03, 47.95

 

CMYK 38 / 0 / 67 / 15

HEX #88DA49

RGB 136 218 73

HSL 93.93, 0.66%, 0.57%

LAB 79.53, -48.59, 61.04

 

CMYK 56 / 0 / 67 / 15

HEX #61DA49

RGB 97 218 73

HSL 110.07, 0.66%, 0.57%

LAB 77.97, -60.13, 58.91

 

CMYK 67 / 0 / 60 / 15

HEX #49DA58

RGB 73 218 88

HSL 126.21, 0.66%, 0.57%

LAB 77.44, -63.91, 51.82

 

CMYK 67 / 0 / 42 / 15

HEX #49DA7F

RGB 73 218 127

HSL 142.34, 0.66%, 0.57%

LAB 77.93, -58.3, 33.77

 

CMYK 67 / 0 / 24 / 15

HEX #49DAA6

RGB 73 218 166

HSL 158.48, 0.66%, 0.57%

LAB 78.64, -50.58, 14.5

 

CMYK 38 / 0 / 67 / 15

HEX #88DA49

RGB 136 218 73

HSL 93.93, 0.66%, 0.57%

LAB 79.53, -48.59, 61.04

 

CMYK 43 / 0 / 77 / 8

HEX #86EB37

RGB 134 235 55

HSL 93.67, 0.82%, 0.57%

LAB 84.36, -57.18, 72.1

 

CMYK 48 / 0 / 85 / 1

HEX #84FD25

RGB 132 253 37

HSL 93.61, 0.98%, 0.57%

LAB 89.53, -65.24, 81.21

 

CMYK 38 / 0 / 67 / 15

HEX #88DA49

RGB 136 218 73

HSL 93.93, 0.66%, 0.57%

LAB 79.53, -48.59, 61.04

 

CMYK 31 / 0 / 55 / 22

HEX #8BC85B

RGB 139 200 91

HSL 93.58, 0.5%, 0.57%

LAB 74.54, -38.17, 47.73

 

CMYK 23 / 0 / 41 / 29

HEX #8DB66C

RGB 141 182 108

HSL 93.24, 0.34%, 0.57%

LAB 69.61, -27.01, 33.27

 

CMYK 13 / 0 / 23 / 36

HEX #8FA47E

RGB 143 164 126

HSL 93.16, 0.17%, 0.57%

LAB 64.88, -14.48, 17.33

 

CMYK 1 / 0 / 2 / 42

HEX #919390

RGB 145 147 144

HSL 100, 0.01%, 0.57%

LAB 60.69, -1.31, 1.32

 

CMYK 1 / 0 / 67 / 15

HEX #D7DA49

RGB 215 218 73

HSL 61.24, 0.66%, 0.57%

LAB 84.52, -18.4, 67.77

 

CMYK 19 / 0 / 67 / 15

HEX #B1DA49

RGB 177 218 73

HSL 76.97, 0.66%, 0.57%

LAB 81.82, -33.67, 64.14

 

CMYK 37 / 0 / 67 / 15

HEX #8ADA49

RGB 138 218 73

HSL 93.1, 0.66%, 0.57%

LAB 79.63, -47.92, 61.17

 

CMYK 54 / 0 / 67 / 15

HEX #64DA49

RGB 100 218 73

HSL 108.83, 0.66%, 0.57%

LAB 78.07, -59.36, 59.05

 

CMYK 67 / 0 / 61 / 15

HEX #49DA55

RGB 73 218 85

HSL 124.97, 0.66%, 0.57%

LAB 77.41, -64.25, 53.1

 

CMYK 45 / 0 / 80 / 32

HEX #60AD23

RGB 96 173 35

HSL 93.48, 0.66%, 0.41%

LAB 63.75, -46, 58.13

 

CMYK 44 / 0 / 80 / 19

HEX #73CF2A

RGB 115 207 42

HSL 93.45, 0.66%, 0.49%

LAB 75.1, -53, 66.93

 

CMYK 38 / 0 / 67 / 15

HEX #88DA49

RGB 136 218 73

HSL 93.93, 0.66%, 0.57%

LAB 79.53, -48.59, 61.04

 

CMYK 29 / 0 / 52 / 12

HEX #9FE16B

RGB 159 225 107

HSL 93.56, 0.66%, 0.65%

LAB 83.06, -40.57, 50.63

 

CMYK 22 / 0 / 39 / 9

HEX #B5E88D

RGB 181 232 141

HSL 93.63, 0.66%, 0.73%

LAB 86.73, -31.99, 39.05

 

CMYK 38 / 0 / 67 / 15

HEX #88DA48

RGB 136 218 72

HSL 93.7, 0.66%, 0.57%

LAB 79.53, -48.67, 61.42

 

CMYK 67 / 0 / 17 / 15

HEX #49DAB6

RGB 73 218 182

HSL 165.1, 0.66%, 0.57%

LAB 79, -46.86, 6.53

 

CMYK 0 / 67 / 10 / 15

HEX #DA49C4

RGB 218 73 196

HSL 309.1, 0.66%, 0.57%

LAB 55.74, 69.36, -35.22

 

CMYK 38 / 0 / 67 / 15

HEX #88DA48

RGB 136 218 72

HSL 93.7, 0.66%, 0.57%

LAB 79.53, -48.67, 61.42

 

CMYK 67 / 37 / 0 / 15

HEX #498ADA

RGB 73 138 218

HSL 213.1, 0.66%, 0.57%

LAB 56.74, 4.64, -47.04

 

CMYK 0 / 67 / 37 / 15

HEX #DA498A

RGB 218 73 138

HSL 333.1, 0.66%, 0.57%

LAB 53.5, 61.81, -4.74

 

CMYK 38 / 0 / 67 / 15

HEX #88DA48

RGB 136 218 72

HSL 93.7, 0.66%, 0.57%

LAB 79.53, -48.67, 61.42

 

CMYK 67 / 0 / 17 / 15

HEX #49DAB6

RGB 73 218 182

HSL 165.1, 0.66%, 0.57%

LAB 79, -46.86, 6.53

 

CMYK 30 / 67 / 0 / 15

HEX #9949DA

RGB 153 73 218

HSL 273.1, 0.66%, 0.57%

LAB 47.75, 58.59, -61.08

 

CMYK 0 / 67 / 50 / 15

HEX #DA496D

RGB 218 73 109

HSL 345.1, 0.66%, 0.57%

LAB 52.7, 59, 11.43

 

CMYK 38 / 0 / 67 / 15

HEX #88DA48

RGB 136 218 72

HSL 93.7, 0.66%, 0.57%

LAB 79.53, -48.67, 61.42

 

CMYK 67 / 4 / 0 / 15

HEX #49D2DA

RGB 73 210 218

HSL 183.31, 0.66%, 0.57%

LAB 77.62, -33.75, -14.78

 

CMYK 30 / 67 / 0 / 15

HEX #9949DA

RGB 153 73 218

HSL 273.1, 0.66%, 0.57%

LAB 47.75, 58.59, -61.08

 

CMYK 0 / 63 / 67 / 15

HEX #DA5049

RGB 218 80 73

HSL 2.9, 0.66%, 0.57%

LAB 53.08, 53.59, 33.16

 

Description

Color code: RGB 136 218 72 | qconv.com Color code: RGB 136 218 72 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 218 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 218 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 67 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 67% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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