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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 215 183 it is the complementary color RGB 119 40 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 215 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 215 183 shade: RGB 141 215 178, RGB 158 233 197, RGB 175 251 216, RGB 192 255 235 and RGB 209 255 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 215 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 215 183 shade: RGB 136 215 183, RGB 119 197 164, RGB 102 179 145, RGB 85 161 126 and RGB 68 143 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 215 183 shade: RGB 136 215 183, RGB 136 215 162, RGB 136 215 140, RGB 153 215 136 and RGB 174 215 136

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 215 183 shade: RGB 136 215 183, RGB 136 215 204, RGB 136 204 215, RGB 136 183 215 and RGB 136 162 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 215 183 shade matches the following richer shades: RGB 136 215 183, RGB 123 228 185, RGB 110 241 188 and RGB 98 253 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 215 183 shade: RGB 136 215 183, RGB 149 202 181, RGB 162 189 178, RGB 174 177 176 and RGB 187 164 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 215 183 shade: RGB 136 215 140, RGB 136 215 161, RGB 136 215 182, RGB 136 215 203 and RGB 136 206 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 215 183 shade: RGB 74 194 146, RGB 105 205 164, RGB 136 215 183, RGB 167 225 202 and RGB 198 236 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 215 183 shade: RGB 136 215 183, RGB 136 153 215 and RGB 215 150 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 215 183 shade: RGB 136 215 183, RGB 182 136 215 and RGB 215 182 136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 215 183 shade: RGB 136 215 183, RGB 136 153 215, RGB 215 136 169 and RGB 215 198 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 215 183 shade: RGB 136 215 183, RGB 143 136 215, RGB 215 136 169 and RGB 208 215 136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 15 / 16

HEX #88D7B7

RGB 136 215 183

HSL 155.7, 0.5%, 0.69%

LAB 80.32, -31.34, 8.17

 

Complementary color

CMYK 0 / 66 / 39 / 53

HEX #772848

RGB 119 40 72

HSL 335.7, 0.5%, 0.31%

LAB 29.18, 37.6, -1.33

 

CMYK 34 / 0 / 17 / 16

HEX #8DD7B2

RGB 141 215 178

HSL 150, 0.48%, 0.7%

LAB 80.45, -30.93, 11.04

 

CMYK 32 / 0 / 15 / 9

HEX #9EE9C5

RGB 158 233 197

HSL 151.2, 0.63%, 0.77%

LAB 86.79, -30.69, 10.18

 

CMYK 30 / 0 / 14 / 2

HEX #AFFBD8

RGB 175 251 216

HSL 152.37, 0.9%, 0.84%

LAB 93.04, -30.47, 9.36

 

CMYK 25 / 0 / 8 / 0

HEX #C0FFEB

RGB 192 255 235

HSL 160.95, 1%, 0.88%

LAB 95.47, -23.62, 3.17

 

CMYK 18 / 0 / 0 / 0

HEX #D1FFFE

RGB 209 255 254

HSL 178.7, 1%, 0.91%

LAB 96.91, -14.73, -4.38

 

CMYK 37 / 0 / 15 / 16

HEX #88D7B7

RGB 136 215 183

HSL 155.7, 0.5%, 0.69%

LAB 80.32, -31.34, 8.17

 

CMYK 40 / 0 / 17 / 23

HEX #77C5A4

RGB 119 197 164

HSL 154.62, 0.4%, 0.62%

LAB 73.89, -31.57, 9.05

 

CMYK 43 / 0 / 19 / 30

HEX #66B391

RGB 102 179 145

HSL 153.51, 0.34%, 0.55%

LAB 67.36, -31.8, 10

 

CMYK 47 / 0 / 22 / 37

HEX #55A17E

RGB 85 161 126

HSL 152.37, 0.31%, 0.48%

LAB 60.72, -32.01, 11.03

 

CMYK 52 / 0 / 25 / 44

HEX #448F6B

RGB 68 143 107

HSL 151.2, 0.36%, 0.41%

LAB 53.96, -32.19, 12.17

 

CMYK 37 / 0 / 15 / 16

HEX #88D7B7

RGB 136 215 183

HSL 155.7, 0.5%, 0.69%

LAB 80.32, -31.34, 8.17

 

CMYK 37 / 0 / 25 / 16

HEX #88D7A2

RGB 136 215 162

HSL 139.75, 0.5%, 0.69%

LAB 79.87, -35.5, 18.64

 

CMYK 37 / 0 / 35 / 16

HEX #88D78C

RGB 136 215 140

HSL 123.04, 0.5%, 0.69%

LAB 79.46, -39.32, 29.56

 

CMYK 29 / 0 / 37 / 16

HEX #99D788

RGB 153 215 136

HSL 107.09, 0.5%, 0.69%

LAB 80.26, -34.45, 32.84

 

CMYK 19 / 0 / 37 / 16

HEX #AED788

RGB 174 215 136

HSL 91.14, 0.5%, 0.69%

LAB 81.5, -27.12, 34.69

 

CMYK 37 / 0 / 15 / 16

HEX #88D7B7

RGB 136 215 183

HSL 155.7, 0.5%, 0.69%

LAB 80.32, -31.34, 8.17

 

CMYK 37 / 0 / 5 / 16

HEX #88D7CC

RGB 136 215 204

HSL 171.65, 0.5%, 0.69%

LAB 80.85, -26.73, -2.26

 

CMYK 37 / 5 / 0 / 16

HEX #88CCD7

RGB 136 204 215

HSL 188.35, 0.5%, 0.69%

LAB 78.07, -18.64, -12.27

 

CMYK 37 / 15 / 0 / 16

HEX #88B7D7

RGB 136 183 215

HSL 204.3, 0.5%, 0.69%

LAB 72.23, -7.66, -21.07

 

CMYK 37 / 25 / 0 / 16

HEX #88A2D7

RGB 136 162 215

HSL 220.25, 0.5%, 0.69%

LAB 66.51, 3.91, -29.85

 

CMYK 37 / 0 / 15 / 16

HEX #88D7B7

RGB 136 215 183

HSL 155.7, 0.5%, 0.69%

LAB 80.32, -31.34, 8.17

 

CMYK 46 / 0 / 19 / 11

HEX #7BE4B9

RGB 123 228 185

HSL 155.43, 0.66%, 0.69%

LAB 83.55, -40.35, 11.64

 

CMYK 54 / 0 / 22 / 5

HEX #6EF1BC

RGB 110 241 188

HSL 155.73, 0.82%, 0.69%

LAB 86.93, -48.36, 14.79

 

CMYK 61 / 0 / 25 / 1

HEX #62FDBE

RGB 98 253 190

HSL 155.61, 0.97%, 0.69%

LAB 90.12, -55.26, 18.19

 

CMYK 37 / 0 / 15 / 16

HEX #88D7B7

RGB 136 215 183

HSL 155.7, 0.5%, 0.69%

LAB 80.32, -31.34, 8.17

 

CMYK 26 / 0 / 10 / 21

HEX #95CAB5

RGB 149 202 181

HSL 156.23, 0.33%, 0.69%

LAB 77.26, -21.59, 4.93

 

CMYK 14 / 0 / 6 / 26

HEX #A2BDB2

RGB 162 189 178

HSL 155.56, 0.17%, 0.69%

LAB 74.38, -11.35, 2.47

 

CMYK 2 / 0 / 1 / 31

HEX #AEB1B0

RGB 174 177 176

HSL 160, 0.02%, 0.69%

LAB 71.95, -1.24, 0.13

 

CMYK 0 / 12 / 7 / 27

HEX #BBA4AD

RGB 187 164 173

HSL 336.52, 0.14%, 0.69%

LAB 69.56, 9.94, -1.57

 

CMYK 37 / 0 / 35 / 16

HEX #88D78C

RGB 136 215 140

HSL 123.04, 0.5%, 0.69%

LAB 79.46, -39.32, 29.56

 

CMYK 37 / 0 / 25 / 16

HEX #88D7A1

RGB 136 215 161

HSL 138.99, 0.5%, 0.69%

LAB 79.85, -35.68, 19.14

 

CMYK 37 / 0 / 15 / 16

HEX #88D7B6

RGB 136 215 182

HSL 154.94, 0.5%, 0.69%

LAB 80.3, -31.55, 8.67

 

CMYK 37 / 0 / 6 / 16

HEX #88D7CB

RGB 136 215 203

HSL 170.89, 0.5%, 0.69%

LAB 80.82, -26.96, -1.76

 

CMYK 37 / 4 / 0 / 16

HEX #88CED7

RGB 136 206 215

HSL 186.84, 0.5%, 0.69%

LAB 78.63, -19.65, -11.43

 

CMYK 62 / 0 / 25 / 24

HEX #4AC292

RGB 74 194 146

HSL 156, 0.5%, 0.53%

LAB 70.95, -44.87, 14.38

 

CMYK 49 / 0 / 20 / 20

HEX #69CDA4

RGB 105 205 164

HSL 155.4, 0.5%, 0.61%

LAB 75.67, -38.94, 11.5

 

CMYK 37 / 0 / 15 / 16

HEX #88D7B7

RGB 136 215 183

HSL 155.7, 0.5%, 0.69%

LAB 80.32, -31.34, 8.17

 

CMYK 26 / 0 / 10 / 12

HEX #A7E1CA

RGB 167 225 202

HSL 156.21, 0.49%, 0.77%

LAB 85.16, -23.16, 5.28

 

CMYK 16 / 0 / 7 / 7

HEX #C6ECDC

RGB 198 236 220

HSL 154.74, 0.5%, 0.85%

LAB 90.4, -15.39, 3.64

 

CMYK 37 / 0 / 15 / 16

HEX #88D7B7

RGB 136 215 183

HSL 155.7, 0.5%, 0.69%

LAB 80.32, -31.34, 8.17

 

CMYK 37 / 29 / 0 / 16

HEX #8899D7

RGB 136 153 215

HSL 227.09, 0.5%, 0.69%

LAB 64.1, 9.02, -33.57

 

CMYK 0 / 30 / 37 / 16

HEX #D79688

RGB 215 150 136

HSL 10.63, 0.5%, 0.69%

LAB 68.05, 22.67, 17.2

 

CMYK 37 / 0 / 15 / 16

HEX #88D7B7

RGB 136 215 183

HSL 155.7, 0.5%, 0.69%

LAB 80.32, -31.34, 8.17

 

CMYK 15 / 37 / 0 / 16

HEX #B688D7

RGB 182 136 215

HSL 274.94, 0.5%, 0.69%

LAB 63.72, 32.19, -33.86

 

CMYK 0 / 15 / 37 / 16

HEX #D7B688

RGB 215 182 136

HSL 34.94, 0.5%, 0.69%

LAB 75.87, 5.45, 27.84

 

CMYK 37 / 0 / 15 / 16

HEX #88D7B7

RGB 136 215 183

HSL 155.7, 0.5%, 0.69%

LAB 80.32, -31.34, 8.17

 

CMYK 37 / 29 / 0 / 16

HEX #8899D7

RGB 136 153 215

HSL 227.09, 0.5%, 0.69%

LAB 64.1, 9.02, -33.57

 

CMYK 0 / 37 / 21 / 16

HEX #D788A9

RGB 215 136 169

HSL 334.94, 0.5%, 0.69%

LAB 65.69, 34.66, -4.7

 

CMYK 0 / 8 / 37 / 16

HEX #D7C688

RGB 215 198 136

HSL 47.09, 0.5%, 0.69%

LAB 79.96, -2.96, 33.25

 

CMYK 37 / 0 / 15 / 16

HEX #88D7B7

RGB 136 215 183

HSL 155.7, 0.5%, 0.69%

LAB 80.32, -31.34, 8.17

 

CMYK 33 / 37 / 0 / 16

HEX #8F88D7

RGB 143 136 215

HSL 245.32, 0.5%, 0.69%

LAB 60.21, 20.79, -39.61

 

CMYK 0 / 37 / 21 / 16

HEX #D788A9

RGB 215 136 169

HSL 334.94, 0.5%, 0.69%

LAB 65.69, 34.66, -4.7

 

CMYK 3 / 0 / 37 / 16

HEX #D0D788

RGB 208 215 136

HSL 65.32, 0.5%, 0.69%

LAB 83.86, -14.37, 38.2

 

Description

Color code: RGB 136 215 183 | qconv.com Color code: RGB 136 215 183 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 215 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 215 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 15 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 15% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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