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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 213 146 it is the complementary color RGB 119 42 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 213 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 213 146 shade: RGB 141 213 141, RGB 158 231 160, RGB 175 249 179, RGB 192 255 198 and RGB 209 255 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 213 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 213 146 shade: RGB 136 213 146, RGB 119 195 127, RGB 102 177 108, RGB 85 159 89 and RGB 68 141 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 213 146 shade: RGB 134 212 144, RGB 145 212 134, RGB 166 212 134, RGB 187 212 134 and RGB 208 212 134

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 213 146 shade: RGB 134 212 144, RGB 134 212 165, RGB 134 212 186, RGB 134 212 207 and RGB 134 196 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 213 146 shade matches the following richer shades: RGB 134 212 144, RGB 121 225 134, RGB 107 238 124 and RGB 94 252 115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 213 146 shade: RGB 134 212 144, RGB 147 199 154, RGB 160 186 163, RGB 173 172 173 and RGB 187 159 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 213 146 shade: RGB 166 212 134, RGB 145 212 134, RGB 134 212 143, RGB 134 212 164 and RGB 134 212 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 213 146 shade: RGB 73 191 88, RGB 103 201 116, RGB 134 212 144, RGB 164 223 172 and RGB 195 234 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 213 146 shade: RGB 136 213 146, RGB 134 187 212 and RGB 212 134 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 213 146 shade: RGB 136 213 146, RGB 143 134 212 and RGB 212 143 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 213 146 shade: RGB 136 213 146, RGB 134 187 212, RGB 212 134 203 and RGB 212 159 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 213 146 shade: RGB 136 213 146, RGB 134 164 212, RGB 212 134 203 and RGB 212 182 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 31 / 16

HEX #88D592

RGB 136 213 146

HSL 127.79, 0.48%, 0.68%

LAB 78.98, -37.43, 25.82

 

Complementary color

CMYK 0 / 65 / 8 / 53

HEX #772A6D

RGB 119 42 109

HSL 307.79, 0.48%, 0.32%

LAB 31.07, 42.21, -22.52

 

CMYK 34 / 0 / 34 / 16

HEX #8DD58D

RGB 141 213 141

HSL 120, 0.46%, 0.69%

LAB 79.14, -36.69, 28.67

 

CMYK 32 / 0 / 31 / 9

HEX #9EE7A0

RGB 158 231 160

HSL 121.64, 0.6%, 0.76%

LAB 85.48, -36.45, 27.56

 

CMYK 30 / 0 / 28 / 2

HEX #AFF9B3

RGB 175 249 179

HSL 123.24, 0.86%, 0.83%

LAB 91.74, -36.21, 26.51

 

CMYK 25 / 0 / 22 / 0

HEX #C0FFC6

RGB 192 255 198

HSL 125.71, 1%, 0.88%

LAB 94.65, -30.45, 21

 

CMYK 18 / 0 / 15 / 0

HEX #D1FFD9

RGB 209 255 217

HSL 130.43, 1%, 0.91%

LAB 96.03, -21.73, 13.37

 

CMYK 36 / 0 / 31 / 16

HEX #88D592

RGB 136 213 146

HSL 127.79, 0.48%, 0.68%

LAB 78.98, -37.43, 25.82

 

CMYK 39 / 0 / 35 / 24

HEX #77C37F

RGB 119 195 127

HSL 126.32, 0.39%, 0.62%

LAB 72.55, -37.68, 26.97

 

CMYK 42 / 0 / 39 / 31

HEX #66B16C

RGB 102 177 108

HSL 124.8, 0.32%, 0.55%

LAB 66.02, -37.91, 28.2

 

CMYK 47 / 0 / 44 / 38

HEX #559F59

RGB 85 159 89

HSL 123.24, 0.3%, 0.48%

LAB 59.39, -38.09, 29.51

 

CMYK 52 / 0 / 50 / 45

HEX #448D46

RGB 68 141 70

HSL 121.64, 0.35%, 0.41%

LAB 52.64, -38.16, 30.88

 

CMYK 37 / 0 / 32 / 17

HEX #86D490

RGB 134 212 144

HSL 127.69, 0.48%, 0.68%

LAB 78.56, -37.93, 26.27

 

CMYK 32 / 0 / 37 / 17

HEX #91D486

RGB 145 212 134

HSL 111.54, 0.48%, 0.68%

LAB 78.94, -36.03, 32.04

 

CMYK 22 / 0 / 37 / 17

HEX #A6D486

RGB 166 212 134

HSL 95.38, 0.48%, 0.68%

LAB 80.13, -28.83, 33.83

 

CMYK 12 / 0 / 37 / 17

HEX #BBD486

RGB 187 212 134

HSL 79.23, 0.48%, 0.68%

LAB 81.5, -21.13, 35.87

 

CMYK 2 / 0 / 37 / 17

HEX #D0D486

RGB 208 212 134

HSL 63.08, 0.48%, 0.68%

LAB 83.03, -13.1, 38.15

 

CMYK 37 / 0 / 32 / 17

HEX #86D490

RGB 134 212 144

HSL 127.69, 0.48%, 0.68%

LAB 78.56, -37.93, 26.27

 

CMYK 37 / 0 / 22 / 17

HEX #86D4A5

RGB 134 212 165

HSL 143.85, 0.48%, 0.68%

LAB 78.97, -34.13, 15.79

 

CMYK 37 / 0 / 12 / 17

HEX #86D4BA

RGB 134 212 186

HSL 160, 0.48%, 0.68%

LAB 79.44, -29.84, 5.3

 

CMYK 37 / 0 / 2 / 17

HEX #86D4CF

RGB 134 212 207

HSL 176.15, 0.48%, 0.68%

LAB 79.99, -25.09, -5.13

 

CMYK 37 / 8 / 0 / 17

HEX #86C4D4

RGB 134 196 212

HSL 192.31, 0.48%, 0.68%

LAB 75.64, -15.81, -14.3

 

CMYK 37 / 0 / 32 / 17

HEX #86D490

RGB 134 212 144

HSL 127.69, 0.48%, 0.68%

LAB 78.56, -37.93, 26.27

 

CMYK 46 / 0 / 40 / 12

HEX #79E186

RGB 121 225 134

HSL 127.5, 0.63%, 0.68%

LAB 81.64, -48.96, 35.37

 

CMYK 55 / 0 / 48 / 7

HEX #6BEE7C

RGB 107 238 124

HSL 127.79, 0.79%, 0.68%

LAB 84.86, -59.18, 44.28

 

CMYK 63 / 0 / 54 / 1

HEX #5EFC73

RGB 94 252 115

HSL 127.97, 0.96%, 0.68%

LAB 88.56, -68.29, 52.92

 

CMYK 37 / 0 / 32 / 17

HEX #86D490

RGB 134 212 144

HSL 127.69, 0.48%, 0.68%

LAB 78.56, -37.93, 26.27

 

CMYK 26 / 0 / 23 / 22

HEX #93C79A

RGB 147 199 154

HSL 128.08, 0.32%, 0.68%

LAB 75.69, -25.94, 17.17

 

CMYK 14 / 0 / 12 / 27

HEX #A0BAA3

RGB 160 186 163

HSL 126.92, 0.16%, 0.68%

LAB 73.05, -13.34, 8.7

 

CMYK 0 / 1 / 0 / 32

HEX #ADACAD

RGB 173 172 173

HSL 300, 0.01%, 0.68%

LAB 70.46, 0.55, -0.4

 

CMYK 0 / 15 / 2 / 27

HEX #BB9FB7

RGB 187 159 183

HSL 308.57, 0.17%, 0.68%

LAB 68.59, 14.52, -8.56

 

CMYK 22 / 0 / 37 / 17

HEX #A6D486

RGB 166 212 134

HSL 95.38, 0.48%, 0.68%

LAB 80.13, -28.83, 33.83

 

CMYK 32 / 0 / 37 / 17

HEX #91D486

RGB 145 212 134

HSL 111.54, 0.48%, 0.68%

LAB 78.94, -36.03, 32.04

 

CMYK 37 / 0 / 33 / 17

HEX #86D48F

RGB 134 212 143

HSL 126.92, 0.48%, 0.68%

LAB 78.54, -38.1, 26.77

 

CMYK 37 / 0 / 23 / 17

HEX #86D4A4

RGB 134 212 164

HSL 143.08, 0.48%, 0.68%

LAB 78.95, -34.32, 16.29

 

CMYK 37 / 0 / 13 / 17

HEX #86D4B9

RGB 134 212 185

HSL 159.23, 0.48%, 0.68%

LAB 79.42, -30.05, 5.79

 

CMYK 62 / 0 / 54 / 25

HEX #49BF58

RGB 73 191 88

HSL 127.63, 0.48%, 0.52%

LAB 69.03, -54.29, 41.91

 

CMYK 49 / 0 / 42 / 21

HEX #67C974

RGB 103 201 116

HSL 127.96, 0.48%, 0.6%

LAB 73.49, -46.71, 33.78

 

CMYK 37 / 0 / 32 / 17

HEX #86D490

RGB 134 212 144

HSL 127.69, 0.48%, 0.68%

LAB 78.56, -37.93, 26.27

 

CMYK 26 / 0 / 23 / 13

HEX #A4DFAC

RGB 164 223 172

HSL 128.14, 0.48%, 0.76%

LAB 83.78, -28.78, 19.06

 

CMYK 17 / 0 / 15 / 8

HEX #C3EAC8

RGB 195 234 200

HSL 127.69, 0.48%, 0.84%

LAB 89.21, -19.05, 12.35

 

CMYK 36 / 0 / 31 / 16

HEX #88D592

RGB 136 213 146

HSL 127.79, 0.48%, 0.68%

LAB 78.98, -37.43, 25.82

 

CMYK 37 / 12 / 0 / 17

HEX #86BBD4

RGB 134 187 212

HSL 199.23, 0.48%, 0.68%

LAB 73.13, -11.1, -18.08

 

CMYK 0 / 37 / 26 / 17

HEX #D4869C

RGB 212 134 156

HSL 343.08, 0.48%, 0.68%

LAB 64.52, 32.78, 0.9

 

CMYK 36 / 0 / 31 / 16

HEX #88D592

RGB 136 213 146

HSL 127.79, 0.48%, 0.68%

LAB 78.98, -37.43, 25.82

 

CMYK 33 / 37 / 0 / 17

HEX #8F86D4

RGB 143 134 212

HSL 246.92, 0.48%, 0.68%

LAB 59.57, 21.17, -38.93

 

CMYK 0 / 33 / 37 / 17

HEX #D48F86

RGB 212 143 134

HSL 6.92, 0.48%, 0.68%

LAB 66.03, 25.06, 15.46

 

CMYK 36 / 0 / 31 / 16

HEX #88D592

RGB 136 213 146

HSL 127.79, 0.48%, 0.68%

LAB 78.98, -37.43, 25.82

 

CMYK 37 / 12 / 0 / 17

HEX #86BBD4

RGB 134 187 212

HSL 199.23, 0.48%, 0.68%

LAB 73.13, -11.1, -18.08

 

CMYK 0 / 37 / 4 / 17

HEX #D486CB

RGB 212 134 203

HSL 306.92, 0.48%, 0.68%

LAB 66.03, 40.29, -23.34

 

CMYK 0 / 25 / 37 / 17

HEX #D49F86

RGB 212 159 134

HSL 19.23, 0.48%, 0.68%

LAB 69.83, 16.38, 20.71

 

CMYK 36 / 0 / 31 / 16

HEX #88D592

RGB 136 213 146

HSL 127.79, 0.48%, 0.68%

LAB 78.98, -37.43, 25.82

 

CMYK 37 / 23 / 0 / 17

HEX #86A4D4

RGB 134 164 212

HSL 216.92, 0.48%, 0.68%

LAB 66.8, 1.44, -27.74

 

CMYK 0 / 37 / 4 / 17

HEX #D486CB

RGB 212 134 203

HSL 306.92, 0.48%, 0.68%

LAB 66.03, 40.29, -23.34

 

CMYK 0 / 14 / 37 / 17

HEX #D4B686

RGB 212 182 134

HSL 36.92, 0.48%, 0.68%

LAB 75.56, 4.02, 28.44

 

Description

Color code: RGB 136 213 146 | qconv.com Color code: RGB 136 213 146 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 213 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 213 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 31 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 31% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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