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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 20 210 it is the complementary color RGB 119 235 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 20 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 20 210 shade: RGB 141 20 205, RGB 158 38 224, RGB 175 56 243, RGB 192 74 255 and RGB 209 92 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 20 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 20 210 shade: RGB 136 20 210, RGB 119 2 191, RGB 102 0 172, RGB 85 0 153 and RGB 68 0 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 20 210 shade: RGB 136 20 210, RGB 187 20 210, RGB 210 20 181, RGB 210 20 130 and RGB 210 20 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 20 210 shade: RGB 136 20 210, RGB 84 20 210, RGB 33 20 210 and RGB 20 20 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 20 210 shade matches the following richer shades: RGB 136 20 210 and RGB 140 1 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 20 210 shade: RGB 136 20 210, RGB 132 38 191, RGB 128 57 173, RGB 123 75 154 and RGB 119 94 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 20 210 shade: RGB 32 20 210, RGB 83 20 210, RGB 134 20 210, RGB 185 20 210 and RGB 210 20 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 20 210 shade: RGB 87 12 134, RGB 111 16 172, RGB 136 20 210, RGB 157 36 235 and RGB 174 74 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 20 210 shade: RGB 136 20 210, RGB 210 20 58 and RGB 20 210 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 20 210 shade: RGB 136 20 210, RGB 210 134 20 and RGB 20 210 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 20 210 shade: RGB 136 20 210, RGB 210 20 58, RGB 96 210 20 and RGB 20 210 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 20 210 shade: RGB 136 20 210, RGB 210 39 20, RGB 96 210 20 and RGB 20 191 210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 90 / 0 / 18

HEX #8814D2

RGB 136 20 210

HSL 276.63, 0.83%, 0.45%

LAB 38.53, 72.12, -71.59

 

Complementary color

CMYK 49 / 0 / 81 / 8

HEX #77EB2D

RGB 119 235 45

HSL 96.63, 0.83%, 0.55%

LAB 83.72, -62.16, 74.08

 

CMYK 31 / 90 / 0 / 20

HEX #8D14CD

RGB 141 20 205

HSL 279.24, 0.82%, 0.44%

LAB 38.85, 71.76, -68.14

 

CMYK 29 / 83 / 0 / 12

HEX #9E26E0

RGB 158 38 224

HSL 278.71, 0.75%, 0.51%

LAB 44.29, 73.82, -70.09

 

CMYK 28 / 77 / 0 / 5

HEX #AF38F3

RGB 175 56 243

HSL 278.18, 0.89%, 0.59%

LAB 49.99, 74.85, -71.44

 

CMYK 25 / 71 / 0 / 0

HEX #C04AFF

RGB 192 74 255

HSL 279.12, 1%, 0.65%

LAB 55.4, 73.77, -69.25

 

CMYK 18 / 64 / 0 / 0

HEX #D15CFF

RGB 209 92 255

HSL 283.07, 1%, 0.68%

LAB 60.27, 69.88, -61.3

 

CMYK 35 / 90 / 0 / 18

HEX #8814D2

RGB 136 20 210

HSL 276.63, 0.83%, 0.45%

LAB 38.53, 72.12, -71.59

 

CMYK 38 / 99 / 0 / 25

HEX #7702BF

RGB 119 2 191

HSL 277.14, 0.98%, 0.38%

LAB 33.41, 68.93, -69

 

CMYK 41 / 100 / 0 / 33

HEX #6600AC

RGB 102 0 172

HSL 275.58, 1%, 0.34%

LAB 28.91, 63.54, -65.17

 

CMYK 44 / 100 / 0 / 40

HEX #550099

RGB 85 0 153

HSL 273.33, 1%, 0.3%

LAB 24.42, 57.78, -61.1

 

CMYK 49 / 100 / 0 / 47

HEX #440086

RGB 68 0 134

HSL 270.45, 1%, 0.26%

LAB 19.84, 51.91, -56.92

 

CMYK 35 / 90 / 0 / 18

HEX #8814D2

RGB 136 20 210

HSL 276.63, 0.83%, 0.45%

LAB 38.53, 72.12, -71.59

 

CMYK 11 / 90 / 0 / 18

HEX #BB14D2

RGB 187 20 210

HSL 292.74, 0.83%, 0.45%

LAB 46.6, 79.36, -58.1

 

CMYK 0 / 90 / 14 / 18

HEX #D214B5

RGB 210 20 181

HSL 309.16, 0.83%, 0.45%

LAB 48.93, 79.08, -37.3

 

CMYK 0 / 90 / 38 / 18

HEX #D21482

RGB 210 20 130

HSL 325.26, 0.83%, 0.45%

LAB 46.73, 73.26, -10.17

 

CMYK 0 / 90 / 62 / 18

HEX #D2144F

RGB 210 20 79

HSL 341.37, 0.83%, 0.45%

LAB 45.31, 69.36, 19.38

 

CMYK 35 / 90 / 0 / 18

HEX #8814D2

RGB 136 20 210

HSL 276.63, 0.83%, 0.45%

LAB 38.53, 72.12, -71.59

 

CMYK 60 / 90 / 0 / 18

HEX #5414D2

RGB 84 20 210

HSL 260.21, 0.83%, 0.45%

LAB 31.89, 66.96, -82.76

 

CMYK 84 / 90 / 0 / 18

HEX #2114D2

RGB 33 20 210

HSL 244.11, 0.83%, 0.45%

LAB 28.05, 64.46, -89.26

 

CMYK 90 / 90 / 0 / 18

HEX #1414D2

RGB 20 20 210

HSL 240, 0.83%, 0.45%

LAB 27.58, 64.18, -90.06

 

CMYK 35 / 90 / 0 / 18

HEX #8814D2

RGB 136 20 210

HSL 276.63, 0.83%, 0.45%

LAB 38.53, 72.12, -71.59

 

CMYK 39 / 100 / 0 / 10

HEX #8C01E5

RGB 140 1 229

HSL 276.58, 0.99%, 0.45%

LAB 40.01, 78.82, -80.06

 

CMYK 35 / 90 / 0 / 18

HEX #8814D2

RGB 136 20 210

HSL 276.63, 0.83%, 0.45%

LAB 38.53, 72.12, -71.59

 

CMYK 31 / 80 / 0 / 25

HEX #8426BF

RGB 132 38 191

HSL 276.86, 0.67%, 0.45%

LAB 37.94, 62.97, -61.51

 

CMYK 26 / 67 / 0 / 32

HEX #8039AD

RGB 128 57 173

HSL 276.72, 0.5%, 0.45%

LAB 38.78, 50.51, -49.53

 

CMYK 20 / 51 / 0 / 40

HEX #7B4B9A

RGB 123 75 154

HSL 276.46, 0.34%, 0.45%

LAB 40.53, 35.34, -35.41

 

CMYK 13 / 31 / 0 / 47

HEX #775E88

RGB 119 94 136

HSL 275.71, 0.18%, 0.45%

LAB 43.81, 18.6, -19.5

 

CMYK 85 / 90 / 0 / 18

HEX #2014D2

RGB 32 20 210

HSL 243.79, 0.83%, 0.45%

LAB 28.01, 64.43, -89.33

 

CMYK 60 / 90 / 0 / 18

HEX #5314D2

RGB 83 20 210

HSL 259.89, 0.83%, 0.45%

LAB 31.79, 66.89, -82.93

 

CMYK 36 / 90 / 0 / 18

HEX #8614D2

RGB 134 20 210

HSL 276, 0.83%, 0.45%

LAB 38.24, 71.88, -72.08

 

CMYK 12 / 90 / 0 / 18

HEX #B914D2

RGB 185 20 210

HSL 292.11, 0.83%, 0.45%

LAB 46.27, 79.04, -58.66

 

CMYK 0 / 90 / 12 / 18

HEX #D214B9

RGB 210 20 185

HSL 307.89, 0.83%, 0.45%

LAB 49.14, 79.61, -39.32

 

CMYK 35 / 91 / 0 / 47

HEX #570C86

RGB 87 12 134

HSL 276.89, 0.84%, 0.29%

LAB 23.71, 51.26, -50.46

 

CMYK 35 / 91 / 0 / 33

HEX #6F10AC

RGB 111 16 172

HSL 276.54, 0.83%, 0.37%

LAB 31.18, 61.86, -61.39

 

CMYK 35 / 90 / 0 / 18

HEX #8814D2

RGB 136 20 210

HSL 276.63, 0.83%, 0.45%

LAB 38.53, 72.12, -71.59

 

CMYK 33 / 85 / 0 / 8

HEX #9D24EB

RGB 157 36 235

HSL 276.48, 0.83%, 0.53%

LAB 44.84, 76.4, -75.44

 

CMYK 27 / 69 / 0 / 7

HEX #AE4AEE

RGB 174 74 238

HSL 276.59, 0.83%, 0.61%

LAB 51.92, 66.79, -65.53

 

CMYK 35 / 90 / 0 / 18

HEX #8814D2

RGB 136 20 210

HSL 276.63, 0.83%, 0.45%

LAB 38.53, 72.12, -71.59

 

CMYK 0 / 90 / 72 / 18

HEX #D2143A

RGB 210 20 58

HSL 348, 0.83%, 0.45%

LAB 44.95, 68.35, 31.84

 

CMYK 90 / 0 / 72 / 18

HEX #14D23A

RGB 20 210 58

HSL 132, 0.83%, 0.45%

LAB 73.9, -71.03, 59.87

 

CMYK 35 / 90 / 0 / 18

HEX #8814D2

RGB 136 20 210

HSL 276.63, 0.83%, 0.45%

LAB 38.53, 72.12, -71.59

 

CMYK 0 / 36 / 90 / 18

HEX #D28614

RGB 210 134 20

HSL 36, 0.83%, 0.45%

LAB 62.34, 21.49, 64.66

 

CMYK 90 / 0 / 36 / 18

HEX #14D286

RGB 20 210 134

HSL 156, 0.83%, 0.45%

LAB 74.8, -60.13, 25.9

 

CMYK 35 / 90 / 0 / 18

HEX #8814D2

RGB 136 20 210

HSL 276.63, 0.83%, 0.45%

LAB 38.53, 72.12, -71.59

 

CMYK 0 / 90 / 72 / 18

HEX #D2143A

RGB 210 20 58

HSL 348, 0.83%, 0.45%

LAB 44.95, 68.35, 31.84

 

CMYK 54 / 0 / 90 / 18

HEX #60D214

RGB 96 210 20

HSL 96, 0.83%, 0.45%

LAB 75.22, -60.51, 71.56

 

CMYK 90 / 0 / 18 / 18

HEX #14D2AC

RGB 20 210 172

HSL 168, 0.83%, 0.45%

LAB 75.59, -51.41, 6.86

 

CMYK 35 / 90 / 0 / 18

HEX #8814D2

RGB 136 20 210

HSL 276.63, 0.83%, 0.45%

LAB 38.53, 72.12, -71.59

 

CMYK 0 / 81 / 90 / 18

HEX #D22714

RGB 210 39 20

HSL 6, 0.83%, 0.45%

LAB 45.91, 63.56, 52.68

 

CMYK 54 / 0 / 90 / 18

HEX #60D214

RGB 96 210 20

HSL 96, 0.83%, 0.45%

LAB 75.22, -60.51, 71.56

 

CMYK 90 / 9 / 0 / 18

HEX #14BFD2

RGB 20 191 210

HSL 186, 0.83%, 0.45%

LAB 70.91, -32.12, -20.67

 

Description

Color code: RGB 136 20 210 | qconv.com Color code: RGB 136 20 210 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 20 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 20 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 90 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 90% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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