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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 20 178 it is the complementary color RGB 119 235 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 20 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 20 178 shade: RGB 141 20 173, RGB 158 38 192, RGB 175 56 211, RGB 192 74 230 and RGB 209 92 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 20 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 20 178 shade: RGB 136 20 178, RGB 119 2 159, RGB 102 0 140, RGB 85 0 121 and RGB 68 0 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 20 178 shade: RGB 136 19 179, RGB 179 19 178, RGB 179 19 135, RGB 179 19 92 and RGB 179 19 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 20 178 shade: RGB 136 19 179, RGB 93 19 179, RGB 50 19 179 and RGB 19 19 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 20 178 shade matches the following richer shades: RGB 136 19 179 and RGB 144 3 195

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 20 178 shade: RGB 136 19 179, RGB 129 35 162, RGB 121 52 146, RGB 114 68 130 and RGB 106 84 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 20 178 shade: RGB 51 19 179, RGB 94 19 179, RGB 136 19 179, RGB 179 19 179 and RGB 179 19 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 20 178 shade: RGB 79 11 104, RGB 108 15 141, RGB 136 19 179, RGB 165 24 216 and RGB 183 49 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 20 178 shade: RGB 136 20 178, RGB 179 19 30 and RGB 19 179 72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 20 178 shade: RGB 136 20 178, RGB 179 136 19 and RGB 19 179 136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 20 178 shade: RGB 136 20 178, RGB 179 19 30, RGB 62 179 19 and RGB 19 179 168

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 20 178 shade: RGB 136 20 178, RGB 179 57 19, RGB 62 179 19 and RGB 19 141 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 89 / 0 / 30

HEX #8814B2

RGB 136 20 178

HSL 284.05, 0.8%, 0.39%

LAB 35.89, 65.8, -57.13

 

Complementary color

CMYK 49 / 0 / 67 / 8

HEX #77EB4D

RGB 119 235 77

HSL 104.05, 0.8%, 0.61%

LAB 83.9, -60.16, 63.89

 

CMYK 18 / 88 / 0 / 32

HEX #8D14AD

RGB 141 20 173

HSL 287.45, 0.79%, 0.38%

LAB 36.33, 65.65, -53.4

 

CMYK 18 / 80 / 0 / 25

HEX #9E26C0

RGB 158 38 192

HSL 286.75, 0.67%, 0.45%

LAB 41.94, 67.64, -55.42

 

CMYK 17 / 73 / 0 / 17

HEX #AF38D3

RGB 175 56 211

HSL 286.06, 0.64%, 0.52%

LAB 47.81, 68.58, -56.83

 

CMYK 17 / 68 / 0 / 10

HEX #C04AE6

RGB 192 74 230

HSL 285.38, 0.76%, 0.6%

LAB 53.83, 68.85, -57.82

 

CMYK 16 / 63 / 0 / 2

HEX #D15CF9

RGB 209 92 249

HSL 284.71, 0.93%, 0.67%

LAB 59.93, 68.71, -58.53

 

CMYK 24 / 89 / 0 / 30

HEX #8814B2

RGB 136 20 178

HSL 284.05, 0.8%, 0.39%

LAB 35.89, 65.8, -57.13

 

CMYK 25 / 99 / 0 / 38

HEX #77029F

RGB 119 2 159

HSL 284.71, 0.98%, 0.32%

LAB 30.57, 62.64, -54.49

 

CMYK 27 / 100 / 0 / 45

HEX #66008C

RGB 102 0 140

HSL 283.71, 1%, 0.27%

LAB 25.92, 57.03, -50.5

 

CMYK 30 / 100 / 0 / 53

HEX #550079

RGB 85 0 121

HSL 282.15, 1%, 0.24%

LAB 21.25, 50.97, -46.24

 

CMYK 33 / 100 / 0 / 60

HEX #440066

RGB 68 0 102

HSL 280, 1%, 0.2%

LAB 16.45, 44.73, -41.88

 

CMYK 24 / 89 / 0 / 30

HEX #8813B3

RGB 136 19 179

HSL 283.88, 0.81%, 0.39%

LAB 35.9, 66.19, -57.71

 

CMYK 0 / 89 / 1 / 30

HEX #B313B2

RGB 179 19 178

HSL 300.38, 0.81%, 0.39%

LAB 43.16, 73.12, -45.04

 

CMYK 0 / 89 / 25 / 30

HEX #B31387

RGB 179 19 135

HSL 316.5, 0.81%, 0.39%

LAB 40.89, 67.23, -22.68

 

CMYK 0 / 89 / 49 / 30

HEX #B3135C

RGB 179 19 92

HSL 332.63, 0.81%, 0.39%

LAB 39.28, 62.82, 1.82

 

CMYK 0 / 89 / 73 / 30

HEX #B31331

RGB 179 19 49

HSL 348.75, 0.81%, 0.39%

LAB 38.32, 60.12, 27.92

 

CMYK 24 / 89 / 0 / 30

HEX #8813B3

RGB 136 19 179

HSL 283.88, 0.81%, 0.39%

LAB 35.9, 66.19, -57.71

 

CMYK 48 / 89 / 0 / 30

HEX #5D13B3

RGB 93 19 179

HSL 267.75, 0.81%, 0.39%

LAB 29.53, 60.59, -68.39

 

CMYK 72 / 89 / 0 / 30

HEX #3213B3

RGB 50 19 179

HSL 251.63, 0.81%, 0.39%

LAB 24.95, 57.04, -76.12

 

CMYK 89 / 89 / 0 / 30

HEX #1313B3

RGB 19 19 179

HSL 240, 0.81%, 0.39%

LAB 23.2, 55.84, -79.08

 

CMYK 24 / 89 / 0 / 30

HEX #8813B3

RGB 136 19 179

HSL 283.88, 0.81%, 0.39%

LAB 35.9, 66.19, -57.71

 

CMYK 26 / 98 / 0 / 24

HEX #9003C3

RGB 144 3 195

HSL 284.06, 0.97%, 0.39%

LAB 37.72, 72.53, -64.12

 

CMYK 24 / 89 / 0 / 30

HEX #8813B3

RGB 136 19 179

HSL 283.88, 0.81%, 0.39%

LAB 35.9, 66.19, -57.71

 

CMYK 20 / 78 / 0 / 36

HEX #8123A2

RGB 129 35 162

HSL 284.41, 0.64%, 0.39%

LAB 34.96, 57.43, -49.1

 

CMYK 17 / 64 / 0 / 43

HEX #793492

RGB 121 52 146

HSL 284.04, 0.47%, 0.39%

LAB 35.2, 45.27, -39.07

 

CMYK 12 / 48 / 0 / 49

HEX #724482

RGB 114 68 130

HSL 284.52, 0.31%, 0.39%

LAB 36.6, 31.13, -27.08

 

CMYK 7 / 26 / 0 / 55

HEX #6A5472

RGB 106 84 114

HSL 284, 0.15%, 0.39%

LAB 38.93, 15.11, -13.67

 

CMYK 72 / 89 / 0 / 30

HEX #3313B3

RGB 51 19 179

HSL 252, 0.81%, 0.39%

LAB 25.03, 57.1, -75.99

 

CMYK 47 / 89 / 0 / 30

HEX #5E13B3

RGB 94 19 179

HSL 268.13, 0.81%, 0.39%

LAB 29.66, 60.69, -68.16

 

CMYK 24 / 89 / 0 / 30

HEX #8813B3

RGB 136 19 179

HSL 283.88, 0.81%, 0.39%

LAB 35.9, 66.19, -57.71

 

CMYK 0 / 89 / 0 / 30

HEX #B313B3

RGB 179 19 179

HSL 300, 0.81%, 0.39%

LAB 43.22, 73.27, -45.53

 

CMYK 0 / 89 / 24 / 30

HEX #B31388

RGB 179 19 136

HSL 316.13, 0.81%, 0.39%

LAB 40.94, 67.35, -23.22

 

CMYK 24 / 89 / 0 / 59

HEX #4F0B68

RGB 79 11 104

HSL 283.87, 0.81%, 0.23%

LAB 19.64, 43.7, -37.9

 

CMYK 23 / 89 / 0 / 45

HEX #6C0F8D

RGB 108 15 141

HSL 284.29, 0.81%, 0.31%

LAB 27.99, 55.26, -47.7

 

CMYK 24 / 89 / 0 / 30

HEX #8813B3

RGB 136 19 179

HSL 283.88, 0.81%, 0.39%

LAB 35.9, 66.19, -57.71

 

CMYK 24 / 89 / 0 / 15

HEX #A518D8

RGB 165 24 216

HSL 284.06, 0.8%, 0.47%

LAB 43.67, 76.44, -66.47

 

CMYK 21 / 79 / 0 / 9

HEX #B731E8

RGB 183 49 232

HSL 283.93, 0.8%, 0.55%

LAB 49.61, 76.26, -65.83

 

CMYK 24 / 89 / 0 / 30

HEX #8814B2

RGB 136 20 178

HSL 284.05, 0.8%, 0.39%

LAB 35.89, 65.8, -57.13

 

CMYK 0 / 89 / 83 / 30

HEX #B3131E

RGB 179 19 30

HSL 355.88, 0.81%, 0.39%

LAB 38.1, 59.47, 38.95

 

CMYK 89 / 0 / 60 / 30

HEX #13B348

RGB 19 179 72

HSL 139.88, 0.81%, 0.39%

LAB 64.04, -60.22, 43.33

 

CMYK 24 / 89 / 0 / 30

HEX #8814B2

RGB 136 20 178

HSL 284.05, 0.8%, 0.39%

LAB 35.89, 65.8, -57.13

 

CMYK 0 / 24 / 89 / 30

HEX #B38813

RGB 179 136 19

HSL 43.88, 0.81%, 0.39%

LAB 59.19, 6.63, 60.89

 

CMYK 89 / 0 / 24 / 30

HEX #13B388

RGB 19 179 136

HSL 163.88, 0.81%, 0.39%

LAB 65.09, -48.04, 11.44

 

CMYK 24 / 89 / 0 / 30

HEX #8814B2

RGB 136 20 178

HSL 284.05, 0.8%, 0.39%

LAB 35.89, 65.8, -57.13

 

CMYK 0 / 89 / 83 / 30

HEX #B3131E

RGB 179 19 30

HSL 355.88, 0.81%, 0.39%

LAB 38.1, 59.47, 38.95

 

CMYK 65 / 0 / 89 / 30

HEX #3EB313

RGB 62 179 19

HSL 103.88, 0.81%, 0.39%

LAB 64.41, -58.29, 62.18

 

CMYK 89 / 0 / 6 / 30

HEX #13B3A8

RGB 19 179 168

HSL 175.88, 0.81%, 0.39%

LAB 65.91, -39.43, -5.06

 

CMYK 24 / 89 / 0 / 30

HEX #8814B2

RGB 136 20 178

HSL 284.05, 0.8%, 0.39%

LAB 35.89, 65.8, -57.13

 

CMYK 0 / 68 / 89 / 30

HEX #B33913

RGB 179 57 19

HSL 14.25, 0.81%, 0.39%

LAB 42.09, 47.86, 47.59

 

CMYK 65 / 0 / 89 / 30

HEX #3EB313

RGB 62 179 19

HSL 103.88, 0.81%, 0.39%

LAB 64.41, -58.29, 62.18

 

CMYK 89 / 21 / 0 / 30

HEX #138DB3

RGB 19 141 179

HSL 194.25, 0.81%, 0.39%

LAB 54.49, -17.09, -28.57

 

Description

Color code: RGB 136 20 178 | qconv.com Color code: RGB 136 20 178 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 20 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 20 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 89 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 89% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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