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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 202 103 it is the complementary color RGB 119 53 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 202 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 202 103 shade: RGB 141 202 98, RGB 158 220 117, RGB 175 238 136, RGB 192 255 155 and RGB 209 255 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 202 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 202 103 shade: RGB 136 202 103, RGB 119 184 84, RGB 102 166 65, RGB 85 148 46 and RGB 68 130 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 202 103 shade: RGB 137 202 104, RGB 163 202 104, RGB 189 202 104, RGB 202 188 104 and RGB 202 162 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 202 103 shade: RGB 137 202 104, RGB 110 202 104, RGB 104 202 124, RGB 104 202 151 and RGB 104 202 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 202 103 shade matches the following richer shades: RGB 137 202 104, RGB 131 218 88, RGB 126 235 71 and RGB 120 251 55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 202 103 shade: RGB 137 202 104, RGB 142 185 121, RGB 148 169 137, RGB 153 152 154 and RGB 159 136 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 202 103 shade: RGB 189 202 104, RGB 163 202 104, RGB 137 202 104, RGB 111 202 104 and RGB 104 202 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 202 103 shade: RGB 94 165 58, RGB 113 191 74, RGB 137 202 104, RGB 161 213 135 and RGB 185 223 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 202 103 shade: RGB 136 202 103, RGB 104 202 189 and RGB 202 104 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 202 103 shade: RGB 136 202 103, RGB 104 137 202 and RGB 202 104 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 202 103 shade: RGB 136 202 103, RGB 104 202 189, RGB 169 104 202 and RGB 202 104 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 202 103 shade: RGB 136 202 103, RGB 104 186 202, RGB 169 104 202 and RGB 202 120 104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 49 / 21

HEX #88CA67

RGB 136 202 103

HSL 100, 0.48%, 0.6%

LAB 75.11, -38.75, 42.63

 

Complementary color

CMYK 22 / 65 / 0 / 40

HEX #773598

RGB 119 53 152

HSL 280, 0.48%, 0.4%

LAB 35.47, 45.61, -42.3

 

CMYK 30 / 0 / 51 / 21

HEX #8DCA62

RGB 141 202 98

HSL 95.19, 0.5%, 0.59%

LAB 75.32, -37.6, 45.36

 

CMYK 28 / 0 / 47 / 14

HEX #9EDC75

RGB 158 220 117

HSL 96.12, 0.6%, 0.66%

LAB 81.7, -37.55, 44.2

 

CMYK 26 / 0 / 43 / 7

HEX #AFEE88

RGB 175 238 136

HSL 97.06, 0.75%, 0.73%

LAB 87.99, -37.47, 43.05

 

CMYK 25 / 0 / 39 / 0

HEX #C0FF9B

RGB 192 255 155

HSL 97.8, 1%, 0.8%

LAB 93.92, -36.9, 41.56

 

CMYK 18 / 0 / 32 / 0

HEX #D1FFAE

RGB 209 255 174

HSL 94.07, 1%, 0.84%

LAB 95.22, -28.5, 34.05

 

CMYK 33 / 0 / 49 / 21

HEX #88CA67

RGB 136 202 103

HSL 100, 0.48%, 0.6%

LAB 75.11, -38.75, 42.63

 

CMYK 35 / 0 / 54 / 28

HEX #77B854

RGB 119 184 84

HSL 99, 0.41%, 0.53%

LAB 68.64, -38.8, 43.8

 

CMYK 39 / 0 / 61 / 35

HEX #66A641

RGB 102 166 65

HSL 98.02, 0.44%, 0.45%

LAB 62.07, -38.75, 44.89

 

CMYK 43 / 0 / 69 / 42

HEX #55942E

RGB 85 148 46

HSL 97.06, 0.53%, 0.38%

LAB 55.39, -38.54, 45.72

 

CMYK 48 / 0 / 79 / 49

HEX #44821B

RGB 68 130 27

HSL 96.12, 0.66%, 0.31%

LAB 48.6, -38.06, 45.94

 

CMYK 32 / 0 / 49 / 21

HEX #89CA68

RGB 137 202 104

HSL 99.8, 0.48%, 0.6%

LAB 75.18, -38.29, 42.23

 

CMYK 19 / 0 / 49 / 21

HEX #A3CA68

RGB 163 202 104

HSL 83.88, 0.48%, 0.6%

LAB 76.7, -28.88, 44.44

 

CMYK 6 / 0 / 49 / 21

HEX #BDCA68

RGB 189 202 104

HSL 67.96, 0.48%, 0.6%

LAB 78.5, -18.76, 47.04

 

CMYK 0 / 7 / 49 / 21

HEX #CABC68

RGB 202 188 104

HSL 51.43, 0.48%, 0.6%

LAB 75.78, -6.35, 43.99

 

CMYK 0 / 20 / 49 / 21

HEX #CAA268

RGB 202 162 104

HSL 35.51, 0.48%, 0.6%

LAB 69.04, 7.45, 35.64

 

CMYK 32 / 0 / 49 / 21

HEX #89CA68

RGB 137 202 104

HSL 99.8, 0.48%, 0.6%

LAB 75.18, -38.29, 42.23

 

CMYK 46 / 0 / 49 / 21

HEX #6ECA68

RGB 110 202 104

HSL 116.33, 0.48%, 0.6%

LAB 73.9, -46.9, 40.38

 

CMYK 49 / 0 / 39 / 21

HEX #68CA7C

RGB 104 202 124

HSL 132.24, 0.48%, 0.6%

LAB 73.96, -45.56, 30.29

 

CMYK 49 / 0 / 25 / 21

HEX #68CA97

RGB 104 202 151

HSL 148.78, 0.48%, 0.6%

LAB 74.46, -40.57, 16.74

 

CMYK 49 / 0 / 12 / 21

HEX #68CAB1

RGB 104 202 177

HSL 164.69, 0.48%, 0.6%

LAB 75.05, -34.88, 3.62

 

CMYK 32 / 0 / 49 / 21

HEX #89CA68

RGB 137 202 104

HSL 99.8, 0.48%, 0.6%

LAB 75.18, -38.29, 42.23

 

CMYK 40 / 0 / 60 / 15

HEX #83DA58

RGB 131 218 88

HSL 100.15, 0.64%, 0.6%

LAB 79.43, -48.92, 54.62

 

CMYK 46 / 0 / 70 / 8

HEX #7EEB47

RGB 126 235 71

HSL 99.88, 0.8%, 0.6%

LAB 84.13, -58.61, 66.45

 

CMYK 52 / 0 / 78 / 2

HEX #78FB37

RGB 120 251 55

HSL 100.1, 0.96%, 0.6%

LAB 88.57, -67.11, 75.89

 

CMYK 32 / 0 / 49 / 21

HEX #89CA68

RGB 137 202 104

HSL 99.8, 0.48%, 0.6%

LAB 75.18, -38.29, 42.23

 

CMYK 23 / 0 / 35 / 27

HEX #8EB979

RGB 142 185 121

HSL 100.31, 0.31%, 0.6%

LAB 70.75, -26.26, 27.96

 

CMYK 12 / 0 / 19 / 34

HEX #94A989

RGB 148 169 137

HSL 99.38, 0.16%, 0.6%

LAB 66.88, -13.39, 14.11

 

CMYK 1 / 1 / 0 / 40

HEX #99989A

RGB 153 152 154

HSL 270, 0.01%, 0.6%

LAB 62.98, 0.75, -0.93

 

CMYK 6 / 20 / 0 / 33

HEX #9F88AA

RGB 159 136 170

HSL 280.59, 0.17%, 0.6%

LAB 59.78, 15.14, -14.71

 

CMYK 6 / 0 / 49 / 21

HEX #BDCA68

RGB 189 202 104

HSL 67.96, 0.48%, 0.6%

LAB 78.5, -18.76, 47.04

 

CMYK 19 / 0 / 49 / 21

HEX #A3CA68

RGB 163 202 104

HSL 83.88, 0.48%, 0.6%

LAB 76.7, -28.88, 44.44

 

CMYK 32 / 0 / 49 / 21

HEX #89CA68

RGB 137 202 104

HSL 99.8, 0.48%, 0.6%

LAB 75.18, -38.29, 42.23

 

CMYK 45 / 0 / 49 / 21

HEX #6FCA68

RGB 111 202 104

HSL 115.71, 0.48%, 0.6%

LAB 73.95, -46.61, 40.44

 

CMYK 49 / 0 / 39 / 21

HEX #68CA7C

RGB 104 202 124

HSL 132.24, 0.48%, 0.6%

LAB 73.96, -45.56, 30.29

 

CMYK 43 / 0 / 65 / 35

HEX #5EA53A

RGB 94 165 58

HSL 99.81, 0.48%, 0.44%

LAB 61.3, -41.7, 47.06

 

CMYK 41 / 0 / 61 / 25

HEX #71BF4A

RGB 113 191 74

HSL 100, 0.48%, 0.52%

LAB 70.36, -44.88, 50.32

 

CMYK 32 / 0 / 49 / 21

HEX #89CA68

RGB 137 202 104

HSL 99.8, 0.48%, 0.6%

LAB 75.18, -38.29, 42.23

 

CMYK 24 / 0 / 37 / 16

HEX #A1D587

RGB 161 213 135

HSL 100, 0.48%, 0.68%

LAB 80.13, -30.92, 33.26

 

CMYK 17 / 0 / 26 / 13

HEX #B9DFA5

RGB 185 223 165

HSL 99.31, 0.48%, 0.76%

LAB 84.9, -22.88, 24.44

 

CMYK 33 / 0 / 49 / 21

HEX #88CA67

RGB 136 202 103

HSL 100, 0.48%, 0.6%

LAB 75.11, -38.75, 42.63

 

CMYK 49 / 0 / 6 / 21

HEX #68CABD

RGB 104 202 189

HSL 172.04, 0.48%, 0.6%

LAB 75.36, -31.99, -2.41

 

CMYK 0 / 49 / 13 / 21

HEX #CA68B0

RGB 202 104 176

HSL 315.92, 0.48%, 0.6%

LAB 57.65, 48.11, -20.95

 

CMYK 33 / 0 / 49 / 21

HEX #88CA67

RGB 136 202 103

HSL 100, 0.48%, 0.6%

LAB 75.11, -38.75, 42.63

 

CMYK 49 / 32 / 0 / 21

HEX #6889CA

RGB 104 137 202

HSL 219.8, 0.48%, 0.6%

LAB 57.17, 6.31, -37.25

 

CMYK 0 / 49 / 32 / 21

HEX #CA6889

RGB 202 104 137

HSL 339.8, 0.48%, 0.6%

LAB 56.35, 42.46, -0.23

 

CMYK 33 / 0 / 49 / 21

HEX #88CA67

RGB 136 202 103

HSL 100, 0.48%, 0.6%

LAB 75.11, -38.75, 42.63

 

CMYK 49 / 0 / 6 / 21

HEX #68CABD

RGB 104 202 189

HSL 172.04, 0.48%, 0.6%

LAB 75.36, -31.99, -2.41

 

CMYK 16 / 49 / 0 / 21

HEX #A968CA

RGB 169 104 202

HSL 279.8, 0.48%, 0.6%

LAB 54.66, 43.18, -40.82

 

CMYK 0 / 49 / 42 / 21

HEX #CA6875

RGB 202 104 117

HSL 352.04, 0.48%, 0.6%

LAB 55.83, 40.1, 10.73

 

CMYK 33 / 0 / 49 / 21

HEX #88CA67

RGB 136 202 103

HSL 100, 0.48%, 0.6%

LAB 75.11, -38.75, 42.63

 

CMYK 49 / 8 / 0 / 21

HEX #68BACA

RGB 104 186 202

HSL 189.8, 0.48%, 0.6%

LAB 71.09, -20.72, -15.84

 

CMYK 16 / 49 / 0 / 21

HEX #A968CA

RGB 169 104 202

HSL 279.8, 0.48%, 0.6%

LAB 54.66, 43.18, -40.82

 

CMYK 0 / 41 / 49 / 21

HEX #CA7868

RGB 202 120 104

HSL 9.8, 0.48%, 0.6%

LAB 58.96, 30.32, 22.54

 

Description

Color code: RGB 136 202 103 | qconv.com Color code: RGB 136 202 103 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 202 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 202 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 49 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 49% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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