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Color name
RGB 136 199 20

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 199 20 it is the complementary color RGB 119 56 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 199 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 199 20 shade: RGB 141 199 15, RGB 158 217 34, RGB 175 235 53, RGB 192 253 72 and RGB 209 255 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 199 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 199 20 shade: RGB 136 199 20, RGB 119 181 1, RGB 102 163 0, RGB 85 145 0 and RGB 68 127 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 199 20 shade: RGB 136 200 20, RGB 185 200 20, RGB 200 166 20, RGB 200 117 20 and RGB 200 69 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 199 20 shade: RGB 136 200 20, RGB 88 200 20, RGB 39 200 20, RGB 20 200 49 and RGB 20 200 97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 199 20 shade matches the following richer shades: RGB 136 200 20 and RGB 142 217 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 199 20 shade: RGB 136 200 20, RGB 131 182 37, RGB 126 164 55, RGB 121 146 73 and RGB 115 129 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 199 20 shade: RGB 200 167 20, RGB 185 200 20, RGB 137 200 20, RGB 89 200 20 and RGB 41 200 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 199 20 shade: RGB 85 124 12, RGB 111 162 16, RGB 136 200 20, RGB 161 233 28 and RGB 176 236 66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 199 20 shade: RGB 136 199 20, RGB 20 200 119 and RGB 191 20 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 199 20 shade: RGB 136 199 20, RGB 20 137 200 and RGB 200 20 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 199 20 shade: RGB 136 199 20, RGB 20 200 119, RGB 83 20 200 and RGB 200 20 101

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 199 20 shade: RGB 136 199 20, RGB 20 200 173, RGB 83 20 200 and RGB 200 20 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 90 / 22

HEX #88C714

RGB 136 199 20

HSL 81.12, 0.82%, 0.43%

LAB 73.63, -43.27, 70.95

 

Complementary color

CMYK 49 / 76 / 0 / 8

HEX #7738EB

RGB 119 56 235

HSL 261.12, 0.82%, 0.57%

LAB 42.38, 64.46, -79.66

 

CMYK 29 / 0 / 92 / 22

HEX #8DC70F

RGB 141 199 15

HSL 78.91, 0.86%, 0.42%

LAB 73.9, -41.49, 72.02

 

CMYK 27 / 0 / 84 / 15

HEX #9ED922

RGB 158 217 34

HSL 79.34, 0.73%, 0.49%

LAB 80.19, -42.41, 74.26

 

CMYK 26 / 0 / 77 / 8

HEX #AFEB35

RGB 175 235 53

HSL 79.78, 0.82%, 0.56%

LAB 86.4, -43.12, 75.33

 

CMYK 24 / 0 / 72 / 1

HEX #C0FD48

RGB 192 253 72

HSL 80.22, 0.98%, 0.64%

LAB 92.54, -43.67, 75.6

 

CMYK 18 / 0 / 64 / 0

HEX #D1FF5B

RGB 209 255 91

HSL 76.83, 1%, 0.68%

LAB 94.24, -37.06, 70.79

 

CMYK 32 / 0 / 90 / 22

HEX #88C714

RGB 136 199 20

HSL 81.12, 0.82%, 0.43%

LAB 73.63, -43.27, 70.95

 

CMYK 34 / 0 / 99 / 29

HEX #77B501

RGB 119 181 1

HSL 80.67, 0.99%, 0.36%

LAB 67.26, -42.23, 67.89

 

CMYK 37 / 0 / 100 / 36

HEX #66A300

RGB 102 163 0

HSL 82.45, 1%, 0.32%

LAB 60.8, -40.86, 62.64

 

CMYK 41 / 0 / 100 / 43

HEX #559100

RGB 85 145 0

HSL 84.83, 1%, 0.28%

LAB 54.22, -39.42, 57.17

 

CMYK 46 / 0 / 100 / 50

HEX #447F00

RGB 68 127 0

HSL 87.87, 1%, 0.25%

LAB 47.5, -37.9, 51.59

 

CMYK 32 / 0 / 90 / 22

HEX #88C814

RGB 136 200 20

HSL 81.33, 0.82%, 0.43%

LAB 73.93, -43.7, 71.2

 

CMYK 8 / 0 / 90 / 22

HEX #B9C814

RGB 185 200 20

HSL 65, 0.82%, 0.43%

LAB 77.09, -24.09, 75.06

 

CMYK 0 / 17 / 90 / 22

HEX #C8A614

RGB 200 166 20

HSL 48.67, 0.82%, 0.43%

LAB 69.19, -0.19, 69.41

 

CMYK 0 / 42 / 90 / 22

HEX #C87514

RGB 200 117 20

HSL 32.33, 0.82%, 0.43%

LAB 57.13, 26.39, 60.15

 

CMYK 0 / 66 / 90 / 22

HEX #C84514

RGB 200 69 20

HSL 16.33, 0.82%, 0.43%

LAB 47.73, 50.17, 53.13

 

CMYK 32 / 0 / 90 / 22

HEX #88C814

RGB 136 200 20

HSL 81.33, 0.82%, 0.43%

LAB 73.93, -43.7, 71.2

 

CMYK 56 / 0 / 90 / 22

HEX #58C814

RGB 88 200 20

HSL 97.33, 0.82%, 0.43%

LAB 71.85, -59.13, 68.62

 

CMYK 81 / 0 / 90 / 22

HEX #27C814

RGB 39 200 20

HSL 113.67, 0.82%, 0.43%

LAB 70.73, -68.62, 67.22

 

CMYK 90 / 0 / 76 / 22

HEX #14C831

RGB 20 200 49

HSL 129.67, 0.82%, 0.43%

LAB 70.65, -68.85, 59.71

 

CMYK 90 / 0 / 52 / 22

HEX #14C861

RGB 20 200 97

HSL 145.67, 0.82%, 0.43%

LAB 71.09, -63.36, 39.86

 

CMYK 32 / 0 / 90 / 22

HEX #88C814

RGB 136 200 20

HSL 81.33, 0.82%, 0.43%

LAB 73.93, -43.7, 71.2

 

CMYK 35 / 0 / 99 / 15

HEX #8ED902

RGB 142 217 2

HSL 80.93, 0.98%, 0.43%

LAB 79.26, -48.91, 77.6

 

CMYK 32 / 0 / 90 / 22

HEX #88C814

RGB 136 200 20

HSL 81.33, 0.82%, 0.43%

LAB 73.93, -43.7, 71.2

 

CMYK 28 / 0 / 80 / 29

HEX #83B625

RGB 131 182 37

HSL 81.1, 0.66%, 0.43%

LAB 68.33, -37.15, 62.42

 

CMYK 23 / 0 / 66 / 36

HEX #7EA437

RGB 126 164 55

HSL 80.92, 0.5%, 0.43%

LAB 62.73, -29.73, 50.4

 

CMYK 17 / 0 / 50 / 43

HEX #799249

RGB 121 146 73

HSL 80.55, 0.33%, 0.43%

LAB 57.18, -21.19, 35.55

 

CMYK 11 / 0 / 29 / 49

HEX #73815B

RGB 115 129 91

HSL 82.11, 0.17%, 0.43%

LAB 51.95, -12.24, 18.95

 

CMYK 0 / 17 / 90 / 22

HEX #C8A714

RGB 200 167 20

HSL 49, 0.82%, 0.43%

LAB 69.45, -0.72, 69.62

 

CMYK 8 / 0 / 90 / 22

HEX #B9C814

RGB 185 200 20

HSL 65, 0.82%, 0.43%

LAB 77.09, -24.09, 75.06

 

CMYK 32 / 0 / 90 / 22

HEX #89C814

RGB 137 200 20

HSL 81, 0.82%, 0.43%

LAB 73.98, -43.32, 71.26

 

CMYK 56 / 0 / 90 / 22

HEX #59C814

RGB 89 200 20

HSL 97, 0.82%, 0.43%

LAB 71.88, -58.87, 68.66

 

CMYK 80 / 0 / 90 / 22

HEX #29C814

RGB 41 200 20

HSL 113, 0.82%, 0.43%

LAB 70.75, -68.37, 67.26

 

CMYK 31 / 0 / 90 / 51

HEX #557C0C

RGB 85 124 12

HSL 80.89, 0.82%, 0.27%

LAB 47.46, -29.72, 49.5

 

CMYK 31 / 0 / 90 / 36

HEX #6FA210

RGB 111 162 16

HSL 80.96, 0.82%, 0.35%

LAB 61.01, -36.69, 60.65

 

CMYK 32 / 0 / 90 / 22

HEX #88C814

RGB 136 200 20

HSL 81.33, 0.82%, 0.43%

LAB 73.93, -43.7, 71.2

 

CMYK 31 / 0 / 88 / 9

HEX #A1E91C

RGB 161 233 28

HSL 81.07, 0.82%, 0.51%

LAB 84.97, -48.27, 79.53

 

CMYK 25 / 0 / 72 / 7

HEX #B0EC42

RGB 176 236 66

HSL 81.18, 0.82%, 0.59%

LAB 86.81, -42.54, 71.68

 

CMYK 32 / 0 / 90 / 22

HEX #88C714

RGB 136 199 20

HSL 81.12, 0.82%, 0.43%

LAB 73.63, -43.27, 70.95

 

CMYK 90 / 0 / 41 / 22

HEX #14C877

RGB 20 200 119

HSL 153, 0.82%, 0.43%

LAB 71.41, -59.55, 29.18

 

CMYK 5 / 90 / 0 / 22

HEX #BF14C8

RGB 191 20 200

HSL 297, 0.82%, 0.43%

LAB 46.64, 78.42, -52.23

 

CMYK 32 / 0 / 90 / 22

HEX #88C714

RGB 136 199 20

HSL 81.12, 0.82%, 0.43%

LAB 73.63, -43.27, 70.95

 

CMYK 90 / 32 / 0 / 22

HEX #1489C8

RGB 20 137 200

HSL 201, 0.82%, 0.43%

LAB 54.25, -7.1, -40.91

 

CMYK 0 / 90 / 32 / 22

HEX #C81489

RGB 200 20 137

HSL 321, 0.82%, 0.43%

LAB 45.06, 71.8, -17.15

 

CMYK 32 / 0 / 90 / 22

HEX #88C714

RGB 136 199 20

HSL 81.12, 0.82%, 0.43%

LAB 73.63, -43.27, 70.95

 

CMYK 90 / 0 / 41 / 22

HEX #14C877

RGB 20 200 119

HSL 153, 0.82%, 0.43%

LAB 71.41, -59.55, 29.18

 

CMYK 59 / 90 / 0 / 22

HEX #5314C8

RGB 83 20 200

HSL 261, 0.82%, 0.43%

LAB 30.66, 64.44, -78.97

 

CMYK 0 / 90 / 50 / 22

HEX #C81465

RGB 200 20 101

HSL 333, 0.82%, 0.43%

LAB 43.83, 68.43, 3.26

 

CMYK 32 / 0 / 90 / 22

HEX #88C714

RGB 136 199 20

HSL 81.12, 0.82%, 0.43%

LAB 73.63, -43.27, 70.95

 

CMYK 90 / 0 / 14 / 22

HEX #14C8AD

RGB 20 200 173

HSL 171, 0.82%, 0.43%

LAB 72.54, -47.05, 1.92

 

CMYK 59 / 90 / 0 / 22

HEX #5314C8

RGB 83 20 200

HSL 261, 0.82%, 0.43%

LAB 30.66, 64.44, -78.97

 

CMYK 0 / 90 / 77 / 22

HEX #C8142F

RGB 200 20 47

HSL 351, 0.82%, 0.43%

LAB 42.74, 65.37, 35.35

 

Description

Color code: RGB 136 199 20 | qconv.com Color code: RGB 136 199 20 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 199 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 199 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 90 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 90% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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