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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 192 146 it is the complementary color RGB 119 63 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 192 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 192 146 shade: RGB 141 192 141, RGB 158 210 160, RGB 175 228 179, RGB 192 246 198 and RGB 209 255 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 192 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 192 146 shade: RGB 136 192 146, RGB 119 174 127, RGB 102 156 108, RGB 85 138 89 and RGB 68 120 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 192 146 shade: RGB 134 191 144, RGB 139 191 134, RGB 155 191 134, RGB 170 191 134 and RGB 185 191 134

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 192 146 shade: RGB 134 191 144, RGB 134 191 160, RGB 134 191 175, RGB 134 191 190 and RGB 134 177 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 192 146 shade matches the following richer shades: RGB 134 191 144, RGB 119 206 135, RGB 105 221 125, RGB 90 236 116 and RGB 75 251 106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 192 146 shade: RGB 134 191 144, RGB 149 176 154, RGB 164 161 164, RGB 179 147 173 and RGB 194 132 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 192 146 shade: RGB 155 191 134, RGB 140 191 134, RGB 134 191 144, RGB 134 191 159 and RGB 134 191 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 192 146 shade: RGB 84 159 97, RGB 107 177 120, RGB 134 191 144, RGB 161 205 169 and RGB 188 220 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 192 146 shade: RGB 136 192 146, RGB 134 170 191 and RGB 191 134 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 192 146 shade: RGB 136 192 146, RGB 144 134 191 and RGB 191 144 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 192 146 shade: RGB 136 192 146, RGB 134 170 191, RGB 191 134 182 and RGB 191 155 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 192 146 shade: RGB 136 192 146, RGB 134 153 191, RGB 191 134 182 and RGB 191 172 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 24 / 25

HEX #88C092

RGB 136 192 146

HSL 130.71, 0.31%, 0.64%

LAB 72.9, -27.58, 17.48

 

Complementary color

CMYK 0 / 47 / 8 / 53

HEX #773F6D

RGB 119 63 109

HSL 310.71, 0.31%, 0.36%

LAB 35.16, 31.3, -16.18

 

CMYK 27 / 0 / 27 / 25

HEX #8DC08D

RGB 141 192 141

HSL 120, 0.29%, 0.65%

LAB 73.08, -26.81, 20.45

 

CMYK 25 / 0 / 24 / 18

HEX #9ED2A0

RGB 158 210 160

HSL 122.31, 0.37%, 0.72%

LAB 79.56, -26.59, 19.45

 

CMYK 23 / 0 / 21 / 11

HEX #AFE4B3

RGB 175 228 179

HSL 124.53, 0.5%, 0.79%

LAB 85.93, -26.39, 18.5

 

CMYK 22 / 0 / 20 / 4

HEX #C0F6C6

RGB 192 246 198

HSL 126.67, 0.75%, 0.86%

LAB 92.22, -26.2, 17.6

 

CMYK 18 / 0 / 15 / 0

HEX #D1FFD9

RGB 209 255 217

HSL 130.43, 1%, 0.91%

LAB 96.03, -21.73, 13.37

 

CMYK 29 / 0 / 24 / 25

HEX #88C092

RGB 136 192 146

HSL 130.71, 0.31%, 0.64%

LAB 72.9, -27.58, 17.48

 

CMYK 32 / 0 / 27 / 32

HEX #77AE7F

RGB 119 174 127

HSL 128.73, 0.25%, 0.57%

LAB 66.31, -27.84, 18.52

 

CMYK 35 / 0 / 31 / 39

HEX #669C6C

RGB 102 156 108

HSL 126.67, 0.21%, 0.51%

LAB 59.6, -28.11, 19.63

 

CMYK 38 / 0 / 36 / 46

HEX #558A59

RGB 85 138 89

HSL 124.53, 0.24%, 0.44%

LAB 52.76, -28.38, 20.84

 

CMYK 43 / 0 / 42 / 53

HEX #447846

RGB 68 120 70

HSL 122.31, 0.28%, 0.37%

LAB 45.78, -28.63, 22.15

 

CMYK 30 / 0 / 25 / 25

HEX #86BF90

RGB 134 191 144

HSL 130.53, 0.31%, 0.64%

LAB 72.46, -28.11, 17.93

 

CMYK 27 / 0 / 30 / 25

HEX #8BBF86

RGB 139 191 134

HSL 114.74, 0.31%, 0.64%

LAB 72.54, -28.18, 23.44

 

CMYK 19 / 0 / 30 / 25

HEX #9BBF86

RGB 155 191 134

HSL 97.89, 0.31%, 0.64%

LAB 73.51, -22.57, 24.92

 

CMYK 11 / 0 / 30 / 25

HEX #AABF86

RGB 170 191 134

HSL 82.11, 0.31%, 0.64%

LAB 74.53, -17.04, 26.45

 

CMYK 3 / 0 / 30 / 25

HEX #B9BF86

RGB 185 191 134

HSL 66.32, 0.31%, 0.64%

LAB 75.64, -11.32, 28.13

 

CMYK 30 / 0 / 25 / 25

HEX #86BF90

RGB 134 191 144

HSL 130.53, 0.31%, 0.64%

LAB 72.46, -28.11, 17.93

 

CMYK 30 / 0 / 16 / 25

HEX #86BFA0

RGB 134 191 160

HSL 147.37, 0.31%, 0.64%

LAB 72.8, -25.06, 9.77

 

CMYK 30 / 0 / 8 / 25

HEX #86BFAF

RGB 134 191 175

HSL 163.16, 0.31%, 0.64%

LAB 73.17, -21.92, 2.15

 

CMYK 30 / 0 / 1 / 25

HEX #86BFBE

RGB 134 191 190

HSL 178.95, 0.31%, 0.64%

LAB 73.58, -18.55, -5.43

 

CMYK 30 / 7 / 0 / 25

HEX #86B1BF

RGB 134 177 191

HSL 194.74, 0.31%, 0.64%

LAB 69.66, -11.01, -11.8

 

CMYK 30 / 0 / 25 / 25

HEX #86BF90

RGB 134 191 144

HSL 130.53, 0.31%, 0.64%

LAB 72.46, -28.11, 17.93

 

CMYK 42 / 0 / 34 / 19

HEX #77CE87

RGB 119 206 135

HSL 131.03, 0.47%, 0.64%

LAB 75.95, -41.24, 27.34

 

CMYK 52 / 0 / 43 / 13

HEX #69DD7D

RGB 105 221 125

HSL 130.34, 0.63%, 0.64%

LAB 79.73, -52.92, 37.28

 

CMYK 62 / 0 / 51 / 7

HEX #5AEC74

RGB 90 236 116

HSL 130.68, 0.79%, 0.64%

LAB 83.67, -63.32, 46.5

 

CMYK 70 / 0 / 58 / 2

HEX #4BFB6A

RGB 75 251 106

HSL 130.57, 0.96%, 0.64%

LAB 87.74, -72.47, 55.85

 

CMYK 30 / 0 / 25 / 25

HEX #86BF90

RGB 134 191 144

HSL 130.53, 0.31%, 0.64%

LAB 72.46, -28.11, 17.93

 

CMYK 15 / 0 / 13 / 31

HEX #95B09A

RGB 149 176 154

HSL 131.11, 0.15%, 0.64%

LAB 69.31, -13.63, 8.19

 

CMYK 0 / 2 / 0 / 36

HEX #A4A1A4

RGB 164 161 164

HSL 300, 0.02%, 0.64%

LAB 66.57, 1.65, -1.18

 

CMYK 0 / 18 / 3 / 30

HEX #B393AD

RGB 179 147 173

HSL 311.25, 0.17%, 0.64%

LAB 64.54, 16.5, -9.08

 

CMYK 0 / 32 / 6 / 24

HEX #C284B7

RGB 194 132 183

HSL 310.65, 0.34%, 0.64%

LAB 62.84, 31.88, -17.13

 

CMYK 19 / 0 / 30 / 25

HEX #9BBF86

RGB 155 191 134

HSL 97.89, 0.31%, 0.64%

LAB 73.51, -22.57, 24.92

 

CMYK 27 / 0 / 30 / 25

HEX #8CBF86

RGB 140 191 134

HSL 113.68, 0.31%, 0.64%

LAB 72.6, -27.84, 23.53

 

CMYK 30 / 0 / 25 / 25

HEX #86BF90

RGB 134 191 144

HSL 130.53, 0.31%, 0.64%

LAB 72.46, -28.11, 17.93

 

CMYK 30 / 0 / 17 / 25

HEX #86BF9F

RGB 134 191 159

HSL 146.32, 0.31%, 0.64%

LAB 72.78, -25.26, 10.28

 

CMYK 30 / 0 / 9 / 25

HEX #86BFAE

RGB 134 191 174

HSL 162.11, 0.31%, 0.64%

LAB 73.15, -22.14, 2.65

 

CMYK 47 / 0 / 39 / 38

HEX #549F61

RGB 84 159 97

HSL 130.4, 0.31%, 0.48%

LAB 59.47, -37.07, 25.33

 

CMYK 40 / 0 / 32 / 31

HEX #6BB178

RGB 107 177 120

HSL 131.14, 0.31%, 0.56%

LAB 66.46, -34.34, 22.42

 

CMYK 30 / 0 / 25 / 25

HEX #86BF90

RGB 134 191 144

HSL 130.53, 0.31%, 0.64%

LAB 72.46, -28.11, 17.93

 

CMYK 21 / 0 / 18 / 20

HEX #A1CDA9

RGB 161 205 169

HSL 130.91, 0.31%, 0.72%

LAB 78.52, -21.54, 13.25

 

CMYK 15 / 0 / 12 / 14

HEX #BCDCC2

RGB 188 220 194

HSL 131.25, 0.31%, 0.8%

LAB 84.88, -15.49, 9.26

 

CMYK 29 / 0 / 24 / 25

HEX #88C092

RGB 136 192 146

HSL 130.71, 0.31%, 0.64%

LAB 72.9, -27.58, 17.48

 

CMYK 30 / 11 / 0 / 25

HEX #86AABF

RGB 134 170 191

HSL 202.11, 0.31%, 0.64%

LAB 67.71, -7.24, -14.73

 

CMYK 0 / 30 / 23 / 25

HEX #BF8694

RGB 191 134 148

HSL 345.26, 0.31%, 0.64%

LAB 61.88, 23.9, 1.31

 

CMYK 29 / 0 / 24 / 25

HEX #88C092

RGB 136 192 146

HSL 130.71, 0.31%, 0.64%

LAB 72.9, -27.58, 17.48

 

CMYK 25 / 30 / 0 / 25

HEX #9086BF

RGB 144 134 191

HSL 250.53, 0.31%, 0.64%

LAB 58.73, 16.14, -28.38

 

CMYK 0 / 25 / 30 / 25

HEX #BF9086

RGB 191 144 134

HSL 10.53, 0.31%, 0.64%

LAB 63.95, 16.34, 12.22

 

CMYK 29 / 0 / 24 / 25

HEX #88C092

RGB 136 192 146

HSL 130.71, 0.31%, 0.64%

LAB 72.9, -27.58, 17.48

 

CMYK 30 / 11 / 0 / 25

HEX #86AABF

RGB 134 170 191

HSL 202.11, 0.31%, 0.64%

LAB 67.71, -7.24, -14.73

 

CMYK 0 / 30 / 5 / 25

HEX #BF86B6

RGB 191 134 182

HSL 309.47, 0.31%, 0.64%

LAB 62.93, 29.59, -16.45

 

CMYK 0 / 19 / 30 / 25

HEX #BF9B86

RGB 191 155 134

HSL 22.11, 0.31%, 0.64%

LAB 66.7, 10.27, 16.06

 

CMYK 29 / 0 / 24 / 25

HEX #88C092

RGB 136 192 146

HSL 130.71, 0.31%, 0.64%

LAB 72.9, -27.58, 17.48

 

CMYK 30 / 20 / 0 / 25

HEX #8699BF

RGB 134 153 191

HSL 220, 0.31%, 0.64%

LAB 63.02, 2.18, -21.85

 

CMYK 0 / 30 / 5 / 25

HEX #BF86B6

RGB 191 134 182

HSL 309.47, 0.31%, 0.64%

LAB 62.93, 29.59, -16.45

 

CMYK 0 / 10 / 30 / 25

HEX #BFAC86

RGB 191 172 134

HSL 40, 0.31%, 0.64%

LAB 71.08, 1.04, 22.08

 

Description

Color code: RGB 136 192 146 | qconv.com Color code: RGB 136 192 146 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 192 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 192 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 24 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 24% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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