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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 187 68 it is the complementary color RGB 119 68 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 187 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 187 68 shade: RGB 141 187 63, RGB 158 205 82, RGB 175 223 101, RGB 192 241 120 and RGB 209 255 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 187 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 187 68 shade: RGB 136 187 68, RGB 119 169 49, RGB 102 151 30, RGB 85 133 11 and RGB 68 115 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 187 68 shade: RGB 136 187 67, RGB 168 187 67, RGB 187 174 67, RGB 187 141 67 and RGB 187 109 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 187 68 shade: RGB 136 187 67, RGB 103 187 67, RGB 71 187 67, RGB 67 187 96 and RGB 67 187 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 187 68 shade matches the following richer shades: RGB 136 187 67, RGB 139 208 46, RGB 141 228 26 and RGB 144 249 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 187 68 shade: RGB 136 187 67, RGB 133 166 88, RGB 130 146 108, RGB 127 125 129 and RGB 124 104 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 187 68 shade: RGB 187 173 67, RGB 169 187 67, RGB 137 187 67, RGB 105 187 67 and RGB 73 187 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 187 68 shade: RGB 92 126 45, RGB 114 157 56, RGB 136 187 67, RGB 155 198 97 and RGB 174 209 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 187 68 shade: RGB 136 187 68, RGB 67 187 141 and RGB 187 67 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 187 68 shade: RGB 136 187 68, RGB 67 137 187 and RGB 187 67 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 187 68 shade: RGB 136 187 68, RGB 67 187 141, RGB 117 67 187 and RGB 187 67 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 187 68 shade: RGB 136 187 68, RGB 67 187 177, RGB 117 67 187 and RGB 187 67 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 64 / 27

HEX #88BB44

RGB 136 187 68

HSL 85.71, 0.47%, 0.5%

LAB 70.31, -35.55, 53.21

 

Complementary color

CMYK 36 / 64 / 0 / 27

HEX #7744BB

RGB 119 68 187

HSL 265.71, 0.47%, 0.5%

LAB 40.64, 46.36, -54.85

 

CMYK 25 / 0 / 66 / 27

HEX #8DBB3F

RGB 141 187 63

HSL 82.26, 0.5%, 0.49%

LAB 70.57, -34.03, 55.65

 

CMYK 23 / 0 / 60 / 20

HEX #9ECD52

RGB 158 205 82

HSL 82.93, 0.55%, 0.56%

LAB 77.01, -34.31, 54.91

 

CMYK 22 / 0 / 55 / 13

HEX #AFDF65

RGB 175 223 101

HSL 83.61, 0.66%, 0.64%

LAB 83.35, -34.5, 53.95

 

CMYK 20 / 0 / 50 / 5

HEX #C0F178

RGB 192 241 120

HSL 84.3, 0.81%, 0.71%

LAB 89.61, -34.62, 52.89

 

CMYK 18 / 0 / 45 / 0

HEX #D1FF8B

RGB 209 255 139

HSL 83.79, 1%, 0.77%

LAB 94.71, -32.85, 50.46

 

CMYK 27 / 0 / 64 / 27

HEX #88BB44

RGB 136 187 68

HSL 85.71, 0.47%, 0.5%

LAB 70.31, -35.55, 53.21

 

CMYK 30 / 0 / 71 / 34

HEX #77A931

RGB 119 169 49

HSL 85, 0.55%, 0.43%

LAB 63.77, -35.22, 53.75

 

CMYK 32 / 0 / 80 / 41

HEX #66971E

RGB 102 151 30

HSL 84.3, 0.67%, 0.35%

LAB 57.13, -34.7, 53.61

 

CMYK 36 / 0 / 92 / 48

HEX #55850B

RGB 85 133 11

HSL 83.61, 0.85%, 0.28%

LAB 50.37, -33.9, 52.14

 

CMYK 41 / 0 / 100 / 55

HEX #447300

RGB 68 115 0

HSL 84.52, 1%, 0.23%

LAB 43.49, -32.71, 48.47

 

CMYK 27 / 0 / 64 / 27

HEX #88BB43

RGB 136 187 67

HSL 85.5, 0.47%, 0.5%

LAB 70.3, -35.63, 53.62

 

CMYK 10 / 0 / 64 / 27

HEX #A8BB43

RGB 168 187 67

HSL 69.5, 0.47%, 0.5%

LAB 72.41, -22.92, 56.5

 

CMYK 0 / 7 / 64 / 27

HEX #BBAE43

RGB 187 174 67

HSL 53.5, 0.47%, 0.5%

LAB 70.35, -8.27, 54.77

 

CMYK 0 / 25 / 64 / 27

HEX #BB8D43

RGB 187 141 67

HSL 37, 0.47%, 0.5%

LAB 61.67, 9.5, 45.31

 

CMYK 0 / 42 / 64 / 27

HEX #BB6D43

RGB 187 109 67

HSL 21, 0.47%, 0.5%

LAB 53.93, 27.17, 36.39

 

CMYK 27 / 0 / 64 / 27

HEX #88BB43

RGB 136 187 67

HSL 85.5, 0.47%, 0.5%

LAB 70.3, -35.63, 53.62

 

CMYK 45 / 0 / 64 / 27

HEX #67BB43

RGB 103 187 67

HSL 102, 0.47%, 0.5%

LAB 68.63, -47.1, 51.32

 

CMYK 62 / 0 / 64 / 27

HEX #47BB43

RGB 71 187 67

HSL 118, 0.47%, 0.5%

LAB 67.49, -55.78, 49.74

 

CMYK 64 / 0 / 49 / 27

HEX #43BB60

RGB 67 187 96

HSL 134.5, 0.47%, 0.5%

LAB 67.71, -52.91, 36.32

 

CMYK 64 / 0 / 32 / 27

HEX #43BB80

RGB 67 187 128

HSL 150.5, 0.47%, 0.5%

LAB 68.24, -47.14, 20.29

 

CMYK 27 / 0 / 64 / 27

HEX #88BB43

RGB 136 187 67

HSL 85.5, 0.47%, 0.5%

LAB 70.3, -35.63, 53.62

 

CMYK 33 / 0 / 78 / 18

HEX #8BD02E

RGB 139 208 46

HSL 85.56, 0.64%, 0.5%

LAB 76.56, -45.07, 67.54

 

CMYK 38 / 0 / 89 / 11

HEX #8DE41A

RGB 141 228 26

HSL 85.84, 0.8%, 0.5%

LAB 82.5, -53.29, 77.41

 

CMYK 42 / 0 / 98 / 2

HEX #90F905

RGB 144 249 5

HSL 85.82, 0.96%, 0.5%

LAB 88.78, -60.76, 84.83

 

CMYK 27 / 0 / 64 / 27

HEX #88BB43

RGB 136 187 67

HSL 85.5, 0.47%, 0.5%

LAB 70.3, -35.63, 53.62

 

CMYK 20 / 0 / 47 / 35

HEX #85A658

RGB 133 166 88

HSL 85.38, 0.31%, 0.5%

LAB 64.13, -24.73, 36.56

 

CMYK 11 / 0 / 26 / 43

HEX #82926C

RGB 130 146 108

HSL 85.26, 0.15%, 0.5%

LAB 58.4, -12.81, 18.29

 

CMYK 2 / 3 / 0 / 49

HEX #7F7D81

RGB 127 125 129

HSL 270, 0.02%, 0.5%

LAB 52.69, 1.56, -1.91

 

CMYK 17 / 31 / 0 / 41

HEX #7C6896

RGB 124 104 150

HSL 266.09, 0.18%, 0.5%

LAB 47.48, 17.54, -22.17

 

CMYK 0 / 7 / 64 / 27

HEX #BBAD43

RGB 187 173 67

HSL 53, 0.47%, 0.5%

LAB 70.08, -7.75, 54.49

 

CMYK 10 / 0 / 64 / 27

HEX #A9BB43

RGB 169 187 67

HSL 69, 0.47%, 0.5%

LAB 72.48, -22.51, 56.6

 

CMYK 27 / 0 / 64 / 27

HEX #89BB43

RGB 137 187 67

HSL 85, 0.47%, 0.5%

LAB 70.36, -35.25, 53.7

 

CMYK 44 / 0 / 64 / 27

HEX #69BB43

RGB 105 187 67

HSL 101, 0.47%, 0.5%

LAB 68.71, -46.47, 51.44

 

CMYK 61 / 0 / 64 / 27

HEX #49BB43

RGB 73 187 67

HSL 117, 0.47%, 0.5%

LAB 67.55, -55.32, 49.82

 

CMYK 27 / 0 / 64 / 51

HEX #5C7E2D

RGB 92 126 45

HSL 85.19, 0.47%, 0.34%

LAB 48.74, -25.83, 39.12

 

CMYK 27 / 0 / 64 / 38

HEX #729D38

RGB 114 157 56

HSL 85.54, 0.47%, 0.42%

LAB 59.87, -31.06, 46.68

 

CMYK 27 / 0 / 64 / 27

HEX #88BB43

RGB 136 187 67

HSL 85.5, 0.47%, 0.5%

LAB 70.3, -35.63, 53.62

 

CMYK 22 / 0 / 51 / 22

HEX #9BC661

RGB 155 198 97

HSL 85.54, 0.47%, 0.58%

LAB 74.96, -30.76, 45.61

 

CMYK 17 / 0 / 39 / 18

HEX #AED180

RGB 174 209 128

HSL 85.93, 0.47%, 0.66%

LAB 79.7, -25.28, 36.42

 

CMYK 27 / 0 / 64 / 27

HEX #88BB44

RGB 136 187 68

HSL 85.71, 0.47%, 0.5%

LAB 70.31, -35.55, 53.21

 

CMYK 64 / 0 / 25 / 27

HEX #43BB8D

RGB 67 187 141

HSL 157, 0.47%, 0.5%

LAB 68.5, -44.33, 13.63

 

CMYK 0 / 64 / 1 / 27

HEX #BB43B9

RGB 187 67 185

HSL 301, 0.47%, 0.5%

LAB 49.6, 62.39, -38.85

 

CMYK 27 / 0 / 64 / 27

HEX #88BB44

RGB 136 187 68

HSL 85.71, 0.47%, 0.5%

LAB 70.31, -35.55, 53.21

 

CMYK 64 / 27 / 0 / 27

HEX #4389BB

RGB 67 137 187

HSL 205, 0.47%, 0.5%

LAB 54.73, -6.35, -32.68

 

CMYK 0 / 64 / 27 / 27

HEX #BB4389

RGB 187 67 137

HSL 325, 0.47%, 0.5%

LAB 47.48, 55.15, -13.69

 

CMYK 27 / 0 / 64 / 27

HEX #88BB44

RGB 136 187 68

HSL 85.71, 0.47%, 0.5%

LAB 70.31, -35.55, 53.21

 

CMYK 64 / 0 / 25 / 27

HEX #43BB8D

RGB 67 187 141

HSL 157, 0.47%, 0.5%

LAB 68.5, -44.33, 13.63

 

CMYK 37 / 64 / 0 / 27

HEX #7543BB

RGB 117 67 187

HSL 265, 0.47%, 0.5%

LAB 40.22, 46.46, -55.54

 

CMYK 0 / 64 / 40 / 27

HEX #BB4371

RGB 187 67 113

HSL 337, 0.47%, 0.5%

LAB 46.67, 52.26, -0.32

 

CMYK 27 / 0 / 64 / 27

HEX #88BB44

RGB 136 187 68

HSL 85.71, 0.47%, 0.5%

LAB 70.31, -35.55, 53.21

 

CMYK 64 / 0 / 5 / 27

HEX #43BBB1

RGB 67 187 177

HSL 175, 0.47%, 0.5%

LAB 69.4, -35.35, -4.78

 

CMYK 37 / 64 / 0 / 27

HEX #7543BB

RGB 117 67 187

HSL 265, 0.47%, 0.5%

LAB 40.22, 46.46, -55.54

 

CMYK 0 / 64 / 59 / 27

HEX #BB434D

RGB 187 67 77

HSL 355, 0.47%, 0.5%

LAB 45.79, 48.99, 20.45

 

Description

Color code: RGB 136 187 68 | qconv.com Color code: RGB 136 187 68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 187 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 187 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 64 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 64% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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