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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 187 21 it is the complementary color RGB 119 68 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 187 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 187 21 shade: RGB 141 187 16, RGB 158 205 35, RGB 175 223 54, RGB 192 241 73 and RGB 209 255 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 187 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 187 21 shade: RGB 136 187 21, RGB 119 169 2, RGB 102 151 0, RGB 85 133 0 and RGB 68 115 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 187 21 shade: RGB 136 188 20, RGB 181 188 20, RGB 188 149 20, RGB 188 104 20 and RGB 188 59 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 187 21 shade: RGB 136 188 20, RGB 91 188 20, RGB 46 188 20, RGB 20 188 40 and RGB 20 188 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 187 21 shade matches the following richer shades: RGB 136 188 20 and RGB 143 205 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 187 21 shade: RGB 136 188 20, RGB 130 171 37, RGB 123 154 54, RGB 117 137 71 and RGB 110 120 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 187 21 shade: RGB 188 149 20, RGB 182 188 20, RGB 138 188 20, RGB 93 188 20 and RGB 48 188 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 187 21 shade: RGB 82 113 12, RGB 109 151 16, RGB 136 188 20, RGB 163 225 25 and RGB 179 233 58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 187 21 shade: RGB 136 187 21, RGB 20 188 104 and RGB 171 20 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 187 21 shade: RGB 136 187 21, RGB 20 138 188 and RGB 188 20 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 187 21 shade: RGB 136 187 21, RGB 20 188 104, RGB 71 20 188 and RGB 188 20 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 187 21 shade: RGB 136 187 21, RGB 20 188 154, RGB 71 20 188 and RGB 188 20 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 89 / 27

HEX #88BB15

RGB 136 187 21

HSL 78.43, 0.8%, 0.41%

LAB 70.06, -38, 67.83

 

Complementary color

CMYK 49 / 71 / 0 / 8

HEX #7744EA

RGB 119 68 234

HSL 258.43, 0.8%, 0.59%

LAB 44.23, 58.72, -76.06

 

CMYK 25 / 0 / 91 / 27

HEX #8DBB10

RGB 141 187 16

HSL 76.14, 0.84%, 0.4%

LAB 70.34, -36.15, 69.02

 

CMYK 23 / 0 / 83 / 20

HEX #9ECD23

RGB 158 205 35

HSL 76.59, 0.71%, 0.47%

LAB 76.71, -37.07, 71.03

 

CMYK 22 / 0 / 76 / 13

HEX #AFDF36

RGB 175 223 54

HSL 77.04, 0.73%, 0.54%

LAB 83, -37.78, 71.87

 

CMYK 20 / 0 / 70 / 5

HEX #C0F149

RGB 192 241 73

HSL 77.5, 0.86%, 0.62%

LAB 89.2, -38.34, 71.96

 

CMYK 18 / 0 / 64 / 0

HEX #D1FF5C

RGB 209 255 92

HSL 76.93, 1%, 0.68%

LAB 94.25, -36.99, 70.42

 

CMYK 27 / 0 / 89 / 27

HEX #88BB15

RGB 136 187 21

HSL 78.43, 0.8%, 0.41%

LAB 70.06, -38, 67.83

 

CMYK 30 / 0 / 99 / 34

HEX #77A902

RGB 119 169 2

HSL 77.96, 0.98%, 0.34%

LAB 63.59, -36.98, 64.93

 

CMYK 32 / 0 / 100 / 41

HEX #669700

RGB 102 151 0

HSL 79.47, 1%, 0.3%

LAB 57.03, -35.62, 59.74

 

CMYK 36 / 0 / 100 / 48

HEX #558500

RGB 85 133 0

HSL 81.65, 1%, 0.26%

LAB 50.34, -34.19, 54.17

 

CMYK 41 / 0 / 100 / 55

HEX #447300

RGB 68 115 0

HSL 84.52, 1%, 0.23%

LAB 43.49, -32.71, 48.47

 

CMYK 28 / 0 / 89 / 26

HEX #88BC14

RGB 136 188 20

HSL 78.57, 0.81%, 0.41%

LAB 70.35, -38.47, 68.25

 

CMYK 4 / 0 / 89 / 26

HEX #B5BC14

RGB 181 188 20

HSL 62.5, 0.81%, 0.41%

LAB 73.44, -19.9, 72.04

 

CMYK 0 / 21 / 89 / 26

HEX #BC9514

RGB 188 149 20

HSL 46.07, 0.81%, 0.41%

LAB 63.54, 3.59, 64.49

 

CMYK 0 / 45 / 89 / 26

HEX #BC6814

RGB 188 104 20

HSL 30, 0.81%, 0.41%

LAB 52.56, 28.31, 55.93

 

CMYK 0 / 69 / 89 / 26

HEX #BC3B14

RGB 188 59 20

HSL 13.93, 0.81%, 0.41%

LAB 44.05, 50.16, 49.41

 

CMYK 28 / 0 / 89 / 26

HEX #88BC14

RGB 136 188 20

HSL 78.57, 0.81%, 0.41%

LAB 70.35, -38.47, 68.25

 

CMYK 52 / 0 / 89 / 26

HEX #5BBC14

RGB 91 188 20

HSL 94.64, 0.81%, 0.41%

LAB 68.2, -53.97, 65.58

 

CMYK 76 / 0 / 89 / 26

HEX #2EBC14

RGB 46 188 20

HSL 110.71, 0.81%, 0.41%

LAB 66.97, -64.09, 64.05

 

CMYK 89 / 0 / 79 / 26

HEX #14BC28

RGB 20 188 40

HSL 127.14, 0.81%, 0.41%

LAB 66.72, -66, 58.77

 

CMYK 89 / 0 / 55 / 26

HEX #14BC55

RGB 20 188 85

HSL 143.21, 0.81%, 0.41%

LAB 67.1, -61.26, 40.82

 

CMYK 28 / 0 / 89 / 26

HEX #88BC14

RGB 136 188 20

HSL 78.57, 0.81%, 0.41%

LAB 70.35, -38.47, 68.25

 

CMYK 30 / 0 / 99 / 20

HEX #8FCD03

RGB 143 205 3

HSL 78.42, 0.97%, 0.41%

LAB 75.77, -43.5, 74.82

 

CMYK 28 / 0 / 89 / 26

HEX #88BC14

RGB 136 188 20

HSL 78.57, 0.81%, 0.41%

LAB 70.35, -38.47, 68.25

 

CMYK 24 / 0 / 78 / 33

HEX #82AB25

RGB 130 171 37

HSL 78.36, 0.64%, 0.41%

LAB 64.97, -32.51, 59.31

 

CMYK 20 / 0 / 65 / 40

HEX #7B9A36

RGB 123 154 54

HSL 78.6, 0.48%, 0.41%

LAB 59.52, -26.18, 47.35

 

CMYK 15 / 0 / 48 / 46

HEX #758947

RGB 117 137 71

HSL 78.18, 0.32%, 0.41%

LAB 54.16, -18.42, 32.85

 

CMYK 8 / 0 / 27 / 53

HEX #6E7858

RGB 110 120 88

HSL 78.75, 0.15%, 0.41%

LAB 48.83, -9.77, 16.37

 

CMYK 0 / 21 / 89 / 26

HEX #BC9514

RGB 188 149 20

HSL 46.07, 0.81%, 0.41%

LAB 63.54, 3.59, 64.49

 

CMYK 3 / 0 / 89 / 26

HEX #B6BC14

RGB 182 188 20

HSL 62.14, 0.81%, 0.41%

LAB 73.52, -19.47, 72.14

 

CMYK 27 / 0 / 89 / 26

HEX #8ABC14

RGB 138 188 20

HSL 77.86, 0.81%, 0.41%

LAB 70.47, -37.7, 68.4

 

CMYK 51 / 0 / 89 / 26

HEX #5DBC14

RGB 93 188 20

HSL 93.93, 0.81%, 0.41%

LAB 68.27, -53.38, 65.68

 

CMYK 74 / 0 / 89 / 26

HEX #30BC14

RGB 48 188 20

HSL 110, 0.81%, 0.41%

LAB 67.01, -63.77, 64.1

 

CMYK 27 / 0 / 89 / 56

HEX #52710C

RGB 82 113 12

HSL 78.42, 0.81%, 0.25%

LAB 43.7, -25.68, 46.23

 

CMYK 28 / 0 / 89 / 41

HEX #6D9710

RGB 109 151 16

HSL 78.67, 0.81%, 0.33%

LAB 57.48, -32.47, 57.67

 

CMYK 28 / 0 / 89 / 26

HEX #88BC14

RGB 136 188 20

HSL 78.57, 0.81%, 0.41%

LAB 70.35, -38.47, 68.25

 

CMYK 28 / 0 / 89 / 12

HEX #A3E119

RGB 163 225 25

HSL 78.6, 0.8%, 0.49%

LAB 82.76, -44.22, 78.25

 

CMYK 23 / 0 / 75 / 9

HEX #B3E93A

RGB 179 233 58

HSL 78.51, 0.8%, 0.57%

LAB 86.09, -40.51, 73.64

 

CMYK 27 / 0 / 89 / 27

HEX #88BB15

RGB 136 187 21

HSL 78.43, 0.8%, 0.41%

LAB 70.06, -38, 67.83

 

CMYK 89 / 0 / 45 / 26

HEX #14BC68

RGB 20 188 104

HSL 150, 0.81%, 0.41%

LAB 67.36, -58.16, 31.64

 

CMYK 9 / 89 / 0 / 26

HEX #AB14BC

RGB 171 20 188

HSL 293.93, 0.81%, 0.41%

LAB 42.44, 73.17, -52.15

 

CMYK 27 / 0 / 89 / 27

HEX #88BB15

RGB 136 187 21

HSL 78.43, 0.8%, 0.41%

LAB 70.06, -38, 67.83

 

CMYK 89 / 27 / 0 / 26

HEX #148ABC

RGB 20 138 188

HSL 197.86, 0.81%, 0.41%

LAB 53.98, -12.12, -34.51

 

CMYK 0 / 89 / 27 / 26

HEX #BC148A

RGB 188 20 138

HSL 317.86, 0.81%, 0.41%

LAB 42.8, 69.34, -21.43

 

CMYK 27 / 0 / 89 / 27

HEX #88BB15

RGB 136 187 21

HSL 78.43, 0.8%, 0.41%

LAB 70.06, -38, 67.83

 

CMYK 89 / 0 / 45 / 26

HEX #14BC68

RGB 20 188 104

HSL 150, 0.81%, 0.41%

LAB 67.36, -58.16, 31.64

 

CMYK 62 / 89 / 0 / 26

HEX #4714BC

RGB 71 20 188

HSL 258.21, 0.81%, 0.41%

LAB 28.04, 60.5, -76.3

 

CMYK 0 / 89 / 45 / 26

HEX #BC1468

RGB 188 20 104

HSL 330, 0.81%, 0.41%

LAB 41.52, 65.84, -2.28

 

CMYK 27 / 0 / 89 / 27

HEX #88BB15

RGB 136 187 21

HSL 78.43, 0.8%, 0.41%

LAB 70.06, -38, 67.83

 

CMYK 89 / 0 / 18 / 26

HEX #14BC9A

RGB 20 188 154

HSL 167.86, 0.81%, 0.41%

LAB 68.35, -47.09, 6.21

 

CMYK 62 / 89 / 0 / 26

HEX #4714BC

RGB 71 20 188

HSL 258.21, 0.81%, 0.41%

LAB 28.04, 60.5, -76.3

 

CMYK 0 / 89 / 71 / 26

HEX #BC1436

RGB 188 20 54

HSL 347.86, 0.81%, 0.41%

LAB 40.34, 62.53, 27.68

 

Description

Color code: RGB 136 187 21 | qconv.com Color code: RGB 136 187 21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 187 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 187 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 89 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 89% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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