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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 182 210 it is the complementary color RGB 119 73 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 182 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 182 210 shade: RGB 141 182 205, RGB 158 200 224, RGB 175 218 243, RGB 192 236 255 and RGB 209 254 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 182 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 182 210 shade: RGB 136 182 210, RGB 119 164 191, RGB 102 146 172, RGB 85 128 153 and RGB 68 110 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 182 210 shade: RGB 136 182 210, RGB 136 162 210, RGB 136 142 210, RGB 150 136 210 and RGB 170 136 210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 182 210 shade: RGB 136 182 210, RGB 136 162 210, RGB 136 142 210 and RGB 136 136 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 182 210 shade matches the following richer shades: RGB 136 182 210, RGB 123 185 223, RGB 110 188 236 and RGB 97 191 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 182 210 shade: RGB 136 182 210, RGB 149 179 196, RGB 163 175 183, RGB 176 172 170 and RGB 189 169 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 182 210 shade: RGB 136 210 197, RGB 136 202 210, RGB 136 183 210, RGB 136 163 210 and RGB 136 144 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 182 210 shade: RGB 76 145 187, RGB 106 163 198, RGB 136 182 210, RGB 166 200 221 and RGB 196 219 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 182 210 shade: RGB 136 182 210, RGB 178 136 210 and RGB 210 207 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 182 210 shade: RGB 136 182 210, RGB 210 136 183 and RGB 183 210 136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 182 210 shade: RGB 136 182 210, RGB 178 136 210, RGB 210 163 136 and RGB 168 210 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 182 210 shade: RGB 136 182 210, RGB 200 136 210, RGB 210 163 136 and RGB 146 210 136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 13 / 0 / 18

HEX #88B6D2

RGB 136 182 210

HSL 202.7, 0.45%, 0.68%

LAB 71.79, -8.4, -19.02

 

Complementary color

CMYK 0 / 39 / 62 / 53

HEX #77492D

RGB 119 73 45

HSL 22.7, 0.45%, 0.32%

LAB 35.75, 16.6, 24.76

 

CMYK 31 / 11 / 0 / 20

HEX #8DB6CD

RGB 141 182 205

HSL 201.56, 0.39%, 0.68%

LAB 71.91, -8.23, -16.07

 

CMYK 29 / 11 / 0 / 12

HEX #9EC8E0

RGB 158 200 224

HSL 201.82, 0.52%, 0.75%

LAB 78.44, -8.31, -16.43

 

CMYK 28 / 10 / 0 / 5

HEX #AFDAF3

RGB 175 218 243

HSL 202.06, 0.74%, 0.82%

LAB 84.86, -8.38, -16.8

 

CMYK 25 / 7 / 0 / 0

HEX #C0ECFF

RGB 192 236 255

HSL 198.1, 1%, 0.88%

LAB 90.97, -10.01, -13.83

 

CMYK 18 / 0 / 0 / 0

HEX #D1FEFF

RGB 209 254 255

HSL 181.3, 1%, 0.91%

LAB 96.68, -14.03, -5.24

 

CMYK 35 / 13 / 0 / 18

HEX #88B6D2

RGB 136 182 210

HSL 202.7, 0.45%, 0.68%

LAB 71.79, -8.4, -19.02

 

CMYK 38 / 14 / 0 / 25

HEX #77A4BF

RGB 119 164 191

HSL 202.5, 0.36%, 0.61%

LAB 65.15, -8.26, -18.69

 

CMYK 41 / 15 / 0 / 33

HEX #6692AC

RGB 102 146 172

HSL 202.29, 0.3%, 0.54%

LAB 58.38, -8.1, -18.38

 

CMYK 44 / 16 / 0 / 40

HEX #558099

RGB 85 128 153

HSL 202.06, 0.29%, 0.47%

LAB 51.46, -7.89, -18.07

 

CMYK 49 / 18 / 0 / 47

HEX #446E86

RGB 68 110 134

HSL 201.82, 0.33%, 0.4%

LAB 44.38, -7.6, -17.76

 

CMYK 35 / 13 / 0 / 18

HEX #88B6D2

RGB 136 182 210

HSL 202.7, 0.45%, 0.68%

LAB 71.79, -8.4, -19.02

 

CMYK 35 / 23 / 0 / 18

HEX #88A2D2

RGB 136 162 210

HSL 218.92, 0.45%, 0.68%

LAB 66.31, 2.59, -27.38

 

CMYK 35 / 32 / 0 / 18

HEX #888ED2

RGB 136 142 210

HSL 235.14, 0.45%, 0.68%

LAB 60.99, 14.02, -35.63

 

CMYK 29 / 35 / 0 / 18

HEX #9688D2

RGB 150 136 210

HSL 251.35, 0.45%, 0.68%

LAB 60.56, 21.49, -36.22

 

CMYK 19 / 35 / 0 / 18

HEX #AA88D2

RGB 170 136 210

HSL 267.57, 0.45%, 0.68%

LAB 62.34, 27.44, -33.3

 

CMYK 35 / 13 / 0 / 18

HEX #88B6D2

RGB 136 182 210

HSL 202.7, 0.45%, 0.68%

LAB 71.79, -8.4, -19.02

 

CMYK 35 / 23 / 0 / 18

HEX #88A2D2

RGB 136 162 210

HSL 218.92, 0.45%, 0.68%

LAB 66.31, 2.59, -27.38

 

CMYK 35 / 32 / 0 / 18

HEX #888ED2

RGB 136 142 210

HSL 235.14, 0.45%, 0.68%

LAB 60.99, 14.02, -35.63

 

CMYK 35 / 35 / 0 / 18

HEX #8888D2

RGB 136 136 210

HSL 240, 0.45%, 0.68%

LAB 59.43, 17.52, -38.06

 

CMYK 35 / 13 / 0 / 18

HEX #88B6D2

RGB 136 182 210

HSL 202.7, 0.45%, 0.68%

LAB 71.79, -8.4, -19.02

 

CMYK 45 / 17 / 0 / 13

HEX #7BB9DF

RGB 123 185 223

HSL 202.8, 0.61%, 0.68%

LAB 72.39, -9.95, -25.26

 

CMYK 53 / 20 / 0 / 7

HEX #6EBCEC

RGB 110 188 236

HSL 202.86, 0.77%, 0.68%

LAB 73.11, -10.81, -31.25

 

CMYK 61 / 23 / 0 / 2

HEX #61BFF9

RGB 97 191 249

HSL 202.89, 0.93%, 0.68%

LAB 73.96, -11.02, -37

 

CMYK 35 / 13 / 0 / 18

HEX #88B6D2

RGB 136 182 210

HSL 202.7, 0.45%, 0.68%

LAB 71.79, -8.4, -19.02

 

CMYK 24 / 9 / 0 / 23

HEX #95B3C4

RGB 149 179 196

HSL 201.7, 0.28%, 0.68%

LAB 71.29, -6.38, -12.01

 

CMYK 11 / 4 / 0 / 28

HEX #A3AFB7

RGB 163 175 183

HSL 204, 0.12%, 0.68%

LAB 70.78, -2.56, -5.53

 

CMYK 0 / 2 / 3 / 31

HEX #B0ACAA

RGB 176 172 170

HSL 20, 0.04%, 0.68%

LAB 70.62, 1.06, 1.52

 

CMYK 0 / 11 / 17 / 26

HEX #BDA99D

RGB 189 169 157

HSL 22.5, 0.2%, 0.68%

LAB 70.61, 5.25, 8.82

 

CMYK 35 / 0 / 6 / 18

HEX #88D2C5

RGB 136 210 197

HSL 169.46, 0.45%, 0.68%

LAB 79.25, -25.89, -0.86

 

CMYK 35 / 4 / 0 / 18

HEX #88CAD2

RGB 136 202 210

HSL 186.49, 0.45%, 0.68%

LAB 77.36, -18.84, -10.64

 

CMYK 35 / 13 / 0 / 18

HEX #88B7D2

RGB 136 183 210

HSL 201.89, 0.45%, 0.68%

LAB 72.06, -8.93, -18.6

 

CMYK 35 / 22 / 0 / 18

HEX #88A3D2

RGB 136 163 210

HSL 218.11, 0.45%, 0.68%

LAB 66.58, 2.03, -26.96

 

CMYK 35 / 31 / 0 / 18

HEX #8890D2

RGB 136 144 210

HSL 233.51, 0.45%, 0.68%

LAB 61.51, 12.86, -34.81

 

CMYK 59 / 22 / 0 / 27

HEX #4C91BB

RGB 76 145 187

HSL 202.7, 0.45%, 0.52%

LAB 57.44, -9.2, -28.45

 

CMYK 46 / 18 / 0 / 22

HEX #6AA3C6

RGB 106 163 198

HSL 202.83, 0.45%, 0.6%

LAB 64.43, -9.18, -23.75

 

CMYK 35 / 13 / 0 / 18

HEX #88B6D2

RGB 136 182 210

HSL 202.7, 0.45%, 0.68%

LAB 71.79, -8.4, -19.02

 

CMYK 25 / 10 / 0 / 13

HEX #A6C8DD

RGB 166 200 221

HSL 202.91, 0.45%, 0.76%

LAB 78.83, -6.66, -14.18

 

CMYK 16 / 6 / 0 / 9

HEX #C4DBE8

RGB 196 219 232

HSL 201.67, 0.44%, 0.84%

LAB 86.12, -5, -8.96

 

CMYK 35 / 13 / 0 / 18

HEX #88B6D2

RGB 136 182 210

HSL 202.7, 0.45%, 0.68%

LAB 71.79, -8.4, -19.02

 

CMYK 15 / 35 / 0 / 18

HEX #B288D2

RGB 178 136 210

HSL 274.05, 0.45%, 0.68%

LAB 63.12, 29.88, -32.04

 

CMYK 0 / 1 / 35 / 18

HEX #D2CF88

RGB 210 207 136

HSL 57.57, 0.45%, 0.68%

LAB 81.9, -9.55, 35.7

 

CMYK 35 / 13 / 0 / 18

HEX #88B6D2

RGB 136 182 210

HSL 202.7, 0.45%, 0.68%

LAB 71.79, -8.4, -19.02

 

CMYK 0 / 35 / 13 / 18

HEX #D288B7

RGB 210 136 183

HSL 321.89, 0.45%, 0.68%

LAB 65.54, 35.13, -12.88

 

CMYK 13 / 0 / 35 / 18

HEX #B7D288

RGB 183 210 136

HSL 81.89, 0.45%, 0.68%

LAB 80.7, -21.39, 33.76

 

CMYK 35 / 13 / 0 / 18

HEX #88B6D2

RGB 136 182 210

HSL 202.7, 0.45%, 0.68%

LAB 71.79, -8.4, -19.02

 

CMYK 15 / 35 / 0 / 18

HEX #B288D2

RGB 178 136 210

HSL 274.05, 0.45%, 0.68%

LAB 63.12, 29.88, -32.04

 

CMYK 0 / 22 / 35 / 18

HEX #D2A388

RGB 210 163 136

HSL 21.89, 0.45%, 0.68%

LAB 70.65, 13.67, 20.69

 

CMYK 20 / 0 / 35 / 18

HEX #A8D288

RGB 168 210 136

HSL 94.05, 0.45%, 0.68%

LAB 79.73, -26.88, 32.29

 

CMYK 35 / 13 / 0 / 18

HEX #88B6D2

RGB 136 182 210

HSL 202.7, 0.45%, 0.68%

LAB 71.79, -8.4, -19.02

 

CMYK 5 / 35 / 0 / 18

HEX #C888D2

RGB 200 136 210

HSL 291.89, 0.45%, 0.68%

LAB 65.39, 36.72, -28.34

 

CMYK 0 / 22 / 35 / 18

HEX #D2A388

RGB 210 163 136

HSL 21.89, 0.45%, 0.68%

LAB 70.65, 13.67, 20.69

 

CMYK 30 / 0 / 35 / 18

HEX #92D288

RGB 146 210 136

HSL 111.89, 0.45%, 0.68%

LAB 78.45, -34.48, 30.38

 

Description

Color code: RGB 136 182 210 | qconv.com Color code: RGB 136 182 210 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 182 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 182 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 13 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 13% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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