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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 178 26 it is the complementary color RGB 119 77 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 178 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 178 26 shade: RGB 141 178 21, RGB 158 196 40, RGB 175 214 59, RGB 192 232 78 and RGB 209 250 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 178 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 178 26 shade: RGB 136 178 26, RGB 119 160 7, RGB 102 142 0, RGB 85 124 0 and RGB 68 106 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 178 26 shade: RGB 136 179 26, RGB 177 179 26, RGB 179 138 26, RGB 179 97 26 and RGB 179 56 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 178 26 shade: RGB 136 179 26, RGB 95 179 26, RGB 54 179 26, RGB 26 179 39 and RGB 26 179 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 178 26 shade matches the following richer shades: RGB 136 179 26 and RGB 144 195 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 178 26 shade: RGB 136 179 26, RGB 129 162 42, RGB 121 145 59, RGB 114 129 75 and RGB 107 112 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 178 26 shade: RGB 179 138 26, RGB 179 179 26, RGB 138 179 26, RGB 97 179 26 and RGB 56 179 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 178 26 shade: RGB 81 106 15, RGB 109 142 20, RGB 136 179 26, RGB 164 215 31 and RGB 181 227 59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 178 26 shade: RGB 136 178 26, RGB 26 179 97 and RGB 158 26 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 178 26 shade: RGB 136 178 26, RGB 26 138 179 and RGB 179 26 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 178 26 shade: RGB 136 178 26, RGB 26 179 97, RGB 66 26 179 and RGB 179 26 107

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 178 26 shade: RGB 136 178 26, RGB 26 179 143, RGB 66 26 179 and RGB 179 26 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 85 / 30

HEX #88B21A

RGB 136 178 26

HSL 76.58, 0.75%, 0.4%

LAB 67.39, -33.78, 64.57

 

Complementary color

CMYK 48 / 66 / 0 / 10

HEX #774DE5

RGB 119 77 229

HSL 256.58, 0.75%, 0.6%

LAB 45.48, 52.8, -71.19

 

CMYK 21 / 0 / 88 / 30

HEX #8DB215

RGB 141 178 21

HSL 74.14, 0.79%, 0.39%

LAB 67.69, -31.9, 66

 

CMYK 19 / 0 / 80 / 23

HEX #9EC428

RGB 158 196 40

HSL 74.62, 0.66%, 0.46%

LAB 74.13, -32.77, 67.45

 

CMYK 18 / 0 / 72 / 16

HEX #AFD63B

RGB 175 214 59

HSL 75.1, 0.65%, 0.54%

LAB 80.47, -33.44, 67.85

 

CMYK 17 / 0 / 66 / 9

HEX #C0E84E

RGB 192 232 78

HSL 75.58, 0.77%, 0.61%

LAB 86.74, -33.97, 67.61

 

CMYK 16 / 0 / 61 / 2

HEX #D1FA61

RGB 209 250 97

HSL 76.08, 0.94%, 0.68%

LAB 92.92, -34.38, 67

 

CMYK 24 / 0 / 85 / 30

HEX #88B21A

RGB 136 178 26

HSL 76.58, 0.75%, 0.4%

LAB 67.39, -33.78, 64.57

 

CMYK 26 / 0 / 96 / 37

HEX #77A007

RGB 119 160 7

HSL 76.08, 0.92%, 0.33%

LAB 60.85, -32.79, 62.1

 

CMYK 28 / 0 / 100 / 44

HEX #668E00

RGB 102 142 0

HSL 76.9, 1%, 0.28%

LAB 54.21, -31.51, 57.57

 

CMYK 31 / 0 / 100 / 51

HEX #557C00

RGB 85 124 0

HSL 78.87, 1%, 0.24%

LAB 47.43, -30.07, 51.93

 

CMYK 36 / 0 / 100 / 58

HEX #446A00

RGB 68 106 0

HSL 81.51, 1%, 0.21%

LAB 40.47, -28.59, 46.14

 

CMYK 24 / 0 / 85 / 30

HEX #88B31A

RGB 136 179 26

HSL 76.86, 0.75%, 0.4%

LAB 67.69, -34.24, 64.82

 

CMYK 1 / 0 / 85 / 30

HEX #B1B31A

RGB 177 179 26

HSL 60.78, 0.75%, 0.4%

LAB 70.64, -16.98, 68.48

 

CMYK 0 / 23 / 85 / 30

HEX #B38A1A

RGB 179 138 26

HSL 43.92, 0.75%, 0.4%

LAB 59.74, 5.69, 59.54

 

CMYK 0 / 46 / 85 / 30

HEX #B3611A

RGB 179 97 26

HSL 27.84, 0.75%, 0.4%

LAB 49.75, 28.42, 51.15

 

CMYK 0 / 69 / 85 / 30

HEX #B3381A

RGB 179 56 26

HSL 11.76, 0.75%, 0.4%

LAB 41.98, 48.43, 44.49

 

CMYK 24 / 0 / 85 / 30

HEX #88B31A

RGB 136 179 26

HSL 76.86, 0.75%, 0.4%

LAB 67.69, -34.24, 64.82

 

CMYK 47 / 0 / 85 / 30

HEX #5FB31A

RGB 95 179 26

HSL 92.94, 0.75%, 0.4%

LAB 65.55, -49.12, 62.14

 

CMYK 70 / 0 / 85 / 30

HEX #36B31A

RGB 54 179 26

HSL 109.02, 0.75%, 0.4%

LAB 64.24, -59.65, 60.48

 

CMYK 85 / 0 / 78 / 30

HEX #1AB327

RGB 26 179 39

HSL 125.1, 0.75%, 0.4%

LAB 63.84, -62.91, 56.33

 

CMYK 85 / 0 / 55 / 30

HEX #1AB350

RGB 26 179 80

HSL 141.18, 0.75%, 0.4%

LAB 64.19, -58.56, 39.73

 

CMYK 24 / 0 / 85 / 30

HEX #88B31A

RGB 136 179 26

HSL 76.86, 0.75%, 0.4%

LAB 67.69, -34.24, 64.82

 

CMYK 26 / 0 / 95 / 24

HEX #90C309

RGB 144 195 9

HSL 76.45, 0.91%, 0.4%

LAB 72.88, -38.68, 71.98

 

CMYK 24 / 0 / 85 / 30

HEX #88B31A

RGB 136 179 26

HSL 76.86, 0.75%, 0.4%

LAB 67.69, -34.24, 64.82

 

CMYK 20 / 0 / 74 / 36

HEX #81A22A

RGB 129 162 42

HSL 76.5, 0.59%, 0.4%

LAB 62.23, -28.4, 55.03

 

CMYK 17 / 0 / 59 / 43

HEX #79913B

RGB 121 145 59

HSL 76.74, 0.42%, 0.4%

LAB 56.71, -22.1, 41.95

 

CMYK 12 / 0 / 42 / 49

HEX #72814B

RGB 114 129 75

HSL 76.67, 0.26%, 0.4%

LAB 51.59, -14.93, 27.44

 

CMYK 4 / 0 / 18 / 56

HEX #6B705C

RGB 107 112 92

HSL 75, 0.1%, 0.4%

LAB 46.29, -5.78, 10.49

 

CMYK 0 / 23 / 85 / 30

HEX #B38A1A

RGB 179 138 26

HSL 43.92, 0.75%, 0.4%

LAB 59.74, 5.69, 59.54

 

CMYK 0 / 0 / 85 / 30

HEX #B3B31A

RGB 179 179 26

HSL 60, 0.75%, 0.4%

LAB 70.8, -16.11, 68.69

 

CMYK 23 / 0 / 85 / 30

HEX #8AB31A

RGB 138 179 26

HSL 76.08, 0.75%, 0.4%

LAB 67.81, -33.44, 64.98

 

CMYK 46 / 0 / 85 / 30

HEX #61B31A

RGB 97 179 26

HSL 92.16, 0.75%, 0.4%

LAB 65.64, -48.48, 62.24

 

CMYK 69 / 0 / 85 / 30

HEX #38B31A

RGB 56 179 26

HSL 108.24, 0.75%, 0.4%

LAB 64.29, -59.26, 60.54

 

CMYK 24 / 0 / 86 / 58

HEX #516A0F

RGB 81 106 15

HSL 76.48, 0.75%, 0.24%

LAB 41.36, -22.49, 43.37

 

CMYK 23 / 0 / 86 / 44

HEX #6D8E14

RGB 109 142 20

HSL 76.23, 0.75%, 0.32%

LAB 54.71, -28.09, 54.42

 

CMYK 24 / 0 / 85 / 30

HEX #88B31A

RGB 136 179 26

HSL 76.86, 0.75%, 0.4%

LAB 67.69, -34.24, 64.82

 

CMYK 24 / 0 / 86 / 16

HEX #A4D71F

RGB 164 215 31

HSL 76.63, 0.75%, 0.48%

LAB 79.95, -39.33, 74.84

 

CMYK 20 / 0 / 74 / 11

HEX #B5E33B

RGB 181 227 59

HSL 76.43, 0.75%, 0.56%

LAB 84.52, -37.02, 71.88

 

CMYK 24 / 0 / 85 / 30

HEX #88B21A

RGB 136 178 26

HSL 76.58, 0.75%, 0.4%

LAB 67.39, -33.78, 64.57

 

CMYK 85 / 0 / 46 / 30

HEX #1AB361

RGB 26 179 97

HSL 147.84, 0.75%, 0.4%

LAB 64.42, -55.82, 31.48

 

CMYK 12 / 85 / 0 / 30

HEX #9E1AB3

RGB 158 26 179

HSL 291.76, 0.75%, 0.4%

LAB 40.02, 68.33, -50.86

 

CMYK 24 / 0 / 85 / 30

HEX #88B21A

RGB 136 178 26

HSL 76.58, 0.75%, 0.4%

LAB 67.39, -33.78, 64.57

 

CMYK 85 / 23 / 0 / 30

HEX #1A8AB3

RGB 26 138 179

HSL 196.08, 0.75%, 0.4%

LAB 53.65, -14.97, -29.86

 

CMYK 0 / 85 / 23 / 30

HEX #B31A8A

RGB 179 26 138

HSL 316.08, 0.75%, 0.4%

LAB 41.47, 66.33, -23.64

 

CMYK 24 / 0 / 85 / 30

HEX #88B21A

RGB 136 178 26

HSL 76.58, 0.75%, 0.4%

LAB 67.39, -33.78, 64.57

 

CMYK 85 / 0 / 46 / 30

HEX #1AB361

RGB 26 179 97

HSL 147.84, 0.75%, 0.4%

LAB 64.42, -55.82, 31.48

 

CMYK 63 / 85 / 0 / 30

HEX #421AB3

RGB 66 26 179

HSL 255.69, 0.75%, 0.4%

LAB 27.16, 55.78, -72.4

 

CMYK 0 / 85 / 40 / 30

HEX #B31A6B

RGB 179 26 107

HSL 328.24, 0.75%, 0.4%

LAB 40.22, 62.86, -6.29

 

CMYK 24 / 0 / 85 / 30

HEX #88B21A

RGB 136 178 26

HSL 76.58, 0.75%, 0.4%

LAB 67.39, -33.78, 64.57

 

CMYK 85 / 0 / 20 / 30

HEX #1AB38F

RGB 26 179 143

HSL 165.88, 0.75%, 0.4%

LAB 65.31, -45.82, 7.92

 

CMYK 63 / 85 / 0 / 30

HEX #421AB3

RGB 66 26 179

HSL 255.69, 0.75%, 0.4%

LAB 27.16, 55.78, -72.4

 

CMYK 0 / 85 / 66 / 30

HEX #B31A3D

RGB 179 26 61

HSL 346.27, 0.75%, 0.4%

LAB 39, 59.34, 21.22

 

Description

Color code: RGB 136 178 26 | qconv.com Color code: RGB 136 178 26 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 178 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 178 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 85 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 85% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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