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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 177 225 it is the complementary color RGB 119 78 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 177 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 177 225 shade: RGB 141 177 220, RGB 158 195 239, RGB 175 213 255, RGB 192 231 255 and RGB 209 249 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 177 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 177 225 shade: RGB 136 177 225, RGB 119 159 206, RGB 102 141 187, RGB 85 123 168 and RGB 68 105 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 177 225 shade: RGB 136 177 225, RGB 136 153 225, RGB 143 136 225, RGB 167 136 225 and RGB 191 136 225

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 177 225 shade: RGB 136 177 225, RGB 136 153 225 and RGB 136 136 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 177 225 shade matches the following richer shades: RGB 136 177 225, RGB 124 176 237 and RGB 112 175 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 177 225 shade: RGB 136 177 225, RGB 148 178 213, RGB 160 179 201, RGB 172 180 189 and RGB 184 181 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 177 225 shade: RGB 136 225 225, RGB 136 201 225, RGB 136 178 225, RGB 136 154 225 and RGB 142 136 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 177 225 shade: RGB 70 134 208, RGB 103 155 217, RGB 136 177 225, RGB 169 199 233 and RGB 202 220 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 177 225 shade: RGB 136 177 225, RGB 201 136 225 and RGB 213 225 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 177 225 shade: RGB 136 177 225, RGB 225 136 178 and RGB 178 225 136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 177 225 shade: RGB 136 177 225, RGB 201 136 225, RGB 225 184 136 and RGB 160 225 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 177 225 shade: RGB 136 177 225, RGB 225 136 222, RGB 225 184 136 and RGB 136 225 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 21 / 0 / 12

HEX #88B1E1

RGB 136 177 225

HSL 212.36, 0.6%, 0.71%

LAB 70.95, -1.76, -28.49

 

Complementary color

CMYK 0 / 34 / 75 / 53

HEX #774E1E

RGB 119 78 30

HSL 32.36, 0.6%, 0.29%

LAB 36.86, 12.56, 34.31

 

CMYK 36 / 20 / 0 / 14

HEX #8DB1DC

RGB 141 177 220

HSL 212.66, 0.53%, 0.71%

LAB 71.06, -1.74, -25.57

 

CMYK 34 / 18 / 0 / 6

HEX #9EC3EF

RGB 158 195 239

HSL 212.59, 0.72%, 0.78%

LAB 77.6, -1.99, -25.77

 

CMYK 31 / 16 / 0 / 0

HEX #AFD5FF

RGB 175 213 255

HSL 211.5, 1%, 0.84%

LAB 83.93, -2.93, -24.56

 

CMYK 25 / 9 / 0 / 0

HEX #C0E7FF

RGB 192 231 255

HSL 202.86, 1%, 0.88%

LAB 89.66, -7.46, -15.79

 

CMYK 18 / 2 / 0 / 0

HEX #D1F9FF

RGB 209 249 255

HSL 187.83, 1%, 0.91%

LAB 95.38, -11.54, -7.16

 

CMYK 40 / 21 / 0 / 12

HEX #88B1E1

RGB 136 177 225

HSL 212.36, 0.6%, 0.71%

LAB 70.95, -1.76, -28.49

 

CMYK 42 / 23 / 0 / 19

HEX #779FCE

RGB 119 159 206

HSL 212.41, 0.47%, 0.64%

LAB 64.3, -1.41, -28.34

 

CMYK 45 / 25 / 0 / 27

HEX #668DBB

RGB 102 141 187

HSL 212.47, 0.38%, 0.57%

LAB 57.52, -0.99, -28.22

 

CMYK 49 / 27 / 0 / 34

HEX #557BA8

RGB 85 123 168

HSL 212.53, 0.33%, 0.5%

LAB 50.6, -0.48, -28.12

 

CMYK 54 / 30 / 0 / 42

HEX #446995

RGB 68 105 149

HSL 212.59, 0.37%, 0.43%

LAB 43.51, 0.18, -28.06

 

CMYK 40 / 21 / 0 / 12

HEX #88B1E1

RGB 136 177 225

HSL 212.36, 0.6%, 0.71%

LAB 70.95, -1.76, -28.49

 

CMYK 40 / 32 / 0 / 12

HEX #8899E1

RGB 136 153 225

HSL 228.54, 0.6%, 0.71%

LAB 64.53, 11.75, -38.45

 

CMYK 36 / 40 / 0 / 12

HEX #8F88E1

RGB 143 136 225

HSL 244.72, 0.6%, 0.71%

LAB 60.68, 23.45, -44.45

 

CMYK 26 / 40 / 0 / 12

HEX #A788E1

RGB 167 136 225

HSL 260.9, 0.6%, 0.71%

LAB 62.73, 30.07, -41.09

 

CMYK 15 / 40 / 0 / 12

HEX #BF88E1

RGB 191 136 225

HSL 277.08, 0.6%, 0.71%

LAB 65.06, 37.05, -37.27

 

CMYK 40 / 21 / 0 / 12

HEX #88B1E1

RGB 136 177 225

HSL 212.36, 0.6%, 0.71%

LAB 70.95, -1.76, -28.49

 

CMYK 40 / 32 / 0 / 12

HEX #8899E1

RGB 136 153 225

HSL 228.54, 0.6%, 0.71%

LAB 64.53, 11.75, -38.45

 

CMYK 40 / 40 / 0 / 12

HEX #8888E1

RGB 136 136 225

HSL 240, 0.6%, 0.71%

LAB 60.14, 21.62, -45.34

 

CMYK 40 / 21 / 0 / 12

HEX #88B1E1

RGB 136 177 225

HSL 212.36, 0.6%, 0.71%

LAB 70.95, -1.76, -28.49

 

CMYK 48 / 26 / 0 / 7

HEX #7CB0ED

RGB 124 176 237

HSL 212.39, 0.76%, 0.71%

LAB 70.49, -0.86, -35.8

 

CMYK 55 / 30 / 0 / 2

HEX #70AFF9

RGB 112 175 249

HSL 212.41, 0.92%, 0.71%

LAB 70.14, 0.62, -42.91

 

CMYK 40 / 21 / 0 / 12

HEX #88B1E1

RGB 136 177 225

HSL 212.36, 0.6%, 0.71%

LAB 70.95, -1.76, -28.49

 

CMYK 31 / 16 / 0 / 16

HEX #94B2D5

RGB 148 178 213

HSL 212.31, 0.44%, 0.71%

LAB 71.51, -2.08, -21

 

CMYK 20 / 11 / 0 / 21

HEX #A0B3C9

RGB 160 179 201

HSL 212.2, 0.28%, 0.71%

LAB 72.18, -1.81, -13.35

 

CMYK 9 / 5 / 0 / 26

HEX #ACB4BD

RGB 172 180 189

HSL 211.76, 0.11%, 0.71%

LAB 72.95, -1, -5.54

 

CMYK 0 / 2 / 4 / 28

HEX #B8B5B1

RGB 184 181 177

HSL 34.29, 0.05%, 0.71%

LAB 73.81, 0.33, 2.4

 

CMYK 40 / 0 / 0 / 12

HEX #88E1E1

RGB 136 225 225

HSL 180, 0.6%, 0.71%

LAB 84.24, -26.63, -8.41

 

CMYK 40 / 11 / 0 / 12

HEX #88C9E1

RGB 136 201 225

HSL 196.18, 0.6%, 0.71%

LAB 77.55, -14.58, -18.43

 

CMYK 40 / 21 / 0 / 12

HEX #88B2E1

RGB 136 178 225

HSL 211.69, 0.6%, 0.71%

LAB 71.22, -2.31, -28.07

 

CMYK 40 / 32 / 0 / 12

HEX #889AE1

RGB 136 154 225

HSL 227.87, 0.6%, 0.71%

LAB 64.79, 11.17, -38.04

 

CMYK 37 / 40 / 0 / 12

HEX #8E88E1

RGB 142 136 225

HSL 244.04, 0.6%, 0.71%

LAB 60.6, 23.19, -44.58

 

CMYK 66 / 36 / 0 / 18

HEX #4686D0

RGB 70 134 208

HSL 212.17, 0.59%, 0.55%

LAB 54.98, 3.08, -44.21

 

CMYK 53 / 29 / 0 / 15

HEX #679BD9

RGB 103 155 217

HSL 212.63, 0.6%, 0.63%

LAB 62.79, 0.21, -36.87

 

CMYK 40 / 21 / 0 / 12

HEX #88B1E1

RGB 136 177 225

HSL 212.36, 0.6%, 0.71%

LAB 70.95, -1.76, -28.49

 

CMYK 27 / 15 / 0 / 9

HEX #A9C7E9

RGB 169 199 233

HSL 211.88, 0.59%, 0.79%

LAB 79.14, -2.46, -20.14

 

CMYK 16 / 9 / 0 / 5

HEX #CADCF1

RGB 202 220 241

HSL 212.31, 0.58%, 0.87%

LAB 87.04, -1.77, -12.29

 

CMYK 40 / 21 / 0 / 12

HEX #88B1E1

RGB 136 177 225

HSL 212.36, 0.6%, 0.71%

LAB 70.95, -1.76, -28.49

 

CMYK 11 / 40 / 0 / 12

HEX #C988E1

RGB 201 136 225

HSL 283.82, 0.6%, 0.71%

LAB 66.11, 40.02, -35.56

 

CMYK 5 / 0 / 40 / 12

HEX #D5E188

RGB 213 225 136

HSL 68.09, 0.6%, 0.71%

LAB 86.89, -17.41, 42.16

 

CMYK 40 / 21 / 0 / 12

HEX #88B1E1

RGB 136 177 225

HSL 212.36, 0.6%, 0.71%

LAB 70.95, -1.76, -28.49

 

CMYK 0 / 40 / 21 / 12

HEX #E188B2

RGB 225 136 178

HSL 331.69, 0.6%, 0.71%

LAB 67.15, 39.47, -7.47

 

CMYK 21 / 0 / 40 / 12

HEX #B2E188

RGB 178 225 136

HSL 91.69, 0.6%, 0.71%

LAB 84.53, -30.43, 38.67

 

CMYK 40 / 21 / 0 / 12

HEX #88B1E1

RGB 136 177 225

HSL 212.36, 0.6%, 0.71%

LAB 70.95, -1.76, -28.49

 

CMYK 11 / 40 / 0 / 12

HEX #C988E1

RGB 201 136 225

HSL 283.82, 0.6%, 0.71%

LAB 66.11, 40.02, -35.56

 

CMYK 0 / 18 / 40 / 12

HEX #E1B888

RGB 225 184 136

HSL 32.36, 0.6%, 0.71%

LAB 77.32, 8.36, 29.94

 

CMYK 29 / 0 / 40 / 12

HEX #A0E188

RGB 160 225 136

HSL 103.82, 0.6%, 0.71%

LAB 83.5, -36.68, 37.13

 

CMYK 40 / 21 / 0 / 12

HEX #88B1E1

RGB 136 177 225

HSL 212.36, 0.6%, 0.71%

LAB 70.95, -1.76, -28.49

 

CMYK 0 / 40 / 1 / 12

HEX #E188DE

RGB 225 136 222

HSL 302.02, 0.6%, 0.71%

LAB 68.67, 46.69, -29.71

 

CMYK 0 / 18 / 40 / 12

HEX #E1B888

RGB 225 184 136

HSL 32.36, 0.6%, 0.71%

LAB 77.32, 8.36, 29.94

 

CMYK 40 / 0 / 38 / 12

HEX #88E18B

RGB 136 225 139

HSL 122.02, 0.6%, 0.71%

LAB 82.35, -43.88, 33.9

 

Description

Color code: RGB 136 177 225 | qconv.com Color code: RGB 136 177 225 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 177 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 177 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 21 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 21% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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