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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 174 234 it is the complementary color RGB 119 81 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 174 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 174 234 shade: RGB 141 174 229, RGB 158 192 248, RGB 175 210 255, RGB 192 228 255 and RGB 209 246 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 174 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 174 234 shade: RGB 136 174 234, RGB 119 156 215, RGB 102 138 196, RGB 85 120 177 and RGB 68 102 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 174 234 shade: RGB 137 175 234, RGB 137 149 234, RGB 152 137 234, RGB 178 137 234 and RGB 204 137 234

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 174 234 shade: RGB 137 175 234, RGB 137 149 234 and RGB 137 137 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 174 234 shade matches the following richer shades: RGB 137 175 234 and RGB 126 172 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 174 234 shade: RGB 137 175 234, RGB 149 177 223, RGB 160 180 212, RGB 171 182 200 and RGB 182 185 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 174 234 shade: RGB 137 227 234, RGB 137 202 234, RGB 137 176 234, RGB 137 150 234 and RGB 150 137 234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 174 234 shade: RGB 67 127 221, RGB 102 151 228, RGB 137 175 234, RGB 173 199 240 and RGB 208 223 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 174 234 shade: RGB 136 174 234, RGB 215 137 234 and RGB 215 234 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 174 234 shade: RGB 136 174 234, RGB 234 137 176 and RGB 176 234 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 174 234 shade: RGB 136 174 234, RGB 215 137 234, RGB 234 195 137 and RGB 157 234 137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 174 234 shade: RGB 136 174 234, RGB 234 137 224, RGB 234 195 137 and RGB 137 234 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 26 / 0 / 8

HEX #88AEEA

RGB 136 174 234

HSL 216.73, 0.7%, 0.73%

LAB 70.49, 2.34, -34.11

 

Complementary color

CMYK 0 / 32 / 82 / 53

HEX #775115

RGB 119 81 21

HSL 36.73, 0.7%, 0.27%

LAB 37.59, 10.32, 39.2

 

CMYK 38 / 24 / 0 / 10

HEX #8DAEE5

RGB 141 174 229

HSL 217.5, 0.63%, 0.73%

LAB 70.59, 2.29, -31.21

 

CMYK 36 / 23 / 0 / 3

HEX #9EC0F8

RGB 158 192 248

HSL 217.33, 0.87%, 0.8%

LAB 77.13, 1.92, -31.32

 

CMYK 31 / 18 / 0 / 0

HEX #AFD2FF

RGB 175 210 255

HSL 213.75, 1%, 0.84%

LAB 83.14, -1.35, -25.75

 

CMYK 25 / 11 / 0 / 0

HEX #C0E4FF

RGB 192 228 255

HSL 205.71, 1%, 0.88%

LAB 88.88, -5.91, -16.96

 

CMYK 18 / 4 / 0 / 0

HEX #D1F6FF

RGB 209 246 255

HSL 191.74, 1%, 0.91%

LAB 94.61, -10.03, -8.31

 

CMYK 42 / 26 / 0 / 8

HEX #88AEEA

RGB 136 174 234

HSL 216.73, 0.7%, 0.73%

LAB 70.49, 2.34, -34.11

 

CMYK 45 / 27 / 0 / 16

HEX #779CD7

RGB 119 156 215

HSL 216.88, 0.55%, 0.65%

LAB 63.84, 2.83, -34.06

 

CMYK 48 / 30 / 0 / 23

HEX #668AC4

RGB 102 138 196

HSL 217.02, 0.44%, 0.58%

LAB 57.06, 3.42, -34.04

 

CMYK 52 / 32 / 0 / 31

HEX #5578B1

RGB 85 120 177

HSL 217.17, 0.37%, 0.51%

LAB 50.14, 4.14, -34.05

 

CMYK 57 / 35 / 0 / 38

HEX #44669E

RGB 68 102 158

HSL 217.33, 0.4%, 0.44%

LAB 43.06, 5.04, -34.11

 

CMYK 41 / 25 / 0 / 8

HEX #89AFEA

RGB 137 175 234

HSL 216.49, 0.7%, 0.73%

LAB 70.81, 2.04, -33.6

 

CMYK 41 / 36 / 0 / 8

HEX #8995EA

RGB 137 149 234

HSL 232.58, 0.7%, 0.73%

LAB 63.96, 16.82, -44.3

 

CMYK 35 / 41 / 0 / 8

HEX #9889EA

RGB 152 137 234

HSL 249.28, 0.7%, 0.73%

LAB 62.09, 27.65, -47.17

 

CMYK 24 / 41 / 0 / 8

HEX #B289EA

RGB 178 137 234

HSL 265.36, 0.7%, 0.73%

LAB 64.4, 34.76, -43.38

 

CMYK 13 / 41 / 0 / 8

HEX #CC89EA

RGB 204 137 234

HSL 281.44, 0.7%, 0.73%

LAB 67.03, 42.22, -39.07

 

CMYK 41 / 25 / 0 / 8

HEX #89AFEA

RGB 137 175 234

HSL 216.49, 0.7%, 0.73%

LAB 70.81, 2.04, -33.6

 

CMYK 41 / 36 / 0 / 8

HEX #8995EA

RGB 137 149 234

HSL 232.58, 0.7%, 0.73%

LAB 63.96, 16.82, -44.3

 

CMYK 41 / 41 / 0 / 8

HEX #8989EA

RGB 137 137 234

HSL 240, 0.7%, 0.73%

LAB 60.91, 23.8, -49.11

 

CMYK 41 / 25 / 0 / 8

HEX #89AFEA

RGB 137 175 234

HSL 216.49, 0.7%, 0.73%

LAB 70.81, 2.04, -33.6

 

CMYK 49 / 30 / 0 / 4

HEX #7EACF5

RGB 126 172 245

HSL 216.81, 0.86%, 0.73%

LAB 69.85, 4.16, -41.14

 

CMYK 41 / 25 / 0 / 8

HEX #89AFEA

RGB 137 175 234

HSL 216.49, 0.7%, 0.73%

LAB 70.81, 2.04, -33.6

 

CMYK 33 / 21 / 0 / 13

HEX #95B1DF

RGB 149 177 223

HSL 217.3, 0.54%, 0.73%

LAB 71.66, 1.26, -26.23

 

CMYK 25 / 15 / 0 / 17

HEX #A0B4D4

RGB 160 180 212

HSL 216.92, 0.38%, 0.73%

LAB 72.81, 0.16, -18.42

 

CMYK 15 / 9 / 0 / 22

HEX #ABB6C8

RGB 171 182 200

HSL 217.24, 0.21%, 0.73%

LAB 73.73, -0.13, -10.4

 

CMYK 4 / 2 / 0 / 26

HEX #B6B9BD

RGB 182 185 189

HSL 214.29, 0.05%, 0.73%

LAB 75.02, -0.28, -2.4

 

CMYK 41 / 3 / 0 / 8

HEX #89E3EA

RGB 137 227 234

HSL 184.33, 0.7%, 0.73%

LAB 85.1, -25.16, -11.88

 

CMYK 41 / 14 / 0 / 8

HEX #89CAEA

RGB 137 202 234

HSL 199.79, 0.7%, 0.73%

LAB 78.17, -12.52, -22.32

 

CMYK 41 / 25 / 0 / 8

HEX #89B0EA

RGB 137 176 234

HSL 215.88, 0.7%, 0.73%

LAB 71.08, 1.49, -33.19

 

CMYK 41 / 36 / 0 / 8

HEX #8996EA

RGB 137 150 234

HSL 231.96, 0.7%, 0.73%

LAB 64.22, 16.24, -43.89

 

CMYK 36 / 41 / 0 / 8

HEX #9689EA

RGB 150 137 234

HSL 248.04, 0.7%, 0.73%

LAB 61.93, 27.13, -47.44

 

CMYK 70 / 43 / 0 / 13

HEX #437FDD

RGB 67 127 221

HSL 216.62, 0.69%, 0.56%

LAB 53.59, 11.41, -53.74

 

CMYK 55 / 34 / 0 / 11

HEX #6697E4

RGB 102 151 228

HSL 216.67, 0.7%, 0.65%

LAB 62.13, 5.71, -44

 

CMYK 41 / 25 / 0 / 8

HEX #89AFEA

RGB 137 175 234

HSL 216.49, 0.7%, 0.73%

LAB 70.81, 2.04, -33.6

 

CMYK 28 / 17 / 0 / 6

HEX #ADC7F0

RGB 173 199 240

HSL 216.72, 0.69%, 0.81%

LAB 79.63, 0.35, -23.13

 

CMYK 15 / 9 / 0 / 4

HEX #D0DFF6

RGB 208 223 246

HSL 216.32, 0.68%, 0.89%

LAB 88.37, -0.43, -12.89

 

CMYK 42 / 26 / 0 / 8

HEX #88AEEA

RGB 136 174 234

HSL 216.73, 0.7%, 0.73%

LAB 70.49, 2.34, -34.11

 

CMYK 8 / 41 / 0 / 8

HEX #D789EA

RGB 215 137 234

HSL 288.25, 0.7%, 0.73%

LAB 68.23, 45.43, -37.11

 

CMYK 8 / 0 / 41 / 8

HEX #D7EA89

RGB 215 234 137

HSL 71.75, 0.7%, 0.73%

LAB 89.44, -20.94, 44.92

 

CMYK 42 / 26 / 0 / 8

HEX #88AEEA

RGB 136 174 234

HSL 216.73, 0.7%, 0.73%

LAB 70.49, 2.34, -34.11

 

CMYK 0 / 41 / 25 / 8

HEX #EA89B0

RGB 234 137 176

HSL 335.88, 0.7%, 0.73%

LAB 68.4, 41.74, -4.37

 

CMYK 25 / 0 / 41 / 8

HEX #B0EA89

RGB 176 234 137

HSL 95.88, 0.7%, 0.73%

LAB 86.94, -35.18, 41.23

 

CMYK 42 / 26 / 0 / 8

HEX #88AEEA

RGB 136 174 234

HSL 216.73, 0.7%, 0.73%

LAB 70.49, 2.34, -34.11

 

CMYK 8 / 41 / 0 / 8

HEX #D789EA

RGB 215 137 234

HSL 288.25, 0.7%, 0.73%

LAB 68.23, 45.43, -37.11

 

CMYK 0 / 17 / 41 / 8

HEX #EAC389

RGB 234 195 137

HSL 35.88, 0.7%, 0.73%

LAB 80.92, 6.24, 34.31

 

CMYK 33 / 0 / 41 / 8

HEX #9DEA89

RGB 157 234 137

HSL 107.63, 0.7%, 0.73%

LAB 85.92, -41.56, 39.72

 

CMYK 42 / 26 / 0 / 8

HEX #88AEEA

RGB 136 174 234

HSL 216.73, 0.7%, 0.73%

LAB 70.49, 2.34, -34.11

 

CMYK 0 / 41 / 4 / 8

HEX #EA89E0

RGB 234 137 224

HSL 306.19, 0.7%, 0.73%

LAB 70.01, 49.25, -28.66

 

CMYK 0 / 17 / 41 / 8

HEX #EAC389

RGB 234 195 137

HSL 35.88, 0.7%, 0.73%

LAB 80.92, 6.24, 34.31

 

CMYK 41 / 0 / 37 / 8

HEX #89EA93

RGB 137 234 147

HSL 126.19, 0.7%, 0.73%

LAB 85.13, -46.21, 33.53

 

Description

Color code: RGB 136 174 234 | qconv.com Color code: RGB 136 174 234 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 174 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 174 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 26 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 26% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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