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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 164.2 204.6 it is the complementary color RGB 119 90.8 50.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 164.2 204.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 164.2 204.6 shade: RGB 141 164.2 199.6, RGB 158 182.2 218.6, RGB 175 200.2 237.6, RGB 192 218.2 255 and RGB 209 236.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 164.2 204.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 164.2 204.6 shade: RGB 136 164.2 204.6, RGB 119 146.2 185.6, RGB 102 128.2 166.6, RGB 85 110.2 147.6 and RGB 68 92.2 128.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 164.2 204.6 shade: RGB 137 165 205, RGB 137 147 205, RGB 146 137 205, RGB 164 137 205 and RGB 182 137 205

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 164.2 204.6 shade: RGB 137 165 205, RGB 137 147 205 and RGB 137 137 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 164.2 204.6 shade matches the following richer shades: RGB 137 165 205, RGB 124 162 218, RGB 110 160 232 and RGB 96 158 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 164.2 204.6 shade: RGB 137 165 205, RGB 151 167 191, RGB 164 170 177, RGB 178 172 164 and RGB 192 175 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 164.2 204.6 shade: RGB 137 201 205, RGB 137 183 205, RGB 137 165 205, RGB 137 147 205 and RGB 145 137 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 164.2 204.6 shade: RGB 79 121 180, RGB 108 143 192, RGB 137 165 205, RGB 166 187 217 and RGB 195 209 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 164.2 204.6 shade: RGB 136 164.2 204.6, RGB 190 137 205 and RGB 192 205 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 164.2 204.6 shade: RGB 136 164.2 204.6, RGB 205 137 165 and RGB 165 205 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 164.2 204.6 shade: RGB 136 164.2 204.6, RGB 190 137 205, RGB 205 176 137 and RGB 152 205 137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 164.2 204.6 shade: RGB 136 164.2 204.6, RGB 205 137 199, RGB 205 176 137 and RGB 137 205 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 20 / 0 / 20

HEX #88A4CC

RGB 136 164.2 204.6

HSL 215.34, 0.4%, 0.67%

LAB 66.71, -0.05, -23.78

 

Complementary color

CMYK 0 / 24 / 58 / 53

HEX #775A32

RGB 119 90.8 50.4

HSL 35.34, 0.4%, 0.33%

LAB 40.58, 6.37, 27.52

 

CMYK 29 / 18 / 0 / 22

HEX #8DA4C7

RGB 141 164.2 199.6

HSL 216.25, 0.35%, 0.67%

LAB 66.85, 0.15, -20.76

 

CMYK 28 / 17 / 0 / 14

HEX #9EB6DA

RGB 158 182.2 218.6

HSL 216.04, 0.45%, 0.74%

LAB 73.48, -0.07, -21.01

 

CMYK 26 / 16 / 0 / 7

HEX #AFC8ED

RGB 175 200.2 237.6

HSL 215.85, 0.64%, 0.81%

LAB 79.99, -0.27, -21.28

 

CMYK 25 / 14 / 0 / 0

HEX #C0DAFF

RGB 192 218.2 255

HSL 215.05, 1%, 0.88%

LAB 86.34, -0.81, -20.79

 

CMYK 18 / 7 / 0 / 0

HEX #D1ECFF

RGB 209 236.2 255

HSL 204.52, 1%, 0.91%

LAB 92.08, -5.06, -12.06

 

CMYK 34 / 20 / 0 / 20

HEX #88A4CC

RGB 136 164.2 204.6

HSL 215.34, 0.4%, 0.67%

LAB 66.71, -0.05, -23.78

 

CMYK 36 / 21 / 0 / 27

HEX #7792B9

RGB 119 146.2 185.6

HSL 215.5, 0.32%, 0.6%

LAB 59.95, 0.24, -23.6

 

CMYK 39 / 23 / 0 / 35

HEX #6680A6

RGB 102 128.2 166.6

HSL 215.67, 0.27%, 0.53%

LAB 53.05, 0.58, -23.44

 

CMYK 42 / 25 / 0 / 42

HEX #556E93

RGB 85 110.2 147.6

HSL 215.85, 0.27%, 0.46%

LAB 45.98, 0.99, -23.32

 

CMYK 47 / 28 / 0 / 50

HEX #445C80

RGB 68 92.2 128.6

HSL 216.04, 0.31%, 0.39%

LAB 38.71, 1.5, -23.24

 

CMYK 33 / 20 / 0 / 20

HEX #89A5CD

RGB 137 165 205

HSL 215.29, 0.4%, 0.67%

LAB 67, -0.11, -23.54

 

CMYK 33 / 28 / 0 / 20

HEX #8993CD

RGB 137 147 205

HSL 231.18, 0.4%, 0.67%

LAB 62.16, 10.09, -31

 

CMYK 29 / 33 / 0 / 20

HEX #9289CD

RGB 146 137 205

HSL 247.94, 0.4%, 0.67%

LAB 60.26, 18.48, -33.9

 

CMYK 20 / 33 / 0 / 20

HEX #A489CD

RGB 164 137 205

HSL 263.82, 0.4%, 0.67%

LAB 61.82, 23.89, -31.35

 

CMYK 11 / 33 / 0 / 20

HEX #B689CD

RGB 182 137 205

HSL 279.71, 0.4%, 0.67%

LAB 63.54, 29.5, -28.55

 

CMYK 33 / 20 / 0 / 20

HEX #89A5CD

RGB 137 165 205

HSL 215.29, 0.4%, 0.67%

LAB 67, -0.11, -23.54

 

CMYK 33 / 28 / 0 / 20

HEX #8993CD

RGB 137 147 205

HSL 231.18, 0.4%, 0.67%

LAB 62.16, 10.09, -31

 

CMYK 33 / 33 / 0 / 20

HEX #8989CD

RGB 137 137 205

HSL 240, 0.4%, 0.67%

LAB 59.54, 15.88, -35.07

 

CMYK 33 / 20 / 0 / 20

HEX #89A5CD

RGB 137 165 205

HSL 215.29, 0.4%, 0.67%

LAB 67, -0.11, -23.54

 

CMYK 43 / 26 / 0 / 15

HEX #7CA2DA

RGB 124 162 218

HSL 215.74, 0.56%, 0.67%

LAB 65.89, 1.55, -32.51

 

CMYK 53 / 31 / 0 / 9

HEX #6EA0E8

RGB 110 160 232

HSL 215.41, 0.73%, 0.67%

LAB 65.19, 3.48, -41.39

 

CMYK 61 / 36 / 0 / 4

HEX #609EF5

RGB 96 158 245

HSL 215.03, 0.88%, 0.67%

LAB 64.59, 5.93, -49.5

 

CMYK 33 / 20 / 0 / 20

HEX #89A5CD

RGB 137 165 205

HSL 215.29, 0.4%, 0.67%

LAB 67, -0.11, -23.54

 

CMYK 21 / 13 / 0 / 25

HEX #97A7BF

RGB 151 167 191

HSL 216, 0.24%, 0.67%

LAB 68, -0.38, -14.18

 

CMYK 7 / 4 / 0 / 31

HEX #A4AAB1

RGB 164 170 177

HSL 212.31, 0.08%, 0.67%

LAB 69.34, -0.73, -4.33

 

CMYK 0 / 3 / 8 / 30

HEX #B2ACA4

RGB 178 172 164

HSL 34.29, 0.08%, 0.67%

LAB 70.63, 0.71, 4.86

 

CMYK 0 / 9 / 22 / 25

HEX #C0AF96

RGB 192 175 150

HSL 35.71, 0.25%, 0.67%

LAB 72.27, 2.07, 15.04

 

CMYK 33 / 2 / 0 / 20

HEX #89C9CD

RGB 137 201 205

HSL 183.53, 0.4%, 0.67%

LAB 76.98, -19.27, -8.5

 

CMYK 33 / 11 / 0 / 20

HEX #89B7CD

RGB 137 183 205

HSL 199.41, 0.4%, 0.67%

LAB 71.96, -9.91, -16.02

 

CMYK 33 / 20 / 0 / 20

HEX #89A5CD

RGB 137 165 205

HSL 215.29, 0.4%, 0.67%

LAB 67, -0.11, -23.54

 

CMYK 33 / 28 / 0 / 20

HEX #8993CD

RGB 137 147 205

HSL 231.18, 0.4%, 0.67%

LAB 62.16, 10.09, -31

 

CMYK 29 / 33 / 0 / 20

HEX #9189CD

RGB 145 137 205

HSL 247.06, 0.4%, 0.67%

LAB 60.18, 18.19, -34.04

 

CMYK 56 / 33 / 0 / 29

HEX #4F79B4

RGB 79 121 180

HSL 215.05, 0.4%, 0.51%

LAB 50.25, 3.14, -35.63

 

CMYK 44 / 26 / 0 / 25

HEX #6C8FC0

RGB 108 143 192

HSL 215, 0.4%, 0.59%

LAB 58.64, 0.85, -29.3

 

CMYK 33 / 20 / 0 / 20

HEX #89A5CD

RGB 137 165 205

HSL 215.29, 0.4%, 0.67%

LAB 67, -0.11, -23.54

 

CMYK 24 / 14 / 0 / 15

HEX #A6BBD9

RGB 166 187 217

HSL 215.29, 0.4%, 0.75%

LAB 75.24, -0.64, -17.43

 

CMYK 15 / 9 / 0 / 10

HEX #C3D1E5

RGB 195 209 229

HSL 215.29, 0.4%, 0.83%

LAB 83.37, -0.71, -11.47

 

CMYK 34 / 20 / 0 / 20

HEX #88A4CC

RGB 136 164.2 204.6

HSL 215.34, 0.4%, 0.67%

LAB 66.71, -0.05, -23.78

 

CMYK 7 / 33 / 0 / 20

HEX #BE89CD

RGB 190 137 205

HSL 286.76, 0.4%, 0.67%

LAB 64.36, 32.03, -27.22

 

CMYK 6 / 0 / 33 / 20

HEX #C0CD89

RGB 192 205 137

HSL 71.47, 0.4%, 0.67%

LAB 80, -15.37, 32.44

 

CMYK 34 / 20 / 0 / 20

HEX #88A4CC

RGB 136 164.2 204.6

HSL 215.34, 0.4%, 0.67%

LAB 66.71, -0.05, -23.78

 

CMYK 0 / 33 / 20 / 20

HEX #CD89A5

RGB 205 137 165

HSL 335.29, 0.4%, 0.67%

LAB 64.63, 29.97, -4.13

 

CMYK 20 / 0 / 33 / 20

HEX #A5CD89

RGB 165 205 137

HSL 95.29, 0.4%, 0.67%

LAB 78.15, -25.4, 29.66

 

CMYK 34 / 20 / 0 / 20

HEX #88A4CC

RGB 136 164.2 204.6

HSL 215.34, 0.4%, 0.67%

LAB 66.71, -0.05, -23.78

 

CMYK 7 / 33 / 0 / 20

HEX #BE89CD

RGB 190 137 205

HSL 286.76, 0.4%, 0.67%

LAB 64.36, 32.03, -27.22

 

CMYK 0 / 14 / 33 / 20

HEX #CDB089

RGB 205 176 137

HSL 34.41, 0.4%, 0.67%

LAB 73.44, 4.81, 23.87

 

CMYK 26 / 0 / 33 / 20

HEX #98CD89

RGB 152 205 137

HSL 106.76, 0.4%, 0.67%

LAB 77.37, -29.96, 28.48

 

CMYK 34 / 20 / 0 / 20

HEX #88A4CC

RGB 136 164.2 204.6

HSL 215.34, 0.4%, 0.67%

LAB 66.71, -0.05, -23.78

 

CMYK 0 / 33 / 3 / 20

HEX #CD89C7

RGB 205 137 199

HSL 305.29, 0.4%, 0.67%

LAB 65.74, 35.7, -21.6

 

CMYK 0 / 14 / 33 / 20

HEX #CDB089

RGB 205 176 137

HSL 34.41, 0.4%, 0.67%

LAB 73.44, 4.81, 23.87

 

CMYK 33 / 0 / 30 / 20

HEX #89CD8F

RGB 137 205 143

HSL 125.29, 0.4%, 0.67%

LAB 76.66, -33.95, 24.24

 

Description

Color code: RGB 136 164.2 204.6 | qconv.com Color code: RGB 136 164.2 204.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 164.2 green and 204.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 164.2 204.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 20 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 20% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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