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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 162 222 it is the complementary color RGB 119 93 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 162 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 162 222 shade: RGB 141 162 217, RGB 158 180 236, RGB 175 198 255, RGB 192 216 255 and RGB 209 234 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 162 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 162 222 shade: RGB 136 162 222, RGB 119 144 203, RGB 102 126 184, RGB 85 108 165 and RGB 68 90 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 162 222 shade: RGB 135 161 222, RGB 135 138 222, RGB 156 135 222, RGB 179 135 222 and RGB 203 135 222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 162 222 shade: RGB 135 161 222, RGB 135 138 222 and RGB 135 135 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 162 222 shade matches the following richer shades: RGB 135 161 222, RGB 123 156 234 and RGB 110 151 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 162 222 shade: RGB 135 161 222, RGB 147 166 210, RGB 160 171 197, RGB 172 176 185 and RGB 184 181 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 162 222 shade: RGB 135 209 222, RGB 135 186 222, RGB 135 163 222, RGB 135 139 222 and RGB 154 135 222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 162 222 shade: RGB 70 111 204, RGB 103 136 213, RGB 135 161 222, RGB 167 187 231 and RGB 200 212 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 162 222 shade: RGB 136 162 222, RGB 212 135 222 and RGB 197 222 135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 162 222 shade: RGB 136 162 222, RGB 222 135 163 and RGB 163 222 135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 162 222 shade: RGB 136 162 222, RGB 212 135 222, RGB 222 194 135 and RGB 145 222 135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 162 222 shade: RGB 136 162 222, RGB 222 135 206, RGB 222 194 135 and RGB 135 222 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 27 / 0 / 13

HEX #88A2DE

RGB 136 162 222

HSL 221.86, 0.57%, 0.7%

LAB 66.79, 5.79, -33.28

 

Complementary color

CMYK 0 / 22 / 72 / 53

HEX #775D21

RGB 119 93 33

HSL 41.86, 0.57%, 0.3%

LAB 40.99, 3.75, 37.15

 

CMYK 35 / 25 / 0 / 15

HEX #8DA2D9

RGB 141 162 217

HSL 223.42, 0.5%, 0.7%

LAB 66.91, 5.82, -30.3

 

CMYK 33 / 24 / 0 / 7

HEX #9EB4EC

RGB 158 180 236

HSL 223.08, 0.67%, 0.77%

LAB 73.52, 5.43, -30.4

 

CMYK 31 / 22 / 0 / 0

HEX #AFC6FF

RGB 175 198 255

HSL 222.75, 1%, 0.84%

LAB 80.02, 5.08, -30.53

 

CMYK 25 / 15 / 0 / 0

HEX #C0D8FF

RGB 192 216 255

HSL 217.14, 1%, 0.88%

LAB 85.78, 0.34, -21.65

 

CMYK 18 / 8 / 0 / 0

HEX #D1EAFF

RGB 209 234 255

HSL 207.39, 1%, 0.91%

LAB 91.51, -3.93, -12.9

 

CMYK 39 / 27 / 0 / 13

HEX #88A2DE

RGB 136 162 222

HSL 221.86, 0.57%, 0.7%

LAB 66.79, 5.79, -33.28

 

CMYK 41 / 29 / 0 / 20

HEX #7790CB

RGB 119 144 203

HSL 222.14, 0.45%, 0.63%

LAB 60.05, 6.31, -33.25

 

CMYK 45 / 32 / 0 / 28

HEX #667EB8

RGB 102 126 184

HSL 222.44, 0.37%, 0.56%

LAB 53.18, 6.92, -33.27

 

CMYK 48 / 35 / 0 / 35

HEX #556CA5

RGB 85 108 165

HSL 222.75, 0.32%, 0.49%

LAB 46.14, 7.65, -33.33

 

CMYK 53 / 38 / 0 / 43

HEX #445A92

RGB 68 90 146

HSL 223.08, 0.36%, 0.42%

LAB 38.93, 8.58, -33.46

 

CMYK 39 / 27 / 0 / 13

HEX #87A1DE

RGB 135 161 222

HSL 222.07, 0.57%, 0.7%

LAB 66.45, 6.09, -33.79

 

CMYK 39 / 38 / 0 / 13

HEX #878ADE

RGB 135 138 222

HSL 237.93, 0.57%, 0.7%

LAB 60.43, 19.36, -43.21

 

CMYK 30 / 39 / 0 / 13

HEX #9C87DE

RGB 156 135 222

HSL 254.48, 0.57%, 0.7%

LAB 61.37, 26.8, -41.62

 

CMYK 19 / 39 / 0 / 13

HEX #B387DE

RGB 179 135 222

HSL 270.34, 0.57%, 0.7%

LAB 63.5, 33.41, -38.13

 

CMYK 9 / 39 / 0 / 13

HEX #CB87DE

RGB 203 135 222

HSL 286.9, 0.57%, 0.7%

LAB 65.98, 40.55, -34.08

 

CMYK 39 / 27 / 0 / 13

HEX #87A1DE

RGB 135 161 222

HSL 222.07, 0.57%, 0.7%

LAB 66.45, 6.09, -33.79

 

CMYK 39 / 38 / 0 / 13

HEX #878ADE

RGB 135 138 222

HSL 237.93, 0.57%, 0.7%

LAB 60.43, 19.36, -43.21

 

CMYK 39 / 39 / 0 / 13

HEX #8787DE

RGB 135 135 222

HSL 240, 0.57%, 0.7%

LAB 59.66, 21.12, -44.42

 

CMYK 39 / 27 / 0 / 13

HEX #87A1DE

RGB 135 161 222

HSL 222.07, 0.57%, 0.7%

LAB 66.45, 6.09, -33.79

 

CMYK 47 / 33 / 0 / 8

HEX #7B9CEA

RGB 123 156 234

HSL 222.16, 0.73%, 0.7%

LAB 64.91, 9.34, -42.88

 

CMYK 55 / 39 / 0 / 3

HEX #6E97F7

RGB 110 151 247

HSL 222.04, 0.9%, 0.7%

LAB 63.48, 13.35, -52.32

 

CMYK 39 / 27 / 0 / 13

HEX #87A1DE

RGB 135 161 222

HSL 222.07, 0.57%, 0.7%

LAB 66.45, 6.09, -33.79

 

CMYK 30 / 21 / 0 / 18

HEX #93A6D2

RGB 147 166 210

HSL 221.9, 0.41%, 0.7%

LAB 68.12, 3.51, -24.55

 

CMYK 19 / 13 / 0 / 23

HEX #A0ABC5

RGB 160 171 197

HSL 222.16, 0.24%, 0.7%

LAB 69.92, 1.65, -14.55

 

CMYK 7 / 5 / 0 / 27

HEX #ACB0B9

RGB 172 176 185

HSL 221.54, 0.08%, 0.7%

LAB 71.77, 0.36, -5.08

 

CMYK 0 / 2 / 6 / 28

HEX #B8B5AD

RGB 184 181 173

HSL 43.64, 0.07%, 0.7%

LAB 73.71, -0.38, 4.44

 

CMYK 39 / 6 / 0 / 13

HEX #87D1DE

RGB 135 209 222

HSL 188.97, 0.57%, 0.7%

LAB 79.63, -19.69, -13.69

 

CMYK 39 / 16 / 0 / 13

HEX #87BADE

RGB 135 186 222

HSL 204.83, 0.57%, 0.7%

LAB 73.25, -7.71, -23.34

 

CMYK 39 / 27 / 0 / 13

HEX #87A3DE

RGB 135 163 222

HSL 220.69, 0.57%, 0.7%

LAB 66.99, 4.96, -32.96

 

CMYK 39 / 37 / 0 / 13

HEX #878BDE

RGB 135 139 222

HSL 237.24, 0.57%, 0.7%

LAB 60.68, 18.77, -42.81

 

CMYK 31 / 39 / 0 / 13

HEX #9A87DE

RGB 154 135 222

HSL 253.1, 0.57%, 0.7%

LAB 61.2, 26.24, -41.9

 

CMYK 66 / 46 / 0 / 20

HEX #466FCC

RGB 70 111 204

HSL 221.64, 0.57%, 0.54%

LAB 48.3, 15.76, -52.57

 

CMYK 52 / 36 / 0 / 16

HEX #6788D5

RGB 103 136 213

HSL 222, 0.57%, 0.62%

LAB 57.36, 10.05, -43.15

 

CMYK 39 / 27 / 0 / 13

HEX #87A1DE

RGB 135 161 222

HSL 222.07, 0.57%, 0.7%

LAB 66.45, 6.09, -33.79

 

CMYK 28 / 19 / 0 / 9

HEX #A7BBE7

RGB 167 187 231

HSL 221.25, 0.57%, 0.78%

LAB 75.78, 2.94, -24.19

 

CMYK 17 / 12 / 0 / 6

HEX #C8D4F0

RGB 200 212 240

HSL 222, 0.57%, 0.86%

LAB 84.82, 1.59, -15.1

 

CMYK 39 / 27 / 0 / 13

HEX #88A2DE

RGB 136 162 222

HSL 221.86, 0.57%, 0.7%

LAB 66.79, 5.79, -33.28

 

CMYK 5 / 39 / 0 / 13

HEX #D487DE

RGB 212 135 222

HSL 293.1, 0.57%, 0.7%

LAB 66.98, 43.27, -32.45

 

CMYK 11 / 0 / 39 / 13

HEX #C5DE87

RGB 197 222 135

HSL 77.24, 0.57%, 0.7%

LAB 84.93, -22.14, 39.92

 

CMYK 39 / 27 / 0 / 13

HEX #88A2DE

RGB 136 162 222

HSL 221.86, 0.57%, 0.7%

LAB 66.79, 5.79, -33.28

 

CMYK 0 / 39 / 27 / 13

HEX #DE87A3

RGB 222 135 163

HSL 340.69, 0.57%, 0.7%

LAB 66.14, 36.81, -0.55

 

CMYK 27 / 0 / 39 / 13

HEX #A3DE87

RGB 163 222 135

HSL 100.69, 0.57%, 0.7%

LAB 82.8, -34.42, 36.75

 

CMYK 39 / 27 / 0 / 13

HEX #88A2DE

RGB 136 162 222

HSL 221.86, 0.57%, 0.7%

LAB 66.79, 5.79, -33.28

 

CMYK 5 / 39 / 0 / 13

HEX #D487DE

RGB 212 135 222

HSL 293.1, 0.57%, 0.7%

LAB 66.98, 43.27, -32.45

 

CMYK 0 / 13 / 39 / 13

HEX #DEC287

RGB 222 194 135

HSL 40.69, 0.57%, 0.7%

LAB 79.54, 1.79, 33.33

 

CMYK 35 / 0 / 39 / 13

HEX #91DE87

RGB 145 222 135

HSL 113.1, 0.57%, 0.7%

LAB 81.84, -40.39, 35.34

 

CMYK 39 / 27 / 0 / 13

HEX #88A2DE

RGB 136 162 222

HSL 221.86, 0.57%, 0.7%

LAB 66.79, 5.79, -33.28

 

CMYK 0 / 39 / 7 / 13

HEX #DE87CE

RGB 222 135 206

HSL 311.03, 0.57%, 0.7%

LAB 67.51, 43.47, -22.64

 

CMYK 0 / 13 / 39 / 13

HEX #DEC287

RGB 222 194 135

HSL 40.69, 0.57%, 0.7%

LAB 79.54, 1.79, 33.33

 

CMYK 39 / 0 / 32 / 13

HEX #87DE97

RGB 135 222 151

HSL 131.03, 0.57%, 0.7%

LAB 81.64, -40.92, 26.8

 

Description

Color code: RGB 136 162 222 | qconv.com Color code: RGB 136 162 222 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 162 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 162 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 27 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 27% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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