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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 161 135 it is the complementary color RGB 119 94 120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 161 135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 161 135 shade: RGB 141 161 130, RGB 158 179 149, RGB 175 197 168, RGB 192 215 187 and RGB 209 233 206

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 161 135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 161 135 shade: RGB 136 161 135, RGB 119 143 116, RGB 102 125 97, RGB 85 107 78 and RGB 68 89 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 161 135 shade: RGB 136 161 135, RGB 143 161 135, RGB 150 161 135, RGB 157 161 135 and RGB 161 158 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 161 135 shade: RGB 136 161 135, RGB 135 161 141, RGB 135 161 148, RGB 135 161 155 and RGB 135 160 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 161 135 shade matches the following richer shades: RGB 136 161 135, RGB 120 178 118, RGB 104 195 100, RGB 88 213 83 and RGB 72 230 66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 161 135 shade: RGB 136 161 135, RGB 152 143 152, RGB 168 126 170, RGB 184 109 187 and RGB 200 91 204

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 161 135 shade: RGB 150 161 135, RGB 143 161 135, RGB 136 161 135, RGB 135 161 141 and RGB 135 161 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 161 135 shade: RGB 95 119 94, RGB 113 143 112, RGB 136 161 135, RGB 159 179 158 and RGB 182 197 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 161 135 shade: RGB 136 161 135, RGB 135 157 161 and RGB 161 135 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 161 135 shade: RGB 136 161 135, RGB 135 136 161 and RGB 161 135 136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 161 135 shade: RGB 136 161 135, RGB 135 157 161, RGB 159 135 161 and RGB 161 139 135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 161 135 shade: RGB 136 161 135, RGB 135 149 161, RGB 159 135 161 and RGB 161 147 135

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 16 / 37

HEX #88A187

RGB 136 161 135

HSL 117.69, 0.12%, 0.58%

LAB 63.73, -13.89, 10.66

 

Complementary color

CMYK 1 / 22 / 0 / 53

HEX #775E78

RGB 119 94 120

HSL 297.69, 0.12%, 0.42%

LAB 43.19, 15.09, -10.77

 

CMYK 12 / 0 / 19 / 37

HEX #8DA182

RGB 141 161 130

HSL 98.71, 0.14%, 0.57%

LAB 63.97, -12.96, 13.83

 

CMYK 12 / 0 / 17 / 30

HEX #9EB395

RGB 158 179 149

HSL 102, 0.16%, 0.64%

LAB 70.65, -12.92, 12.92

 

CMYK 11 / 0 / 15 / 23

HEX #AFC5A8

RGB 175 197 168

HSL 105.52, 0.2%, 0.72%

LAB 77.21, -12.88, 12.05

 

CMYK 11 / 0 / 13 / 16

HEX #C0D7BB

RGB 192 215 187

HSL 109.29, 0.26%, 0.79%

LAB 83.65, -12.85, 11.24

 

CMYK 10 / 0 / 12 / 9

HEX #D1E9CE

RGB 209 233 206

HSL 113.33, 0.38%, 0.86%

LAB 89.99, -12.83, 10.46

 

CMYK 16 / 0 / 16 / 37

HEX #88A187

RGB 136 161 135

HSL 117.69, 0.12%, 0.58%

LAB 63.73, -13.89, 10.66

 

CMYK 17 / 0 / 19 / 44

HEX #778F74

RGB 119 143 116

HSL 113.33, 0.11%, 0.51%

LAB 56.91, -14, 11.58

 

CMYK 18 / 0 / 22 / 51

HEX #667D61

RGB 102 125 97

HSL 109.29, 0.13%, 0.44%

LAB 49.92, -14.13, 12.57

 

CMYK 21 / 0 / 27 / 58

HEX #556B4E

RGB 85 107 78

HSL 105.52, 0.16%, 0.36%

LAB 42.76, -14.28, 13.64

 

CMYK 24 / 0 / 34 / 65

HEX #44593B

RGB 68 89 59

HSL 102, 0.2%, 0.29%

LAB 35.38, -14.45, 14.84

 

CMYK 16 / 0 / 16 / 37

HEX #88A187

RGB 136 161 135

HSL 117.69, 0.12%, 0.58%

LAB 63.73, -13.89, 10.66

 

CMYK 11 / 0 / 16 / 37

HEX #8FA187

RGB 143 161 135

HSL 101.54, 0.12%, 0.58%

LAB 64.22, -11.35, 11.43

 

CMYK 7 / 0 / 16 / 37

HEX #96A187

RGB 150 161 135

HSL 85.38, 0.12%, 0.58%

LAB 64.74, -8.75, 12.23

 

CMYK 2 / 0 / 16 / 37

HEX #9DA187

RGB 157 161 135

HSL 69.23, 0.12%, 0.58%

LAB 65.28, -6.11, 13.07

 

CMYK 0 / 2 / 16 / 37

HEX #A19E87

RGB 161 158 135

HSL 53.08, 0.12%, 0.58%

LAB 64.79, -2.95, 12.42

 

CMYK 16 / 0 / 16 / 37

HEX #88A187

RGB 136 161 135

HSL 117.69, 0.12%, 0.58%

LAB 63.73, -13.89, 10.66

 

CMYK 16 / 0 / 12 / 37

HEX #87A18D

RGB 135 161 141

HSL 133.85, 0.12%, 0.58%

LAB 63.81, -13.11, 7.41

 

CMYK 16 / 0 / 8 / 37

HEX #87A194

RGB 135 161 148

HSL 150, 0.12%, 0.58%

LAB 63.98, -11.73, 3.74

 

CMYK 16 / 0 / 4 / 37

HEX #87A19B

RGB 135 161 155

HSL 166.15, 0.12%, 0.58%

LAB 64.17, -10.29, 0.09

 

CMYK 16 / 1 / 0 / 37

HEX #87A0A1

RGB 135 160 161

HSL 182.31, 0.12%, 0.58%

LAB 64.05, -8.46, -3.45

 

CMYK 16 / 0 / 16 / 37

HEX #88A187

RGB 136 161 135

HSL 117.69, 0.12%, 0.58%

LAB 63.73, -13.89, 10.66

 

CMYK 33 / 0 / 34 / 30

HEX #78B276

RGB 120 178 118

HSL 118, 0.28%, 0.58%

LAB 67.38, -30.99, 24.85

 

CMYK 47 / 0 / 49 / 24

HEX #68C364

RGB 104 195 100

HSL 117.47, 0.44%, 0.58%

LAB 71.48, -46.28, 39.3

 

CMYK 59 / 0 / 61 / 16

HEX #58D553

RGB 88 213 83

HSL 117.69, 0.61%, 0.58%

LAB 76.25, -59.54, 52.76

 

CMYK 69 / 0 / 71 / 10

HEX #48E642

RGB 72 230 66

HSL 117.8, 0.77%, 0.58%

LAB 80.94, -70.19, 64.46

 

CMYK 16 / 0 / 16 / 37

HEX #88A187

RGB 136 161 135

HSL 117.69, 0.12%, 0.58%

LAB 63.73, -13.89, 10.66

 

CMYK 0 / 6 / 0 / 40

HEX #988F98

RGB 152 143 152

HSL 300, 0.04%, 0.58%

LAB 60.42, 5.04, -3.57

 

CMYK 1 / 26 / 0 / 33

HEX #A87EAA

RGB 168 126 170

HSL 297.27, 0.21%, 0.58%

LAB 58.18, 23.94, -17.06

 

CMYK 2 / 42 / 0 / 27

HEX #B86DBB

RGB 184 109 187

HSL 297.69, 0.36%, 0.58%

LAB 56.8, 41.87, -28.77

 

CMYK 2 / 55 / 0 / 20

HEX #C85BCC

RGB 200 91 204

HSL 297.88, 0.53%, 0.58%

LAB 56.21, 58.58, -39.25

 

CMYK 7 / 0 / 16 / 37

HEX #96A187

RGB 150 161 135

HSL 85.38, 0.12%, 0.58%

LAB 64.74, -8.75, 12.23

 

CMYK 11 / 0 / 16 / 37

HEX #8FA187

RGB 143 161 135

HSL 101.54, 0.12%, 0.58%

LAB 64.22, -11.35, 11.43

 

CMYK 16 / 0 / 16 / 37

HEX #88A187

RGB 136 161 135

HSL 117.69, 0.12%, 0.58%

LAB 63.73, -13.89, 10.66

 

CMYK 16 / 0 / 12 / 37

HEX #87A18D

RGB 135 161 141

HSL 133.85, 0.12%, 0.58%

LAB 63.81, -13.11, 7.41

 

CMYK 16 / 0 / 9 / 37

HEX #87A193

RGB 135 161 147

HSL 147.69, 0.12%, 0.58%

LAB 63.96, -11.93, 4.26

 

CMYK 20 / 0 / 21 / 53

HEX #5F775E

RGB 95 119 94

HSL 117.6, 0.12%, 0.42%

LAB 47.54, -14.06, 10.92

 

CMYK 21 / 0 / 22 / 44

HEX #718F70

RGB 113 143 112

HSL 118.06, 0.12%, 0.5%

LAB 56.41, -16.94, 13.1

 

CMYK 16 / 0 / 16 / 37

HEX #88A187

RGB 136 161 135

HSL 117.69, 0.12%, 0.58%

LAB 63.73, -13.89, 10.66

 

CMYK 11 / 0 / 12 / 30

HEX #9FB39E

RGB 159 179 158

HSL 117.14, 0.12%, 0.66%

LAB 70.93, -10.95, 8.4

 

CMYK 8 / 0 / 8 / 23

HEX #B6C5B5

RGB 182 197 181

HSL 116.25, 0.12%, 0.74%

LAB 78, -8.12, 6.26

 

CMYK 16 / 0 / 16 / 37

HEX #88A187

RGB 136 161 135

HSL 117.69, 0.12%, 0.58%

LAB 63.73, -13.89, 10.66

 

CMYK 16 / 2 / 0 / 37

HEX #879DA1

RGB 135 157 161

HSL 189.23, 0.12%, 0.58%

LAB 63.21, -6.83, -4.69

 

CMYK 0 / 16 / 9 / 37

HEX #A18793

RGB 161 135 147

HSL 332.31, 0.12%, 0.58%

LAB 58.99, 11.95, -2.72

 

CMYK 16 / 0 / 16 / 37

HEX #88A187

RGB 136 161 135

HSL 117.69, 0.12%, 0.58%

LAB 63.73, -13.89, 10.66

 

CMYK 16 / 16 / 0 / 37

HEX #8788A1

RGB 135 136 161

HSL 237.69, 0.12%, 0.58%

LAB 57.4, 4.96, -13.37

 

CMYK 0 / 16 / 16 / 37

HEX #A18788

RGB 161 135 136

HSL 357.69, 0.12%, 0.58%

LAB 58.68, 10.03, 3.14

 

CMYK 16 / 0 / 16 / 37

HEX #88A187

RGB 136 161 135

HSL 117.69, 0.12%, 0.58%

LAB 63.73, -13.89, 10.66

 

CMYK 16 / 2 / 0 / 37

HEX #879DA1

RGB 135 157 161

HSL 189.23, 0.12%, 0.58%

LAB 63.21, -6.83, -4.69

 

CMYK 1 / 16 / 0 / 37

HEX #9F87A1

RGB 159 135 161

HSL 295.38, 0.12%, 0.58%

LAB 59.23, 13.88, -10.41

 

CMYK 0 / 14 / 16 / 37

HEX #A18B87

RGB 161 139 135

HSL 9.23, 0.12%, 0.58%

LAB 59.7, 7.6, 5.19

 

CMYK 16 / 0 / 16 / 37

HEX #88A187

RGB 136 161 135

HSL 117.69, 0.12%, 0.58%

LAB 63.73, -13.89, 10.66

 

CMYK 16 / 7 / 0 / 37

HEX #8795A1

RGB 135 149 161

HSL 207.69, 0.12%, 0.58%

LAB 60.97, -2.41, -8.01

 

CMYK 1 / 16 / 0 / 37

HEX #9F87A1

RGB 159 135 161

HSL 295.38, 0.12%, 0.58%

LAB 59.23, 13.88, -10.41

 

CMYK 0 / 9 / 16 / 37

HEX #A19387

RGB 161 147 135

HSL 27.69, 0.12%, 0.58%

LAB 61.82, 3.11, 8.22

 

Description

Color code: RGB 136 161 135 | qconv.com Color code: RGB 136 161 135 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 161 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 161 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 16 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 16% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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