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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 156 28 it is the complementary color RGB 119 99 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 156 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 156 28 shade: RGB 141 156 23, RGB 158 174 42, RGB 175 192 61, RGB 192 210 80 and RGB 209 228 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 156 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 156 28 shade: RGB 136 156 28, RGB 119 138 9, RGB 102 120 0, RGB 85 102 0 and RGB 68 84 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 156 28 shade: RGB 136 156 28, RGB 156 141 28, RGB 156 107 28, RGB 156 72 28 and RGB 156 38 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 156 28 shade: RGB 136 156 28, RGB 101 156 28, RGB 67 156 28, RGB 32 156 28 and RGB 28 156 58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 156 28 shade matches the following richer shades: RGB 136 156 28 and RGB 146 171 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 156 28 shade: RGB 136 156 28, RGB 126 141 42, RGB 116 126 57, RGB 105 112 72 and RGB 95 97 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 156 28 shade: RGB 156 107 28, RGB 156 141 28, RGB 137 156 28, RGB 103 156 28 and RGB 68 156 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 156 28 shade: RGB 75 86 15, RGB 105 121 21, RGB 136 156 28, RGB 167 191 34 and RGB 192 218 48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 156 28 shade: RGB 136 156 28, RGB 28 156 73 and RGB 124 28 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 156 28 shade: RGB 136 156 28, RGB 28 137 156 and RGB 156 28 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 156 28 shade: RGB 136 156 28, RGB 28 156 73, RGB 47 28 156 and RGB 156 28 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 156 28 shade: RGB 136 156 28, RGB 28 156 111, RGB 47 28 156 and RGB 156 28 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 82 / 39

HEX #889C1C

RGB 136 156 28

HSL 69.38, 0.7%, 0.36%

LAB 60.87, -23.16, 58.41

 

Complementary color

CMYK 48 / 56 / 0 / 11

HEX #7763E3

RGB 119 99 227

HSL 249.38, 0.7%, 0.64%

LAB 49.97, 39.96, -62.78

 

CMYK 10 / 0 / 85 / 39

HEX #8D9C17

RGB 141 156 23

HSL 66.77, 0.74%, 0.35%

LAB 61.22, -21.15, 60.16

 

CMYK 9 / 0 / 76 / 32

HEX #9EAE2A

RGB 158 174 42

HSL 67.27, 0.61%, 0.42%

LAB 67.81, -22.11, 61.05

 

CMYK 9 / 0 / 68 / 25

HEX #AFC03D

RGB 175 192 61

HSL 67.79, 0.52%, 0.5%

LAB 74.29, -22.86, 61

 

CMYK 9 / 0 / 62 / 18

HEX #C0D250

RGB 192 210 80

HSL 68.31, 0.59%, 0.57%

LAB 80.67, -23.46, 60.43

 

CMYK 8 / 0 / 57 / 11

HEX #D1E463

RGB 209 228 99

HSL 68.84, 0.7%, 0.64%

LAB 86.97, -23.94, 59.58

 

CMYK 13 / 0 / 82 / 39

HEX #889C1C

RGB 136 156 28

HSL 69.38, 0.7%, 0.36%

LAB 60.87, -23.16, 58.41

 

CMYK 14 / 0 / 93 / 46

HEX #778A09

RGB 119 138 9

HSL 68.84, 0.88%, 0.29%

LAB 54.15, -22.08, 56.49

 

CMYK 15 / 0 / 100 / 53

HEX #667800

RGB 102 120 0

HSL 69, 1%, 0.24%

LAB 47.31, -20.7, 52.35

 

CMYK 17 / 0 / 100 / 60

HEX #556600

RGB 85 102 0

HSL 70, 1%, 0.2%

LAB 40.3, -19.11, 46.51

 

CMYK 19 / 0 / 100 / 67

HEX #445400

RGB 68 84 0

HSL 71.43, 1%, 0.16%

LAB 33.07, -17.48, 40.49

 

CMYK 13 / 0 / 82 / 39

HEX #889C1C

RGB 136 156 28

HSL 69.38, 0.7%, 0.36%

LAB 60.87, -23.16, 58.41

 

CMYK 0 / 10 / 82 / 39

HEX #9C8D1C

RGB 156 141 28

HSL 52.97, 0.7%, 0.36%

LAB 58.23, -6.37, 56.74

 

CMYK 0 / 31 / 82 / 39

HEX #9C6B1C

RGB 156 107 28

HSL 37.03, 0.7%, 0.36%

LAB 49.09, 12.7, 48.64

 

CMYK 0 / 54 / 82 / 39

HEX #9C481C

RGB 156 72 28

HSL 20.63, 0.7%, 0.36%

LAB 40.87, 32.29, 41.08

 

CMYK 0 / 76 / 82 / 39

HEX #9C261C

RGB 156 38 28

HSL 4.69, 0.7%, 0.36%

LAB 35.08, 47.69, 35.51

 

CMYK 13 / 0 / 82 / 39

HEX #889C1C

RGB 136 156 28

HSL 69.38, 0.7%, 0.36%

LAB 60.87, -23.16, 58.41

 

CMYK 35 / 0 / 82 / 39

HEX #659C1C

RGB 101 156 28

HSL 85.78, 0.7%, 0.36%

LAB 58.63, -37.41, 55.56

 

CMYK 57 / 0 / 82 / 39

HEX #439C1C

RGB 67 156 28

HSL 101.72, 0.7%, 0.36%

LAB 57.13, -48.58, 53.64

 

CMYK 79 / 0 / 82 / 39

HEX #209C1C

RGB 32 156 28

HSL 118.13, 0.7%, 0.36%

LAB 56.26, -55.87, 52.51

 

CMYK 82 / 0 / 63 / 39

HEX #1C9C3A

RGB 28 156 58

HSL 134.06, 0.7%, 0.36%

LAB 56.42, -53.66, 41.06

 

CMYK 13 / 0 / 82 / 39

HEX #889C1C

RGB 136 156 28

HSL 69.38, 0.7%, 0.36%

LAB 60.87, -23.16, 58.41

 

CMYK 15 / 0 / 92 / 33

HEX #92AB0D

RGB 146 171 13

HSL 69.49, 0.86%, 0.36%

LAB 65.96, -26.66, 66.09

 

CMYK 13 / 0 / 82 / 39

HEX #889C1C

RGB 136 156 28

HSL 69.38, 0.7%, 0.36%

LAB 60.87, -23.16, 58.41

 

CMYK 11 / 0 / 70 / 45

HEX #7E8D2A

RGB 126 141 42

HSL 69.09, 0.54%, 0.36%

LAB 55.74, -19.21, 48.53

 

CMYK 8 / 0 / 55 / 51

HEX #747E39

RGB 116 126 57

HSL 68.7, 0.38%, 0.36%

LAB 50.61, -14.5, 35.83

 

CMYK 6 / 0 / 36 / 56

HEX #697048

RGB 105 112 72

HSL 70.5, 0.22%, 0.36%

LAB 45.72, -9.8, 21.39

 

CMYK 2 / 0 / 10 / 62

HEX #5F6157

RGB 95 97 87

HSL 72, 0.05%, 0.36%

LAB 40.69, -2.81, 5.43

 

CMYK 0 / 31 / 82 / 39

HEX #9C6B1C

RGB 156 107 28

HSL 37.03, 0.7%, 0.36%

LAB 49.09, 12.7, 48.64

 

CMYK 0 / 10 / 82 / 39

HEX #9C8D1C

RGB 156 141 28

HSL 52.97, 0.7%, 0.36%

LAB 58.23, -6.37, 56.74

 

CMYK 12 / 0 / 82 / 39

HEX #899C1C

RGB 137 156 28

HSL 68.91, 0.7%, 0.36%

LAB 60.94, -22.72, 58.5

 

CMYK 34 / 0 / 82 / 39

HEX #679C1C

RGB 103 156 28

HSL 84.84, 0.7%, 0.36%

LAB 58.74, -36.66, 55.7

 

CMYK 56 / 0 / 82 / 39

HEX #449C1C

RGB 68 156 28

HSL 101.25, 0.7%, 0.36%

LAB 57.16, -48.3, 53.68

 

CMYK 13 / 0 / 83 / 66

HEX #4B560F

RGB 75 86 15

HSL 69.3, 0.7%, 0.2%

LAB 34.37, -14.58, 36.86

 

CMYK 13 / 0 / 83 / 53

HEX #697915

RGB 105 121 21

HSL 69.6, 0.7%, 0.28%

LAB 47.92, -19.24, 48.08

 

CMYK 13 / 0 / 82 / 39

HEX #889C1C

RGB 136 156 28

HSL 69.38, 0.7%, 0.36%

LAB 60.87, -23.16, 58.41

 

CMYK 13 / 0 / 82 / 25

HEX #A7BF22

RGB 167 191 34

HSL 69.17, 0.7%, 0.44%

LAB 73.28, -26.94, 68.53

 

CMYK 12 / 0 / 78 / 15

HEX #C0DA30

RGB 192 218 48

HSL 69.18, 0.7%, 0.52%

LAB 82.68, -29, 73.76

 

CMYK 13 / 0 / 82 / 39

HEX #889C1C

RGB 136 156 28

HSL 69.38, 0.7%, 0.36%

LAB 60.87, -23.16, 58.41

 

CMYK 82 / 0 / 53 / 39

HEX #1C9C49

RGB 28 156 73

HSL 141.09, 0.7%, 0.36%

LAB 56.59, -51.56, 33.97

 

CMYK 21 / 82 / 0 / 39

HEX #7C1C9C

RGB 124 28 156

HSL 285, 0.7%, 0.36%

LAB 32.95, 57.55, -48.74

 

CMYK 13 / 0 / 82 / 39

HEX #889C1C

RGB 136 156 28

HSL 69.38, 0.7%, 0.36%

LAB 60.87, -23.16, 58.41

 

CMYK 82 / 12 / 0 / 39

HEX #1C899C

RGB 28 137 156

HSL 188.91, 0.7%, 0.36%

LAB 52.44, -22.27, -18.48

 

CMYK 0 / 82 / 12 / 39

HEX #9C1C89

RGB 156 28 137

HSL 308.91, 0.7%, 0.36%

LAB 37.31, 60.73, -29.83

 

CMYK 13 / 0 / 82 / 39

HEX #889C1C

RGB 136 156 28

HSL 69.38, 0.7%, 0.36%

LAB 60.87, -23.16, 58.41

 

CMYK 82 / 0 / 53 / 39

HEX #1C9C49

RGB 28 156 73

HSL 141.09, 0.7%, 0.36%

LAB 56.59, -51.56, 33.97

 

CMYK 70 / 82 / 0 / 39

HEX #2F1C9C

RGB 47 28 156

HSL 248.91, 0.7%, 0.36%

LAB 23.12, 46.68, -65.24

 

CMYK 0 / 82 / 29 / 39

HEX #9C1C6F

RGB 156 28 111

HSL 321.09, 0.7%, 0.36%

LAB 36.07, 57.23, -15.51

 

CMYK 13 / 0 / 82 / 39

HEX #889C1C

RGB 136 156 28

HSL 69.38, 0.7%, 0.36%

LAB 60.87, -23.16, 58.41

 

CMYK 82 / 0 / 29 / 39

HEX #1C9C6F

RGB 28 156 111

HSL 158.91, 0.7%, 0.36%

LAB 57.24, -44.08, 14.33

 

CMYK 70 / 82 / 0 / 39

HEX #2F1C9C

RGB 47 28 156

HSL 248.91, 0.7%, 0.36%

LAB 23.12, 46.68, -65.24

 

CMYK 0 / 82 / 53 / 39

HEX #9C1C49

RGB 156 28 73

HSL 338.91, 0.7%, 0.36%

LAB 34.76, 53.36, 6.97

 

Description

Color code: RGB 136 156 28 | qconv.com Color code: RGB 136 156 28 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 156 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 156 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 82 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 82% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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