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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 151 21 it is the complementary color RGB 119 104 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 151 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 151 21 shade: RGB 141 151 16, RGB 158 169 35, RGB 175 187 54, RGB 192 205 73 and RGB 209 223 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 151 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 151 21 shade: RGB 136 151 21, RGB 119 133 2, RGB 102 115 0, RGB 85 97 0 and RGB 68 79 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 151 21 shade: RGB 137 152 20, RGB 152 132 20, RGB 152 96 20, RGB 152 61 20 and RGB 152 25 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 151 21 shade: RGB 137 152 20, RGB 101 152 20, RGB 66 152 20, RGB 30 152 20 and RGB 20 152 46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 151 21 shade matches the following richer shades: RGB 137 152 20 and RGB 148 166 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 151 21 shade: RGB 137 152 20, RGB 126 138 34, RGB 115 124 48, RGB 105 110 62 and RGB 94 96 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 151 21 shade: RGB 152 95 20, RGB 152 130 20, RGB 139 152 20, RGB 104 152 20 and RGB 69 152 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 151 21 shade: RGB 72 79 10, RGB 104 116 15, RGB 137 152 20, RGB 170 188 25 and RGB 202 224 31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 151 21 shade: RGB 136 151 21, RGB 20 152 60 and RGB 113 20 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 151 21 shade: RGB 136 151 21, RGB 20 139 152 and RGB 152 20 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 151 21 shade: RGB 136 151 21, RGB 20 152 60, RGB 33 20 152 and RGB 152 20 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 151 21 shade: RGB 136 151 21, RGB 20 152 99, RGB 33 20 152 and RGB 152 20 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 86 / 41

HEX #889715

RGB 136 151 21

HSL 66.92, 0.76%, 0.34%

LAB 59.36, -20.87, 58.91

 

Complementary color

CMYK 49 / 56 / 0 / 8

HEX #7768EA

RGB 119 104 234

HSL 246.92, 0.76%, 0.66%

LAB 51.57, 39.09, -64.13

 

CMYK 7 / 0 / 89 / 41

HEX #8D9710

RGB 141 151 16

HSL 64.44, 0.81%, 0.33%

LAB 59.74, -18.79, 60.45

 

CMYK 7 / 0 / 79 / 34

HEX #9EA923

RGB 158 169 35

HSL 64.93, 0.66%, 0.4%

LAB 66.34, -19.9, 61.9

 

CMYK 6 / 0 / 71 / 27

HEX #AFBB36

RGB 175 187 54

HSL 65.41, 0.55%, 0.47%

LAB 72.84, -20.78, 62.17

 

CMYK 6 / 0 / 64 / 20

HEX #C0CD49

RGB 192 205 73

HSL 65.91, 0.57%, 0.55%

LAB 79.24, -21.49, 61.78

 

CMYK 6 / 0 / 59 / 13

HEX #D1DF5C

RGB 209 223 92

HSL 66.41, 0.67%, 0.62%

LAB 85.56, -22.06, 61.03

 

CMYK 10 / 0 / 86 / 41

HEX #889715

RGB 136 151 21

HSL 66.92, 0.76%, 0.34%

LAB 59.36, -20.87, 58.91

 

CMYK 11 / 0 / 98 / 48

HEX #778502

RGB 119 133 2

HSL 66.41, 0.97%, 0.26%

LAB 52.62, -19.67, 56.53

 

CMYK 11 / 0 / 100 / 55

HEX #667300

RGB 102 115 0

HSL 66.78, 1%, 0.23%

LAB 45.75, -18.09, 51.18

 

CMYK 12 / 0 / 100 / 62

HEX #556100

RGB 85 97 0

HSL 67.42, 1%, 0.19%

LAB 38.69, -16.43, 45.31

 

CMYK 14 / 0 / 100 / 69

HEX #444F00

RGB 68 79 0

HSL 68.35, 1%, 0.15%

LAB 31.4, -14.72, 39.23

 

CMYK 10 / 0 / 87 / 40

HEX #899814

RGB 137 152 20

HSL 66.82, 0.77%, 0.34%

LAB 59.73, -20.97, 59.48

 

CMYK 0 / 13 / 87 / 40

HEX #988414

RGB 152 132 20

HSL 50.91, 0.77%, 0.34%

LAB 55.31, -3.53, 56.34

 

CMYK 0 / 37 / 87 / 40

HEX #986014

RGB 152 96 20

HSL 34.55, 0.77%, 0.34%

LAB 45.76, 16.93, 48.41

 

CMYK 0 / 60 / 87 / 40

HEX #983D14

RGB 152 61 20

HSL 18.64, 0.77%, 0.34%

LAB 37.96, 36.09, 41.82

 

CMYK 0 / 84 / 87 / 40

HEX #981914

RGB 152 25 20

HSL 2.27, 0.77%, 0.34%

LAB 32.75, 50.26, 37.34

 

CMYK 10 / 0 / 87 / 40

HEX #899814

RGB 137 152 20

HSL 66.82, 0.77%, 0.34%

LAB 59.73, -20.97, 59.48

 

CMYK 34 / 0 / 87 / 40

HEX #659814

RGB 101 152 20

HSL 83.18, 0.77%, 0.34%

LAB 57.34, -35.96, 56.5

 

CMYK 57 / 0 / 87 / 40

HEX #429814

RGB 66 152 20

HSL 99.09, 0.77%, 0.34%

LAB 55.75, -47.74, 54.49

 

CMYK 80 / 0 / 87 / 40

HEX #1E9814

RGB 30 152 20

HSL 115.45, 0.77%, 0.34%

LAB 54.85, -55.32, 53.35

 

CMYK 87 / 0 / 70 / 40

HEX #14982E

RGB 20 152 46

HSL 131.82, 0.77%, 0.34%

LAB 54.87, -54.57, 44.61

 

CMYK 10 / 0 / 87 / 40

HEX #899814

RGB 137 152 20

HSL 66.82, 0.77%, 0.34%

LAB 59.73, -20.97, 59.48

 

CMYK 11 / 0 / 96 / 35

HEX #94A606

RGB 148 166 6

HSL 66.75, 0.93%, 0.34%

LAB 64.63, -23.46, 66.04

 

CMYK 10 / 0 / 87 / 40

HEX #899814

RGB 137 152 20

HSL 66.82, 0.77%, 0.34%

LAB 59.73, -20.97, 59.48

 

CMYK 9 / 0 / 75 / 46

HEX #7E8A22

RGB 126 138 34

HSL 66.92, 0.6%, 0.34%

LAB 54.79, -18.1, 50.66

 

CMYK 7 / 0 / 61 / 51

HEX #737C30

RGB 115 124 48

HSL 67.11, 0.44%, 0.34%

LAB 49.83, -14.67, 39.37

 

CMYK 5 / 0 / 44 / 57

HEX #696E3E

RGB 105 110 62

HSL 66.25, 0.28%, 0.34%

LAB 44.95, -9.99, 26.08

 

CMYK 2 / 0 / 21 / 62

HEX #5E604C

RGB 94 96 76

HSL 66, 0.12%, 0.34%

LAB 40.03, -4.64, 11.19

 

CMYK 0 / 38 / 87 / 40

HEX #985F14

RGB 152 95 20

HSL 34.09, 0.77%, 0.34%

LAB 45.51, 17.5, 48.2

 

CMYK 0 / 14 / 87 / 40

HEX #988214

RGB 152 130 20

HSL 50, 0.77%, 0.34%

LAB 54.75, -2.42, 55.88

 

CMYK 9 / 0 / 87 / 40

HEX #8B9814

RGB 139 152 20

HSL 65.91, 0.77%, 0.34%

LAB 59.89, -20.09, 59.67

 

CMYK 32 / 0 / 87 / 40

HEX #689814

RGB 104 152 20

HSL 81.82, 0.77%, 0.34%

LAB 57.51, -34.8, 56.71

 

CMYK 55 / 0 / 87 / 40

HEX #459814

RGB 69 152 20

HSL 97.73, 0.77%, 0.34%

LAB 55.86, -46.89, 54.63

 

CMYK 9 / 0 / 87 / 69

HEX #484F0A

RGB 72 79 10

HSL 66.09, 0.78%, 0.17%

LAB 31.79, -12.31, 36.15

 

CMYK 10 / 0 / 87 / 55

HEX #68740F

RGB 104 116 15

HSL 67.13, 0.77%, 0.26%

LAB 46.27, -17.29, 48.31

 

CMYK 10 / 0 / 87 / 40

HEX #899814

RGB 137 152 20

HSL 66.82, 0.77%, 0.34%

LAB 59.73, -20.97, 59.48

 

CMYK 10 / 0 / 87 / 26

HEX #AABC19

RGB 170 188 25

HSL 66.63, 0.77%, 0.42%

LAB 72.62, -24.49, 70.1

 

CMYK 10 / 0 / 86 / 12

HEX #CAE01F

RGB 202 224 31

HSL 66.84, 0.76%, 0.5%

LAB 84.98, -28.27, 80.04

 

CMYK 10 / 0 / 86 / 41

HEX #889715

RGB 136 151 21

HSL 66.92, 0.76%, 0.34%

LAB 59.36, -20.87, 58.91

 

CMYK 87 / 0 / 61 / 40

HEX #14983C

RGB 20 152 60

HSL 138.18, 0.77%, 0.34%

LAB 55, -52.91, 38.47

 

CMYK 26 / 87 / 0 / 40

HEX #711498

RGB 113 20 152

HSL 282.27, 0.77%, 0.34%

LAB 30.1, 57.08, -51.01

 

CMYK 10 / 0 / 86 / 41

HEX #889715

RGB 136 151 21

HSL 66.92, 0.76%, 0.34%

LAB 59.36, -20.87, 58.91

 

CMYK 87 / 9 / 0 / 40

HEX #148B98

RGB 20 139 152

HSL 185.91, 0.77%, 0.34%

LAB 52.82, -25.3, -15.6

 

CMYK 0 / 87 / 9 / 40

HEX #98148B

RGB 152 20 139

HSL 305.91, 0.77%, 0.34%

LAB 36.06, 61.98, -33.08

 

CMYK 10 / 0 / 86 / 41

HEX #889715

RGB 136 151 21

HSL 66.92, 0.76%, 0.34%

LAB 59.36, -20.87, 58.91

 

CMYK 87 / 0 / 61 / 40

HEX #14983C

RGB 20 152 60

HSL 138.18, 0.77%, 0.34%

LAB 55, -52.91, 38.47

 

CMYK 78 / 87 / 0 / 40

HEX #211498

RGB 33 20 152

HSL 245.91, 0.77%, 0.34%

LAB 20.4, 48.03, -67.32

 

CMYK 0 / 87 / 26 / 40

HEX #981471

RGB 152 20 113

HSL 317.73, 0.77%, 0.34%

LAB 34.74, 58.41, -18.9

 

CMYK 10 / 0 / 86 / 41

HEX #889715

RGB 136 151 21

HSL 66.92, 0.76%, 0.34%

LAB 59.36, -20.87, 58.91

 

CMYK 87 / 0 / 35 / 40

HEX #149863

RGB 20 152 99

HSL 155.91, 0.77%, 0.34%

LAB 55.59, -45.98, 18.74

 

CMYK 78 / 87 / 0 / 40

HEX #211498

RGB 33 20 152

HSL 245.91, 0.77%, 0.34%

LAB 20.4, 48.03, -67.32

 

CMYK 0 / 87 / 52 / 40

HEX #981449

RGB 152 20 73

HSL 335.91, 0.77%, 0.34%

LAB 33.26, 54.24, 4.72

 

Description

Color code: RGB 136 151 21 | qconv.com Color code: RGB 136 151 21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 151 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 151 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 86 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 86% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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