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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 143 82 it is the complementary color RGB 119 112 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 143 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 143 82 shade: RGB 141 143 77, RGB 158 161 96, RGB 175 179 115, RGB 192 197 134 and RGB 209 215 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 143 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 143 82 shade: RGB 136 143 82, RGB 119 125 63, RGB 102 107 44, RGB 85 89 25 and RGB 68 71 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 143 82 shade: RGB 136 142 82, RGB 142 133 82, RGB 142 117 82, RGB 142 100 82 and RGB 142 84 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 143 82 shade: RGB 136 142 82, RGB 119 142 82, RGB 103 142 82, RGB 87 142 82 and RGB 82 142 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 143 82 shade matches the following richer shades: RGB 136 142 82, RGB 150 161 64, RGB 164 179 46, RGB 177 197 27 and RGB 191 215 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 143 82 shade: RGB 136 142 82, RGB 122 124 100, RGB 108 106 118, RGB 94 88 136 and RGB 80 70 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 143 82 shade: RGB 142 116 82, RGB 142 132 82, RGB 136 142 82, RGB 120 142 82 and RGB 104 142 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 143 82 shade: RGB 86 90 52, RGB 111 116 67, RGB 136 142 82, RGB 158 166 100 and RGB 175 181 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 143 82 shade: RGB 136 143 82, RGB 82 142 100 and RGB 124 82 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 143 82 shade: RGB 136 143 82, RGB 82 136 142 and RGB 142 82 136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 143 82 shade: RGB 136 143 82, RGB 82 142 100, RGB 88 82 142 and RGB 142 82 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 143 82 shade: RGB 136 143 82, RGB 82 142 118, RGB 88 82 142 and RGB 142 82 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 43 / 44

HEX #888F52

RGB 136 143 82

HSL 66.89, 0.27%, 0.44%

LAB 57.55, -12.37, 31.54

 

Complementary color

CMYK 31 / 35 / 0 / 32

HEX #7770AD

RGB 119 112 173

HSL 246.89, 0.27%, 0.56%

LAB 50.13, 16.96, -31.58

 

CMYK 1 / 0 / 46 / 44

HEX #8D8F4D

RGB 141 143 77

HSL 61.82, 0.3%, 0.43%

LAB 57.89, -10.81, 34.69

 

CMYK 2 / 0 / 40 / 37

HEX #9EA160

RGB 158 161 96

HSL 62.77, 0.26%, 0.5%

LAB 64.65, -11.17, 33.45

 

CMYK 2 / 0 / 36 / 30

HEX #AFB373

RGB 175 179 115

HSL 63.75, 0.3%, 0.58%

LAB 71.28, -11.46, 32.24

 

CMYK 3 / 0 / 32 / 23

HEX #C0C586

RGB 192 197 134

HSL 64.76, 0.35%, 0.65%

LAB 77.79, -11.69, 31.09

 

CMYK 3 / 0 / 29 / 16

HEX #D1D799

RGB 209 215 153

HSL 65.81, 0.44%, 0.72%

LAB 84.2, -11.88, 29.99

 

CMYK 5 / 0 / 43 / 44

HEX #888F52

RGB 136 143 82

HSL 66.89, 0.27%, 0.44%

LAB 57.55, -12.37, 31.54

 

CMYK 5 / 0 / 50 / 51

HEX #777D3F

RGB 119 125 63

HSL 65.81, 0.33%, 0.37%

LAB 50.63, -12.04, 32.8

 

CMYK 5 / 0 / 59 / 58

HEX #666B2C

RGB 102 107 44

HSL 64.76, 0.42%, 0.3%

LAB 43.54, -11.57, 34.01

 

CMYK 4 / 0 / 72 / 65

HEX #555919

RGB 85 89 25

HSL 63.75, 0.56%, 0.22%

LAB 36.26, -10.87, 34.9

 

CMYK 4 / 0 / 92 / 72

HEX #444706

RGB 68 71 6

HSL 62.77, 0.84%, 0.15%

LAB 28.77, -9.84, 34.81

 

CMYK 4 / 0 / 42 / 44

HEX #888E52

RGB 136 142 82

HSL 66, 0.27%, 0.44%

LAB 57.26, -11.84, 31.17

 

CMYK 0 / 6 / 42 / 44

HEX #8E8552

RGB 142 133 82

HSL 51, 0.27%, 0.44%

LAB 55.21, -4.36, 28.69

 

CMYK 0 / 18 / 42 / 44

HEX #8E7552

RGB 142 117 82

HSL 35, 0.27%, 0.44%

LAB 50.78, 4.7, 22.96

 

CMYK 0 / 30 / 42 / 44

HEX #8E6452

RGB 142 100 82

HSL 18, 0.27%, 0.44%

LAB 46.28, 14.57, 16.96

 

CMYK 0 / 41 / 42 / 44

HEX #8E5452

RGB 142 84 82

HSL 2, 0.27%, 0.44%

LAB 42.31, 23.87, 11.52

 

CMYK 4 / 0 / 42 / 44

HEX #888E52

RGB 136 142 82

HSL 66, 0.27%, 0.44%

LAB 57.26, -11.84, 31.17

 

CMYK 16 / 0 / 42 / 44

HEX #778E52

RGB 119 142 82

HSL 83, 0.27%, 0.44%

LAB 55.96, -18.85, 29.26

 

CMYK 27 / 0 / 42 / 44

HEX #678E52

RGB 103 142 82

HSL 99, 0.27%, 0.44%

LAB 54.91, -25.08, 27.7

 

CMYK 39 / 0 / 42 / 44

HEX #578E52

RGB 87 142 82

HSL 115, 0.27%, 0.44%

LAB 54.01, -30.8, 26.36

 

CMYK 42 / 0 / 34 / 44

HEX #528E5E

RGB 82 142 94

HSL 132, 0.27%, 0.44%

LAB 53.97, -30.37, 19.63

 

CMYK 4 / 0 / 42 / 44

HEX #888E52

RGB 136 142 82

HSL 66, 0.27%, 0.44%

LAB 57.26, -11.84, 31.17

 

CMYK 7 / 0 / 60 / 37

HEX #96A140

RGB 150 161 64

HSL 66.8, 0.43%, 0.44%

LAB 63.63, -17.61, 47.93

 

CMYK 8 / 0 / 74 / 30

HEX #A4B32E

RGB 164 179 46

HSL 66.77, 0.59%, 0.44%

LAB 69.7, -21.86, 61.67

 

CMYK 10 / 0 / 86 / 23

HEX #B1C51B

RGB 177 197 27

HSL 67.06, 0.76%, 0.44%

LAB 75.67, -25.85, 72.43

 

CMYK 11 / 0 / 96 / 16

HEX #BFD709

RGB 191 215 9

HSL 66.99, 0.92%, 0.44%

LAB 81.67, -28.91, 80.12

 

CMYK 4 / 0 / 42 / 44

HEX #888E52

RGB 136 142 82

HSL 66, 0.27%, 0.44%

LAB 57.26, -11.84, 31.17

 

CMYK 2 / 0 / 19 / 51

HEX #7A7C64

RGB 122 124 100

HSL 65, 0.11%, 0.44%

LAB 51.24, -5.18, 12.88

 

CMYK 8 / 10 / 0 / 54

HEX #6C6A76

RGB 108 106 118

HSL 250, 0.05%, 0.44%

LAB 45.36, 3.33, -6.4

 

CMYK 31 / 35 / 0 / 47

HEX #5E5888

RGB 94 88 136

HSL 247.5, 0.21%, 0.44%

LAB 39.81, 14.05, -25.89

 

CMYK 48 / 55 / 0 / 39

HEX #50469B

RGB 80 70 155

HSL 247.06, 0.38%, 0.44%

LAB 34.91, 27.26, -45.26

 

CMYK 0 / 18 / 42 / 44

HEX #8E7452

RGB 142 116 82

HSL 34, 0.27%, 0.44%

LAB 50.51, 5.27, 22.6

 

CMYK 0 / 7 / 42 / 44

HEX #8E8452

RGB 142 132 82

HSL 50, 0.27%, 0.44%

LAB 54.93, -3.8, 28.33

 

CMYK 4 / 0 / 42 / 44

HEX #888E52

RGB 136 142 82

HSL 66, 0.27%, 0.44%

LAB 57.26, -11.84, 31.17

 

CMYK 15 / 0 / 42 / 44

HEX #788E52

RGB 120 142 82

HSL 82, 0.27%, 0.44%

LAB 56.04, -18.45, 29.37

 

CMYK 27 / 0 / 42 / 44

HEX #688E52

RGB 104 142 82

HSL 98, 0.27%, 0.44%

LAB 54.97, -24.71, 27.79

 

CMYK 4 / 0 / 42 / 65

HEX #565A34

RGB 86 90 52

HSL 66.32, 0.27%, 0.28%

LAB 37, -8.3, 21.41

 

CMYK 4 / 0 / 42 / 55

HEX #6F7443

RGB 111 116 67

HSL 66.12, 0.27%, 0.36%

LAB 47.33, -10.11, 26.41

 

CMYK 4 / 0 / 42 / 44

HEX #888E52

RGB 136 142 82

HSL 66, 0.27%, 0.44%

LAB 57.26, -11.84, 31.17

 

CMYK 5 / 0 / 40 / 35

HEX #9EA664

RGB 158 166 100

HSL 67.27, 0.27%, 0.52%

LAB 66.11, -13.33, 33.2

 

CMYK 3 / 0 / 30 / 29

HEX #AFB57E

RGB 175 181 126

HSL 66.55, 0.27%, 0.6%

LAB 72.01, -11.09, 27.39

 

CMYK 5 / 0 / 43 / 44

HEX #888F52

RGB 136 143 82

HSL 66.89, 0.27%, 0.44%

LAB 57.55, -12.37, 31.54

 

CMYK 42 / 0 / 30 / 44

HEX #528E64

RGB 82 142 100

HSL 138, 0.27%, 0.44%

LAB 54.09, -29.22, 16.42

 

CMYK 13 / 42 / 0 / 44

HEX #7C528E

RGB 124 82 142

HSL 282, 0.27%, 0.44%

LAB 41.65, 28.82, -26.42

 

CMYK 5 / 0 / 43 / 44

HEX #888F52

RGB 136 143 82

HSL 66.89, 0.27%, 0.44%

LAB 57.55, -12.37, 31.54

 

CMYK 42 / 4 / 0 / 44

HEX #52888E

RGB 82 136 142

HSL 186, 0.27%, 0.44%

LAB 53.34, -16.23, -8.85

 

CMYK 0 / 42 / 4 / 44

HEX #8E5288

RGB 142 82 136

HSL 306, 0.27%, 0.44%

LAB 43.6, 33.48, -19.59

 

CMYK 5 / 0 / 43 / 44

HEX #888F52

RGB 136 143 82

HSL 66.89, 0.27%, 0.44%

LAB 57.55, -12.37, 31.54

 

CMYK 42 / 0 / 30 / 44

HEX #528E64

RGB 82 142 100

HSL 138, 0.27%, 0.44%

LAB 54.09, -29.22, 16.42

 

CMYK 38 / 42 / 0 / 44

HEX #58528E

RGB 88 82 142

HSL 246, 0.27%, 0.44%

LAB 37.95, 17.74, -32.48

 

CMYK 0 / 42 / 13 / 44

HEX #8E527C

RGB 142 82 124

HSL 318, 0.27%, 0.44%

LAB 43.12, 31.28, -13.04

 

CMYK 5 / 0 / 43 / 44

HEX #888F52

RGB 136 143 82

HSL 66.89, 0.27%, 0.44%

LAB 57.55, -12.37, 31.54

 

CMYK 42 / 0 / 17 / 44

HEX #528E76

RGB 82 142 118

HSL 156, 0.27%, 0.44%

LAB 54.5, -25.39, 6.72

 

CMYK 38 / 42 / 0 / 44

HEX #58528E

RGB 88 82 142

HSL 246, 0.27%, 0.44%

LAB 37.95, 17.74, -32.48

 

CMYK 0 / 42 / 25 / 44

HEX #8E526A

RGB 142 82 106

HSL 336, 0.27%, 0.44%

LAB 42.5, 28.31, -2.95

 

Description

Color code: RGB 136 143 82 | qconv.com Color code: RGB 136 143 82 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 143 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 143 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 43 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 43% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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