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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 142 61 it is the complementary color RGB 119 113 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 142 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 142 61 shade: RGB 141 142 56, RGB 158 160 75, RGB 175 178 94, RGB 192 196 113 and RGB 209 214 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 142 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 142 61 shade: RGB 136 142 61, RGB 119 124 42, RGB 102 106 23, RGB 85 88 4 and RGB 68 70 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 142 61 shade: RGB 136 142 61, RGB 142 126 61, RGB 142 104 61, RGB 142 82 61 and RGB 142 61 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 142 61 shade: RGB 136 142 61, RGB 114 142 61, RGB 92 142 61, RGB 70 142 61 and RGB 61 142 73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 142 61 shade matches the following richer shades: RGB 136 142 61, RGB 150 159 44, RGB 164 175 28 and RGB 178 192 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 142 61 shade: RGB 136 142 61, RGB 122 126 77, RGB 108 109 94, RGB 94 93 110 and RGB 80 76 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 142 61 shade: RGB 142 104 61, RGB 142 126 61, RGB 137 142 61, RGB 115 142 61 and RGB 93 142 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 142 61 shade: RGB 81 85 36, RGB 109 113 48, RGB 136 142 61, RGB 164 171 73 and RGB 181 187 98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 142 61 shade: RGB 136 142 61, RGB 61 142 82 and RGB 115 61 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 142 61 shade: RGB 136 142 61, RGB 61 137 142 and RGB 142 61 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 142 61 shade: RGB 136 142 61, RGB 61 142 82, RGB 66 61 142 and RGB 142 61 121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 142 61 shade: RGB 136 142 61, RGB 61 142 107, RGB 66 61 142 and RGB 142 61 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 57 / 44

HEX #888E3D

RGB 136 142 61

HSL 64.44, 0.4%, 0.4%

LAB 56.99, -13.96, 41.62

 

Complementary color

CMYK 39 / 42 / 0 / 24

HEX #7771C2

RGB 119 113 194

HSL 244.44, 0.4%, 0.6%

LAB 51.41, 22.13, -41.69

 

CMYK 1 / 0 / 61 / 44

HEX #8D8E38

RGB 141 142 56

HSL 60.7, 0.43%, 0.39%

LAB 57.36, -12.17, 44.51

 

CMYK 1 / 0 / 53 / 37

HEX #9EA04B

RGB 158 160 75

HSL 61.41, 0.36%, 0.46%

LAB 64.1, -12.78, 43.45

 

CMYK 2 / 0 / 47 / 30

HEX #AFB25E

RGB 175 178 94

HSL 62.14, 0.35%, 0.53%

LAB 70.71, -13.25, 42.28

 

CMYK 2 / 0 / 42 / 23

HEX #C0C471

RGB 192 196 113

HSL 62.89, 0.41%, 0.61%

LAB 77.21, -13.63, 41.09

 

CMYK 2 / 0 / 38 / 16

HEX #D1D684

RGB 209 214 132

HSL 63.66, 0.5%, 0.68%

LAB 83.61, -13.94, 39.91

 

CMYK 4 / 0 / 57 / 44

HEX #888E3D

RGB 136 142 61

HSL 64.44, 0.4%, 0.4%

LAB 56.99, -13.96, 41.62

 

CMYK 4 / 0 / 66 / 51

HEX #777C2A

RGB 119 124 42

HSL 63.66, 0.49%, 0.33%

LAB 50.1, -13.33, 42.54

 

CMYK 4 / 0 / 78 / 58

HEX #666A17

RGB 102 106 23

HSL 62.89, 0.64%, 0.25%

LAB 43.06, -12.46, 42.86

 

CMYK 3 / 0 / 95 / 65

HEX #555804

RGB 85 88 4

HSL 62.14, 0.91%, 0.18%

LAB 35.83, -11.27, 41.91

 

CMYK 3 / 0 / 100 / 73

HEX #444600

RGB 68 70 0

HSL 61.71, 1%, 0.14%

LAB 28.4, -9.53, 36.94

 

CMYK 4 / 0 / 57 / 44

HEX #888E3D

RGB 136 142 61

HSL 64.44, 0.4%, 0.4%

LAB 56.99, -13.96, 41.62

 

CMYK 0 / 11 / 57 / 44

HEX #8E7E3D

RGB 142 126 61

HSL 48.15, 0.4%, 0.4%

LAB 52.96, -2.55, 37.11

 

CMYK 0 / 27 / 57 / 44

HEX #8E683D

RGB 142 104 61

HSL 31.85, 0.4%, 0.4%

LAB 46.96, 10.05, 29.96

 

CMYK 0 / 42 / 57 / 44

HEX #8E523D

RGB 142 82 61

HSL 15.56, 0.4%, 0.4%

LAB 41.41, 22.83, 23.03

 

CMYK 0 / 57 / 57 / 44

HEX #8E3D3D

RGB 142 61 61

HSL 0, 0.4%, 0.4%

LAB 36.79, 34.4, 17.02

 

CMYK 4 / 0 / 57 / 44

HEX #888E3D

RGB 136 142 61

HSL 64.44, 0.4%, 0.4%

LAB 56.99, -13.96, 41.62

 

CMYK 20 / 0 / 57 / 44

HEX #728E3D

RGB 114 142 61

HSL 80.74, 0.4%, 0.4%

LAB 55.34, -23.3, 39.29

 

CMYK 35 / 0 / 57 / 44

HEX #5C8E3D

RGB 92 142 61

HSL 97.04, 0.4%, 0.4%

LAB 53.98, -31.88, 37.36

 

CMYK 51 / 0 / 57 / 44

HEX #468E3D

RGB 70 142 61

HSL 113.33, 0.4%, 0.4%

LAB 52.93, -39.24, 35.87

 

CMYK 57 / 0 / 49 / 44

HEX #3D8E49

RGB 61 142 73

HSL 128.89, 0.4%, 0.4%

LAB 52.75, -40.05, 29.37

 

CMYK 4 / 0 / 57 / 44

HEX #888E3D

RGB 136 142 61

HSL 64.44, 0.4%, 0.4%

LAB 56.99, -13.96, 41.62

 

CMYK 6 / 0 / 72 / 38

HEX #969F2C

RGB 150 159 44

HSL 64.7, 0.57%, 0.4%

LAB 62.9, -17.88, 55.47

 

CMYK 6 / 0 / 84 / 31

HEX #A4AF1C

RGB 164 175 28

HSL 64.49, 0.72%, 0.4%

LAB 68.49, -20.55, 65.81

 

CMYK 7 / 0 / 94 / 25

HEX #B2C00B

RGB 178 192 11

HSL 64.64, 0.89%, 0.4%

LAB 74.31, -23.3, 73.87

 

CMYK 4 / 0 / 57 / 44

HEX #888E3D

RGB 136 142 61

HSL 64.44, 0.4%, 0.4%

LAB 56.99, -13.96, 41.62

 

CMYK 3 / 0 / 39 / 51

HEX #7A7E4D

RGB 122 126 77

HSL 64.9, 0.24%, 0.4%

LAB 51.38, -9.66, 26.18

 

CMYK 1 / 0 / 14 / 57

HEX #6C6D5E

RGB 108 109 94

HSL 64, 0.07%, 0.4%

LAB 45.54, -3.28, 8.26

 

CMYK 15 / 15 / 0 / 57

HEX #5E5D6E

RGB 94 93 110

HSL 243.53, 0.08%, 0.4%

LAB 40.14, 4.21, -9.5

 

CMYK 37 / 40 / 0 / 50

HEX #504C7F

RGB 80 76 127

HSL 244.71, 0.25%, 0.4%

LAB 34.82, 14.81, -28.29

 

CMYK 0 / 27 / 57 / 44

HEX #8E683D

RGB 142 104 61

HSL 31.85, 0.4%, 0.4%

LAB 46.96, 10.05, 29.96

 

CMYK 0 / 11 / 57 / 44

HEX #8E7E3D

RGB 142 126 61

HSL 48.15, 0.4%, 0.4%

LAB 52.96, -2.55, 37.11

 

CMYK 4 / 0 / 57 / 44

HEX #898E3D

RGB 137 142 61

HSL 63.7, 0.4%, 0.4%

LAB 57.08, -13.52, 41.73

 

CMYK 19 / 0 / 57 / 44

HEX #738E3D

RGB 115 142 61

HSL 80, 0.4%, 0.4%

LAB 55.41, -22.88, 39.38

 

CMYK 35 / 0 / 57 / 44

HEX #5D8E3D

RGB 93 142 61

HSL 96.3, 0.4%, 0.4%

LAB 54.04, -31.51, 37.44

 

CMYK 5 / 0 / 58 / 67

HEX #515524

RGB 81 85 36

HSL 64.9, 0.4%, 0.24%

LAB 34.75, -9.56, 27.64

 

CMYK 4 / 0 / 58 / 56

HEX #6D7130

RGB 109 113 48

HSL 63.69, 0.4%, 0.32%

LAB 46.01, -11.36, 34.94

 

CMYK 4 / 0 / 57 / 44

HEX #888E3D

RGB 136 142 61

HSL 64.44, 0.4%, 0.4%

LAB 56.99, -13.96, 41.62

 

CMYK 4 / 0 / 57 / 33

HEX #A4AB49

RGB 164 171 73

HSL 64.29, 0.4%, 0.48%

LAB 67.65, -16.11, 48.59

 

CMYK 3 / 0 / 48 / 27

HEX #B5BB62

RGB 181 187 98

HSL 64.04, 0.4%, 0.56%

LAB 73.71, -15.02, 44.04

 

CMYK 4 / 0 / 57 / 44

HEX #888E3D

RGB 136 142 61

HSL 64.44, 0.4%, 0.4%

LAB 56.99, -13.96, 41.62

 

CMYK 57 / 0 / 42 / 44

HEX #3D8E52

RGB 61 142 82

HSL 135.56, 0.4%, 0.4%

LAB 52.89, -38.54, 24.7

 

CMYK 19 / 57 / 0 / 44

HEX #733D8E

RGB 115 61 142

HSL 280, 0.4%, 0.4%

LAB 35.86, 38.12, -35.61

 

CMYK 4 / 0 / 57 / 44

HEX #888E3D

RGB 136 142 61

HSL 64.44, 0.4%, 0.4%

LAB 56.99, -13.96, 41.62

 

CMYK 57 / 4 / 0 / 44

HEX #3D898E

RGB 61 137 142

HSL 183.7, 0.4%, 0.4%

LAB 52.77, -21.78, -9.79

 

CMYK 0 / 57 / 4 / 44

HEX #8E3D89

RGB 142 61 137

HSL 303.7, 0.4%, 0.4%

LAB 39.4, 44.77, -26.71

 

CMYK 4 / 0 / 57 / 44

HEX #888E3D

RGB 136 142 61

HSL 64.44, 0.4%, 0.4%

LAB 56.99, -13.96, 41.62

 

CMYK 57 / 0 / 42 / 44

HEX #3D8E52

RGB 61 142 82

HSL 135.56, 0.4%, 0.4%

LAB 52.89, -38.54, 24.7

 

CMYK 54 / 57 / 0 / 44

HEX #423D8E

RGB 66 61 142

HSL 243.7, 0.4%, 0.4%

LAB 30.52, 25.67, -44.47

 

CMYK 0 / 57 / 15 / 44

HEX #8E3D79

RGB 142 61 121

HSL 315.56, 0.4%, 0.4%

LAB 38.67, 42, -17.99

 

CMYK 4 / 0 / 57 / 44

HEX #888E3D

RGB 136 142 61

HSL 64.44, 0.4%, 0.4%

LAB 56.99, -13.96, 41.62

 

CMYK 57 / 0 / 25 / 44

HEX #3D8E6B

RGB 61 142 107

HSL 154.07, 0.4%, 0.4%

LAB 53.38, -33.44, 11.33

 

CMYK 54 / 57 / 0 / 44

HEX #423D8E

RGB 66 61 142

HSL 243.7, 0.4%, 0.4%

LAB 30.52, 25.67, -44.47

 

CMYK 0 / 57 / 32 / 44

HEX #8E3D60

RGB 142 61 96

HSL 334.07, 0.4%, 0.4%

LAB 37.72, 38.25, -3.79

 

Description

Color code: RGB 136 142 61 | qconv.com Color code: RGB 136 142 61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 142 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 142 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 57 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 57% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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