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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 131 241 it is the complementary color RGB 119 124 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 131 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 131 241 shade: RGB 141 131 236, RGB 158 149 255, RGB 175 167 255, RGB 192 185 255 and RGB 209 203 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 131 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 131 241 shade: RGB 136 131 241, RGB 119 113 222, RGB 102 95 203, RGB 85 77 184 and RGB 68 59 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 131 241 shade: RGB 136 131 241, RGB 165 131 241, RGB 195 131 241, RGB 225 131 241 and RGB 241 131 227

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 131 241 shade: RGB 136 131 241 and RGB 131 131 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 131 241 shade matches the following richer shades: RGB 136 131 241 and RGB 125 119 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 131 241 shade: RGB 136 131 241, RGB 146 142 230, RGB 156 153 218, RGB 166 164 207 and RGB 176 175 196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 131 241 shade: RGB 131 186 241, RGB 131 156 241, RGB 134 131 241, RGB 164 131 241 and RGB 193 131 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 131 241 shade: RGB 64 56 232, RGB 100 93 237, RGB 136 131 241, RGB 171 168 245 and RGB 207 205 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 131 241 shade: RGB 136 131 241, RGB 241 131 215 and RGB 171 241 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 131 241 shade: RGB 136 131 241, RGB 241 134 131 and RGB 131 241 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 131 241 shade: RGB 136 131 241, RGB 241 131 215, RGB 237 241 131 and RGB 131 241 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 131 241 shade: RGB 136 131 241, RGB 241 131 182, RGB 237 241 131 and RGB 131 241 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 46 / 0 / 5

HEX #8883F1

RGB 136 131 241

HSL 242.73, 0.8%, 0.73%

LAB 59.72, 29.05, -54.88

 

Complementary color

CMYK 4 / 0 / 89 / 51

HEX #777C0E

RGB 119 124 14

HSL 62.73, 0.8%, 0.27%

LAB 49.94, -14.66, 52.13

 

CMYK 40 / 44 / 0 / 7

HEX #8D83EC

RGB 141 131 236

HSL 245.71, 0.73%, 0.72%

LAB 59.84, 28.86, -51.89

 

CMYK 38 / 42 / 0 / 0

HEX #9E95FF

RGB 158 149 255

HSL 245.09, 1%, 0.79%

LAB 66.51, 27.9, -51.69

 

CMYK 31 / 35 / 0 / 0

HEX #AFA7FF

RGB 175 167 255

HSL 245.45, 1%, 0.83%

LAB 72.21, 22.19, -42.63

 

CMYK 25 / 27 / 0 / 0

HEX #C0B9FF

RGB 192 185 255

HSL 246, 1%, 0.86%

LAB 77.95, 17.03, -33.62

 

CMYK 18 / 20 / 0 / 0

HEX #D1CBFF

RGB 209 203 255

HSL 246.92, 1%, 0.9%

LAB 83.7, 12.36, -24.69

 

CMYK 44 / 46 / 0 / 5

HEX #8883F1

RGB 136 131 241

HSL 242.73, 0.8%, 0.73%

LAB 59.72, 29.05, -54.88

 

CMYK 46 / 49 / 0 / 13

HEX #7771DE

RGB 119 113 222

HSL 243.3, 0.62%, 0.66%

LAB 52.96, 30.23, -55.15

 

CMYK 50 / 53 / 0 / 20

HEX #665FCB

RGB 102 95 203

HSL 243.89, 0.51%, 0.58%

LAB 46.07, 31.58, -55.46

 

CMYK 54 / 58 / 0 / 28

HEX #554DB8

RGB 85 77 184

HSL 244.49, 0.43%, 0.51%

LAB 39.07, 33.14, -55.79

 

CMYK 59 / 64 / 0 / 35

HEX #443BA5

RGB 68 59 165

HSL 245.09, 0.47%, 0.44%

LAB 31.97, 34.94, -56.09

 

CMYK 44 / 46 / 0 / 5

HEX #8883F1

RGB 136 131 241

HSL 242.73, 0.8%, 0.73%

LAB 59.72, 29.05, -54.88

 

CMYK 32 / 46 / 0 / 5

HEX #A583F1

RGB 165 131 241

HSL 258.55, 0.8%, 0.73%

LAB 62.15, 36.29, -50.87

 

CMYK 19 / 46 / 0 / 5

HEX #C383F1

RGB 195 131 241

HSL 274.91, 0.8%, 0.73%

LAB 65.11, 44.37, -46

 

CMYK 7 / 46 / 0 / 5

HEX #E183F1

RGB 225 131 241

HSL 291.27, 0.8%, 0.73%

LAB 68.45, 52.74, -40.52

 

CMYK 0 / 46 / 6 / 5

HEX #F183E3

RGB 241 131 227

HSL 307.64, 0.8%, 0.73%

LAB 69.81, 54.85, -30.56

 

CMYK 44 / 46 / 0 / 5

HEX #8883F1

RGB 136 131 241

HSL 242.73, 0.8%, 0.73%

LAB 59.72, 29.05, -54.88

 

CMYK 46 / 46 / 0 / 5

HEX #8383F1

RGB 131 131 241

HSL 240, 0.8%, 0.73%

LAB 59.35, 27.88, -55.5

 

CMYK 44 / 46 / 0 / 5

HEX #8883F1

RGB 136 131 241

HSL 242.73, 0.8%, 0.73%

LAB 59.72, 29.05, -54.88

 

CMYK 50 / 53 / 0 / 1

HEX #7D77FC

RGB 125 119 252

HSL 242.71, 0.96%, 0.73%

LAB 56.67, 36.87, -65.91

 

CMYK 44 / 46 / 0 / 5

HEX #8883F1

RGB 136 131 241

HSL 242.73, 0.8%, 0.73%

LAB 59.72, 29.05, -54.88

 

CMYK 37 / 38 / 0 / 10

HEX #928EE6

RGB 146 142 230

HSL 242.73, 0.64%, 0.73%

LAB 62.65, 22.11, -44.1

 

CMYK 28 / 30 / 0 / 15

HEX #9C99DA

RGB 156 153 218

HSL 242.77, 0.47%, 0.73%

LAB 65.68, 15.48, -32.67

 

CMYK 20 / 21 / 0 / 19

HEX #A6A4CF

RGB 166 164 207

HSL 242.79, 0.31%, 0.73%

LAB 68.87, 9.7, -21.62

 

CMYK 10 / 11 / 0 / 23

HEX #B0AFC4

RGB 176 175 196

HSL 242.86, 0.15%, 0.73%

LAB 72.15, 4.49, -10.54

 

CMYK 46 / 23 / 0 / 5

HEX #83BAF1

RGB 131 186 241

HSL 210, 0.8%, 0.73%

LAB 73.74, -3.56, -32.91

 

CMYK 46 / 35 / 0 / 5

HEX #839CF1

RGB 131 156 241

HSL 226.36, 0.8%, 0.73%

LAB 65.71, 13.29, -45.42

 

CMYK 44 / 46 / 0 / 5

HEX #8683F1

RGB 134 131 241

HSL 241.64, 0.8%, 0.73%

LAB 59.57, 28.58, -55.13

 

CMYK 32 / 46 / 0 / 5

HEX #A483F1

RGB 164 131 241

HSL 258, 0.8%, 0.73%

LAB 62.06, 36.03, -51.02

 

CMYK 20 / 46 / 0 / 5

HEX #C183F1

RGB 193 131 241

HSL 273.82, 0.8%, 0.73%

LAB 64.9, 43.82, -46.35

 

CMYK 72 / 76 / 0 / 9

HEX #4038E8

RGB 64 56 232

HSL 242.73, 0.79%, 0.56%

LAB 37.38, 57.54, -86.36

 

CMYK 58 / 61 / 0 / 7

HEX #645DED

RGB 100 93 237

HSL 242.92, 0.8%, 0.65%

LAB 47.82, 42.94, -71.96

 

CMYK 44 / 46 / 0 / 5

HEX #8883F1

RGB 136 131 241

HSL 242.73, 0.8%, 0.73%

LAB 59.72, 29.05, -54.88

 

CMYK 30 / 31 / 0 / 4

HEX #ABA8F5

RGB 171 168 245

HSL 242.34, 0.79%, 0.81%

LAB 71.73, 18.03, -37.99

 

CMYK 17 / 18 / 0 / 2

HEX #CFCDF9

RGB 207 205 249

HSL 242.73, 0.79%, 0.89%

LAB 83.84, 9.39, -21.3

 

CMYK 44 / 46 / 0 / 5

HEX #8883F1

RGB 136 131 241

HSL 242.73, 0.8%, 0.73%

LAB 59.72, 29.05, -54.88

 

CMYK 0 / 46 / 11 / 5

HEX #F183D7

RGB 241 131 215

HSL 314.18, 0.8%, 0.73%

LAB 69.36, 52.89, -24.62

 

CMYK 29 / 0 / 46 / 5

HEX #ABF183

RGB 171 241 131

HSL 98.18, 0.8%, 0.73%

LAB 88.55, -40.79, 46.12

 

CMYK 44 / 46 / 0 / 5

HEX #8883F1

RGB 136 131 241

HSL 242.73, 0.8%, 0.73%

LAB 59.72, 29.05, -54.88

 

CMYK 0 / 44 / 46 / 5

HEX #F18683

RGB 241 134 131

HSL 1.64, 0.8%, 0.73%

LAB 67.57, 40.43, 19.82

 

CMYK 46 / 0 / 44 / 5

HEX #83F186

RGB 131 241 134

HSL 121.64, 0.8%, 0.73%

LAB 86.73, -52.76, 41.99

 

CMYK 44 / 46 / 0 / 5

HEX #8883F1

RGB 136 131 241

HSL 242.73, 0.8%, 0.73%

LAB 59.72, 29.05, -54.88

 

CMYK 0 / 46 / 11 / 5

HEX #F183D7

RGB 241 131 215

HSL 314.18, 0.8%, 0.73%

LAB 69.36, 52.89, -24.62

 

CMYK 2 / 0 / 46 / 5

HEX #EDF183

RGB 237 241 131

HSL 62.18, 0.8%, 0.73%

LAB 92.82, -16.49, 52.34

 

CMYK 46 / 0 / 35 / 5

HEX #83F19C

RGB 131 241 156

HSL 133.64, 0.8%, 0.73%

LAB 87.06, -49.37, 31.51

 

CMYK 44 / 46 / 0 / 5

HEX #8883F1

RGB 136 131 241

HSL 242.73, 0.8%, 0.73%

LAB 59.72, 29.05, -54.88

 

CMYK 0 / 46 / 24 / 5

HEX #F183B6

RGB 241 131 182

HSL 332.18, 0.8%, 0.73%

LAB 68.25, 47.97, -7.87

 

CMYK 2 / 0 / 46 / 5

HEX #EDF183

RGB 237 241 131

HSL 62.18, 0.8%, 0.73%

LAB 92.82, -16.49, 52.34

 

CMYK 46 / 0 / 22 / 5

HEX #83F1BD

RGB 131 241 189

HSL 151.64, 0.8%, 0.73%

LAB 87.68, -43.28, 15.44

 

Description

Color code: RGB 136 131 241 | qconv.com Color code: RGB 136 131 241 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 131 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 131 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 46 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 46% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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