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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 125 128 it is the complementary color RGB 119 130 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 125 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 136 125 128: RGB 141 125 123, RGB 158 143 142, RGB 175 161 161, RGB 192 179 180 and RGB 209 197 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 125 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 136 125 128: RGB 136 125 128, RGB 119 107 109, RGB 102 89 90, RGB 85 71 71 and RGB 68 53 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 6 / 47

HEX #887D80

RGB 136 125 128

HSL 343.64, 0.04%, 0.51%

LAB 53.45, 4.75, -0.12

 

Complementary color

CMYK 8 / 0 / 2 / 49

HEX #77827F

RGB 119 130 127

HSL 163.64, 0.04%, 0.49%

LAB 53.41, -4.66, 0.23

 

CMYK 0 / 11 / 13 / 45

HEX #8D7D7B

RGB 141 125 123

HSL 6.67, 0.07%, 0.52%

LAB 53.77, 5.76, 3.32

 

CMYK 0 / 9 / 10 / 38

HEX #9E8F8E

RGB 158 143 142

HSL 3.75, 0.08%, 0.59%

LAB 60.66, 5.4, 2.55

 

CMYK 0 / 8 / 8 / 31

HEX #AFA1A1

RGB 175 161 161

HSL 0, 0.08%, 0.66%

LAB 67.41, 5.09, 1.83

 

CMYK 0 / 7 / 6 / 25

HEX #C0B3B4

RGB 192 179 180

HSL 355.38, 0.09%, 0.73%

LAB 74.02, 4.8, 1.15

 

CMYK 0 / 6 / 5 / 18

HEX #D1C5C7

RGB 209 197 199

HSL 350, 0.12%, 0.8%

LAB 80.52, 4.54, 0.49

 

CMYK 0 / 8 / 6 / 47

HEX #887D80

RGB 136 125 128

HSL 343.64, 0.04%, 0.51%

LAB 53.45, 4.75, -0.12

 

CMYK 0 / 10 / 8 / 53

HEX #776B6D

RGB 119 107 109

HSL 350, 0.05%, 0.44%

LAB 46.37, 5.08, 0.59

 

CMYK 0 / 13 / 12 / 60

HEX #66595A

RGB 102 89 90

HSL 355.38, 0.07%, 0.37%

LAB 39.08, 5.47, 1.36

 

CMYK 0 / 16 / 16 / 67

HEX #554747

RGB 85 71 71

HSL 0, 0.09%, 0.31%

LAB 31.56, 5.93, 2.21

 

CMYK 0 / 22 / 24 / 73

HEX #443534

RGB 68 53 52

HSL 3.75, 0.13%, 0.24%

LAB 23.75, 6.51, 3.17

 

CMYK 0 / 8 / 6 / 47

HEX #887D80

RGB 136 125 128

HSL 343.64, 0.04%, 0.51%

LAB 53.45, 4.75, -0.12

 

CMYK 0 / 7 / 7 / 47

HEX #877D7E

RGB 135 125 126

HSL 354, 0.04%, 0.51%

LAB 53.3, 3.99, 0.82

 

CMYK 0 / 7 / 7 / 47

HEX #877D7D

RGB 135 125 125

HSL 0, 0.04%, 0.51%

LAB 53.27, 3.8, 1.36

 

CMYK 0 / 6 / 7 / 47

HEX #877F7D

RGB 135 127 125

HSL 12, 0.04%, 0.51%

LAB 53.83, 2.65, 2.16

 

CMYK 0 / 5 / 7 / 47

HEX #87807D

RGB 135 128 125

HSL 18, 0.04%, 0.51%

LAB 54.1, 2.08, 2.56

 

CMYK 0 / 8 / 6 / 47

HEX #887D80

RGB 136 125 128

HSL 343.64, 0.04%, 0.51%

LAB 53.45, 4.75, -0.12

 

CMYK 0 / 8 / 6 / 27

HEX #BBACB0

RGB 187 172 176

HSL 344, 0.1%, 0.7%

LAB 71.69, 6.09, -0.11

 

CMYK 0 / 8 / 6 / 7

HEX #EEDBE0

RGB 238 219 224

HSL 344.21, 0.36%, 0.9%

LAB 89.03, 7.37, -0.1

 

CMYK 0 / 9 / 6 / 87

HEX #221F20

RGB 34 31 32

HSL 340, 0.05%, 0.13%

LAB 12.12, 1.67, -0.17

 

CMYK 0 / 8 / 6 / 67

HEX #554E50

RGB 85 78 80

HSL 342.86, 0.04%, 0.32%

LAB 33.9, 3.3, -0.14

 

CMYK 0 / 8 / 6 / 47

HEX #887D80

RGB 136 125 128

HSL 343.64, 0.04%, 0.51%

LAB 53.45, 4.75, -0.12

 

CMYK 0 / 1 / 7 / 47

HEX #87867D

RGB 135 134 125

HSL 54, 0.04%, 0.51%

LAB 55.77, -1.34, 4.97

 

CMYK 7 / 3 / 0 / 47

HEX #7D8387

RGB 125 131 135

HSL 204, 0.04%, 0.51%

LAB 54.39, -1.38, -2.93

 

CMYK 0 / 8 / 6 / 47

HEX #887D80

RGB 136 125 128

HSL 343.64, 0.04%, 0.51%

LAB 53.45, 4.75, -0.12

 

CMYK 6 / 0 / 7 / 47

HEX #7F877D

RGB 127 135 125

HSL 108, 0.04%, 0.51%

LAB 55.4, -4.93, 4.36

 

CMYK 7 / 6 / 0 / 47

HEX #7D7F87

RGB 125 127 135

HSL 228, 0.04%, 0.51%

LAB 53.26, 0.91, -4.59

 

CMYK 0 / 8 / 6 / 47

HEX #887D80

RGB 136 125 128

HSL 343.64, 0.04%, 0.51%

LAB 53.45, 4.75, -0.12

 

CMYK 0 / 1 / 7 / 47

HEX #87867D

RGB 135 134 125

HSL 54, 0.04%, 0.51%

LAB 55.77, -1.34, 4.97

 

CMYK 7 / 0 / 2 / 47

HEX #7D8784

RGB 125 135 132

HSL 162, 0.04%, 0.51%

LAB 55.43, -4.27, 0.34

 

CMYK 7 / 7 / 0 / 47

HEX #7D7D87

RGB 125 125 135

HSL 240, 0.04%, 0.51%

LAB 52.7, 2.07, -5.42

 

CMYK 0 / 8 / 6 / 47

HEX #887D80

RGB 136 125 128

HSL 343.64, 0.04%, 0.51%

LAB 53.45, 4.75, -0.12

 

CMYK 2 / 0 / 7 / 47

HEX #84877D

RGB 132 135 125

HSL 78, 0.04%, 0.51%

LAB 55.8, -3.04, 4.98

 

CMYK 7 / 0 / 2 / 47

HEX #7D8784

RGB 125 135 132

HSL 162, 0.04%, 0.51%

LAB 55.43, -4.27, 0.34

 

CMYK 6 / 7 / 0 / 47

HEX #7F7D87

RGB 127 125 135

HSL 252, 0.04%, 0.51%

LAB 52.87, 2.8, -5.15

 

Description

Color code: RGB 136 125 128 | qconv.com Color code: RGB 136 125 128 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 125 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 125 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 6 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 6% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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