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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 11 229 it is the complementary color RGB 119 244 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 11 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 11 229 shade: RGB 141 11 224, RGB 158 29 243, RGB 175 47 255, RGB 192 65 255 and RGB 209 83 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 11 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 11 229 shade: RGB 136 11 229, RGB 119 0 210, RGB 102 0 191, RGB 85 0 172 and RGB 68 0 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 11 229 shade: RGB 135 10 228, RGB 194 10 228, RGB 228 10 204, RGB 228 10 145 and RGB 228 10 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 11 229 shade: RGB 135 10 228, RGB 77 10 228, RGB 18 10 228 and RGB 10 10 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 11 229 shade matches the following richer shades: RGB 135 10 228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 11 229 shade: RGB 135 10 228, RGB 133 30 209, RGB 130 49 190, RGB 127 68 170 and RGB 124 88 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 11 229 shade: RGB 18 10 228, RGB 76 10 228, RGB 134 10 228, RGB 192 10 228 and RGB 228 10 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 11 229 shade: RGB 89 7 150, RGB 112 8 189, RGB 135 10 228, RGB 155 36 244 and RGB 173 75 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 11 229 shade: RGB 136 11 229, RGB 228 10 61 and RGB 10 228 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 11 229 shade: RGB 136 11 229, RGB 228 134 10 and RGB 10 228 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 11 229 shade: RGB 136 11 229, RGB 228 10 61, RGB 105 228 10 and RGB 10 228 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 11 229 shade: RGB 136 11 229, RGB 228 25 10, RGB 105 228 10 and RGB 10 214 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 95 / 0 / 10

HEX #880BE5

RGB 136 11 229

HSL 274.4, 0.91%, 0.47%

LAB 39.8, 77.33, -80.42

 

Complementary color

CMYK 51 / 0 / 89 / 4

HEX #77F41A

RGB 119 244 26

HSL 94.4, 0.91%, 0.53%

LAB 86.35, -66.04, 80.26

 

CMYK 37 / 95 / 0 / 12

HEX #8D0BE0

RGB 141 11 224

HSL 276.62, 0.91%, 0.46%

LAB 40.05, 76.85, -77.12

 

CMYK 35 / 88 / 0 / 5

HEX #9E1DF3

RGB 158 29 243

HSL 276.17, 0.9%, 0.53%

LAB 45.11, 79.73, -79.51

 

CMYK 31 / 82 / 0 / 0

HEX #AF2FFF

RGB 175 47 255

HSL 276.92, 1%, 0.59%

LAB 49.94, 80.03, -78.24

 

CMYK 25 / 75 / 0 / 0

HEX #C041FF

RGB 192 65 255

HSL 280.11, 1%, 0.63%

LAB 54.25, 77.08, -71.13

 

CMYK 18 / 67 / 0 / 0

HEX #D153FF

RGB 209 83 255

HSL 283.95, 1%, 0.66%

LAB 58.94, 73.6, -63.44

 

CMYK 41 / 95 / 0 / 10

HEX #880BE5

RGB 136 11 229

HSL 274.4, 0.91%, 0.47%

LAB 39.8, 77.33, -80.42

 

CMYK 43 / 100 / 0 / 18

HEX #7700D2

RGB 119 0 210

HSL 274, 1%, 0.41%

LAB 35.15, 73.1, -77.23

 

CMYK 47 / 100 / 0 / 25

HEX #6600BF

RGB 102 0 191

HSL 272.04, 1%, 0.37%

LAB 30.85, 67.58, -73.3

 

CMYK 51 / 100 / 0 / 33

HEX #5500AC

RGB 85 0 172

HSL 269.65, 1%, 0.34%

LAB 26.48, 61.99, -69.27

 

CMYK 56 / 100 / 0 / 40

HEX #440099

RGB 68 0 153

HSL 266.67, 1%, 0.3%

LAB 22.05, 56.33, -65.1

RGB 68 0 153

CMYK 41 / 96 / 0 / 11

HEX #870AE4

RGB 135 10 228

HSL 274.4, 0.92%, 0.47%

LAB 39.53, 77.14, -80.3

 

CMYK 15 / 96 / 0 / 11

HEX #C20AE4

RGB 194 10 228

HSL 290.64, 0.92%, 0.47%

LAB 48.62, 84.43, -65.07

 

CMYK 0 / 96 / 11 / 11

HEX #E40ACC

RGB 228 10 204

HSL 306.61, 0.92%, 0.47%

LAB 53.03, 86.32, -43.97

 

CMYK 0 / 96 / 36 / 11

HEX #E40A91

RGB 228 10 145

HSL 322.84, 0.92%, 0.47%

LAB 50.4, 79.58, -13.37

 

CMYK 0 / 96 / 62 / 11

HEX #E40A56

RGB 228 10 86

HSL 339.08, 0.92%, 0.47%

LAB 48.74, 75.13, 20.26

 

CMYK 41 / 96 / 0 / 11

HEX #870AE4

RGB 135 10 228

HSL 274.4, 0.92%, 0.47%

LAB 39.53, 77.14, -80.3

 

CMYK 66 / 96 / 0 / 11

HEX #4D0AE4

RGB 77 10 228

HSL 258.44, 0.92%, 0.47%

LAB 32.69, 72.78, -91.83

 

CMYK 92 / 96 / 0 / 11

HEX #120AE4

RGB 18 10 228

HSL 242.2, 0.92%, 0.47%

LAB 29.28, 71.15, -97.61

 

CMYK 96 / 96 / 0 / 11

HEX #0A0AE4

RGB 10 10 228

HSL 240, 0.92%, 0.47%

LAB 29.12, 71.08, -97.88

 

CMYK 41 / 96 / 0 / 11

HEX #870AE4

RGB 135 10 228

HSL 274.4, 0.92%, 0.47%

LAB 39.53, 77.14, -80.3

 

CMYK 41 / 96 / 0 / 11

HEX #870AE4

RGB 135 10 228

HSL 274.4, 0.92%, 0.47%

LAB 39.53, 77.14, -80.3

 

CMYK 36 / 86 / 0 / 18

HEX #851ED1

RGB 133 30 209

HSL 274.53, 0.75%, 0.47%

LAB 38.76, 69.31, -70.65

 

CMYK 32 / 74 / 0 / 25

HEX #8231BE

RGB 130 49 190

HSL 274.47, 0.59%, 0.47%

LAB 39, 58.31, -59.2

 

CMYK 25 / 60 / 0 / 33

HEX #7F44AA

RGB 127 68 170

HSL 274.71, 0.43%, 0.47%

LAB 40.49, 44.04, -45.01

 

CMYK 18 / 42 / 0 / 41

HEX #7C5897

RGB 124 88 151

HSL 274.29, 0.26%, 0.47%

LAB 43.51, 27.35, -28.93

 

CMYK 92 / 96 / 0 / 11

HEX #120AE4

RGB 18 10 228

HSL 242.2, 0.92%, 0.47%

LAB 29.28, 71.15, -97.61

 

CMYK 67 / 96 / 0 / 11

HEX #4C0AE4

RGB 76 10 228

HSL 258.17, 0.92%, 0.47%

LAB 32.6, 72.73, -91.98

 

CMYK 41 / 96 / 0 / 11

HEX #860AE4

RGB 134 10 228

HSL 274.13, 0.92%, 0.47%

LAB 39.39, 77.04, -80.53

 

CMYK 16 / 96 / 0 / 11

HEX #C00AE4

RGB 192 10 228

HSL 290.09, 0.92%, 0.47%

LAB 48.29, 84.14, -65.62

 

CMYK 0 / 96 / 9 / 11

HEX #E40ACF

RGB 228 10 207

HSL 305.78, 0.92%, 0.47%

LAB 53.19, 86.71, -45.45

 

CMYK 41 / 95 / 0 / 41

HEX #590796

RGB 89 7 150

HSL 274.41, 0.91%, 0.31%

LAB 25.19, 56.11, -57.96

 

CMYK 41 / 96 / 0 / 26

HEX #7008BD

RGB 112 8 189

HSL 274.48, 0.92%, 0.39%

LAB 32.46, 66.92, -69.4

 

CMYK 41 / 96 / 0 / 11

HEX #870AE4

RGB 135 10 228

HSL 274.4, 0.92%, 0.47%

LAB 39.53, 77.14, -80.3

 

CMYK 36 / 85 / 0 / 4

HEX #9B24F4

RGB 155 36 244

HSL 274.33, 0.9%, 0.55%

LAB 45.31, 77.98, -79.77

 

CMYK 30 / 70 / 0 / 4

HEX #AD4BF6

RGB 173 75 246

HSL 274.39, 0.9%, 0.63%

LAB 52.48, 67.89, -69.11

 

CMYK 41 / 95 / 0 / 10

HEX #880BE5

RGB 136 11 229

HSL 274.4, 0.91%, 0.47%

LAB 39.8, 77.33, -80.42

 

CMYK 0 / 96 / 73 / 11

HEX #E40A3D

RGB 228 10 61

HSL 345.96, 0.92%, 0.47%

LAB 48.32, 73.99, 34.92

 

CMYK 96 / 0 / 79 / 11

HEX #0AE42F

RGB 10 228 47

HSL 130.18, 0.92%, 0.47%

LAB 79.48, -77.33, 68.84

 

CMYK 41 / 95 / 0 / 10

HEX #880BE5

RGB 136 11 229

HSL 274.4, 0.91%, 0.47%

LAB 39.8, 77.33, -80.42

 

CMYK 0 / 41 / 96 / 11

HEX #E4860A

RGB 228 134 10

HSL 34.13, 0.92%, 0.47%

LAB 64.62, 28.99, 69.2

 

CMYK 96 / 0 / 41 / 11

HEX #0AE486

RGB 10 228 134

HSL 154.13, 0.92%, 0.47%

LAB 80.33, -66.77, 33.24

 

CMYK 41 / 95 / 0 / 10

HEX #880BE5

RGB 136 11 229

HSL 274.4, 0.91%, 0.47%

LAB 39.8, 77.33, -80.42

 

CMYK 0 / 96 / 73 / 11

HEX #E40A3D

RGB 228 10 61

HSL 345.96, 0.92%, 0.47%

LAB 48.32, 73.99, 34.92

 

CMYK 54 / 0 / 96 / 11

HEX #69E40A

RGB 105 228 10

HSL 93.85, 0.92%, 0.47%

LAB 81.02, -64.58, 77.62

 

CMYK 96 / 0 / 22 / 11

HEX #0AE4B2

RGB 10 228 178

HSL 166.24, 0.92%, 0.47%

LAB 81.16, -57.36, 11.62

 

CMYK 41 / 95 / 0 / 10

HEX #880BE5

RGB 136 11 229

HSL 274.4, 0.91%, 0.47%

LAB 39.8, 77.33, -80.42

 

CMYK 0 / 89 / 96 / 11

HEX #E4190A

RGB 228 25 10

HSL 4.13, 0.92%, 0.47%

LAB 48.52, 71.14, 59.36

 

CMYK 54 / 0 / 96 / 11

HEX #69E40A

RGB 105 228 10

HSL 93.85, 0.92%, 0.47%

LAB 81.02, -64.58, 77.62

 

CMYK 96 / 6 / 0 / 11

HEX #0AD6E4

RGB 10 214 228

HSL 183.85, 0.92%, 0.47%

LAB 78.32, -37.65, -19.16

 

Description

Color code: RGB 136 11 229 | qconv.com Color code: RGB 136 11 229 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 11 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 11 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 95 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 95% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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