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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 114 6 it is the complementary color RGB 119 141 249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 114 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 114 6 shade: RGB 141 114 1, RGB 158 132 20, RGB 175 150 39, RGB 192 168 58 and RGB 209 186 77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 114 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 114 6 shade: RGB 136 114 6, RGB 119 96 0, RGB 102 78 0, RGB 85 60 0 and RGB 68 42 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 114 6 shade: RGB 137 114 5, RGB 137 79 5, RGB 137 44 5, RGB 137 8 5 and RGB 137 5 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 114 6 shade: RGB 137 114 5, RGB 123 137 5, RGB 88 137 5, RGB 53 137 5 and RGB 17 137 5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 114 6 shade matches the following richer shades: RGB 137 114 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 114 6 shade: RGB 137 114 5, RGB 125 107 17, RGB 113 99 28, RGB 102 91 40 and RGB 90 84 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 114 6 shade: RGB 137 42 5, RGB 137 77 5, RGB 137 113 5, RGB 126 137 5 and RGB 91 137 5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 114 6 shade: RGB 57 48 2, RGB 97 81 4, RGB 137 114 5, RGB 176 148 7 and RGB 216 181 9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 114 6 shade: RGB 136 114 6, RGB 5 137 7 and RGB 60 5 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 114 6 shade: RGB 136 114 6, RGB 5 137 113 and RGB 113 5 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 114 6 shade: RGB 136 114 6, RGB 5 137 7, RGB 5 29 137 and RGB 137 5 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 114 6 shade: RGB 136 114 6, RGB 5 137 47, RGB 5 29 137 and RGB 137 5 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 96 / 47

HEX #887206

RGB 136 114 6

HSL 49.85, 0.92%, 0.28%

LAB 48.61, -1.26, 53.41

 

Complementary color

CMYK 52 / 43 / 0 / 2

HEX #778DF9

RGB 119 141 249

HSL 229.85, 0.92%, 0.72%

LAB 61.49, 21.73, -56.54

 

CMYK 0 / 19 / 99 / 45

HEX #8D7201

RGB 141 114 1

HSL 48.43, 0.99%, 0.28%

LAB 49.13, 1.02, 55.08

 

CMYK 0 / 16 / 87 / 38

HEX #9E8414

RGB 158 132 20

HSL 48.7, 0.78%, 0.35%

LAB 55.91, -0.75, 57.08

 

CMYK 0 / 14 / 78 / 31

HEX #AF9627

RGB 175 150 39

HSL 48.97, 0.64%, 0.42%

LAB 62.57, -2.24, 57.74

 

CMYK 0 / 13 / 70 / 25

HEX #C0A83A

RGB 192 168 58

HSL 49.25, 0.54%, 0.49%

LAB 69.12, -3.47, 57.42

 

CMYK 0 / 11 / 63 / 18

HEX #D1BA4D

RGB 209 186 77

HSL 49.55, 0.59%, 0.56%

LAB 75.58, -4.49, 56.62

 

CMYK 0 / 16 / 96 / 47

HEX #887206

RGB 136 114 6

HSL 49.85, 0.92%, 0.28%

LAB 48.61, -1.26, 53.41

 

CMYK 0 / 19 / 100 / 53

HEX #776000

RGB 119 96 0

HSL 48.4, 1%, 0.23%

LAB 41.67, 0.79, 48.95

 

CMYK 0 / 24 / 100 / 60

HEX #664E00

RGB 102 78 0

HSL 45.88, 1%, 0.2%

LAB 34.55, 3.1, 43.08

 

CMYK 0 / 29 / 100 / 67

HEX #553C00

RGB 85 60 0

HSL 42.35, 1%, 0.17%

LAB 27.19, 5.58, 36.67

 

CMYK 0 / 38 / 100 / 73

HEX #442A00

RGB 68 42 0

HSL 37.06, 1%, 0.13%

LAB 19.58, 8.3, 28.21

 

CMYK 0 / 17 / 96 / 46

HEX #897205

RGB 137 114 5

HSL 49.55, 0.93%, 0.28%

LAB 48.72, -0.81, 53.74

 

CMYK 0 / 42 / 96 / 46

HEX #894F05

RGB 137 79 5

HSL 33.64, 0.93%, 0.28%

LAB 39.45, 19.54, 47.03

 

CMYK 0 / 68 / 96 / 46

HEX #892C05

RGB 137 44 5

HSL 17.73, 0.93%, 0.28%

LAB 32.1, 38.12, 42.09

 

CMYK 0 / 94 / 96 / 46

HEX #890805

RGB 137 8 5

HSL 1.36, 0.93%, 0.28%

LAB 28.12, 49.2, 39.1

 

CMYK 0 / 96 / 96 / 46

HEX #890505

RGB 137 5 5

HSL 0, 0.93%, 0.28%

LAB 27.95, 49.71, 38.96

 

CMYK 0 / 17 / 96 / 46

HEX #897205

RGB 137 114 5

HSL 49.55, 0.93%, 0.28%

LAB 48.72, -0.81, 53.74

 

CMYK 10 / 0 / 96 / 46

HEX #7B8905

RGB 123 137 5

HSL 66.36, 0.93%, 0.28%

LAB 54.15, -19.87, 57.3

 

CMYK 36 / 0 / 96 / 46

HEX #588905

RGB 88 137 5

HSL 82.27, 0.93%, 0.28%

LAB 51.81, -34.69, 54.47

 

CMYK 61 / 0 / 96 / 46

HEX #358905

RGB 53 137 5

HSL 98.18, 0.93%, 0.28%

LAB 50.29, -46.25, 52.6

 

CMYK 88 / 0 / 96 / 46

HEX #118905

RGB 17 137 5

HSL 114.55, 0.93%, 0.28%

LAB 49.52, -52.82, 51.66

 

CMYK 0 / 17 / 96 / 46

HEX #897205

RGB 137 114 5

HSL 49.55, 0.93%, 0.28%

LAB 48.72, -0.81, 53.74

 

CMYK 0 / 17 / 96 / 46

HEX #897205

RGB 137 114 5

HSL 49.55, 0.93%, 0.28%

LAB 48.72, -0.81, 53.74

 

CMYK 0 / 14 / 86 / 51

HEX #7D6B11

RGB 125 107 17

HSL 50, 0.76%, 0.28%

LAB 45.52, -2.27, 47.88

 

CMYK 0 / 12 / 75 / 56

HEX #71631C

RGB 113 99 28

HSL 50.12, 0.6%, 0.28%

LAB 42.03, -2.95, 40.25

 

CMYK 0 / 11 / 61 / 60

HEX #665B28

RGB 102 91 40

HSL 49.35, 0.44%, 0.28%

LAB 38.66, -2.7, 30.52

 

CMYK 0 / 7 / 43 / 65

HEX #5A5433

RGB 90 84 51

HSL 50.77, 0.28%, 0.28%

LAB 35.5, -3.02, 20.17

 

CMYK 0 / 69 / 96 / 46

HEX #892A05

RGB 137 42 5

HSL 16.82, 0.93%, 0.28%

LAB 31.77, 39.01, 41.86

 

CMYK 0 / 44 / 96 / 46

HEX #894D05

RGB 137 77 5

HSL 32.73, 0.93%, 0.28%

LAB 38.96, 20.69, 46.69

 

CMYK 0 / 18 / 96 / 46

HEX #897105

RGB 137 113 5

HSL 49.09, 0.93%, 0.28%

LAB 48.44, -0.24, 53.54

 

CMYK 8 / 0 / 96 / 46

HEX #7E8905

RGB 126 137 5

HSL 65, 0.93%, 0.28%

LAB 54.38, -18.51, 57.59

 

CMYK 34 / 0 / 96 / 46

HEX #5B8905

RGB 91 137 5

HSL 80.91, 0.93%, 0.28%

LAB 51.98, -33.52, 54.67

 

CMYK 0 / 16 / 96 / 78

HEX #393002

RGB 57 48 2

HSL 50.18, 0.93%, 0.12%

LAB 20, -1.56, 27.48

 

CMYK 0 / 16 / 96 / 62

HEX #615104

RGB 97 81 4

HSL 49.68, 0.92%, 0.2%

LAB 34.87, -1.13, 41.69

 

CMYK 0 / 17 / 96 / 46

HEX #897205

RGB 137 114 5

HSL 49.55, 0.93%, 0.28%

LAB 48.72, -0.81, 53.74

 

CMYK 0 / 16 / 96 / 31

HEX #B09407

RGB 176 148 7

HSL 50.06, 0.92%, 0.36%

LAB 62.02, -1.5, 65.01

 

CMYK 0 / 16 / 96 / 15

HEX #D8B509

RGB 216 181 9

HSL 49.86, 0.92%, 0.44%

LAB 74.61, -1.19, 75.76

 

CMYK 0 / 16 / 96 / 47

HEX #887206

RGB 136 114 6

HSL 49.85, 0.92%, 0.28%

LAB 48.61, -1.26, 53.41

 

CMYK 96 / 0 / 95 / 46

HEX #058907

RGB 5 137 7

HSL 120.91, 0.93%, 0.28%

LAB 49.42, -53.7, 51.16

 

CMYK 56 / 96 / 0 / 46

HEX #3C0589

RGB 60 5 137

HSL 265, 0.93%, 0.28%

LAB 19.54, 50.59, -59.34

 

CMYK 0 / 16 / 96 / 47

HEX #887206

RGB 136 114 6

HSL 49.85, 0.92%, 0.28%

LAB 48.61, -1.26, 53.41

 

CMYK 96 / 0 / 18 / 46

HEX #058971

RGB 5 137 113

HSL 169.09, 0.93%, 0.28%

LAB 50.82, -37.27, 4.08

 

CMYK 18 / 96 / 0 / 46

HEX #710589

RGB 113 5 137

HSL 289.09, 0.93%, 0.28%

LAB 27.91, 57.15, -45.29

 

CMYK 0 / 16 / 96 / 47

HEX #887206

RGB 136 114 6

HSL 49.85, 0.92%, 0.28%

LAB 48.61, -1.26, 53.41

 

CMYK 96 / 0 / 95 / 46

HEX #058907

RGB 5 137 7

HSL 120.91, 0.93%, 0.28%

LAB 49.42, -53.7, 51.16

 

CMYK 96 / 79 / 0 / 46

HEX #051D89

RGB 5 29 137

HSL 229.09, 0.93%, 0.28%

LAB 18.87, 37.25, -60.56

 

CMYK 0 / 96 / 2 / 46

HEX #890586

RGB 137 5 134

HSL 301.36, 0.93%, 0.28%

LAB 32.14, 60.72, -36.38

 

CMYK 0 / 16 / 96 / 47

HEX #887206

RGB 136 114 6

HSL 49.85, 0.92%, 0.28%

LAB 48.61, -1.26, 53.41

 

CMYK 96 / 0 / 66 / 46

HEX #05892F

RGB 5 137 47

HSL 139.09, 0.93%, 0.28%

LAB 49.65, -50.77, 38.43

 

CMYK 96 / 79 / 0 / 46

HEX #051D89

RGB 5 29 137

HSL 229.09, 0.93%, 0.28%

LAB 18.87, 37.25, -60.56

 

CMYK 0 / 96 / 31 / 46

HEX #89055F

RGB 137 5 95

HSL 319.09, 0.93%, 0.28%

LAB 30.04, 55.38, -14.82

 

Description

Color code: RGB 136 114 6 | qconv.com Color code: RGB 136 114 6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 114 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 114 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 96 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 96% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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